Disappointment under rescue rule S3, k=2. generalisation check, gap 0.422. 84.3 % of clips score at or below zero on this emotion and the largest gap on its normalised axis is 0.422 (WIDER than the 0.25 step cap). This rule found 13,495 chains over 40,000 tracks; the strict rule found 0 at k=3.
These are not strict-rule trajectories. They come from a deliberately looser rule, built to recover examples on an emotion the strict rule cannot reach. What rule S3 changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'. What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained. Full explanation →
13,495chains this rule found
0the strict rule found (k=3)
0.422largest gap on the axis
84.3 %clips scoring ≤ 0
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.01. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.01.
On the corpus-wide percentile scale those become 0.39, 0.94 — a total move of +0.54.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 20 s · emolia
hear it un-normalised (raw levels, max seam 0.2 dB)
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, slightly relaxed, light breath
(normal-paced, normally alert, fairly steady, monologue)Und zwar stellt sich in unserem Fall die Frage, ob denn der Familienrichter, Dr. Markus Bühler,
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, didactic; good recording, no background noise; genuineness 1.7/6; vocal-burst blend 0.0/10; 6.2s, DE.
DE_--z5fTsHDac_W000000 · in -18.5 dBFS · gain -1.5 dB · emolia-00037
(fear, concentration, disgust·measured, subdued, steady, didactic)dass dieser Herr Doktor Markus Bühler da irgendwas dran ändern wird, weil das derart starke Muster sind, die er wahrscheinlich schlecht reflektieren kann und auch schlecht verstehen kann.
full caption & clip details
An adult masculine voice; delivery is subdued, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as fear, concentration, disgust; style: didactic, monologue; average recording, quiet background; genuineness 1.9/6; vocal-burst blend 0.4/10; 13.2s, DE.
DE_--z5fTsHDac_W000018 · in -18.3 dBFS · gain -1.7 dB · emolia-00037
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.26. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.26.
On the corpus-wide percentile scale those become 0.39, 0.98 — a total move of +0.59.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 30 s · emolia
hear it un-normalised (raw levels, max seam 0.9 dB)
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, normal-paced, normally alert, slightly relaxed
(somewhat unclear, monologue, didactic)Und, (ahem) äh, deshalb unterstützen wir die Bundesregierung bei ihrer klaren Haltung, äh, (ahem) gegenüber Russland.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, didactic; average recording, no background noise; genuineness 2.5/6; vocal-burst blend 0.2/10; 6.1s, DE.
DE_-05ZmfVq_H8_W000001 · in -17.1 dBFS · gain -2.9 dB · emolia-00037
(concentration, disappointment, bitterness·average clarity, monologue, formal)Aber wir halten es mit dieser klaren Haltung nicht für vereinbar, wenn beispielsweise große Infrastrukturprojekte wie die Pipeline Nord Stream 2 vorangetrieben werden, als wäre nichts gewesen. Wir sind nicht für ein prinzipielles Aus- oder einen sofortigen (ahem) Stopp (ahem) dieses Vorhabens, aber es muss ein Moratorium (ahem) geben, bis die Vorgänge
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, fairly guarded; reads as concentration, disappointment, bitterness; style: monologue, formal; average recording, quiet background; genuineness 2.1/6; vocal-burst blend 0.0/10; 24.2s, DE.
DE_-05ZmfVq_H8_W000002 · in -16.1 dBFS · gain -3.9 dB · emolia-00037
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.30. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.30.
On the corpus-wide percentile scale those become 0.39, 0.99 — a total move of +0.59.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 24 s · emolia
hear it un-normalised (raw levels, max seam 0.2 dB)
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(no disfluency, clear, didactic, formal)Tokens sollten ja schon am 17. bzw. 18. Dezember
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: didactic, formal; good recording, no background noise; genuineness 1.5/6; vocal-burst blend 0.0/10; 4.4s, DE.
