Two-sided AB2 after speaker cleaning (WavLM -id >= 0.80 on consecutive pairs AND against the first clip), k=4. This is the only source that ships min_cos_consec / min_cos_anchor.
Rule.AB2 — two-sided: emotion A falls by >=T while emotion B rises by >=T, each consecutive step <=C Source. trajectories_v3_speaker_clean.parquet | Family. speaker-cleaned two-sided set (WavLM -id >= 0.80, consecutive AND anchored) Sampled from 51,769 matching rows, without replacement across the family, so no two tiers reuse a chain.
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
Longing ↓ / Fear ↑sc-AB2-k4 · #1
This chain comes from the two-sided rule: it only counts if both emotions move — Longing down and Fear up — by at least 0.25 each.
The chain starts with Fear clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.26.
At the same time Longing goes the other way, from 0.86 (higher than 86 % of clips in this corpus) to 0.47 (lower than 53 % of clips in this corpus), a change of -0.40. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.22, then +0.01, then +0.03 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.94 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 36 s · en · emolia
hear it un-normalised (raw levels, max seam 0.9 dB)
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(steady, formal, authoritative)By late June 1649, the French and some Christian Hurons built St. Marie II on Christian Island, Isle de Saint Joseph.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.0/10; 7.8s, EN.
EN_lVqmFlKUcw4_W000162 · in -15.3 dBFS · gain -4.7 dB · emolia-02034
(distress, sadness, fear·fairly steady, newsreading, formal)However, facing starvation, lack of supplies, and constant threats of Iroquois attack, the small Saint-Marie II was abandoned in June 1650. The remaining Hurrans and Jesuits departed for Quebec and Ottawa.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as distress, sadness, fear; style: newsreading, formal; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 12.4s, EN.
EN_lVqmFlKUcw4_W000163 · in -16.2 dBFS · gain -3.8 dB · emolia-02034
(fear · fairly steady, formal, newsreading)After a series of epidemics, beginning in 1634, some Huron began to mistrust the Jesuits and accused them of being sorcerers casting spells from their books.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fear; style: formal, newsreading; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.0/10; 9.5s, EN.
EN_lVqmFlKUcw4_W000164 · in -15.9 dBFS · gain -4.1 dB · emolia-02034
(fear, distress, sadness·steady, formal, authoritative)As a result of the Iroquois raids and outbreak of disease, many missionaries, traders, and soldiers died.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fear, distress, sadness; style: formal, authoritative; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.0/10; 6.3s, EN.
EN_lVqmFlKUcw4_W000165 · in -16.3 dBFS · gain -3.7 dB · emolia-02034
This chain comes from the two-sided rule: it only counts if both emotions move — Emotional Numbness down and Infatuation up — by at least 0.25 each.
The chain starts with Infatuation below average — 0.39, lower than 61 % of clips in this corpus — and ends with it strongly present at 0.77, higher than 77 % of clips in this corpus. That is a total rise of 0.38.
At the same time Emotional Numbness goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.61 (higher than 61 % of clips in this corpus), a change of -0.38. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.12, then +0.12, then +0.14 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.92 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 32 s · en · emolia
hear it un-normalised (raw levels, max seam 3.0 dB)
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, good recording, no background noise, normally alert, slightly relaxed, no disfluency
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, no disfluency, fairly narrow pitch, no audible breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, confusion; style: casual, authoritative; good recording, no background noise; genuineness 1.0/6; vocal-burst blend 1.8/10; 5.1s, EN.
EN_B00067_S00734_W000005 · in -16.5 dBFS · gain -3.5 dB · emolia-01528
(concentration·normal-paced, steady, moderate pitch range, newsreading)Except for the western part of Europe, this type of climate is confined to narrow ranges of occurrences mainly in the low latitudes and to the east of the continents where it appears in the form of
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration; style: newsreading, formal; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 10.2s, EN.
EN_B00067_S00734_W000006 · in -17.0 dBFS · gain -3.0 dB · emolia-01528
(normal-paced, fairly steady, moderate pitch range, newsreading)The oceanic climate exists in an arc spreading across the northwestern coast of North America from the Alaskan Panhandle to northern California, in general the coastal areas of the Pacific Northwest.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: newsreading, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 10.9s, EN.
EN_B00067_S00734_W000007 · in -14.1 dBFS · gain -6.0 dB · emolia-01528
(normal-paced, fairly steady, moderate pitch range, formal)The Tristan da Cunha Archipelago in the South Atlantic also has an oceanic climate
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 0.7/10; 4.9s, EN.
