Two-sided AB2 after speaker cleaning (WavLM -id >= 0.80 on consecutive pairs AND against the first clip), k=5. This is the only source that ships min_cos_consec / min_cos_anchor.
Rule.AB2 — two-sided: emotion A falls by >=T while emotion B rises by >=T, each consecutive step <=C Source. trajectories_v3_speaker_clean.parquet | Family. speaker-cleaned two-sided set (WavLM -id >= 0.80, consecutive AND anchored) Sampled from 25,676 matching rows, without replacement across the family, so no two tiers reuse a chain.
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Astonishment Surprise up — by at least 0.25 each.
The chain starts with Astonishment Surprise below average — 0.36, lower than 64 % of clips in this corpus — and ends with it clearly present at 0.72, higher than 72 % of clips in this corpus. That is a total rise of 0.36.
At the same time Concentration goes the other way, from 0.90 (higher than 90 % of clips in this corpus) to 0.52 (higher than 52 % of clips in this corpus), a change of -0.39. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are -0.13, then +0.13, then +0.16, then +0.20 — not a clean run: step 1 moves back the other way by 0.13 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.88 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.85 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.88. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 39 s · zh · emolia
hear it un-normalised (raw levels, max seam 2.0 dB)
Unchanged across all 5 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, normally alert, slightly relaxed, no disfluency
This chain comes from the two-sided rule: it only counts if both emotions move — Contemplation down and Fatigue Exhaustion up — by at least 0.25 each.
The chain starts with Fatigue Exhaustion around average — 0.55, higher than 55 % of clips in this corpus — and ends with it strongly present at 0.81, higher than 81 % of clips in this corpus. That is a total rise of 0.27.
At the same time Contemplation goes the other way, from 0.80 (higher than 80 % of clips in this corpus) to 0.51 (higher than 51 % of clips in this corpus), a change of -0.28. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.10, then +0.07, then +0.14, then -0.03 — not a clean run: step 4 moves back the other way by 0.03 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.90 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.89 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.90. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 32 s · zh · emolia
hear it un-normalised (raw levels, max seam 1.4 dB)
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, no background noise, measured, normally alert, slightly relaxed, no disfluency
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, narration; average recording, no background noise; genuineness 0.5/6; vocal-burst blend 3.5/10; 7.0s, ZH.
ZH_B00014_S07197_W000047 · in -16.6 dBFS · gain -3.4 dB · emolia-03418
Contemplation ↓ / Concentration ↑sc-AB2-k5 · #3
This chain comes from the two-sided rule: it only counts if both emotions move — Contemplation down and Concentration up — by at least 0.25 each.
The chain starts with Concentration clearly present — 0.66, higher than 66 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.31.
At the same time Contemplation goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.68 (higher than 68 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.09, then +0.24, then -0.06, then +0.04 — not a clean run: step 3 moves back the other way by 0.06 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.86 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.88 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.86. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 51 s · de · emolia
hear it un-normalised (raw levels, max seam 2.5 dB)
Unchanged across all 5 clips: a middle-aged masculine voice · neutral-toned, balanced body, normally alert, slightly relaxed, moderate pitch range
(contemplation, confusion, triumph · measured, fairly steady, frequent disfluency, storytelling)Und über diesen zeitlichen Fluss habe ich mir letztlich unsere Wörter geprägt. Sprich, ich habe also aus der Analogie
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, normal breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation, confusion, triumph; style: storytelling, monologue; average recording, quiet background; genuineness 2.8/6; vocal-burst blend 0.0/10; 7.8s, DE.
DE_QVtYzDjCWZ0_W000072 · in -18.4 dBFS · gain -1.6 dB · emolia-00255
(pride, malevolence malice, bitterness· measured, moderately variable, some disfluency, monologue)Unser einzelne Wörter mit meinem alltäglichen Wahnsinn, den ich fast jeden Morgen erlebe, ein mentales Modell konstruiert, ein mentales Modell generiert.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as pride, malevolence malice, bitterness; style: monologue, didactic; average recording, quiet background; genuineness 3.1/6; vocal-burst blend 0.0/10; 9.4s, DE.
DE_QVtYzDjCWZ0_W000073 · in -17.2 dBFS · gain -2.8 dB · emolia-00255
(concentration, emotional numbness, sourness· measured, fairly steady, some disfluency, didactic)Das ich dann sozusagen in mein Langzeitgedächtnis, in mein Langzeitgedächtnis vorhandenen und abgespeicherten Erfahrungs- und Wissensstrukturen eingeordnet und angedockt habe. Das heißt, in diesem Sinne ist eigentlich Lernen ein aktiver, ein konstruktiver Prozess.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, emotional numbness, sourness; style: didactic, monologue; average recording, no background noise; genuineness 2.6/6; vocal-burst blend 0.0/10; 17.7s, DE.
DE_QVtYzDjCWZ0_W000074 · in -19.6 dBFS · gain -0.4 dB · emolia-00255
(concentration · measured, fairly steady, frequent disfluency, didactic)Bei dem wir letztlich relevante Informationen selektieren, diese Informationen organisieren.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration; style: didactic, monologue; average recording, quiet background; genuineness 2.3/6; vocal-burst blend 0.0/10; 6.2s, DE.
DE_QVtYzDjCWZ0_W000075 · in -17.8 dBFS · gain -2.2 dB · emolia-00255
(concentration ·normal-paced, fairly steady, little disfluency, didactic)Und letztlich diese organisierten Informationen in unsere bereits vorhandenen Wissens- und Erfahrungsstrukturen unseres Langzeitgedächtnisses integrieren.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as concentration; style: didactic, monologue; good recording, no background noise; genuineness 1.4/6; vocal-burst blend 0.0/10; 9.2s, DE.
DE_QVtYzDjCWZ0_W000076 · in -19.6 dBFS · gain -0.4 dB · emolia-00255
Confusion ↓ / Concentration ↑sc-AB2-k5 · #4
This chain comes from the two-sided rule: it only counts if both emotions move — Confusion down and Concentration up — by at least 0.25 each.
The chain starts with Concentration clearly present — 0.62, higher than 62 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.35.