DE_-6F1Ss25DJQ_W000000 · in -19.4 dBFS · gain -0.7 dB · emolia-00037
(anger, disappointment, emotional numbness·some disfluency, average clarity, monologue, didactic)Ankommen sind sie aber nicht. Das Ganze hat sich einen Monat verzögert. Unbeam ist wie geplant Mitte Dezember tatsächlich live gegangen, aber hat dann erstmal einen Monat lang nur fast nur leere Blöcke produziert, um einfach zu testen, ob das Ganze funktioniert. Denn unsere
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as anger, disappointment, emotional numbness; style: monologue, didactic; good recording, no background noise; genuineness 2.7/6; vocal-burst blend 0.3/10; 19.2s, DE.
DE_-6F1Ss25DJQ_W000001 · in -19.2 dBFS · gain -0.8 dB · emolia-00037
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.06. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.06.
On the corpus-wide percentile scale those become 0.39, 0.95 — a total move of +0.56.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 28 s · emolia
hear it un-normalised (raw levels, max seam 2.1 dB)
Unchanged across all 2 clips: a middle-aged feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, slightly relaxed
(fear, anger, relief · clear, monologue, casual)Ich würde sagen, da ist auf jeden Fall Bedarf der Verbesserung, dass man sich nicht schämen muss, in diesem Beruf zu arbeiten. Es lohnt sich auf jeden Fall, weil der Schmutz stirbt nicht aus.
full caption & clip details
A middle-aged feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as fear, anger, relief; style: monologue, casual; good recording, quiet background; genuineness 2.0/6; vocal-burst blend 0.0/10; 10.1s, DE.
DE_-8Xv740j-8Q_W000000 · in -17.5 dBFS · gain -2.5 dB · emolia-00037
(anger, helplessness, shame·average clarity, monologue, casual)Was auch ja häufig ein Fehler ist, also ich kann das aus meiner eigenen Erfahrung mit Leistungen, mit Lieferanten, mit Bewerbern sagen, die die bei uns reinigen wollten, die Bürogebäude oder die Bürozimmer, dass die sich völlig falsch beworben haben. Entweder gab es kein Angebot oder man hat gleich gemerkt, dass die ja (low mumble) vielleicht nur schwarz arbeiten wollen.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as anger, helplessness, shame; style: monologue, casual; average recording, quiet background; genuineness 4.3/6; vocal-burst blend 2.7/10; 17.5s, DE.
DE_-8Xv740j-8Q_W000017 · in -19.6 dBFS · gain -0.4 dB · emolia-00037
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.28. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.28.
On the corpus-wide percentile scale those become 0.39, 0.98 — a total move of +0.59.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 24 s · emolia
hear it un-normalised (raw levels, max seam 1.4 dB)
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, slightly relaxed
(little disfluency, conversational, authoritative)Und jetzt der Wochendurchblick mit Florian Streibl. Liebe Zuschauerinnen und Zuschauer, willkommen zum Wochendurchblick.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: conversational, authoritative; good recording, quiet background; genuineness 1.6/6; vocal-burst blend 0.3/10; 6.5s, DE.
DE_-8c1BTgFP3k_W000000 · in -18.5 dBFS · gain -1.5 dB · emolia-00247
(disappointment, impatience and irritability, anger·some disfluency, monologue, formal)Das waren Wahlleute, die ihre Hand weder für den Kandidaten von links noch von rechts heben wollten. Leute, die mit Amtshinthaber Frank-Walter Steinmeier durchaus zufrieden sind, die sich aber mehr Bürger mehr, mehr Ehrenamt und vor allem mehr Frauen in der Politik wünschen. Mit unserer Kandidatin.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, impatience and irritability, anger; style: monologue, formal; average recording, quiet background; genuineness 2.3/6; vocal-burst blend 0.0/10; 17.5s, DE.
DE_-8c1BTgFP3k_W000005 · in -19.9 dBFS · gain -0.1 dB · emolia-00247
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.29. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.29.
On the corpus-wide percentile scale those become 0.39, 0.98 — a total move of +0.59.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult masculine voice · neutral-toned, fairly smooth, balanced body, average recording, quiet background, brisk, energised, slightly relaxed
(elation, hope enthusiasm optimism, jealousy and envy · casual, dramatic)Hey Leute, ich bin's Conny und ich zeige euch, wie ihr in Roblox Studio euer eigenes Auto so erstellt, wie ihr es haben wollt. Und ich zeige euch auch, wie ihr einen Spawner für dieses Auto erstellt, damit ihr damit immer wieder neue Autos in die Map laden könnt. Aber zuallererst fangen wir an mit den Rädern. Dafür klicken wir hier oben auf Home, dann auf den File by Part,
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as elation, hope enthusiasm optimism, jealousy and envy; style: casual, dramatic; average recording, quiet background; genuineness 2.1/6; vocal-burst blend 2.5/10; 18.3s, DE.
