Sadness under rescue rule S3, k=3. the same, with one unconstrained clip in between. 90.0 % of clips score at or below zero on this emotion and the largest gap on its normalised axis is 0.449 (WIDER than the 0.25 step cap). This rule found 5,806 chains over 40,000 tracks; the strict rule found 0 at k=3.
These are not strict-rule trajectories. They come from a deliberately looser rule, built to recover examples on an emotion the strict rule cannot reach. What rule S3 changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'. What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained. Full explanation →
5,806chains this rule found
0the strict rule found (k=3)
0.449largest gap on the axis
90.0 %clips scoring ≤ 0
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
Sadness rising ↑sad-Sadness-S3-k3 · #1
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is 0.00, 0.60, 1.09. In the first clip the scorer found no Sadness whatsoever (0.00); by the last it is at 1.09.
On the corpus-wide percentile scale those become 0.43, 0.94, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 19 s · emolia
hear it un-normalised (raw levels, max seam 1.9 dB)
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, measured, slightly relaxed
(normally alert, fairly steady, little disfluency, authoritative)Hello. Herzlich willkommen aus der Quantum Storm Star Wars Collection. Mein Name ist Deniz und ich möchte euch heute den
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, little disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: authoritative, didactic; good recording, no background noise; genuineness 1.6/6; vocal-burst blend 0.1/10; 6.7s, DE.
DE_-WhG-j-UudU_W000000 · in -19.3 dBFS · gain -0.7 dB · emolia-00238
(fatigue exhaustion, longing, helplessness· normally alert, fairly steady, some disfluency, monologue)auf der anderen Stirn Seite sehen wir noch einmal die Dachkanone und noch einen weiteren Einblick in das Fahrzeug.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; reads as fatigue exhaustion, longing, helplessness; style: monologue, didactic; good recording, no background noise; genuineness 1.6/6; vocal-burst blend 0.4/10; 8.5s, DE.
DE_-WhG-j-UudU_W000016 · in -18.1 dBFS · gain -1.9 dB · emolia-00238
(helplessness, sadness, longing ·subdued, steady, no disfluency, formal)Gummibändern festgemacht, die wir von.
full caption & clip details
An adult masculine voice; delivery is subdued, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, neutral openness; reads as helplessness, sadness, longing; style: formal, monologue; good recording, no background noise; genuineness 1.4/6; vocal-burst blend 2.0/10; 3.1s, DE.
DE_-WhG-j-UudU_W000024 · in -16.3 dBFS · gain -3.7 dB · emolia-00238
Sadness rising ↑sad-Sadness-S3-k3 · #2
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is 0.00, 0.57, 1.19. In the first clip the scorer found no Sadness whatsoever (0.00); by the last it is at 1.19.
On the corpus-wide percentile scale those become 0.43, 0.93, 0.99 — a total move of +0.56.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 60 s · emolia
hear it un-normalised (raw levels, max seam 5.3 dB)
Unchanged across all 3 clips: an adult masculine voice · neutral-bright, fairly smooth, balanced body, average recording, light breath
(normal-paced, energised, slightly relaxed, authoritative)Und ich rufe auf den Tagesordnungspunkt 11.
full caption & clip details
An adult masculine voice; delivery is energised, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; very clear, frequent disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: authoritative, formal; average recording, no background noise; genuineness 1.4/6; vocal-burst blend 0.3/10; 3.2s, DE.
DE_-xg8lm69_K8_W000000 · in -18.2 dBFS · gain -1.8 dB · emolia-00224
(interest, disappointment, bitterness· normal-paced, normally alert, slightly relaxed, newsreading)Legitimation und auch die Akzeptanz in der Bevölkerung, und zwar auf allen demokratischen Ebenen, wird entsprechend gestärkt. Eine Stärkung von Wahlbeteiligung hat es aber trotz allem bereits jetzt schon an der Philips-Universität in Marburg und, wie wir gehört haben, auch in Gießen gegeben. Im Frühjahr beispielsweise 2020 ist beschlossen worden, die Wahlen zum Senat und zu den Fachbereichsräten nicht als Urnenwahl durchzuführen, sondern
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, fairly guarded; reads as interest, disappointment, bitterness; style: newsreading, monologue; average recording, quiet background; genuineness 1.0/6; vocal-burst blend 0.6/10; 26.1s, DE.
DE_-xg8lm69_K8_W000036 · in -23.5 dBFS · gain +3.5 dB · emolia-00224
(disappointment, distress, impatience and irritability·brisk, energised, neutral tension, monologue)Und da würde ich sagen, liegt es nicht nur daran, dass das Wahlprozedere jetzt irgendwie kompliziert wäre. Ich meine, die Studierenden bekommen die Unterlagen geschickt. Es gibt tagelang Zeit, seine Stimme abzugeben. Ich denke, wir müssen auch überlegen, ob es was damit zu tun hat, (ahem) dass die Entscheidungskompetenzen in der Verfasst Studierendenschaft nicht gerade sehr ausgeprägt sind, um es vorsichtig zu sagen. Also, den ganzen Autonomieprozess, den es gab, sind ja Kompetenzen vom Ministerium an die Hochschulen (ahem) (ahem) verlagert worden, aber eben dort vor allem an die Präsidien und an die Hochschulräte. Und ich finde, man muss vielleicht
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, fairly guarded; reads as disappointment, distress, impatience and irritability; style: monologue, dramatic; average recording, some background noise; genuineness 2.1/6; vocal-burst blend 2.7/10; 30.0s, DE.