At the same time Confusion goes the other way, from 0.87 (higher than 87 % of clips in this corpus) to 0.62 (higher than 62 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.16, then -0.01, then +0.08, then +0.12 — not a clean run: step 2 moves back the other way by 0.01 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.94 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.94 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.94), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 54 s · zh · emolia
hear it un-normalised (raw levels, max seam 1.9 dB)
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration; style: monologue, formal; good recording, no background noise; genuineness 0.9/6; vocal-burst blend 4.9/10; 15.3s, ZH.
ZH_B00017_S04695_W000097 · in -18.8 dBFS · gain -1.2 dB · emolia-03447
Interest ↓ / Shame ↑sc-AB2-k5 · #5
This chain comes from the two-sided rule: it only counts if both emotions move — Interest down and Shame up — by at least 0.25 each.
The chain starts with Shame clearly present — 0.68, higher than 68 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.29.
At the same time Interest goes the other way, from 0.91 (higher than 91 % of clips in this corpus) to 0.60 (higher than 60 % of clips in this corpus), a change of -0.31. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.17, then +0.10, then +0.02, then -0.01 — not a clean run: step 4 moves back the other way by 0.01 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.96 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.97 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.96), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 81 s · sr · eurospeech
hear it un-normalised (raw levels, max seam 4.3 dB)
Unchanged across all 5 clips: a child masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, quiet background, normally alert, slightly relaxed
(interest · fast, authoritative, monologue)krivičnom gonjenju i sprečavanju kriminala kroz saradnju i uzajamnu pravnu pomoć u krivičnim stvarima i na taj način doprineti efikasnoj borbi protiv svih vidova kriminala i (ahem) omogućiti efikasnije procesuiranje počinilaca krivičnih dela.Prema
full caption & clip details
A child masculine voice; delivery is normally alert, fast, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as interest; style: authoritative, monologue; average recording, quiet background; genuineness 2.2/6; vocal-burst blend 5.1/10; 15.2s, SR.
serbia_serbia_2020_290_12052021_911856_927088 · in -18.0 dBFS · gain -2.0 dB · eurospeech-02766
(thankfulness gratitude, disappointment·normal-paced, monologue, authoritative)dela.Prema navedenom Ugovoru, strane će u skladu sa odredbama Ugovora, pružiti jedna drugoj najširu moguću pravnu pomoć u krivičnim stvarima.Obim pravne pomoći koja je predviđena ugovorom obuhvata uručenje dokumenata, pronalaženje, identifikovanje lica i predmeta, pribavljanje informacija, dokumenata i dokaza, obezbeđivanje
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as thankfulness gratitude, disappointment; style: monologue, authoritative; average recording, quiet background; genuineness 2.2/6; vocal-burst blend 4.9/10; 20.0s, SR.
serbia_serbia_2020_290_12052021_927088_947088 · in -18.7 dBFS · gain -1.3 dB · eurospeech-02766
(relief, shame, thankfulness gratitude ·fast, monologue, authoritative)predmeta, pretres i konfiskaciju, izvođenje dokaza i pribavljanje izjava, video-konferencijsko saslušanje, pronalaženje, oduzimanje i zaplenu prihoda od kriminala i bilo koji drugi oblik pomoći koji nije u suprotnosti sa zakonom zemlje molilje.Ugovor
full caption & clip details
A child masculine voice; delivery is normally alert, fast, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as relief, shame, thankfulness gratitude; style: monologue, authoritative; average recording, quiet background; genuineness 2.1/6; vocal-burst blend 4.2/10; 16.3s, SR.
serbia_serbia_2020_290_12052021_947088_963424 · in -21.6 dBFS · gain +1.6 dB · eurospeech-02766
(pride, shame, triumph· fast, authoritative, didactic)sadrži i odredbe koje uređuju način izvršenja zamolnica, formu i sadržaj zamolnica, ograničenje pružanja pravne pomoći, pronalaženje, identifikovanje lica i predmeta, uručenje sudskih pismena i dokumenata,
full caption & clip details
A young adult masculine voice; delivery is normally alert, fast, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride, shame, triumph; style: authoritative, didactic; average recording, quiet background; genuineness 2.7/6; vocal-burst blend 5.4/10; 13.5s, SR.
serbia_serbia_2020_290_12052021_963424_976944 · in -17.3 dBFS · gain -2.7 dB · eurospeech-02766
(shame, thankfulness gratitude, pride · fast, monologue, authoritative)pribavljanje informacija, dokumenata i predmeta, zaplenu predmeta, uzimanje izjava od zamoljene strane, predaju pritvorenih lica radi svedočenja strani molilji, davanje izjava strani molilji, saslušanje putem video-konferencijske veze,
full caption & clip details
A young adult masculine voice; delivery is normally alert, fast, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as shame, thankfulness gratitude, pride; style: monologue, authoritative; average recording, quiet background; genuineness 1.7/6; vocal-burst blend 4.6/10; 15.8s, SR.
serbia_serbia_2020_290_12052021_976944_992736 · in -17.9 dBFS · gain -2.1 dB · eurospeech-02766
This chain comes from the two-sided rule: it only counts if both emotions move — Emotional Numbness down and Infatuation up — by at least 0.25 each.
The chain starts with Infatuation clearly present — 0.62, higher than 62 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.35.
At the same time Emotional Numbness goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.11, then +0.22, then -0.01, then +0.02 — not a clean run: step 3 moves back the other way by 0.01 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.82 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.89 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.82. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult feminine voice · neutral-toned, neutral-bright, slightly relaxed, fairly steady, clear, light breath
(emotional numbness, disappointment, fear · measured, normally alert, no disfluency, ASMR)Seit der Krieg zu Ende war, hatte sie sich mit allen möglichen Jobs durchgeschlagen.
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, disappointment, fear; style: ASMR, narration; good recording, no background noise; genuineness 0.7/6; vocal-burst blend 0.0/10; 5.3s, DE.