DE_-HcL6XTJTVg_W000000 · in -15.5 dBFS · gain -4.5 dB · emolia-00047
(disgust, sourness, disappointment· dramatic, casual)Und das 10 oder 100 ist egal. Ne große Zahl. Das ist dann die Stärke, wie sich das Lenkrad dreht. Und ihr seht, wenn wir das ausgewählt haben, das zeigt in diese Richtung. Das bedeutet, das ist falsch. Das ist falsch. Wir halten Alt gedrückt, nehmen dann dieses Attachment.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as disgust, sourness, disappointment; style: dramatic, casual; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 2.0/10; 13.3s, DE.
DE_-HcL6XTJTVg_W000012 · in -16.3 dBFS · gain -3.7 dB · emolia-00047
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.11. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.11.
On the corpus-wide percentile scale those become 0.39, 0.96 — a total move of +0.57.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a middle-aged masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normal-paced, normally alert, slightly relaxed, fairly steady
(emotional numbness, helplessness, fear · average clarity, formal, storytelling)Egal was Sie machen, Ihre VR-Brille möchte einfach nicht über Ihre Seehilfe passen.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, helplessness, fear; style: formal, storytelling; good recording, quiet background; genuineness 2.2/6; vocal-burst blend 0.0/10; 4.7s, DE.
DE_-Jk4ZBOnugM_W000000 · in -16.3 dBFS · gain -3.7 dB · emolia-00147
(helplessness, disappointment, fatigue exhaustion·somewhat unclear, monologue, casual)Aber trotzdem so stabil, dass sie nicht kaputt gehen. Also, ich glaub nicht, da muss man schon mit Gewalt dran (low mumble) äh reißen, dass da irgendwas abreißt. Und das sieht schon echt stabil aus. Und, (low mumble) äh, im gepflegten Umgang damit, äh, sollte da echt nichts passieren.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as helplessness, disappointment, fatigue exhaustion; style: monologue, casual; average recording, no background noise; genuineness 4.6/6; vocal-burst blend 3.5/10; 13.5s, DE.
DE_-Jk4ZBOnugM_W000018 · in -18.5 dBFS · gain -1.5 dB · emolia-00147
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.17. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.17.
On the corpus-wide percentile scale those become 0.39, 0.97 — a total move of +0.58.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, normally alert, slightly relaxed, fairly steady
(disgust · normal-paced, little disfluency, clear, monologue)Wir sind urbex.le direkt aus Leipzig und in dieser Folge zeigen wir euch eine ehemalige Gaststätte und Wohnhaus. Kleiner Hinweis, zum Schutz des Gebäudes werde ich den Gaststättennamen nicht nennen.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disgust; style: monologue, didactic; good recording, quiet background; genuineness 0.4/6; vocal-burst blend 0.5/10; 11.2s, DE.
DE_-NcjdeCDcbY_W000001 · in -21.0 dBFS · gain +1.0 dB · emolia-00182
(disappointment, confusion·brisk, some disfluency, average clarity, casual)Das es sich hierbei um eine Gaststätte handeln sollte, konnten wir vor Ort nicht bejahen, denn davon war rein gar nichts mehr zu erkennen, weder von außen noch von innen.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as disappointment, confusion; style: casual, dramatic; good recording, no background noise; genuineness 3.1/6; vocal-burst blend 0.5/10; 8.3s, DE.
DE_-NcjdeCDcbY_W000002 · in -22.0 dBFS · gain +2.0 dB · emolia-00182
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.20. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.20.
On the corpus-wide percentile scale those become 0.39, 0.98 — a total move of +0.58.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a middle-aged masculine voice · neutral-toned, balanced body, average recording, normally alert, slightly relaxed, wide pitch range
(thankfulness gratitude, affection · measured, fairly steady, frequent disfluency, authoritative)Frau Präsidentin, meine sehr geehrten Damen und Herren! Ich gebe den Bericht.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, wide pitch range, audible breath; affect is neutral, neutral stance, slightly guarded; reads as thankfulness gratitude, affection; style: authoritative; average recording, quiet background; genuineness 4.0/6; vocal-burst blend 0.0/10; 5.0s, DE.