EN_B00067_S00734_W000008 · in -14.1 dBFS · gain -5.9 dB · emolia-01528
This chain comes from the two-sided rule: it only counts if both emotions move — Emotional Numbness down and Fatigue Exhaustion up — by at least 0.25 each.
The chain starts with Fatigue Exhaustion below average — 0.31, lower than 69 % of clips in this corpus — and ends with it clearly present at 0.71, higher than 71 % of clips in this corpus. That is a total rise of 0.40.
At the same time Emotional Numbness goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.58 (higher than 58 % of clips in this corpus), a change of -0.42. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are -0.04, then +0.22, then +0.22 — not a clean run: step 1 moves back the other way by 0.04 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.87 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.92 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.87. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 32 s · en · emolia
hear it un-normalised (raw levels, max seam 1.3 dB)
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normally alert, slightly relaxed
(emotional numbness · measured, steady, fairly narrow pitch, formal)They are beryllium-B, magnesium-Mg, calcium-Ca, strontium-senia, barium-Ba, and radium-Ra
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: formal, authoritative; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.9/10; 7.6s, EN.
EN_j6meOXR6XnE_W000001 · in -17.3 dBFS · gain -2.7 dB · emolia-00768
(emotional numbness ·normal-paced, fairly steady, moderate pitch range, formal)The elements have very similar properties, they are all shiny, silvery-white, somewhat reactive metals at standard temperature and pressure, structurally, they have in common an outer s-electron shell which is full.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: formal, newsreading; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 11.6s, EN.
EN_j6meOXR6XnE_W000002 · in -18.6 dBFS · gain -1.4 dB · emolia-00768
(normal-paced, fairly steady, moderate pitch range, formal)Experiments have been conducted to attempt the synthesis of element 120, the next potential
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, newsreading; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 1.2/10; 7.9s, EN.
EN_j6meOXR6XnE_W000004 · in -18.2 dBFS · gain -1.8 dB · emolia-00768
(normal-paced, fairly steady, moderate pitch range, formal)Most of the chemistry has been observed only for the first five members of the group
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 0.8/10; 4.3s, EN.
EN_j6meOXR6XnE_W000008 · in -16.9 dBFS · gain -3.1 dB · emolia-00768
Infatuation ↓ / Doubt ↑sc-AB2-k4 · #4
This chain comes from the two-sided rule: it only counts if both emotions move — Infatuation down and Doubt up — by at least 0.25 each.
The chain starts with Doubt around average — 0.49, lower than 51 % of clips in this corpus — and ends with it clearly present at 0.75, higher than 75 % of clips in this corpus. That is a total rise of 0.26.
At the same time Infatuation goes the other way, from 0.89 (higher than 89 % of clips in this corpus) to 0.57 (higher than 57 % of clips in this corpus), a change of -0.32. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are -0.12, then +0.19, then +0.19 — not a clean run: step 1 moves back the other way by 0.12 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.88 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.88 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.88. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 19 s · zh · emolia
hear it un-normalised (raw levels, max seam 1.8 dB)
Unchanged across all 4 clips: a child feminine voice · average recording, measured, normally alert, slightly relaxed, moderate pitch range, light breath
(fairly steady, no disfluency, clear, storytelling)听下面的录音回答。第二小题。
full caption & clip details
A child feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: storytelling, cartoonish; average recording, no background noise; genuineness 2.2/6; vocal-burst blend 1.7/10; 4.0s, ZH.
ZH_B00049_S08693_W000001 · in -22.0 dBFS · gain +2.0 dB · emolia-03765
(fairly steady, no disfluency, crisply articulate, storytelling)听下面的录音回答。第三小题。
full caption & clip details
A child feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; crisply articulate, no disfluency, moderate pitch range, light breath; affect is neutral, slightly submissive, slightly guarded; no dominant emotion; style: storytelling, cartoonish; average recording, no background noise; genuineness 2.1/6; vocal-burst blend 1.7/10; 4.2s, ZH.
ZH_B00049_S08693_W000002 · in -22.2 dBFS · gain +2.2 dB · emolia-03765
(fairly steady, no disfluency, average clarity, storytelling)听下面的录音回答。第四小题。
full caption & clip details
A child feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; average clarity, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: storytelling, formal; average recording, no background noise; genuineness 2.3/6; vocal-burst blend 1.7/10; 3.9s, ZH.
ZH_B00049_S08693_W000003 · in -22.6 dBFS · gain +2.6 dB · emolia-03765
(moderately variable, frequent disfluency, average clarity, cartoonish)听到小三个选，每段听后的放两遍，你有想到小题的。
full caption & clip details
A child feminine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is slightly cool, slightly dark, slightly rough, thin; average clarity, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: cartoonish, storytelling; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 1.6/10; 6.0s, ZH.