DE_B00001_S00064_W000021 · in -22.1 dBFS · gain +2.0 dB · emolia-00044
(awe, longing, concentration· measured, very low-energy, no disfluency, whispered)An ihrem Beruf als Straßenbahn-Schaffnerin, den sie seit ein paar Jahren hatte, mochte sie die Uniformen und die Bewegung, den Wechsel der Bilder und das Rollen unter den Füßen. Sonst mochte sie ihn nicht. Sie hatte keine Familie. Sie war 36.
full caption & clip details
An elderly feminine voice; delivery is very low-energy, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is mildly positive, neutral stance, neutral openness; reads as awe, longing, concentration; style: whispered, narration; average recording, quiet background; genuineness 0.4/6; vocal-burst blend 0.0/10; 19.3s, DE.
DE_B00001_S00064_W000022 · in -22.2 dBFS · gain +2.2 dB · emolia-00044
(contempt, longing, sourness· measured, normally alert, no disfluency, whispered)Das alles entzählte sie, als sei es nicht ihr Leben, sondern das Leben eines anderen, den sie nicht gut kennt und der sie nicht angeht.
full caption & clip details
A child feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as contempt, longing, sourness; style: whispered, ASMR; average recording, quiet background; genuineness 0.5/6; vocal-burst blend 0.0/10; 9.4s, DE.
DE_B00001_S00064_W000023 · in -22.1 dBFS · gain +2.1 dB · emolia-00044
(fear, malevolence malice, disappointment· measured, very low-energy, some disfluency, narration)Was ich genauer wissen wollte, wusste sie oft nicht mehr und sie verstand auch nicht, warum mich interessierte, was aus ihren Eltern geworden war, ob sie Geschwister gehabt, wie sie in Berlin gelebt und was sie bei den Soldaten gemacht hatte. Was du alles wissen willst, Junchen. Ebenso war es mit der Zukunft.
full caption & clip details
An elderly feminine voice; delivery is very low-energy, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, some disfluency, fairly narrow pitch, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as fear, malevolence malice, disappointment; style: narration, whispered; average recording, quiet background; genuineness 1.5/6; vocal-burst blend 0.9/10; 23.4s, DE.
DE_B00001_S00064_W000024 · in -22.7 dBFS · gain +2.7 dB · emolia-00044
(infatuation, sexual lust, contentment·normal-paced, normally alert, no disfluency, narration)Natürlich schmiedete ich keine Pläne für Heirat und Familie, aber ich nahm eine Beziehung von Julianne Sorelle zu Madame de Renal mehr an Teil als an der zu mithilfe der Maud.
full caption & clip details
An elderly feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as infatuation, sexual lust, contentment; style: narration, whispered; good recording, no background noise; genuineness 0.7/6; vocal-burst blend 0.0/10; 12.3s, DE.
DE_B00001_S00064_W000025 · in -20.6 dBFS · gain +0.6 dB · emolia-00044
This chain comes from the two-sided rule: it only counts if both emotions move — Fatigue Exhaustion down and Concentration up — by at least 0.25 each.
The chain starts with Concentration clearly present — 0.62, higher than 62 % of clips in this corpus — and ends with it strongly present at 0.87, higher than 87 % of clips in this corpus. That is a total rise of 0.25.
At the same time Fatigue Exhaustion goes the other way, from 0.81 (higher than 81 % of clips in this corpus) to 0.35 (lower than 65 % of clips in this corpus), a change of -0.46. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.08, then -0.16, then +0.09, then +0.24 — not a clean run: step 2 moves back the other way by 0.16 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.81 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.84 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.81. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
This chain comes from the two-sided rule: it only counts if both emotions move — Contemplation down and Fatigue Exhaustion up — by at least 0.25 each.
The chain starts with Fatigue Exhaustion clearly present — 0.62, higher than 62 % of clips in this corpus — and ends with it at the very top of the corpus at 0.91, higher than 91 % of clips in this corpus. That is a total rise of 0.29.
At the same time Contemplation goes the other way, from 0.90 (higher than 90 % of clips in this corpus) to 0.52 (higher than 52 % of clips in this corpus), a change of -0.38. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.05, then +0.18, then -0.01, then +0.07 — not a clean run: step 3 moves back the other way by 0.01 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.93 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, slightly dark, fairly smooth, average recording, no background noise, measured, normally alert, slightly relaxed
(contemplation · fairly steady, some disfluency, clear, monologue)当他再一次回到轮回中枢后，他能够感觉到自己已经能够原地跳起三米左右，高度超越了人类极限。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation; style: monologue, narration; average recording, no background noise; genuineness 1.2/6; vocal-burst blend 4.4/10; 10.2s, ZH.
ZH_B00064_S07480_W000034 · in -20.6 dBFS · gain +0.6 dB · emolia-03912
(concentration, infatuation·steady, some disfluency, somewhat unclear, monologue)同时，速度、力量皆是大为提升。按照龙辉世界的实力评价，只是身体素质这方面，他就已经突破了f达到了一级。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, some disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, infatuation; style: monologue, didactic; average recording, no background noise; genuineness 1.2/6; vocal-burst blend 3.3/10; 12.6s, ZH.
ZH_B00064_S07480_W000035 · in -21.6 dBFS · gain +1.6 dB · emolia-03912
(sexual lust, intoxication altered states of consciousness· steady, no disfluency, clear, monologue)新获得的念动力影响范围并不强，并不能隔空杀人，仅有五米左右，立刻致人死亡的作用。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as sexual lust, intoxication altered states of consciousness; style: monologue, whispered; average recording, no background noise; genuineness 0.8/6; vocal-burst blend 3.5/10; 9.5s, ZH.
ZH_B00064_S07480_W000036 · in -20.5 dBFS · gain +0.5 dB · emolia-03912
(concentration· steady, no disfluency, clear, monologue)十米之内能够稍微操控一下几斤重量的物品，能够使用三次，目前来说作用不小。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration; style: monologue, whispered; average recording, no background noise; genuineness 1.1/6; vocal-burst blend 3.0/10; 9.6s, ZH.
ZH_B00064_S07480_W000037 · in -20.6 dBFS · gain +0.6 dB · emolia-03912
(fatigue exhaustion, confusion·fairly steady, no disfluency, clear, monologue)用来出其不意，取得敌人的头发、血液，或者悄悄杀死敌人，还是极为有用的。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, thin; clear, no disfluency, moderate pitch range, audible breath; affect is neutral, neutral stance, slightly guarded; reads as fatigue exhaustion, confusion; style: monologue, narration; average recording, no background noise; genuineness 1.1/6; vocal-burst blend 3.8/10; 8.1s, ZH.