DE_-OLjkEFs1wk_W000000 · in -19.3 dBFS · gain -0.7 dB · emolia-00247
(disappointment, bitterness, anger·normal-paced, moderately variable, some disfluency, authoritative)Der Älteste hat den Dringlichen Gesetzentwurf in seiner 27. Sitzung am 14. Juni 2016 verraten und die unter A wiedergegebene Beschlussempfehlung an das Plenum ausgesprochen, die wie vorher gelautet.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, fairly guarded; reads as disappointment, bitterness, anger; style: authoritative, monologue; average recording, some background noise; genuineness 2.2/6; vocal-burst blend 1.5/10; 11.0s, DE.
DE_-OLjkEFs1wk_W000002 · in -18.7 dBFS · gain -1.3 dB · emolia-00247
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.35. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.35.
On the corpus-wide percentile scale those become 0.39, 0.99 — a total move of +0.59.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult somewhat feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, quiet background, subdued, slightly relaxed
(malevolence malice · measured, frequent disfluency, clear, didactic)Heute möchte ich ein Seifenblasenpapier machen. Das heißt, ich puste Seifenblasen, bunte Seifenblasen auf ein Papier, die darauf platzen und dort ihre farbige Spur hinterlassen.
full caption & clip details
A young adult somewhat feminine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly positive, neutral stance, slightly guarded; reads as malevolence malice; style: didactic, whispered; average recording, quiet background; genuineness 1.9/6; vocal-burst blend 0.5/10; 15.6s, DE.
DE_-U2hZsyyyRu_W000000 · in -22.5 dBFS · gain +2.5 dB · emolia-00147
(disappointment, shame, fatigue exhaustion·normal-paced, some disfluency, average clarity, casual)Hier habe ich, (low mumble) äh, ein Lesezeichen gemacht und ich verwende dann gerne einen Eckenabrunder. Die gibt's auch zu kaufen. Das sind so kleine Geräte. Also, ich hab hier so eins. Das hat drei verschiedene Einstellungen und ist dann, also das veredelt dann diese, diese Arbeiten einfach nochmal.
full caption & clip details
A young adult somewhat feminine voice; delivery is subdued, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as disappointment, shame, fatigue exhaustion; style: casual, monologue; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 0.0/10; 19.9s, DE.
DE_-U2hZsyyyRu_W000016 · in -21.0 dBFS · gain +1.0 dB · emolia-00147
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.22. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.22.
On the corpus-wide percentile scale those become 0.39, 0.98 — a total move of +0.58.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, normally alert, slightly relaxed, fairly steady
(measured, little disfluency, authoritative, didactic)Hello. Herzlich willkommen aus der Quantum Storm Star Wars Collection. Mein Name ist Deniz und ich möchte euch heute den
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, little disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: authoritative, didactic; good recording, no background noise; genuineness 1.6/6; vocal-burst blend 0.1/10; 6.7s, DE.
DE_-WhG-j-UudU_W000000 · in -19.3 dBFS · gain -0.7 dB · emolia-00238
(bitterness, emotional numbness, disappointment·normal-paced, some disfluency, monologue, casual)Es wurde von der Firma Kenner schon 1979 einmal herausgebracht, aber damals wurde es noch in das sogenannte Expanded Universe verortet, was ja jetzt nicht mehr ganz richtig ist, da die Serie ja zum Kanon gehört.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as bitterness, emotional numbness, disappointment; style: monologue, casual; good recording, quiet background; genuineness 3.0/6; vocal-burst blend 1.1/10; 12.6s, DE.
DE_-WhG-j-UudU_W000008 · in -19.6 dBFS · gain -0.4 dB · emolia-00238
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.18. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.18.