ZH_B00049_S08693_W000004 · in -20.9 dBFS · gain +0.9 dB · emolia-03765
Impatience and Irritability ↓ / Triumph ↑sc-AB2-k4 · #5
This chain comes from the two-sided rule: it only counts if both emotions move — Impatience and Irritability down and Triumph up — by at least 0.25 each.
The chain starts with Triumph around average — 0.56, higher than 56 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.42.
At the same time Impatience and Irritability goes the other way, from 0.62 (higher than 62 % of clips in this corpus) to 0.28 (lower than 72 % of clips in this corpus), a change of -0.34. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.24, then +0.18, then +0.01 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.82 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.85 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.82. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 59 s · fr · emolia
hear it un-normalised (raw levels, max seam 1.3 dB)
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, slightly dark, balanced body, average recording, quiet background, measured, slightly relaxed, fairly steady
(normally alert, moderate pitch range, light breath, monologue)Alors, on utilise des indicateurs pour différentes unités de temps.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; no dominant emotion; style: monologue, didactic; average recording, quiet background; genuineness 3.1/6; vocal-burst blend 0.5/10; 4.3s, FR.
FR_50L2Zil1Wac_W000004 · in -14.3 dBFS · gain -5.7 dB · emolia-02734
(pride, contentment, fatigue exhaustion· normally alert, moderate pitch range, audible breath, monologue)Moi, je regarde les unités de temps à partir du 4 heures jusqu'au 1 minute et même moins puisque maintenant je trade également antique. Donc c'est très, très rapide. Mais les indicateurs que j'utilise vous donnent vraiment des informations très, très pertinentes.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, audible breath; affect is neutral, neutral stance, slightly guarded; reads as pride, contentment, fatigue exhaustion; style: monologue, didactic; average recording, quiet background; genuineness 3.7/6; vocal-burst blend 2.5/10; 15.9s, FR.
FR_50L2Zil1Wac_W000005 · in -15.6 dBFS · gain -4.4 dB · emolia-02734
(triumph, pride, concentration·subdued, fairly narrow pitch, light breath, monologue)Et j'utilise cinq indicateurs. Pourquoi? Parce que j'ai fait une sélection de différents indicateurs qui vont me donner une confirmation de ce que dit un, deux ou trois indicateurs. Donc, si j'ai une, (ahem) euh, une convergence de signaux qui me disent, oui, là, le marché, il va probablement monter.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as triumph, pride, concentration; style: monologue, didactic; average recording, quiet background; genuineness 3.7/6; vocal-burst blend 1.8/10; 19.4s, FR.
FR_50L2Zil1Wac_W000006 · in -14.9 dBFS · gain -5.1 dB · emolia-02734
(triumph, concentration, pride ·normally alert, moderate pitch range, light breath, monologue)on est jamais sûr à 100%, mais si j'ai une indicateur de 2, 3, 4 indicateurs sur 5 et un indicateur qui va m'indiquer le meilleur moment pour rentrer en position, eh bien, à ce moment-là, effectivement, je rentre en position et j'ai des indicateurs qui vont me dire également quand il est
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as triumph, concentration, pride; style: monologue, casual; average recording, quiet background; genuineness 3.7/6; vocal-burst blend 7.2/10; 18.9s, FR.
FR_50L2Zil1Wac_W000007 · in -15.2 dBFS · gain -4.8 dB · emolia-02734
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Emotional Numbness up — by at least 0.25 each.
The chain starts with Emotional Numbness around average — 0.51, higher than 51 % of clips in this corpus — and ends with it strongly present at 0.77, higher than 77 % of clips in this corpus. That is a total rise of 0.26.
At the same time Concentration goes the other way, from 0.81 (higher than 81 % of clips in this corpus) to 0.51 (right about the corpus median), a change of -0.30. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.05, then +0.14, then +0.08 — an uneven climb, but always in the same direction.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.82 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.81 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.82. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, balanced body, slightly relaxed
(measured, normally alert, fairly steady, monologue)So if you want to look at decarbonization, what do we have to do?
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, didactic; good recording, no background noise; genuineness 1.6/6; vocal-burst blend 0.2/10; 5.3s, EN.
EN_B00001_S07631_W000052 · in -21.6 dBFS · gain +1.6 dB · emolia-00277
(concentration· measured, very low-energy, fairly steady, monologue)Well, in the United States, the biggest sim- single source of emissions is electricity generation and transportation. Those are the two biggies. So if it's electricity, you've got to talk about fuel switching.