DE_-xg8lm69_K8_W000052 · in -24.0 dBFS · gain +4.0 dB · emolia-00224
Sadness rising ↑sad-Sadness-S3-k3 · #3
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.67, 1.16. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.16.
On the corpus-wide percentile scale those become 0.43, 0.94, 0.99 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 26 s · emolia
hear it un-normalised (raw levels, max seam 4.7 dB)
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, some disfluency
(measured, normally alert, slightly relaxed, casual)(low mumble) euh, wie machen wir uns hier, wir sprechen jetzt Sebastian, Sebastian Kruppter. Das ist unsere nächste Quest. Das machen wir einfach jetzt in der Aufnahme weiter.
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, some disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: casual, monologue; average recording, quiet background; genuineness 5.3/6; vocal-burst blend 1.6/10; 8.6s, DE.
DE_02FqQjJyMty_W000003 · in -22.4 dBFS · gain +2.4 dB · emolia-00215
(fear, distress, anger· measured, very low-energy, neutral tension, narration)dieses Relikt, schwarze Magie oder nicht, wird Ann retten, den Fluch umkehren. Ich werde Ann nicht verlieren. Ich schicke Ann das Wappen, dann weiß sie, dass wir uns treffen müssen.
full caption & clip details
An elderly masculine voice; delivery is very low-energy, measured, neutral tension, variable; timbre is neutral-toned, neutral-bright, rough, full; clear, some disfluency, wide pitch range, light breath; affect is negative, neutral stance, neutral openness; reads as fear, distress, anger; style: narration, storytelling; good recording, quiet background; genuineness 1.2/6; vocal-burst blend 3.4/10; 11.9s, DE.
DE_02FqQjJyMty_W000011 · in -17.7 dBFS · gain -2.3 dB · emolia-00215
(confusion, pain, helplessness·normal-paced, energised, neutral tension, storytelling)Ach, nichts, nur ein Gedanke. Jetzt bin ich fest entschlossen, die Macht dieses Relikts aufzuspüren.
full caption & clip details
A young adult masculine voice; delivery is energised, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly dominant, neutral openness; reads as confusion, pain, helplessness; style: storytelling, conversational; good recording, no background noise; mildly explicit content; genuineness 1.6/6; vocal-burst blend 2.8/10; 5.0s, DE.
DE_02FqQjJyMty_W000012 · in -18.4 dBFS · gain -1.6 dB · emolia-00215
Sadness rising ↑sad-Sadness-S3-k3 · #4
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.02, 1.02. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.02.
On the corpus-wide percentile scale those become 0.43, 0.87, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 30 s · emolia
hear it un-normalised (raw levels, max seam 3.7 dB)
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, balanced body, quiet background, normally alert, average clarity, light breath
(normal-paced, slightly relaxed, fairly steady, conversational)auch wenn's nicht stattfindet, ein bisschen Lagerstellen, man darf doch hier aufkommen. Lass uns doch jetzt gemeinsam kurz ein Zelt aufstellen. Los geht's!
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: conversational, authoritative; average recording, quiet background; genuineness 3.1/6; vocal-burst blend 0.0/10; 6.7s, DE.
DE_0FuG3tlx0yQ_W000000 · in -24.3 dBFS · gain +4.3 dB · emolia-00097
(fatigue exhaustion, doubt, contemplation·measured, neutral tension, fairly steady, monologue)Man schaut auf die Uhr und denkt, oh, schon wieder fünf Stunden vorbei. Manchmal schleicht sie aber auch langsam wie eine Schnecke. Man weiß gar nicht, wann die Zeit endlich vorbei ist. Ich möchte euch heute mitnehmen zu einem Bibeltext, zu einem Menschen, zum Mose, der bestimmt noch keine Uhr hatte.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fatigue exhaustion, doubt, contemplation; style: monologue, casual; average recording, quiet background; genuineness 3.3/6; vocal-burst blend 0.4/10; 19.2s, DE.
DE_0FuG3tlx0yQ_W000002 · in -20.6 dBFS · gain +0.6 dB · emolia-00097
(sadness, triumph, helplessness·normal-paced, slightly relaxed, moderately variable, authoritative)Doch selbst noch die besten Jahre sind voll Kummer und Schmerz.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as sadness, triumph, helplessness; style: authoritative, dramatic; good recording, quiet background; genuineness 2.3/6; vocal-burst blend 0.7/10; 3.3s, DE.
DE_0FuG3tlx0yQ_W000006 · in -18.1 dBFS · gain -1.9 dB · emolia-00097
Sadness rising ↑sad-Sadness-S3-k3 · #5
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.56, 1.09. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.09.
On the corpus-wide percentile scale those become 0.43, 0.93, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 40 s · emolia
hear it un-normalised (raw levels, max seam 1.7 dB)
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normal-paced, normally alert, slightly relaxed, average clarity
(moderately variable, some disfluency, wide pitch range, conversational)Hey Leute, willkommen zurück zu einem neuen Video hier auf Popel mit Zucker. Wie immer fangen wir an mit einem extra Schluck.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, neutral openness; no dominant emotion; style: conversational, playful; good recording, quiet background; genuineness 3.2/6; vocal-burst blend 0.4/10; 5.6s, DE.