ZH_B00064_S07480_W000038 · in -21.4 dBFS · gain +1.4 dB · emolia-03912
Relief ↓ / Shame ↑sc-AB2-k5 · #9
This chain comes from the two-sided rule: it only counts if both emotions move — Relief down and Shame up — by at least 0.25 each.
The chain starts with Shame clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.26.
At the same time Relief goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.17, then +0.06, then -0.06, then +0.09 — not a clean run: step 3 moves back the other way by 0.06 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.92 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · balanced body, average recording, quiet background, measured, frequent disfluency, somewhat unclear
(relief, triumph · normally alert, slightly relaxed, fairly steady, monologue)havia essa aspectativa. Ela se confirmou. O esporte entrou com três zagueiros. Mas aí a continuação da formação conservadora seria a tirada, a saída de Patrick por problemas que a gente já sabe. Foi punido com o terceiro cartão amarelo. Então ele estava suspenso.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as relief, triumph; style: monologue, playful; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 3.8/10; 21.1s, PT.
887678_00034356 · in -28.9 dBFS · gain +8.9 dB · podcast-03279
(disgust, interest· normally alert, slightly relaxed, moderately variable, cartoonish)time. Porque Raul Prata tem um sistema defensivo mais sólido do que Patrick. Aliás, eu já venho falando aqui que Patrick está tendo uma dificuldade de apresentar um futebol (low mumble)
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, audible breath; affect is neutral, neutral stance, slightly guarded; reads as disgust, interest; style: cartoonish, didactic; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 1.1/10; 15.9s, PT.
887678_00037724 · in -28.5 dBFS · gain +8.5 dB · podcast-02725
(disappointment, anger, sourness· normally alert, slightly relaxed, moderately variable, cartoonish)(low mumble) mais sólido no esporte. Talvez essas últimas 10 partidas que o esporte deu, um pouco menos ou um pouco mais, enfim. Mas Patrick tem demonstrado diretamente essa dificuldade. Ele tem caído de produção. Chegou
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An elderly masculine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is slightly cool, slightly dark, rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, audible breath; affect is neutral, slightly dominant, slightly guarded; reads as disappointment, anger, sourness; style: cartoonish, didactic; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 1.8/10; 19.0s, PT.
887678_00039312 · in -28.9 dBFS · gain +8.9 dB · podcast-02744
(contentment, relief, disappointment · normally alert, neutral tension, moderately variable, cartoonish)(low mumble) Tecnicamente ele vem apresentado abaixo, no meu ponto de vista, do que Raul Prata. Mas ele não tirou Patrick por Patrick ser uma voz de liderança muito forte no grupo. (low mumble) Está na reta final. O próprio Jair Ventura não quer perder esse grupo. O grupo está fechado, unido. E
full caption & clip details
A child masculine voice; delivery is normally alert, measured, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as contentment, relief, disappointment; style: cartoonish, playful; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 4.6/10; 22.1s, PT.
887678_00043580 · in -28.4 dBFS · gain +8.4 dB · podcast-02720
(shame, contentment, bitterness·subdued, slightly relaxed, fairly steady, monologue)isso poderia mexer um pouco com a estrutura psicológica do time. Então Jair resolveu abraçar essa ideia, pagar esse preço das baixas apresentações que Patrick vem dando no esporte. Mas enfim, conservadoramente falando, poderia entrar com o Raul Prata. Raul Prata sustentaria, dava uma base melhor.
full caption & clip details
A child masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as shame, contentment, bitterness; style: monologue; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 3.3/10; 26.3s, PT.
887678_00045784 · in -27.5 dBFS · gain +7.5 dB · podcast-02739
This chain comes from the two-sided rule: it only counts if both emotions move — Contemplation down and Fatigue Exhaustion up — by at least 0.25 each.
The chain starts with Fatigue Exhaustion around average — 0.47, lower than 53 % of clips in this corpus — and ends with it strongly present at 0.90, higher than 90 % of clips in this corpus. That is a total rise of 0.42.
At the same time Contemplation goes the other way, from 0.82 (higher than 82 % of clips in this corpus) to 0.48 (lower than 52 % of clips in this corpus), a change of -0.34. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.15, then +0.21, then -0.14, then +0.21 — not a clean run: step 3 moves back the other way by 0.14 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.90 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.88 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.90), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
This chain comes from the two-sided rule: it only counts if both emotions move — Hope Enthusiasm Optimism down and Fatigue Exhaustion up — by at least 0.25 each.
The chain starts with Fatigue Exhaustion clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.32.
At the same time Hope Enthusiasm Optimism goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.73 (higher than 73 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are -0.07, then +0.12, then +0.24, then +0.04 — not a clean run: step 1 moves back the other way by 0.07 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.89 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.88 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.89. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult masculine voice · neutral-toned, neutral-bright, balanced body, average recording, quiet background, fairly steady, moderate pitch range, light breath
(hope enthusiasm optimism, interest, contentment · normal-paced, normally alert, slightly relaxed, casual)So that's what you guys are gonna see. A couple of videos with low membership are our low people on server. It's not gonna be the normal 20 to 30 people, (low mumble) uhm, plus that we usually get, but it's a start. It's somewhere that we can start and expand and grow from.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as hope enthusiasm optimism, interest, contentment; style: casual, monologue; average recording, quiet background; genuineness 3.3/6; vocal-burst blend 5.3/10; 14.7s, EN.
EN_5nsC7k4-UwE_W000008 · in -18.3 dBFS · gain -1.7 dB · emolia-00998
(elation, hope enthusiasm optimism, malevolence malice·brisk, normally alert, slightly relaxed, casual)So if we can start patrols going from 12 to 12, that'll be amazing. And then people can just hop on and get off whenever they like during the day.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as elation, hope enthusiasm optimism, malevolence malice; style: casual, monologue; average recording, quiet background; genuineness 2.5/6; vocal-burst blend 5.4/10; 7.0s, EN.