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; average clarity, frequent disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, slightly guarded; reads as concentration; style: monologue, didactic; average recording, quiet background; genuineness 1.7/6; vocal-burst blend 0.0/10; 14.7s, EN.
EN_B00001_S07631_W000053 · in -24.4 dBFS · gain +4.4 dB · emolia-00277
(slow, very low-energy, steady, whispered)So we talk about renewables like solar and wind and nuclear as well as things like geothermal and, (low mumble) uh,
full caption & clip details
An elderly masculine voice; delivery is very low-energy, slow, slightly relaxed, steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; slurred, frequent disfluency, fairly narrow pitch, audible breath; affect is neutral, neutral stance, neutral openness; no dominant emotion; style: whispered, monologue; average recording, quiet background; genuineness 1.6/6; vocal-burst blend 0.1/10; 10.8s, EN.
EN_B00001_S07631_W000054 · in -28.6 dBFS · gain +8.6 dB · emolia-00277
(measured, normally alert, steady, monologue)Estimate on the typical driving cycle is 12%.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, casual; good recording, no background noise; genuineness 2.5/6; vocal-burst blend 0.1/10; 3.5s, EN.
EN_B00001_S07631_W000055 · in -29.4 dBFS · gain +9.4 dB · emolia-00277
This chain comes from the two-sided rule: it only counts if both emotions move — Emotional Numbness down and Contemplation up — by at least 0.25 each.
The chain starts with Contemplation clearly present — 0.68, higher than 68 % of clips in this corpus — and ends with it at the very top of the corpus at 0.95, higher than 95 % of clips in this corpus. That is a total rise of 0.28.
At the same time Emotional Numbness goes the other way, from 0.90 (higher than 90 % of clips in this corpus) to 0.65 (higher than 65 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are -0.05, then +0.09, then +0.24 — not a clean run: step 1 moves back the other way by 0.05 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.87 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.90 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.87. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(emotional numbness · fairly steady, little disfluency, average clarity, monologue)That those effective microorganisms end up adding to the soils and so literally it's possible to combine
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, little disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as emotional numbness; style: monologue, authoritative; good recording, no background noise; genuineness 2.1/6; vocal-burst blend 1.4/10; 6.6s, EN.
EN_B00039_S03967_W000169 · in -22.7 dBFS · gain +2.7 dB · emolia-01005
(steady, almost no disfluency, clear, formal)These effective amendments, these soil amendments, to restore depleted soils back to productivity and do what we call extensive agriculture.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, monologue; good recording, no background noise; genuineness 0.6/6; vocal-burst blend 0.5/10; 7.0s, EN.
EN_B00039_S03967_W000170 · in -24.2 dBFS · gain +4.2 dB · emolia-01005
(fairly steady, little disfluency, average clarity, monologue)Now there's several definitions for extensive agriculture, but for me it's about
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, casual; good recording, no background noise; genuineness 1.9/6; vocal-burst blend 1.4/10; 3.5s, EN.
EN_B00039_S03967_W000171 · in -22.0 dBFS · gain +2.0 dB · emolia-01005
(contemplation, concentration, relief·steady, some disfluency, average clarity, monologue)Taking land that was used in the past and is no longer arable and restoring it to productivity. This is an opportunity for us to really make a difference in agriculture and insuring food security on earth. And at the same time, all that biochar that we're putting into the soil is staying for centuries.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation, concentration, relief; style: monologue, formal; good recording, no background noise; genuineness 0.8/6; vocal-burst blend 0.0/10; 18.1s, EN.
EN_B00039_S03967_W000172 · in -25.2 dBFS · gain +5.2 dB · emolia-01005
Intoxication Altered States of Consciousness ↓ / Shame ↑sc-AB2-k4 · #8
This chain comes from the two-sided rule: it only counts if both emotions move — Intoxication Altered States of Consciousness down and Shame up — by at least 0.25 each.
The chain starts with Shame barely there — 0.25, lower than 75 % of clips in this corpus — and ends with it strongly present at 0.88, higher than 88 % of clips in this corpus. That is a total rise of 0.63.
At the same time Intoxication Altered States of Consciousness goes the other way, from 0.65 (higher than 65 % of clips in this corpus) to 0.36 (lower than 64 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.19, then +0.22, then +0.22 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.83 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.91 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.83. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a child feminine voice · neutral-toned, neutral-bright, fairly smooth, no background noise, normally alert, slightly relaxed, no disfluency, clear
This chain comes from the two-sided rule: it only counts if both emotions move — Thankfulness Gratitude down and Concentration up — by at least 0.25 each.
The chain starts with Concentration clearly present — 0.62, higher than 62 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.36.