DE_0IWgiqWfPNA_W000000 · in -17.9 dBFS · gain -2.1 dB · emolia-00195
(jealousy and envy, bitterness, astonishment surprise·fairly steady, frequent disfluency, moderate pitch range, casual)Sein, sein Chef ist weg. Der, der ihn befragt im Rollstuhl, also der andere. Das ist der kleine Junge, glaub ich, der da rumhockt. (surprised gasp) Und der ist halt auch traumatisiert und der hat jetzt rausgefunden, dass Woods, der Alte, halt Mason erschossen hat und gar nicht, 嗯, nanandis, nenandis? Mit Namen hab ich's gar nicht, aber der auf jeden Fall.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as jealousy and envy, bitterness, astonishment surprise; style: casual, monologue; average recording, quiet background; genuineness 4.4/6; vocal-burst blend 0.0/10; 21.9s, DE.
DE_0IWgiqWfPNA_W000050 · in -19.6 dBFS · gain -0.5 dB · emolia-00195
(fatigue exhaustion, pain, sadness· fairly steady, some disfluency, moderate pitch range, monologue)zu leicht, glaube ich, meiner Meinung nach. Hätte man doppelt überlegen müssen, aber klar, man will die Rache, man will ihn endlich loswerden, nach all der Zeit, und dann laut man halt auch so eine, so eine Täuschung mal eher, aber das ist halt,
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fatigue exhaustion, pain, sadness; style: monologue, casual; average recording, no background noise; genuineness 3.1/6; vocal-burst blend 1.1/10; 12.3s, DE.
DE_0IWgiqWfPNA_W000059 · in -20.7 dBFS · gain +0.7 dB · emolia-00195
Sadness rising ↑sad-Sadness-S3-k3 · #6
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is 0.00, 0.36, 1.01. In the first clip the scorer found no Sadness whatsoever (0.00); by the last it is at 1.01.
On the corpus-wide percentile scale those become 0.43, 0.91, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(steady, no disfluency, newsreading, formal)Zusammen wollen wir uns verschiedene Begriffe aus dem queeren und feministischen Spektrum anschauen, Hintergründe zu den Themen beleuchten und Fragen klären.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: newsreading, formal; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.2/10; 7.3s, DE.
DE_0S219bZ30GQ_W000000 · in -22.0 dBFS · gain +2.0 dB · emolia-00097
(emotional numbness, contempt, anger·fairly steady, little disfluency, didactic, formal)Das wird von intersexuellen Menschen als Begriff schon eher akzeptiert. Im Deutschen gibt es sonst noch die Begriffe zwischengeschlechtlich oder intergeschlechtlich. Sind das nicht Zwitter oder Hermaphroditen?
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, contempt, anger; style: didactic, formal; good recording, no background noise; genuineness 0.8/6; vocal-burst blend 0.4/10; 12.7s, DE.
DE_0S219bZ30GQ_W000009 · in -22.5 dBFS · gain +2.5 dB · emolia-00097
(contempt, sadness, distress· fairly steady, no disfluency, formal, newsreading)Die Begriffe Zwitter und Hermaphrodit sind für die meisten intersexuellen Menschen sehr beleidigend und verletzend. Du solltest sie also nicht benutzen.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contempt, sadness, distress; style: formal, newsreading; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.2/10; 7.7s, DE.
DE_0S219bZ30GQ_W000012 · in -21.3 dBFS · gain +1.3 dB · emolia-00097
Sadness rising ↑sad-Sadness-S3-k3 · #7
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.45, 1.30. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.30.
On the corpus-wide percentile scale those become 0.43, 0.92, 0.99 — a total move of +0.56.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, slightly relaxed
(concentration, hope enthusiasm optimism, contemplation · monologue, formal)Ihr Lieben, (low mumble) für uns Grüne war schon immer klar, die Zukunft, die wir wollen, die müssen wir auch selber erschaffen. Und auch wenn die Folgen der Corona-Krise uns noch lange beschäftigen werden, wenn nicht jetzt alle Probleme, alle Krisen und alle Herausforderungen gleichzeitig angeht, der verspielt die Zukunft der zukünftigen Generation.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, hope enthusiasm optimism, contemplation; style: monologue, formal; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 0.0/10; 18.3s, DE.
DE_0fB4TCjiFIk_W000000 · in -15.9 dBFS · gain -4.1 dB · emolia-00077
(bitterness, anger, disappointment· monologue, authoritative)die Hitzeperioden, die Trockenperioden, die erzwingen ein genauso (ahem) radikales und vernünftiges Handeln.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as bitterness, anger, disappointment; style: monologue, authoritative; good recording, quiet background; genuineness 3.3/6; vocal-burst blend 0.0/10; 6.3s, DE.
DE_0fB4TCjiFIk_W000001 · in -16.2 dBFS · gain -3.8 dB · emolia-00077
(pride, helplessness, sadness·didactic, monologue)Und wir sind keine kleine Partei mehr. Wir sind wahnsinnig gewachsen. Als Nina und ich als Landesvorsitzende gewählt wurden.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride, helplessness, sadness; style: didactic, monologue; good recording, quiet background; genuineness 2.8/6; vocal-burst blend 0.0/10; 6.3s, DE.
DE_0fB4TCjiFIk_W000010 · in -14.9 dBFS · gain -5.1 dB · emolia-00077
Sadness rising ↑sad-Sadness-S3-k3 · #8
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.96, 1.67. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.67.