EN_5nsC7k4-UwE_W000009 · in -18.5 dBFS · gain -1.5 dB · emolia-00998
(embarrassment, hope enthusiasm optimism ·normal-paced, normally alert, neutral tension, casual)But (low mumble) uhm, yeaah, that's what we're gonna be trying to do now. Remember to follow me on my socials, link in the description down below. If you're in another time zone, don't worry, you can still join the VRP.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as embarrassment, hope enthusiasm optimism; style: casual, conversational; average recording, quiet background; genuineness 4.6/6; vocal-burst blend 8.3/10; 8.6s, EN.
EN_5nsC7k4-UwE_W000010 · in -18.7 dBFS · gain -1.3 dB · emolia-00998
(fatigue exhaustion, affection, longing· normal-paced, normally alert, relaxed, casual)(low mumble) Uhm, most of the content creators would either be coming on, (low mumble) uhm, earlier, cause we would actually like to come on earlier, but, you know, it is what it is. (low mumble) Uhm, we just need some of you guys to come on and
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as fatigue exhaustion, affection, longing; style: casual, conversational; average recording, quiet background; genuineness 4.5/6; vocal-burst blend 7.3/10; 11.6s, EN.
EN_5nsC7k4-UwE_W000011 · in -18.5 dBFS · gain -1.5 dB · emolia-00998
(fatigue exhaustion, impatience and irritability, anger· normal-paced, subdued, slightly relaxed, casual)Join the server, be a part of the RP and let's, let's branch off to, from patrols that are just starting around 7pm. We don't want to be doing that anymore. We want to have patrols start at 12 and end at 12 midnight or even go into the morning, maybe 3 o'clock in the morning (low mumble) at ESV.
full caption & clip details
A young adult masculine voice; delivery is subdued, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fatigue exhaustion, impatience and irritability, anger; style: casual, monologue; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 7.6/10; 18.1s, EN.
EN_5nsC7k4-UwE_W000012 · in -20.0 dBFS · gain -0.0 dB · emolia-00998
Emotional Numbness ↓ / Pain ↑sc-AB2-k5 · #12
This chain comes from the two-sided rule: it only counts if both emotions move — Emotional Numbness down and Pain up — by at least 0.25 each.
The chain starts with Pain below average — 0.35, lower than 65 % of clips in this corpus — and ends with it clearly present at 0.72, higher than 72 % of clips in this corpus. That is a total rise of 0.37.
At the same time Emotional Numbness goes the other way, from 0.94 (higher than 94 % of clips in this corpus) to 0.62 (higher than 62 % of clips in this corpus), a change of -0.32. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are -0.24, then +0.24, then +0.20, then +0.17 — not a clean run: step 1 moves back the other way by 0.24 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.93 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult masculine voice · neutral-bright, fairly smooth, balanced body, no background noise, normally alert, slightly relaxed, no disfluency, clear
(emotional numbness · normal-paced, fairly steady, moderate pitch range, newsreading)While their giving pattern matches that of other unions, public sector unions also concentrate contributions on members of Congress from both parties who sit on committees that deal with federal budgets and agencies
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: newsreading, formal; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 11.1s, EN.
EN_0wOGu4tXyyE_W000016 · in -14.9 dBFS · gain -5.1 dB · emolia-00970
(sourness, emotional numbness ·measured, steady, fairly narrow pitch, formal)Civil service Government agency Nationalization Political economy Privatization Public economics Public ownership Public sector business cases for projects Special purpose district State-owned enterprise
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A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, no audible breath; affect is neutral, neutral stance, slightly guarded; reads as sourness, emotional numbness; style: formal, authoritative; average recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.0/10; 20.6s, EN.
EN_0wOGu4tXyyE_W000018 · in -17.2 dBFS · gain -2.8 dB · emolia-00970
(emotional numbness · measured, steady, fairly narrow pitch, authoritative)Barlow, J. Rorick, J. K. and Wright, S. 2010. De facto privatization or a renewed role for the EU? Paying for Europe's healthcare infrastructure in a recession. Journal of the Royal Society of Medicine, 103-51-55.
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A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: authoritative, formal; average recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.2/10; 16.1s, EN.
EN_0wOGu4tXyyE_W000022 · in -15.5 dBFS · gain -4.5 dB · emolia-00970
(normal-paced, fairly steady, moderate pitch range, formal)Lloyd G. Nigro, Decision Making in the Public Sector' 1984, Marcel Dekker Inc.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.7/10; 5.6s, EN.
EN_0wOGu4tXyyE_W000023 · in -14.5 dBFS · gain -5.5 dB · emolia-00970
(normal-paced, steady, moderate pitch range, formal)David G. Carnavale, Organizational Development in the Public Sector 2002, Westview PR
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 0.0/10; 6.6s, EN.
EN_0wOGu4tXyyE_W000024 · in -15.5 dBFS · gain -4.5 dB · emolia-00970
Concentration ↓ / Embarrassment ↑sc-AB2-k5 · #13
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Embarrassment up — by at least 0.25 each.
The chain starts with Embarrassment around average — 0.58, higher than 58 % of clips in this corpus — and ends with it at the very top of the corpus at 0.92, higher than 92 % of clips in this corpus. That is a total rise of 0.34.