At the same time Thankfulness Gratitude goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.62 (higher than 62 % of clips in this corpus), a change of -0.35. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.19, then +0.09, then +0.08 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.90 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.90 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.90), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult feminine voice · neutral-toned, fairly smooth, average recording, normally alert, fairly steady, moderate pitch range
(thankfulness gratitude, pain · normal-paced, slightly relaxed, little disfluency, monologue)In our county, in Monterey County, (ahem) uhm, we're under a county organized health system. So we're the sole health plan.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, slightly thin; clear, little disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as thankfulness gratitude, pain; style: monologue, formal; average recording, no background noise; genuineness 1.9/6; vocal-burst blend 1.0/10; 5.8s, EN.
EN_K73s99ixjGu_W000305 · in -19.9 dBFS · gain -0.1 dB · emolia-02493
(thankfulness gratitude · normal-paced, slightly relaxed, some disfluency, formal)And has been referenced, we're a non-profit health plan, so our focus as I mentioned before is ensuring that our members have access to those quality services and that we're partnering with our local providers.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as thankfulness gratitude; style: formal; average recording, quiet background; genuineness 2.2/6; vocal-burst blend 1.5/10; 10.8s, EN.
EN_K73s99ixjGu_W000307 · in -21.2 dBFS · gain +1.2 dB · emolia-02493
(fear, concentration·brisk, neutral tension, some disfluency, formal)And so I'm sitting on a panel with hospitals that have partnered with our health plan to implement, (ahem) um, EV navigators in our hospitals. And so in 2018, our health plan will partner with the hospitals to have navigators available in the emergency department to help our members access the system. So it's not just about the medical care, but are there other services that they would need?
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, thin; average clarity, some disfluency, moderate pitch range, minimal breath; affect is mildly positive, neutral stance, slightly guarded; reads as fear, concentration; style: formal, monologue; average recording, quiet background; genuineness 1.3/6; vocal-burst blend 2.2/10; 17.9s, EN.
EN_K73s99ixjGu_W000309 · in -21.4 dBFS · gain +1.4 dB · emolia-02493
(concentration, doubt, interest·normal-paced, slightly relaxed, little disfluency, formal)How do we make the healthcare delivery system better? How do we ensure quality and be responsive to what people are requesting? So I wanted to point that out about the MediCal system and our provider network (ahem) generally here.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, little disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as concentration, doubt, interest; style: formal, monologue; average recording, no background noise; genuineness 2.3/6; vocal-burst blend 2.5/10; 10.5s, EN.
EN_K73s99ixjGu_W000311 · in -23.1 dBFS · gain +3.1 dB · emolia-02493
Jealousy and Envy ↓ / Contemplation ↑sc-AB2-k4 · #10
This chain comes from the two-sided rule: it only counts if both emotions move — Jealousy and Envy down and Contemplation up — by at least 0.25 each.
The chain starts with Contemplation clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.29.
At the same time Jealousy and Envy goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.59 (higher than 59 % of clips in this corpus), a change of -0.40. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.13, then -0.08, then +0.24 — not a clean run: step 2 moves back the other way by 0.08 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.87 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.91 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.87. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult feminine voice · neutral-toned, slightly bright, fairly smooth, balanced body, good recording, normally alert, slightly relaxed, some disfluency
(jealousy and envy, emotional numbness, longing · normal-paced, fairly steady, moderate pitch range, casual)And now lives in his big manor house far away from Mexico City where Noemi herself lives. And Noemi is the one who has to figure out what's going on. And she is in fact very strong.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as jealousy and envy, emotional numbness, longing; style: casual, conversational; good recording, quiet background; genuineness 3.4/6; vocal-burst blend 4.2/10; 11.2s, EN.
EN_yOxdZFRyA3Y_W000060 · in -23.7 dBFS · gain +3.7 dB · emolia-02624
(sourness· normal-paced, fairly steady, moderate pitch range, casual)In terms of her personality, and she also is a (ahem) well-developed character with a lot of different characteristics as opposed to just being a stereotype or a cardboard cutout or existing to serve some other character's storyline.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as sourness; style: casual, monologue; good recording, no background noise; genuineness 1.8/6; vocal-burst blend 0.0/10; 16.1s, EN.
EN_yOxdZFRyA3Y_W000061 · in -23.6 dBFS · gain +3.6 dB · emolia-02624
(interest, contentment, concentration·brisk, moderately variable, wide pitch range, casual)Writing style is another element, and this can refer to the complexity of language, the level of detail, and there are some other features that if you check out that novelist guide you will see in there. And Mexican Gothic is compelling, so this is the kind of book where though things are revealed,
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, contentment, concentration; style: casual, dramatic; good recording, quiet background; genuineness 2.4/6; vocal-burst blend 1.7/10; 17.4s, EN.