On the corpus-wide percentile scale those become 0.43, 0.97, 1.00 — a total move of +0.57.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a middle-aged somewhat feminine voice · neutral-toned, slightly dark, fairly smooth, balanced body, average recording, very low-energy, relaxed, fairly steady
(fatigue exhaustion, confusion, doubt · measured, average clarity, fairly narrow pitch, ASMR)Nachbarin auch mitnehmen und weiter, weiter viertn.
full caption & clip details
A middle-aged somewhat feminine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; average clarity, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, submissive, neutral openness; reads as fatigue exhaustion, confusion, doubt; style: ASMR, whispered; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 0.2/10; 4.5s, DE.
DE_12MSkDIQFvk_W000006 · in -16.6 dBFS · gain -3.4 dB · emolia-00003
(confusion, doubt, longing· measured, somewhat unclear, moderate pitch range, ASMR)zu uns kummen, is, i weiss nit, wer's wäre, wenn wir da drinnen.
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, submissive, slightly vulnerable; reads as confusion, doubt, longing; style: ASMR, whispered; average recording, no background noise; genuineness 3.4/6; vocal-burst blend 4.3/10; 4.1s, DE.
DE_12MSkDIQFvk_W000008 · in -17.2 dBFS · gain -2.8 dB · emolia-00003
(sadness, pain, helplessness·slow, somewhat unclear, moderate pitch range, ASMR)Kleine Kinder alle angeblie, alleine geblieben waren. Der älteste war, war sechs Jahre.
full caption & clip details
A middle-aged somewhat feminine voice; delivery is very low-energy, slow, relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, audible breath; affect is neutral, submissive, neutral openness; reads as sadness, pain, helplessness; style: ASMR, whispered; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 0.8/10; 6.3s, DE.
DE_12MSkDIQFvk_W000009 · in -17.0 dBFS · gain -3.0 dB · emolia-00003
Sadness rising ↑sad-Sadness-S3-k3 · #9
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is 0.00, 0.64, 1.05. In the first clip the scorer found no Sadness whatsoever (0.00); by the last it is at 1.05.
On the corpus-wide percentile scale those become 0.43, 0.94, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(steady, formal, monologue)Startschuss für DSDS. Nicht mehr lange, und Florian Silbereisen-Fans kommen auch bei RTL auf ihre Kosten
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 7.9s, DE.
DE_163DYBR_hRg_W000000 · in -16.4 dBFS · gain -3.6 dB · emolia-00161
(pain, fear, sadness· steady, formal, authoritative)Florie ist aufgeregt. Florian Silbereisen? Schlimmes Lampenfieber. Je älter ich werde, desto schlimmer wird es.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as pain, fear, sadness; style: formal, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 8.0s, DE.
DE_163DYBR_hRg_W000002 · in -15.0 dBFS · gain -5.0 dB · emolia-00161
(confusion, helplessness, sadness ·fairly steady, storytelling, formal)Ich sitze hier und weiß genauso wenig wie ihr, was heute passiert.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as confusion, helplessness, sadness; style: storytelling, formal; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.5/10; 4.1s, DE.
DE_163DYBR_hRg_W000011 · in -16.4 dBFS · gain -3.6 dB · emolia-00161
Sadness rising ↑sad-Sadness-S3-k3 · #10
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.48, 1.05. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.05.
On the corpus-wide percentile scale those become 0.43, 0.92, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an elderly somewhat feminine voice · slightly warm, slightly dark, smooth, balanced body, no background noise, slow, very low-energy, relaxed
(contemplation, awe, sexual lust · little disfluency, clear, ASMR, monologue)was wir in der Dualität so sehr benötigen. Und wenn du bereit bist,
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, slightly dark, smooth, balanced body; clear, little disfluency, narrow pitch range, audible breath; affect is mildly positive, submissive, neutral openness; reads as contemplation, awe, sexual lust; style: ASMR, monologue; good recording, no background noise; genuineness 1.5/6; vocal-burst blend 4.2/10; 7.5s, DE.
DE_1A7Boronwik_W000003 · in -18.7 dBFS · gain -1.3 dB · emolia-00254
(thankfulness gratitude, contentment, relief·frequent disfluency, somewhat unclear, ASMR, whispered)Du hast später im Gebet auch noch die Möglichkeit, deine eigenen Worte zu sprechen. Und so beginnen wir jetzt.
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, slightly dark, smooth, balanced body; somewhat unclear, frequent disfluency, narrow pitch range, audible breath; affect is mildly positive, submissive, neutral openness; reads as thankfulness gratitude, contentment, relief; style: ASMR, whispered; average recording, no background noise; genuineness 1.9/6; vocal-burst blend 3.1/10; 10.9s, DE.
DE_1A7Boronwik_W000004 · in -21.5 dBFS · gain +1.5 dB · emolia-00254
(contentment, contemplation, longing·little disfluency, somewhat unclear, ASMR, whispered)Um dir zuerst zu danken dafür, dass ich in dieser aktuellen Zeit inkarnieren durfte.
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, slightly dark, smooth, balanced body; somewhat unclear, little disfluency, narrow pitch range, audible breath; affect is mildly positive, submissive, neutral openness; reads as contentment, contemplation, longing; style: ASMR, whispered; good recording, no background noise; genuineness 1.4/6; vocal-burst blend 2.0/10; 11.4s, DE.