At the same time Concentration goes the other way, from 0.94 (higher than 94 % of clips in this corpus) to 0.55 (higher than 55 % of clips in this corpus), a change of -0.39. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.13, then +0.08, then -0.06, then +0.19 — not a clean run: step 3 moves back the other way by 0.06 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.95 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.95 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.95), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, average recording, quiet background, normally alert, fairly steady, moderate pitch range
(concentration, sourness, contempt · normal-paced, slightly relaxed, almost no disfluency, monologue)Със Законопроекта се предвижда да се определя уникален идентификационен код на категоризираните места за настаняване, който ще се генерира от Националния туристически регистър и ще съдържа данни за категоризирания туристически обект.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, sourness, contempt; style: monologue, authoritative; average recording, quiet background; genuineness 0.8/6; vocal-burst blend 1.9/10; 15.2s, BG.
bulgaria_bulgaria_0_28112019_1373312_1388480 · in -32.8 dBFS · gain +12.8 dB · eurospeech-00071
(thankfulness gratitude· normal-paced, slightly relaxed, almost no disfluency, monologue)Създава се Национален регистър на туристическите забележителности, фестивали и събития, който да включва двата съществуващи регистъра – Регистъра на туристическите атракции и Регистъра на туристическите фестивали и събития.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as thankfulness gratitude; style: monologue, authoritative; average recording, quiet background; genuineness 0.8/6; vocal-burst blend 1.2/10; 13.3s, BG.
bulgaria_bulgaria_0_28112019_1388480_1401792 · in -33.5 dBFS · gain +13.5 dB · eurospeech-00071
(concentration, sourness, shame·brisk, neutral tension, some disfluency, monologue)тъй като систематичното място на правната норма е в Закона за туризма. Председателят на Комисията за защита на потребителите Димитър Маргаритов изрази подкрепа по Законопроекта и изказа мнение, че с предвидените разпоредби се оптимизира санкционният режим и се създават
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as concentration, sourness, shame; style: monologue, dramatic; average recording, quiet background; genuineness 2.2/6; vocal-burst blend 5.4/10; 17.2s, BG.
bulgaria_bulgaria_0_28112019_1420096_1437312 · in -32.6 dBFS · gain +12.6 dB · eurospeech-00071
(shame, sourness, disgust· brisk, slightly relaxed, almost no disfluency, monologue)условия за по-добра координация между КЗП и Министерството на туризма. От сдружение „Българско ски училище“ настояват, по отношение на професионалната правоспособност и квалификацията на ски учителите, да не се препраща към наредбата по чл. 97, ал. 6 от Закона за физическото възпитание и спорта.
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as shame, sourness, disgust; style: monologue, authoritative; average recording, quiet background; genuineness 1.2/6; vocal-burst blend 3.4/10; 17.7s, BG.
bulgaria_bulgaria_0_28112019_1437312_1455024 · in -32.4 dBFS · gain +12.4 dB · eurospeech-00071
(embarrassment, relief, pride·normal-paced, slightly relaxed, some disfluency, monologue)От Българска туристическа камара изразиха притеснение, че с текстове от Законопроекта се ограничава участието им в експертните комисии.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as embarrassment, relief, pride; style: monologue, authoritative; average recording, quiet background; genuineness 1.3/6; vocal-burst blend 0.8/10; 10.4s, BG.
bulgaria_bulgaria_0_28112019_1455024_1465440 · in -33.6 dBFS · gain +13.6 dB · eurospeech-00071
Astonishment Surprise ↓ / Intoxication Altered States of Consciousness ↑sc-AB2-k5 · #14
This chain comes from the two-sided rule: it only counts if both emotions move — Astonishment Surprise down and Intoxication Altered States of Consciousness up — by at least 0.25 each.
The chain starts with Intoxication Altered States of Consciousness around average — 0.57, higher than 57 % of clips in this corpus — and ends with it strongly present at 0.83, higher than 83 % of clips in this corpus. That is a total rise of 0.27.
At the same time Astonishment Surprise goes the other way, from 0.86 (higher than 86 % of clips in this corpus) to 0.52 (higher than 52 % of clips in this corpus), a change of -0.33. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.03, then +0.02, then +0.22, then -0.01 — not a clean run: step 4 moves back the other way by 0.01 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.81 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.81 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.81. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, good recording, no background noise, normally alert, slightly relaxed, fairly steady
(brisk, formal, monologue)All the coaches of the train were packed into capacity ten minutes before it started.
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.2/10; 5.1s, ZH.
ZH_B00081_S08363_W000036 · in -21.5 dBFS · gain +1.5 dB · emolia-04085
(normal-paced, authoritative, monologue)The most important thing in the olympics is not to win, but to participate.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: authoritative, monologue; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 2.6/10; 4.0s, ZH.
ZH_B00081_S08363_W000037 · in -21.3 dBFS · gain +1.3 dB · emolia-04085
(normal-paced, authoritative, monologue)The most important thing in the olympics is not to win, but to participate.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: authoritative, monologue; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 2.7/10; 4.0s, ZH.
ZH_B00081_S08363_W000038 · in -21.4 dBFS · gain +1.4 dB · emolia-04085
(brisk, authoritative, monologue)If the quality of your product meets with our customers approval, we will place regular orders.
full caption & clip details
An adult feminine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; no dominant emotion; style: authoritative, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.2/10; 5.7s, ZH.
ZH_B00081_S08363_W000039 · in -21.1 dBFS · gain +1.1 dB · emolia-04085
(brisk, authoritative, dramatic)If the quality of your product meets with our customers approval, we will place regular orders.
full caption & clip details
An adult feminine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; no dominant emotion; style: authoritative, dramatic; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.1/10; 5.7s, ZH.
ZH_B00081_S08363_W000040 · in -21.1 dBFS · gain +1.1 dB · emolia-04085
Contemplation ↓ / Confusion ↑sc-AB2-k5 · #15
This chain comes from the two-sided rule: it only counts if both emotions move — Contemplation down and Confusion up — by at least 0.25 each.
The chain starts with Confusion clearly present — 0.68, higher than 68 % of clips in this corpus — and ends with it at the very top of the corpus at 0.95, higher than 95 % of clips in this corpus. That is a total rise of 0.28.
At the same time Contemplation goes the other way, from 0.93 (higher than 93 % of clips in this corpus) to 0.62 (higher than 62 % of clips in this corpus), a change of -0.31. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.11, then +0.09, then -0.06, then +0.14 — not a clean run: step 3 moves back the other way by 0.06 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.91 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.89 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.91), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, average recording, quiet background, slightly relaxed, fairly steady, light breath
(contemplation, longing · measured, normally alert, frequent disfluency, didactic)적어도 예배시간 30분 전에 도착해서 교제를 나누고 개인적으로 기도하고 찬송 연습에 참여한다.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation, longing; style: didactic, monologue; average recording, quiet background; genuineness 2.3/6; vocal-burst blend 0.9/10; 8.7s, KO.