EN_yOxdZFRyA3Y_W000062 · in -25.2 dBFS · gain +5.2 dB · emolia-02624
(contemplation·normal-paced, fairly steady, moderate pitch range, casual)Sort of deliberately and a little bit at a time, there's always something that if you're the kind of reader this book is going to work for will edge you on to keep reading. So that's an example of one type of writing style.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as contemplation; style: casual, monologue; good recording, quiet background; genuineness 2.3/6; vocal-burst blend 0.5/10; 12.9s, EN.
EN_yOxdZFRyA3Y_W000063 · in -19.3 dBFS · gain -0.7 dB · emolia-02624
Longing ↓ / Fatigue Exhaustion ↑sc-AB2-k4 · #11
This chain comes from the two-sided rule: it only counts if both emotions move — Longing down and Fatigue Exhaustion up — by at least 0.25 each.
The chain starts with Fatigue Exhaustion around average — 0.52, higher than 52 % of clips in this corpus — and ends with it strongly present at 0.85, higher than 85 % of clips in this corpus. That is a total rise of 0.33.
At the same time Longing goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.64 (higher than 64 % of clips in this corpus), a change of -0.34. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.03, then +0.14, then +0.16 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.90 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.88 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.90), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, normally alert, slightly relaxed, no disfluency
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.5/10; 5.1s, ZH.
ZH_B00062_S04966_W000012 · in -15.0 dBFS · gain -5.0 dB · emolia-03898
Concentration ↓ / Doubt ↑sc-AB2-k4 · #12
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Doubt up — by at least 0.25 each.
The chain starts with Doubt clearly present — 0.60, higher than 60 % of clips in this corpus — and ends with it strongly present at 0.87, higher than 87 % of clips in this corpus. That is a total rise of 0.27.
At the same time Concentration goes the other way, from 0.80 (higher than 80 % of clips in this corpus) to 0.50 (right about the corpus median), a change of -0.30. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.17, then -0.06, then +0.16 — not a clean run: step 2 moves back the other way by 0.06 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.90 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Fatigue Exhaustion up — by at least 0.25 each.
The chain starts with Fatigue Exhaustion below average — 0.31, lower than 69 % of clips in this corpus — and ends with it strongly present at 0.84, higher than 84 % of clips in this corpus. That is a total rise of 0.52.
At the same time Concentration goes the other way, from 0.93 (higher than 93 % of clips in this corpus) to 0.61 (higher than 61 % of clips in this corpus), a change of -0.32. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.21, then +0.19, then +0.13 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.85 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.92 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.85. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: authoritative, monologue; average recording, no background noise; genuineness 2.8/6; vocal-burst blend 2.9/10; 6.3s, ZH.
ZH_B00059_S07231_W000018 · in -19.1 dBFS · gain -0.9 dB · emolia-03863
Concentration ↓ / Contemplation ↑sc-AB2-k4 · #14
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Contemplation up — by at least 0.25 each.
The chain starts with Contemplation clearly present — 0.63, higher than 63 % of clips in this corpus — and ends with it strongly present at 0.89, higher than 89 % of clips in this corpus. That is a total rise of 0.26.
At the same time Concentration goes the other way, from 0.93 (higher than 93 % of clips in this corpus) to 0.66 (higher than 66 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.18, then -0.16, then +0.24 — not a clean run: step 2 moves back the other way by 0.16 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.87 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.87 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.87. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, average recording, no background noise, measured, normally alert, slightly relaxed
(concentration, pride · steady, clear, fairly narrow pitch, didactic)Dac技术也可以与CCS技术结合使用，对CCS技术储存中泄露的二氧化碳进行普及，从而提进一步提高碳普及的能力。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; clear, some disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, pride; style: didactic, monologue; average recording, no background noise; genuineness 1.3/6; vocal-burst blend 0.2/10; 13.2s, ZH.
ZH_B00006_S08924_W000090 · in -19.6 dBFS · gain -0.4 dB · emolia-03336
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, didactic; average recording, no background noise; genuineness 1.3/6; vocal-burst blend 3.8/10; 7.3s, ZH.
ZH_B00006_S08924_W000093 · in -21.6 dBFS · gain +1.6 dB · emolia-03336
Pain ↓ / Emotional Numbness ↑sc-AB2-k4 · #15
This chain comes from the two-sided rule: it only counts if both emotions move — Pain down and Emotional Numbness up — by at least 0.25 each.
The chain starts with Emotional Numbness clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.29.