DE_1A7Boronwik_W000005 · in -18.9 dBFS · gain -1.1 dB · emolia-00254
Sadness rising ↑sad-Sadness-S3-k3 · #11
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.80, 1.20. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.20.
On the corpus-wide percentile scale those become 0.43, 0.96, 0.99 — a total move of +0.56.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a child feminine voice · neutral-toned, neutral-bright, fairly smooth, average recording, quiet background
(impatience and irritability, anger · normal-paced, normally alert, slightly relaxed, conversational)Ach so. Auf der Suche nach dem a priori.
full caption & clip details
A child feminine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, thin; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly submissive, neutral openness; reads as impatience and irritability, anger; style: conversational, casual; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 1.6/10; 3.1s, DE.
DE_1Pd71w8hAhI_W000001 · in -15.7 dBFS · gain -4.3 dB · emolia-00077
(helplessness, sadness, emotional numbness· normal-paced, normally alert, slightly relaxed, casual)war anders ausgerichtet, mussten wir grad mal helfen, wie deine.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as helplessness, sadness, emotional numbness; style: casual; average recording, quiet background; genuineness 4.2/6; vocal-burst blend 0.4/10; 3.9s, DE.
DE_1Pd71w8hAhI_W000010 · in -18.1 dBFS · gain -1.9 dB · emolia-00077
(helplessness, fatigue exhaustion, distress·measured, very low-energy, neutral tension, conversational)(low mumble) euhm, also, ich hab so das Gefühl, ich lass mir da auch Zeit, ja, das drängt mich niemand. (breathy giggle)
full caption & clip details
A young adult feminine voice; delivery is very low-energy, measured, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, wide pitch range, normal breath; affect is positive, slightly submissive, vulnerable; reads as helplessness, fatigue exhaustion, distress; style: conversational, casual; average recording, quiet background; genuineness 4.3/6; vocal-burst blend 1.9/10; 6.5s, DE.
DE_1Pd71w8hAhI_W000014 · in -17.7 dBFS · gain -2.3 dB · emolia-00077
Sadness rising ↑sad-Sadness-S3-k3 · #12
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is 0.00, 0.97, 1.15. In the first clip the scorer found no Sadness whatsoever (0.00); by the last it is at 1.15.
On the corpus-wide percentile scale those become 0.43, 0.97, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-bright, fairly smooth, balanced body, average recording
(normal-paced, normally alert, slightly relaxed, authoritative)Antrag der Fraktion Bündnis 90, die GRÜNEN.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, no audible breath; affect is neutral, dominant, slightly guarded; no dominant emotion; style: authoritative, formal; average recording, quiet background; genuineness 1.5/6; vocal-burst blend 0.6/10; 3.1s, DE.
DE_1ZMIiMMqy9u_W000000 · in -20.9 dBFS · gain +0.9 dB · emolia-00123
(anger, bitterness, disappointment·brisk, highly aroused, neutral tension, ranting)Erleben derzeit in unserem Land permanente Grenzüberschreitungen, Verbreitungen von Hass, Diskriminierung und offenem Rassismus. Im Internet, bei Facebook, bei Twitter oder auch auf öffentlichen Veranstaltungen werden Kübel von Dreck über Menschen ausgeschüttet, die eine andere Hautfarbe haben.
full caption & clip details
An adult masculine voice; delivery is highly aroused, brisk, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; very clear, almost no disfluency, wide pitch range, normal breath; affect is elated, dominant, fairly guarded; reads as anger, bitterness, disappointment; style: ranting, authoritative; average recording, some background noise; genuineness 1.1/6; vocal-burst blend 2.0/10; 18.0s, DE.
DE_1ZMIiMMqy9u_W000002 · in -19.5 dBFS · gain -0.5 dB · emolia-00123
(bitterness, sourness, contempt· brisk, highly aroused, tense, authoritative)Dieser Satz in unserem Grundgesetz ist sozusagen der moralische Imperativ, den die Väter und Mütter unseres Grundgesetzes in dieses Grundgesetz geschrieben haben, weil sie die Lehren aus Nationalsozialismus und der Entmenschlichung der Nazidiktatur gezogen haben.
full caption & clip details
An adult masculine voice; delivery is highly aroused, brisk, tense, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; very clear, almost no disfluency, wide pitch range, normal breath; affect is elated, dominant, fairly guarded; reads as bitterness, sourness, contempt; style: authoritative, dramatic; average recording, some background noise; genuineness 0.9/6; vocal-burst blend 1.5/10; 16.5s, DE.
DE_1ZMIiMMqy9u_W000006 · in -20.6 dBFS · gain +0.6 dB · emolia-00123
Sadness rising ↑sad-Sadness-S3-k3 · #13
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.45, 1.05. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.05.
On the corpus-wide percentile scale those become 0.43, 0.92, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, light breath
(teasing, amusement, intoxication altered states of consciousness · neutral tension, moderately variable, some disfluency, conversational)Es, es, es sind auch, (ahem) äh, andere Sachen gemeint. Das war jetzt bloß ein Beispiel. Aber, (childlike giggle) äh, also ich glaube, sexy Klamotten, meinen Klamottenstil nicht nennen. Einfach nur, oh, ist bequem.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly submissive, neutral openness; reads as teasing, amusement, intoxication altered states of consciousness; style: conversational, playful; good recording, quiet background; genuineness 4.5/6; vocal-burst blend 0.9/10; 13.5s, DE.