KO_4QODsQ8zywE_W000162 · in -21.0 dBFS · gain +1.0 dB · emolia-03045
(measured, subdued, frequent disfluency, didactic)이게 참 사실은 장로교 헌법 안에서 권장 사항이에요. (low mumble) 도착해서 기도로 준비하고, 또,
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An adult masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, neutral openness; no dominant emotion; style: didactic, monologue; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 0.0/10; 11.1s, KO.
KO_4QODsQ8zywE_W000163 · in -20.5 dBFS · gain +0.5 dB · emolia-03045
(contemplation· measured, normally alert, some disfluency, conversational)여러분, 준비 찬송은 없습니다. 준비, 찬송을 무슬 준비, 찬송 연습은 하는 거예요. 찬송 연습을 해서 같이 참여하고.
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An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation; style: conversational, didactic; average recording, quiet background; genuineness 3.5/6; vocal-burst blend 4.5/10; 12.3s, KO.
KO_4QODsQ8zywE_W000164 · in -18.1 dBFS · gain -1.9 dB · emolia-03045
(measured, normally alert, some disfluency, monologue)너희들은 너리든 저쪽 가서 하고 우리는 이렇게. 그러지 않고 가족이 함께 앉아서 예배를 합니다.
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An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; slurred, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, ASMR; average recording, quiet background; genuineness 2.6/6; vocal-burst blend 1.4/10; 6.2s, KO.
KO_4QODsQ8zywE_W000165 · in -21.1 dBFS · gain +1.1 dB · emolia-03045
(confusion, fear, distress·normal-paced, normally alert, some disfluency, didactic)그리고 여기 이제 우리가 궁금한 거, 이곳저곳을 향하여 예배하거나 절하지 말고 바로 들어와 자리에 앉는다라는 설명이 뭐냐면요.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as confusion, fear, distress; style: didactic, authoritative; average recording, quiet background; genuineness 2.4/6; vocal-burst blend 5.8/10; 7.7s, KO.
KO_4QODsQ8zywE_W000166 · in -18.8 dBFS · gain -1.2 dB · emolia-03045
Concentration ↓ / Impatience and Irritability ↑sc-AB2-k5 · #16
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Impatience and Irritability up — by at least 0.25 each.
The chain starts with Impatience and Irritability clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.27.
At the same time Concentration goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.06, then -0.04, then +0.19, then +0.06 — not a clean run: step 2 moves back the other way by 0.04 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.88 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.89 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.88. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, brisk, normally alert, slightly relaxed, almost no disfluency, clear
(concentration, jealousy and envy, interest · fairly steady, monologue, narration)但性格测试他就做到了。很多人看完这个性格分析之后，立马就找到了自己身边的人不给力的一个原因。原来你是什么什么性格的，所以你老是迟到。因为你是什么什么性格的，所以你注定是个内向的人。这个行业在高级一点就有点玄乎了，你捧着钱去排队都不一定轮得到，你就是那种专门给富人提供冥想的禅修班。
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, jealousy and envy, interest; style: monologue, narration; good recording, no background noise; genuineness 2.0/6; vocal-burst blend 7.0/10; 21.1s, ZH.
ZH_B00000_S07910_W000019 · in -18.7 dBFS · gain -1.3 dB · emolia-00019
A young adult feminine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: monologue, authoritative; average recording, no background noise; genuineness 2.2/6; vocal-burst blend 5.2/10; 11.2s, ZH.
ZH_B00000_S07910_W000021 · in -18.3 dBFS · gain -1.7 dB · emolia-00019
(impatience and irritability, contempt·moderately variable, dramatic, authoritative)未来五到十年会有更大的爆发期。未来宠物行业下面的一个细分赛道可能都能养活上百家企业了。
full caption & clip details
An adult feminine voice; delivery is normally alert, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as impatience and irritability, contempt; style: dramatic, authoritative; good recording, no background noise; genuineness 2.2/6; vocal-burst blend 5.2/10; 7.0s, ZH.
ZH_B00000_S07910_W000022 · in -17.8 dBFS · gain -2.2 dB · emolia-00019
(impatience and irritability, contempt, anger· moderately variable, dramatic, authoritative)就是我这十八年的教学，确实帮到了一个又一个普通人逆袭成长，有一个最朴素的道理。就是我也不说我有多好，我就告诉你。
full caption & clip details
An adult feminine voice; delivery is normally alert, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as impatience and irritability, contempt, anger; style: dramatic, authoritative; average recording, no background noise; genuineness 2.5/6; vocal-burst blend 5.4/10; 7.8s, ZH.
ZH_B00000_S07910_W000023 · in -17.6 dBFS · gain -2.4 dB · emolia-00019
Relief ↓ / Confusion ↑sc-AB2-k5 · #17
This chain comes from the two-sided rule: it only counts if both emotions move — Relief down and Confusion up — by at least 0.25 each.
The chain starts with Confusion clearly present — 0.68, higher than 68 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.29.
At the same time Relief goes the other way, from 0.92 (higher than 92 % of clips in this corpus) to 0.58 (higher than 58 % of clips in this corpus), a change of -0.34. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.23, then -0.22, then +0.20, then +0.09 — not a clean run: step 2 moves back the other way by 0.22 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.86 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.84 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.86. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, average recording, measured, fairly steady, moderate pitch range
An adult masculine voice; delivery is subdued, measured, relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as intoxication altered states of consciousness, contemplation, concentration; style: monologue, conversational; average recording, quiet background; genuineness 3.3/6; vocal-burst blend 5.2/10; 28.2s, ZH.
ZH_B00004_S09712_W000019 · in -19.6 dBFS · gain -0.5 dB · emolia-03314
(confusion, intoxication altered states of consciousness, astonishment surprise·normally alert, slightly relaxed, frequent disfluency, monologue)(low mumble) (low mumble) (low mumble) 高高兴兴的啊团团圆圆的一块儿工作一块儿啊，一块吃饭的啊，他呢就一个人日的苦。那么这些苦人呢啊汉文汉文帝特别为他们规定了。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as confusion, intoxication altered states of consciousness, astonishment surprise; style: monologue, casual; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 4.0/10; 16.2s, ZH.