At the same time Pain goes the other way, from 0.72 (higher than 72 % of clips in this corpus) to 0.35 (lower than 65 % of clips in this corpus), a change of -0.37. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.12, then +0.15, then +0.01 — a plateau around step 3, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.96 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(fairly steady, formal, authoritative)Provisions for digital signatures in accordance with the PDF Advanced Electronic Signatures – PADES standard
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 0.2/10; 6.2s, EN.
EN_lU9zMRQqiN8_W000042 · in -15.3 dBFS · gain -4.7 dB · emolia-01484
(fairly steady, formal, newsreading)The option of embedding PDF.of files to facilitate archiving of sets of documents with a single file, Part 2 defines three conformance levels
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, newsreading; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.2/10; 8.5s, EN.
EN_lU9zMRQqiN8_W000043 · in -15.2 dBFS · gain -4.8 dB · emolia-01484
(emotional numbness, intoxication altered states of consciousness·steady, formal, authoritative)PDF, A2A and PDF, A2B correspond to conformance levels A and B in PDF, A1
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, intoxication altered states of consciousness; style: formal, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.0/10; 6.6s, EN.
EN_lU9zMRQqiN8_W000044 · in -14.3 dBFS · gain -5.7 dB · emolia-01484
(emotional numbness ·fairly steady, formal, authoritative)A new conformance level, pdf.a2u, represents level B conformance, pdf.a2b, with the additional requirement that all text in the document have Unicode mapping
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: formal, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 10.1s, EN.
EN_lU9zMRQqiN8_W000045 · in -15.2 dBFS · gain -4.8 dB · emolia-01484
Concentration ↓ / Intoxication Altered States of Consciousness ↑sc-AB2-k4 · #16
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Intoxication Altered States of Consciousness up — by at least 0.25 each.
The chain starts with Intoxication Altered States of Consciousness around average — 0.51, right about the corpus median — and ends with it strongly present at 0.80, higher than 80 % of clips in this corpus. That is a total rise of 0.29.
At the same time Concentration goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.54 (higher than 54 % of clips in this corpus), a change of -0.43. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.02, then +0.09, then +0.18 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.82 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.85 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.82. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult masculine voice · neutral-bright, balanced body, quiet background, normally alert, slightly relaxed, fairly steady, average clarity, moderate pitch range
(concentration · brisk, some disfluency, casual, authoritative)Otherwise the bond will be keep on breaking. This is called osteoporosis. We have injectable bond cement for those kind of system. Inject it so that the bond will be filled.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as concentration; style: casual, authoritative; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 2.1/10; 9.2s, EN.
EN_TWtwMbCa0zM_W000339 · in -25.2 dBFS · gain +5.2 dB · emolia-02241
(brisk, some disfluency, authoritative, monologue)Then those, (ahem) these are the nano fiber, the bond screws, like I mentioned before. Use this material for as a normal screw for your bond breakage, then it will dissolve back.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: authoritative, monologue; average recording, quiet background; genuineness 2.4/6; vocal-burst blend 1.6/10; 9.1s, EN.
EN_TWtwMbCa0zM_W000340 · in -23.6 dBFS · gain +3.6 dB · emolia-02241
(brisk, some disfluency, casual, authoritative)So there are lots and lots of varieties of systems working. So first we will go through the bonds or joints and teeth.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; no dominant emotion; style: casual, authoritative; below-average recording, quiet background; genuineness 3.1/6; vocal-burst blend 1.7/10; 5.5s, EN.
EN_TWtwMbCa0zM_W000341 · in -21.9 dBFS · gain +1.9 dB · emolia-02241
(normal-paced, frequent disfluency, casual, authoritative)We have a lot of options to make the bonds from.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is slightly cool, neutral-bright, slightly rough, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: casual, authoritative; average recording, quiet background; genuineness 2.5/6; vocal-burst blend 1.1/10; 3.6s, EN.
EN_TWtwMbCa0zM_W000342 · in -22.9 dBFS · gain +2.9 dB · emolia-02241
Contemplation ↓ / Shame ↑sc-AB2-k4 · #17
This chain comes from the two-sided rule: it only counts if both emotions move — Contemplation down and Shame up — by at least 0.25 each.
The chain starts with Shame below average — 0.41, lower than 59 % of clips in this corpus — and ends with it strongly present at 0.79, higher than 79 % of clips in this corpus. That is a total rise of 0.38.
At the same time Contemplation goes the other way, from 0.72 (higher than 72 % of clips in this corpus) to 0.39 (lower than 61 % of clips in this corpus), a change of -0.34. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.06, then +0.19, then +0.12 — an uneven climb, but always in the same direction.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.87 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.87 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.87. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, measured, normally alert
(narration, authoritative)王明作如何继续全国抗战和争取抗战胜利呢的报告。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: narration, authoritative; good recording, no background noise; genuineness 1.0/6; vocal-burst blend 4.6/10; 4.9s, ZH.