On the corpus-wide percentile scale those become 0.39, 0.97 — a total move of +0.58.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, slightly relaxed
(hope enthusiasm optimism, elation, interest · casual, conversational)Hallo in die Runde. Ich freue mich sehr, dass ihr dabei seid, mit mir heute wieder über Skat sprechen wollt. Da könnt ihr es auch schon sehen, mir ist demnetzt tatsächlich mal wieder eine ganz interessante Partie über den Weg gelaufen, online, wie ihr seht.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, elation, interest; style: casual, conversational; good recording, quiet background; genuineness 3.3/6; vocal-burst blend 3.8/10; 13.1s, DE.
DE_-YzjWuJuZL8_W000000 · in -17.1 dBFS · gain -2.9 dB · emolia-00238
(pain, doubt, bitterness·monologue, casual)Von mir die Pik Dame, Alleinspieler Sticht. Der Stich sieht für den Alleinspieler sicher maximal harmlos aus. Wenn da so großzügig Asse angeboten werden, sitzt normalerweise die Karte relativ glatt. Entsprechend ist er jetzt sicher ein wenig überrascht, dass hier die Trümpfe zu viert dagegen stehen.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pain, doubt, bitterness; style: monologue, casual; average recording, quiet background; genuineness 4.3/6; vocal-burst blend 0.3/10; 18.9s, DE.
DE_-YzjWuJuZL8_W000008 · in -18.7 dBFS · gain -1.3 dB · emolia-00238
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.24. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.24.
On the corpus-wide percentile scale those become 0.39, 0.98 — a total move of +0.59.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, some disfluency
(slightly relaxed, fairly steady, moderate pitch range, storytelling)Wir machen eine Geisbergrunde heute miteinander. Man kann um den ganzen Geisberg rum spazieren. Und das Video, das werden wir heute rund um den Geisberg machen.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: storytelling, monologue; good recording, quiet background; genuineness 1.9/6; vocal-burst blend 1.0/10; 9.6s, DE.
DE_-bnJC1eLO5I_W000000 · in -18.2 dBFS · gain -1.8 dB · emolia-00113
(impatience and irritability, disappointment, anger·neutral tension, moderately variable, wide pitch range, didactic)Frage, nutzt es jetzt etwas, wenn wir sagen, nein, es darf jetzt nicht sein, da darf jetzt nicht umfallen, das können wir jetzt nicht brauchen und da damit haben wir jetzt nicht gerechnet, nein, es geht jetzt nicht. Oder die Türe ist jetzt zugongen, nein, es geht jetzt nicht, das können wir jetzt nicht haben. Der Baum liegt, wenn wir sehen, gäh.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as impatience and irritability, disappointment, anger; style: didactic, monologue; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 3.7/10; 16.3s, DE.
DE_-bnJC1eLO5I_W000005 · in -17.6 dBFS · gain -2.4 dB · emolia-00113
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.33. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.33.
On the corpus-wide percentile scale those become 0.39, 0.99 — a total move of +0.59.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, normally alert, slightly relaxed, fairly steady
(disgust, concentration, infatuation · brisk, clear, newsreading, formal)Am Freitag startet der CDU-Bundesparteitag in Leipzig. Der CDU-Bundesparteitag ist das höchste beschlussfassende Gremium der CDU Deutschlands. Was sich kompliziert anhört, ist eigentlich ganz einfach. Dort werden die wichtigsten inhaltlichen und personellen Entscheidungen gekriegt.
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as disgust, concentration, infatuation; style: newsreading, formal; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 0.1/10; 15.6s, DE.
DE_-e7x_OIHd0g_W000000 · in -19.9 dBFS · gain -0.1 dB · emolia-00247
(bitterness, disappointment, triumph·normal-paced, average clarity, monologue, authoritative)Aus ganz Deutschland kommen rund 1000 Delegierte nach Leipzig.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, almost no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as bitterness, disappointment, triumph; style: monologue, authoritative; good recording, quiet background; genuineness 0.0/6; vocal-burst blend 1.9/10; 30.0s, DE.
DE_-e7x_OIHd0g_W000001 · in -18.8 dBFS · gain -1.2 dB · emolia-00247
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.01, 1.05. In the first clip the scorer found no Disappointment whatsoever (0.01); by the last it is at 1.05.