ZH_B00004_S09712_W000020 · in -19.8 dBFS · gain -0.2 dB · emolia-03314
Infatuation ↓ / Concentration ↑sc-AB2-k5 · #18
This chain comes from the two-sided rule: it only counts if both emotions move — Infatuation down and Concentration up — by at least 0.25 each.
The chain starts with Concentration around average — 0.50, right about the corpus median — and ends with it strongly present at 0.83, higher than 83 % of clips in this corpus. That is a total rise of 0.33.
At the same time Infatuation goes the other way, from 0.84 (higher than 84 % of clips in this corpus) to 0.51 (right about the corpus median), a change of -0.34. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.18, then +0.11, then -0.17, then +0.22 — not a clean run: step 3 moves back the other way by 0.17 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.86 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.89 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.86. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, formal; average recording, no background noise; genuineness 0.9/6; vocal-burst blend 4.3/10; 14.5s, ZH.
ZH_B00007_S06562_W000106 · in -19.3 dBFS · gain -0.7 dB · emolia-03344
Pain ↓ / Concentration ↑sc-AB2-k5 · #19
This chain comes from the two-sided rule: it only counts if both emotions move — Pain down and Concentration up — by at least 0.25 each.
The chain starts with Concentration around average — 0.57, higher than 57 % of clips in this corpus — and ends with it strongly present at 0.89, higher than 89 % of clips in this corpus. That is a total rise of 0.32.
At the same time Pain goes the other way, from 0.85 (higher than 85 % of clips in this corpus) to 0.20 (lower than 80 % of clips in this corpus), a change of -0.65. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.02, then +0.10, then +0.13, then +0.06 — a plateau around step 1, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.86 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.84 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.86. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, good recording, no background noise, normally alert, slightly relaxed, fairly steady
(normal-paced, no disfluency, storytelling, formal)看来，俄国人所拥有的飞机和坦克的数量很大。
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; no dominant emotion; style: storytelling, formal; good recording, no background noise; genuineness 0.9/6; vocal-burst blend 3.6/10; 3.9s, ZH.
ZH_B00081_S02600_W000063 · in -18.2 dBFS · gain -1.8 dB · emolia-04082
(fast, no disfluency, dramatic, storytelling)到目前为止，仅击毁的飞机就有三千五百架运油车一千辆。
full caption & clip details
A young adult feminine voice; delivery is normally alert, fast, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: dramatic, storytelling; good recording, no background noise; genuineness 1.3/6; vocal-burst blend 3.9/10; 5.8s, ZH.
ZH_B00081_S02600_W000064 · in -17.4 dBFS · gain -2.6 dB · emolia-04082
(measured, no disfluency, storytelling, narration)如果俄国人组织领导的好，这场战斗将是难分胜负的。
full caption & clip details
A young adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: storytelling, narration; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 4.1/10; 4.4s, ZH.
ZH_B00081_S02600_W000065 · in -17.6 dBFS · gain -2.4 dB · emolia-04082
(measured, no disfluency, monologue, narration)纵观迄今为止的情况，可以断言人们是在与一群野兽打仗。你知道为什么我们才抓了那么一点俘虏？
full caption & clip details
A young adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, narration; good recording, no background noise; genuineness 0.5/6; vocal-burst blend 1.5/10; 8.7s, ZH.
ZH_B00081_S02600_W000066 · in -17.4 dBFS · gain -2.6 dB · emolia-04082
(normal-paced, almost no disfluency, monologue, narration)这是因为俄国人受到了他们的政治委员们的煽动，他们听了捏造的有关我们不人道的惨文谎说。如果他们被我们抓住，他们就会受到这种不人道的待遇。
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, narration; good recording, no background noise; genuineness 0.9/6; vocal-burst blend 2.7/10; 11.9s, ZH.
ZH_B00081_S02600_W000067 · in -17.4 dBFS · gain -2.6 dB · emolia-04082
This chain comes from the two-sided rule: it only counts if both emotions move — Emotional Numbness down and Concentration up — by at least 0.25 each.
The chain starts with Concentration below average — 0.41, lower than 59 % of clips in this corpus — and ends with it strongly present at 0.75, higher than 75 % of clips in this corpus. That is a total rise of 0.35.
At the same time Emotional Numbness goes the other way, from 0.88 (higher than 88 % of clips in this corpus) to 0.57 (higher than 57 % of clips in this corpus), a change of -0.31. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.11, then +0.23, then -0.09, then +0.09 — not a clean run: step 3 moves back the other way by 0.09 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.90 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.90 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.90. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(formal, authoritative)Tindal took the issue to the High Court, where his expulsion was declared illegal
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 1.0/10; 4.2s, EN.
EN_E_Hezvw0RSy_W000082 · in -14.3 dBFS · gain -5.7 dB · emolia-00691
(emotional numbness· formal, newsreading)In frustration at their inability to eject Tyndall and the Tyndallites, Reid and his supporters split from the NF to form the National Party
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: formal, newsreading; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 9.7s, EN.
EN_E_Hezvw0RSy_W000083 · in -14.3 dBFS · gain -5.7 dB · emolia-00691
(emotional numbness, pain· formal, newsreading)By the end of February 1976, 29 NF branches and groups had defected to the NP, although 101 remained loyal.In February 1976, Tyndall was restored as the NF leader
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, pain; style: formal, newsreading; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 12.1s, EN.
EN_E_Hezvw0RSy_W000084 · in -14.4 dBFS · gain -5.6 dB · emolia-00691
(malevolence malice, anger, bitterness· formal, newsreading)The party then capitalised on public anger at the government's agreement to accept Malawian Asian refugees, holding demonstrations to protest the migrants' arrival in the UK
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as malevolence malice, anger, bitterness; style: formal, newsreading; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.0/10; 9.6s, EN.
EN_E_Hezvw0RSy_W000085 · in -14.5 dBFS · gain -5.5 dB · emolia-00691
(newsreading, formal)After a resurgence in fortunes for the party in London at the 1977 GLC election, where it improved on its October 1974 general election result, it planned further marches in the city
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: newsreading, formal; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 12.0s, EN.
EN_E_Hezvw0RSy_W000086 · in -14.3 dBFS · gain -5.7 dB · emolia-00691