ZH_B00044_S05913_W000007 · in -26.2 dBFS · gain +6.2 dB · emolia-03715
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Fatigue Exhaustion up — by at least 0.25 each.
The chain starts with Fatigue Exhaustion below average — 0.33, lower than 67 % of clips in this corpus — and ends with it strongly present at 0.86, higher than 86 % of clips in this corpus. That is a total rise of 0.52.
At the same time Concentration goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.68 (higher than 68 % of clips in this corpus), a change of -0.30. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.09, then +0.25, then +0.19 — an uneven climb, but always in the same direction.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.90 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: narration, formal; good recording, no background noise; genuineness 1.3/6; vocal-burst blend 4.5/10; 6.0s, ZH.
ZH_B00028_S06080_W000004 · in -21.1 dBFS · gain +1.1 dB · emolia-03552
Astonishment Surprise ↓ / Impatience and Irritability ↑sc-AB2-k4 · #19
This chain comes from the two-sided rule: it only counts if both emotions move — Astonishment Surprise down and Impatience and Irritability up — by at least 0.25 each.
The chain starts with Impatience and Irritability clearly present — 0.60, higher than 60 % of clips in this corpus — and ends with it strongly present at 0.89, higher than 89 % of clips in this corpus. That is a total rise of 0.29.
At the same time Astonishment Surprise goes the other way, from 0.93 (higher than 93 % of clips in this corpus) to 0.66 (higher than 66 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.09, then +0.15, then +0.05 — an uneven climb, but always in the same direction.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.82 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.81 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.82. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, fast, moderately variable, some disfluency
A young adult masculine voice; delivery is normally alert, fast, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; no dominant emotion; style: casual, conversational; average recording, quiet background; genuineness 4.6/6; vocal-burst blend 2.5/10; 4.5s, ZH.
ZH_B00060_S09119_W000023 · in -24.3 dBFS · gain +4.3 dB · emolia-03880
Pride ↓ / Contemplation ↑sc-AB2-k4 · #20
This chain comes from the two-sided rule: it only counts if both emotions move — Pride down and Contemplation up — by at least 0.25 each.
The chain starts with Contemplation clearly present — 0.59, higher than 59 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.37.
At the same time Pride goes the other way, from 0.90 (higher than 90 % of clips in this corpus) to 0.53 (higher than 53 % of clips in this corpus), a change of -0.38. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are -0.02, then +0.25, then +0.14 — not a clean run: step 1 moves back the other way by 0.02 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.84 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.84 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.84. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, balanced body, normally alert, slightly relaxed, fairly steady, moderate pitch range, light breath
(pride · measured, frequent disfluency, somewhat unclear, monologue)Donc, ce programme, maintenant, on l'entend vraiment, (low mumble) euh, depuis un bon nombre d'années dans toutes les disciplines académiques, (low mumble) euh, et il raisonne ce programme des, des Amériques à l'Europe.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride; style: monologue, didactic; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 0.0/10; 10.2s, FR.
FR_Z1mCTAgIQ6I_W000035 · in -20.6 dBFS · gain +0.6 dB · emolia-02652
(normal-paced, some disfluency, average clarity, conversational)Alors, comme je vais le montrer, en fait, ce, ce, ce programme qui fait fond sur un diagnostic a d'abord été articulé par des philosophes américains, même si maintenant on le retrouve partout.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: conversational, monologue; good recording, quiet background; genuineness 2.6/6; vocal-burst blend 1.4/10; 7.9s, FR.
FR_Z1mCTAgIQ6I_W000036 · in -17.3 dBFS · gain -2.7 dB · emolia-02652
(normal-paced, some disfluency, average clarity, formal)beaucoup en anthropologie, et même curieusement en anthropologie des sciences.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 2.7/6; vocal-burst blend 1.5/10; 3.2s, FR.
FR_Z1mCTAgIQ6I_W000037 · in -17.0 dBFS · gain -3.0 dB · emolia-02652
(contemplation·measured, some disfluency, somewhat unclear, monologue)que la modernité aurait privé la religion de son énergie en la réduisant à n'être qu'un ustensile de l'âme. Et donc, c'est même Bruno Latour pouvait dire en 2001
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation; style: monologue, conversational; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 1.6/10; 8.2s, FR.
FR_Z1mCTAgIQ6I_W000038 · in -18.3 dBFS · gain -1.7 dB · emolia-02652