DE_1c4KtO2dsKE_W000000 · in -12.4 dBFS · gain -7.5 dB · emolia-00167
(fatigue exhaustion, disappointment, confusion·slightly relaxed, fairly steady, some disfluency, monologue)aber abgesehen davon, dass ich generell keine oder ganz selten Poster aufgehängt hab, die irgendwelche Personen gezeigt haben und wenn jetzt nicht, weil die Personen irgendwie
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; reads as fatigue exhaustion, disappointment, confusion; style: monologue, casual; average recording, quiet background; genuineness 4.2/6; vocal-burst blend 0.0/10; 9.8s, DE.
DE_1c4KtO2dsKE_W000005 · in -15.0 dBFS · gain -5.0 dB · emolia-00167
(fatigue exhaustion, longing, sadness·relaxed, fairly steady, frequent disfluency, casual)Ja, natürlich, also, sie da behalten ist dann auch, ich mein, ja, das ist halt auch nicht meine Entscheidung, wer dann noch.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, submissive, neutral openness; reads as fatigue exhaustion, longing, sadness; style: casual, monologue; average recording, quiet background; genuineness 5.0/6; vocal-burst blend 0.5/10; 8.8s, DE.
DE_1c4KtO2dsKE_W000013 · in -14.4 dBFS · gain -5.6 dB · emolia-00167
Sadness rising ↑sad-Sadness-S3-k3 · #14
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.44, 1.58. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.58.
On the corpus-wide percentile scale those become 0.43, 0.92, 1.00 — a total move of +0.57.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, light breath
(helplessness, longing · measured, subdued, slightly relaxed, formal)habe ich eine Beziehung zu Jesus Christus gefunden.
full caption & clip details
An adult feminine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as helplessness, longing; style: formal, monologue; very good recording, no background noise; genuineness 0.7/6; vocal-burst blend 1.1/10; 3.3s, DE.
DE_1eb_VRL8MFI_W000020 · in -20.4 dBFS · gain +0.4 dB · emolia-00216
(affection, malevolence malice, sexual lust·normal-paced, energised, slightly relaxed, didactic)Möchte dich ermutigen an diesen Tagen, die wir zusammen (low mumble) verbringen und (ahem) das Wort Gottes anschauen, dass wir drauf schauen wollen, wie kannst du ein Leben führen, sodass dein Ende
full caption & clip details
An adult masculine voice; delivery is energised, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; very clear, little disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as affection, malevolence malice, sexual lust; style: didactic, dramatic; good recording, no background noise; genuineness 1.9/6; vocal-burst blend 0.0/10; 13.1s, DE.
DE_1eb_VRL8MFI_W000021 · in -19.6 dBFS · gain -0.4 dB · emolia-00216
(helplessness, distress, infatuation·measured, normally alert, neutral tension, storytelling)Wie komme ich meine Bestimmung? Bitte bete, Daniel, dass ich, dass ich meine Bestimmung erlebe und dass ich meine Berufung ergreife und, und ich spüre dieses Herz, dieses Herz, sie wollen ihr Ziel erreichen bis zum Ende.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as helplessness, distress, infatuation; style: storytelling, dramatic; good recording, no background noise; genuineness 2.1/6; vocal-burst blend 2.9/10; 12.7s, DE.
DE_1eb_VRL8MFI_W000024 · in -18.8 dBFS · gain -1.2 dB · emolia-00216
Sadness rising ↑sad-Sadness-S3-k3 · #15
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is 0.00, 0.67, 1.15. In the first clip the scorer found no Sadness whatsoever (0.00); by the last it is at 1.15.
On the corpus-wide percentile scale those become 0.43, 0.94, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a middle-aged masculine voice · neutral-toned, neutral-bright, balanced body, average recording, quiet background, measured, slightly relaxed, light breath
(normally alert, fairly steady, frequent disfluency, didactic)Wie bereits in einem vergangenen Video erwähnt, ist die Frage nach gut oder schlecht schwer zu beantworten. Diese Frage ist aber sehr wichtig.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: didactic, monologue; average recording, quiet background; genuineness 1.9/6; vocal-burst blend 0.0/10; 8.4s, DE.
DE_1gZLllrev9c_W000000 · in -19.9 dBFS · gain -0.1 dB · emolia-00259
(helplessness, distress, fear· normally alert, fairly steady, some disfluency, monologue)Es kann lediglich in einem sehr starken Konflikt mit meiner eigenen subjektiven Moral stehen.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as helplessness, distress, fear; style: monologue, storytelling; average recording, quiet background; genuineness 1.8/6; vocal-burst blend 0.0/10; 6.1s, DE.
DE_1gZLllrev9c_W000005 · in -18.8 dBFS · gain -1.2 dB · emolia-00259
(bitterness, contemplation, sadness·very low-energy, steady, frequent disfluency, monologue)Menschen töten ist schlecht, da es die Menschheit näher an die Nicht-Existenz bringt. Die Besiedlung des weiteren Sonnensystems ist gut, da es die Existenzwahrscheinlichkeit der Menschheit nach Katastrophen von planetaren Ausmaßen erhöht. Selbstmord ist schlecht, da es die Menschheit näher an die Nicht-Existenz bringt.
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, frequent disfluency, fairly narrow pitch, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as bitterness, contemplation, sadness; style: monologue, narration; average recording, quiet background; explicit content; genuineness 2.4/6; vocal-burst blend 0.0/10; 19.7s, DE.