On the corpus-wide percentile scale those become 0.79, 0.95 — a total move of +0.16.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, quiet background, normal-paced, normally alert
(sourness, shame, thankfulness gratitude · conversational, casual)Ich will euch heute zeigen, was ich wirklich innerhalb, wenn man Mutter ist, dann hat man wenig Zeit und was ich wirklich so
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, neutral stance, neutral openness; reads as sourness, shame, thankfulness gratitude; style: conversational, casual; good recording, quiet background; genuineness 4.7/6; vocal-burst blend 2.4/10; 5.9s, DE.
DE_-f6GmCGhSBo_W000000 · in -19.7 dBFS · gain -0.3 dB · emolia-00224
(disgust, sourness, impatience and irritability·dramatic, didactic)macht das meistens, guckt noch nicht mehr in den Spiegel, also das ist alles schon so routiniert, dass ich das einfach so schnell auftrage. Na, sehe ich schon fresher aus?
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, neutral openness; reads as disgust, sourness, impatience and irritability; style: dramatic, didactic; good recording, quiet background; genuineness 3.3/6; vocal-burst blend 0.0/10; 7.6s, DE.
DE_-f6GmCGhSBo_W000003 · in -23.3 dBFS · gain +3.3 dB · emolia-00224
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.38. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.38.
On the corpus-wide percentile scale those become 0.39, 0.99 — a total move of +0.60.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, normal-paced, normally alert, slightly relaxed
(concentration, pride · formal, newsreading)Mehr Tempo auf dem Weg zur Klimaneutralität, das fordert die Organisation für wirtschaftliche Entwicklung und Zusammenarbeit in ihrem neuesten Umweltprüfbericht von der Bundesregierung. Ein Appell der OECD lautet deshalb mehr E-Mobilität und mehr Verkehr auf die Schiene.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, pride; style: formal, newsreading; good recording, no background noise; genuineness 0.6/6; vocal-burst blend 0.0/10; 16.4s, DE.
DE_-ffmw_U0FWY_W000000 · in -16.3 dBFS · gain -3.7 dB · emolia-00147
(disappointment, concentration, anger· formal, monologue)Die Wirtschaft wachse, obwohl die Emissionen sinken, hebt die OECD hervor. Aber noch immer kommen rund drei Viertel des Energieaufkommens aus frustilen Quellen. Nötig sei der Ausbau von E-Mobilität und Schiene, Aufforstung von Wäldern, Renatuierung der Moore und der Schutz vor Auswirkungen des Klimawandels.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, concentration, anger; style: formal, monologue; average recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 17.7s, DE.
DE_-ffmw_U0FWY_W000006 · in -14.4 dBFS · gain -5.6 dB · emolia-00147
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.18. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.18.
On the corpus-wide percentile scale those become 0.39, 0.97 — a total move of +0.58.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, quiet background, normal-paced, normally alert
(pride, disgust · average clarity, conversational, casual)Dann ist der Fahrradweg hier nicht mehr (ahem) zu befahren. Also der steht meistens so bis knietief unter Wasser.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride, disgust; style: conversational, casual; average recording, quiet background; genuineness 3.7/6; vocal-burst blend 0.0/10; 5.3s, DE.
DE_-iFXnOKFbJk_W000001 · in -24.4 dBFS · gain +4.4 dB · emolia-00095
(disappointment, distress, bitterness·somewhat unclear, casual, conversational)Und, (low mumble) ähm, das haben wir dann einfach gemacht, wie wenn wir so einen Hochwassersensor angebracht haben. Ich spring nochmal zurück, weil das das falsche Bild war. Man sieht da oben an der Spitze oder an der, in diesem dunklen Bereich sieht man den Hochwassersensor. Das ist so eine kleine,
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, distress, bitterness; style: casual, conversational; average recording, quiet background; genuineness 5.6/6; vocal-burst blend 1.5/10; 12.9s, DE.
DE_-iFXnOKFbJk_W000004 · in -23.4 dBFS · gain +3.4 dB · emolia-00095
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is -0.00, 1.10. In the first clip the scorer found no Disappointment whatsoever (-0.00); by the last it is at 1.10.
On the corpus-wide percentile scale those become 0.39, 0.96 — a total move of +0.57.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-bright, fairly smooth, balanced body, average recording, normal-paced, energised, wide pitch range
(slightly relaxed, fairly steady, frequent disfluency, authoritative)Und ich rufe auf den Tagesordnungspunkt 11.
full caption & clip details
An adult masculine voice; delivery is energised, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; very clear, frequent disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: authoritative, formal; average recording, no background noise; genuineness 1.4/6; vocal-burst blend 0.3/10; 3.2s, DE.