DE_1gZLllrev9c_W000012 · in -21.6 dBFS · gain +1.6 dB · emolia-00259
Sadness rising ↑sad-Sadness-S3-k3 · #16
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.44, 1.11. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.11.
On the corpus-wide percentile scale those become 0.43, 0.92, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a middle-aged masculine voice · neutral-toned, balanced body, average recording, quiet background, slow, relaxed, frequent disfluency, somewhat unclear
(anger, fatigue exhaustion, jealousy and envy · subdued, steady, whispered, monologue)Nach viel Nachdenken habe ich mich entschlossen, dieses Video vorzubereiten und es als eine Art Podcast vorzutragen. Das wird euch wehtun und es ist mir nicht egal. Nur Fakten zu meinem Kanal und zu mir.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, slow, relaxed, steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, fairly guarded; reads as anger, fatigue exhaustion, jealousy and envy; style: whispered, monologue; average recording, quiet background; genuineness 1.3/6; vocal-burst blend 0.7/10; 20.2s, DE.
DE_1m-geKYo8XA_W000000 · in -24.1 dBFS · gain +4.2 dB · emolia-00097
(contempt, anger, bitterness·very low-energy, steady, whispered, monologue)Diese Kommentare sind dann wertvoll für alle. Es sind nachvollziehbare Neuigkeiten, die der Wahrheit dienen. Zu den Fakten. Was tue ich? Grundsätzlich vermittle ich Wissen.
full caption & clip details
An elderly masculine voice; delivery is very low-energy, slow, relaxed, steady; timbre is neutral-toned, slightly dark, rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, fairly guarded; reads as contempt, anger, bitterness; style: whispered, monologue; average recording, quiet background; genuineness 1.2/6; vocal-burst blend 0.1/10; 15.8s, DE.
DE_1m-geKYo8XA_W000003 · in -23.8 dBFS · gain +3.8 dB · emolia-00097
(disappointment, doubt, sadness· very low-energy, fairly steady, monologue, whispered)Wer nichts weiß, muss glauben. Aus dem Unwissen oder Wissen heraus handelt man entsprechend. Ich hoffte, dass ihr mit dem Wissen, es ist alles gesagt und gezeigt, handelt, und das war falsch. Mein Fehler war, dass ich glaubte, dieser
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, slow, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, fairly guarded; reads as disappointment, doubt, sadness; style: monologue, whispered; average recording, quiet background; genuineness 2.1/6; vocal-burst blend 1.1/10; 24.7s, DE.
DE_1m-geKYo8XA_W000006 · in -23.3 dBFS · gain +3.3 dB · emolia-00097
Sadness rising ↑sad-Sadness-S3-k3 · #17
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.57, 1.15. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.15.
On the corpus-wide percentile scale those become 0.43, 0.93, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, slightly relaxed, fairly steady, moderate pitch range
(emotional numbness, contemplation, fear · measured, normally alert, little disfluency, didactic)als sich in einem Betrieb ausbilden zu lassen. Das führt (ahem) zu der Schieflage, die wir jetzt haben.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, contemplation, fear; style: didactic, formal; good recording, no background noise; genuineness 1.0/6; vocal-burst blend 0.0/10; 6.2s, DE.
DE_28I6DLcapyc_W000000 · in -16.8 dBFS · gain -3.2 dB · emolia-00097
(disappointment, malevolence malice, sadness·normal-paced, normally alert, no disfluency, formal)In dieser Folge erzählt Friedrich Hubert Esser, warum die Berufsausbildung in den vergangenen Jahrzehnten an Ansehen verloren hat und was das mit unserer Gesellschaft macht. Er räumt mit Klischees rund um die Berufsbildung auf und hat auch einen guten Rat für Gymnasium parat.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, malevolence malice, sadness; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 17.3s, DE.
DE_28I6DLcapyc_W000004 · in -16.9 dBFS · gain -3.1 dB · emolia-00097
(jealousy and envy, sadness, concentration·measured, subdued, frequent disfluency, monologue)Und, äh, (ahem) so mit auch in unserem Land mitgestalten und so mitnehmen wir auch vielen, ich sag mal, die Mühen weg, die man aufnehmen muss, wenn man Menschen beispielsweise helfen muss, weil sie
full caption & clip details
An adult masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, audible breath; affect is neutral, neutral stance, slightly guarded; reads as jealousy and envy, sadness, concentration; style: monologue, casual; average recording, quiet background; genuineness 4.3/6; vocal-burst blend 0.0/10; 15.5s, DE.
DE_28I6DLcapyc_W000034 · in -14.8 dBFS · gain -5.2 dB · emolia-00097
Sadness rising ↑sad-Sadness-S3-k3 · #18
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.52, 1.09. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.09.
On the corpus-wide percentile scale those become 0.43, 0.93, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normal-paced, normally alert, slightly relaxed, fairly steady
(bitterness, jealousy and envy, anger · almost no disfluency, clear, monologue, formal)Braucht es im Rekrutierungsprozess von den Lernenden ein neues Instrument? Mein heutiger Gast ist Patrizia Manducca. Sie ist Ausbildungsverantwortliche beim Schweizer Handelsunternehmen und Lehrbetrieb Pestalozi. Und ich bin Marc Purchet von justy.ch und das ist eine neue Folge von Inside Berufsbildung.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as bitterness, jealousy and envy, anger; style: monologue, formal; good recording, quiet background; genuineness 0.2/6; vocal-burst blend 1.0/10; 17.3s, DE.
DE_2HgcLfDY9l4_W000000 · in -18.0 dBFS · gain -2.0 dB · emolia-00196
(sadness, disappointment, helplessness·no disfluency, clear, casual, formal)Und da haben wir gefunden, wir wollen da andere Sachen ausprobieren, um dem näher zu kommen.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as sadness, disappointment, helplessness; style: casual, formal; good recording, no background noise; genuineness 2.2/6; vocal-burst blend 1.1/10; 3.9s, DE.
DE_2HgcLfDY9l4_W000018 · in -19.0 dBFS · gain -1.0 dB · emolia-00196
(disappointment, sadness, longing·some disfluency, average clarity, formal)Am Anfang, natürlich, kommen mir sehr viele Bewerbungen rüber. Wir lassen die Bewerbungen über Justi laufen, über euch.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, sadness, longing; style: formal; average recording, no background noise; genuineness 3.1/6; vocal-burst blend 3.7/10; 6.4s, DE.
DE_2HgcLfDY9l4_W000048 · in -16.4 dBFS · gain -3.6 dB · emolia-00196
Sadness rising ↑sad-Sadness-S3-k3 · #19
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.56, 1.10. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.10.
On the corpus-wide percentile scale those become 0.43, 0.93, 0.98 — a total move of +0.55.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, normal-paced, normally alert, some disfluency
(jealousy and envy, contentment, affection · neutral tension, moderately variable, casual, conversational)Und mein erster Weg führt mich dann natürlich, wie bei jedem anderen Menschen denke ich, auch einfach ins Badezimmer. Und so sieht das Ganze aus, wenn ich am Abend zuvor duschen war und meine Haare habe lufttrocknen lassen, dann ist das immer eine ganz lustige Geschichte. Das erste, was ich dann mache, ist natürlich mal kurz auf die Toilette gehen.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as jealousy and envy, contentment, affection; style: casual, conversational; good recording, quiet background; genuineness 4.1/6; vocal-burst blend 3.7/10; 17.3s, DE.
DE_2R_mAsRw2RI_W000006 · in -15.6 dBFS · gain -4.4 dB · emolia-00258
(fatigue exhaustion, pain, disgust·slightly relaxed, fairly steady, casual, monologue)Und auch um meinen Kreislauf in Schwung zu bringen, wenn ich mal keine Zitrone trinke, dann ist es auch mal Apfelessig für die Haut, zur Entgiftung, intervallmäßig und so weiter.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as fatigue exhaustion, pain, disgust; style: casual, monologue; good recording, no background noise; genuineness 2.9/6; vocal-burst blend 0.0/10; 9.4s, DE.
DE_2R_mAsRw2RI_W000021 · in -15.2 dBFS · gain -4.8 dB · emolia-00258
(fatigue exhaustion, longing, contentment· slightly relaxed, fairly steady, casual, monologue)Dehne ich mich am Morgen immer ganz gerne und entspanne nochmal so ein bisschen. Dehne auch meinen Schultern und Nackenbereich dadurch, dass ich ja einen ganzen Tag am Schreibtisch am Computer sitze auf der Arbeit.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as fatigue exhaustion, longing, contentment; style: casual, monologue; good recording, no background noise; genuineness 3.5/6; vocal-burst blend 0.7/10; 10.7s, DE.
DE_2R_mAsRw2RI_W000033 · in -13.6 dBFS · gain -6.4 dB · emolia-00258
Sadness rising ↑sad-Sadness-S3-k3 · #20
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Sadness.
The raw scorer output across the chain is -0.00, 0.79, 1.39. In the first clip the scorer found no Sadness whatsoever (-0.00); by the last it is at 1.39.
On the corpus-wide percentile scale those become 0.43, 0.96, 0.99 — a total move of +0.56.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Sadness, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Sadness sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, measured, normally alert, slightly relaxed
(fear, helplessness, affection · fairly steady, didactic, formal)Angst will dich warnen, will dir helfen, das Überleben zu sichern.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; reads as fear, helplessness, affection; style: didactic, formal; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 0.0/10; 5.1s, DE.
DE_2YnrA50c9Do_W000006 · in -19.4 dBFS · gain -0.6 dB · emolia-00060
(contemplation, fear, helplessness ·steady, didactic, monologue)Die Vernunft, die kriegt von all dem gar nichts mit, weil unsere Energie ist, währenddem wir in der Angst sind, nicht gleichzeitig in der Vernunft. Wir können nicht vernünftig und ängstlich zugleich sein, entweder oder.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation, fear, helplessness; style: didactic, monologue; average recording, no background noise; genuineness 1.0/6; vocal-burst blend 0.2/10; 14.0s, DE.
DE_2YnrA50c9Do_W000008 · in -21.8 dBFS · gain +1.8 dB · emolia-00060
(sadness, helplessness, fear ·fairly steady, didactic, monologue)Je mehr Angst wir haben, desto unvernünftiger werden wir. Und je mehr Vernunft wir haben, desto weniger Angst haben wir. Wenn also die Information über die Vernunft verläuft,
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as sadness, helplessness, fear; style: didactic, monologue; good recording, no background noise; genuineness 0.5/6; vocal-burst blend 0.0/10; 11.7s, DE.
DE_2YnrA50c9Do_W000009 · in -19.5 dBFS · gain -0.5 dB · emolia-00060