DE_-xg8lm69_K8_W000000 · in -18.2 dBFS · gain -1.8 dB · emolia-00224
(anger, sourness, jealousy and envy·neutral tension, moderately variable, some disfluency, ranting)(ahem) gibt es nur noch eine einzige staatliche Hochschule, die mehr als 20 % Wahlbeteiligung bei Studierenden hat. Und die Tendenz ist ansonsten überall fallend. Meine Damen und Herren, nicht Wahl oder nicht zur Wahl zu gehen, ist natürlich das Recht von jedem. Aber ich finde, das darf uns nicht gleichgültig lassen.
full caption & clip details
An adult masculine voice; delivery is energised, normal-paced, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, fairly guarded; reads as anger, sourness, jealousy and envy; style: ranting, cartoonish; average recording, quiet background; genuineness 2.6/6; vocal-burst blend 2.1/10; 18.9s, DE.
DE_-xg8lm69_K8_W000004 · in -24.1 dBFS · gain +4.1 dB · emolia-00224
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is 0.00, 1.08. In the first clip the scorer found no Disappointment whatsoever (0.00); by the last it is at 1.08.
On the corpus-wide percentile scale those become 0.39, 0.96 — a total move of +0.56.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, quiet background, normally alert, slightly relaxed
(doubt · measured, fairly steady, clear, formal)Du kennst bestimmt so die Situation. Du hast schon lange irgendwas nicht mehr gegessen.
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; reads as doubt; style: formal, didactic; good recording, quiet background; genuineness 1.5/6; vocal-burst blend 0.0/10; 5.3s, DE.
DE_-xpBDPzvHII_W000000 · in -18.9 dBFS · gain -1.1 dB · emolia-00182
(disappointment, awe, jealousy and envy·normal-paced, moderately variable, average clarity, casual)Können wir mit allem machen? Wir können auch Joghurt nehmen, ja? Du gehst, du stehst vorm Regal im Supermarkt, vorm Joghurtregal und guckst, welche Verpackungen. Ist es Glas? Ist es das Glas, was einfach nur rund ist? Oder ist es das Glas, was ausschaut wie so ein kleines Fässchen? Oder ist es das Glas?
full caption & clip details
A middle-aged feminine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as disappointment, awe, jealousy and envy; style: casual, conversational; good recording, quiet background; genuineness 3.0/6; vocal-burst blend 1.1/10; 19.6s, DE.
DE_-xpBDPzvHII_W000005 · in -17.9 dBFS · gain -2.1 dB · emolia-00182
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Disappointment.
The raw scorer output across the chain is -0.00, 1.31. In the first clip the scorer found no Disappointment whatsoever (-0.00); by the last it is at 1.31.
On the corpus-wide percentile scale those become 0.39, 0.99 — a total move of +0.59.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Disappointment, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Disappointment sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, slightly dark, balanced body, average recording, quiet background, slightly relaxed, steady, somewhat unclear
(measured, normally alert, some disfluency, didactic)Die zehnte Etappe der Tour de France 2022 startete in Morsin, in Haute-Savoyen.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, some disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: didactic, monologue; average recording, quiet background; genuineness 1.8/6; vocal-burst blend 0.1/10; 6.9s, DE.
DE_0068rhxjjg8_W000000 · in -20.8 dBFS · gain +0.8 dB · emolia-00215
(disappointment, bitterness, anger·slow, very low-energy, frequent disfluency, monologue)Die Werbeparade fuhr natürlich auch dieses Mal wieder durch, wie wir sie schon im letzten Video gezeigt haben. Keine Sorge, wir zeigen sie nicht noch einmal, nur die Ergebnisse, die sie für uns gebracht hat.
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, slow, slightly relaxed, steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, audible breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, bitterness, anger; style: monologue, whispered; average recording, quiet background; genuineness 2.9/6; vocal-burst blend 0.7/10; 14.4s, DE.
DE_0068rhxjjg8_W000007 · in -22.4 dBFS · gain +2.4 dB · emolia-00215