Awe under rescue rule S3, k=2. does the winning rule generalise? Awe has the widest gap (0.474). 95.1 % of clips score at or below zero on this emotion and the largest gap on its normalised axis is 0.474 (WIDER than the 0.25 step cap). This rule found 5,762 chains over 40,000 tracks; the strict rule found 0 at k=3.
These are not strict-rule trajectories. They come from a deliberately looser rule, built to recover examples on an emotion the strict rule cannot reach. What rule S3 changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'. What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained. Full explanation →
5,762chains this rule found
0the strict rule found (k=3)
0.474largest gap on the axis
95.1 %clips scoring ≤ 0
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
Awe rising ↑sad-Awe-S3-k2 · #1
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.31. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.31.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 27 s · emolia
hear it un-normalised (raw levels, max seam 0.6 dB)
Unchanged across all 2 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(steady, formal, monologue)Startschuss für DSDS. Nicht mehr lange, und Florian Silbereisen-Fans kommen auch bei RTL auf ihre Kosten
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 7.9s, DE.
DE_163DYBR_hRg_W000000 · in -16.4 dBFS · gain -3.6 dB · emolia-00161
(awe, pain, fatigue exhaustion·fairly steady, narration, formal)Ich bin für alles offen und am Ende ist es egal, ob ein Kandidat Schlager, Pop oder Rock singt. Hauptsache, derjenige kann gut singen. Denn wir wollen ja am Ende einen Superstar finden, die Musikrichtung ist dabei egal. Das Unterhosengeheimnis von Florian Silbereisen.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as awe, pain, fatigue exhaustion; style: narration, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 18.6s, DE.
DE_163DYBR_hRg_W000010 · in -15.9 dBFS · gain -4.1 dB · emolia-00161
Awe rising ↑sad-Awe-S3-k2 · #2
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.16. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.16.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 17 s · emolia
hear it un-normalised (raw levels, max seam 0.5 dB)
Unchanged across all 2 clips: an elderly somewhat feminine voice · slightly warm, smooth, balanced body, good recording, no background noise, slow, very low-energy, relaxed
(contemplation, pain, emotional numbness · frequent disfluency, fairly narrow pitch, ASMR, monologue)Ein Gebet, was das Gleichgewicht zwischen geben und nehmen herstellt. Das wichtige Gleichgewicht.
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, slightly dark, smooth, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, audible breath; affect is mildly positive, submissive, slightly vulnerable; reads as contemplation, pain, emotional numbness; style: ASMR, monologue; good recording, no background noise; genuineness 2.5/6; vocal-burst blend 2.5/10; 8.5s, DE.
DE_1A7Boronwik_W000002 · in -17.6 dBFS · gain -2.4 dB · emolia-00254
(awe, relief, contentment·little disfluency, narrow pitch range, ASMR, whispered)Dass wir mithilfe Gottes ganz viel Frieden und Licht auf die Welt bringen werden.
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, dark, smooth, balanced body; somewhat unclear, little disfluency, narrow pitch range, audible breath; affect is mildly positive, submissive, neutral openness; reads as awe, relief, contentment; style: ASMR, whispered; good recording, no background noise; genuineness 1.5/6; vocal-burst blend 3.3/10; 8.3s, DE.
DE_1A7Boronwik_W000026 · in -18.1 dBFS · gain -1.9 dB · emolia-00254
Awe rising ↑sad-Awe-S3-k2 · #3
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.10. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.10.
On the corpus-wide percentile scale those become 0.47, 0.99 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 10 s · emolia
hear it un-normalised (raw levels, max seam 2.0 dB)
Unchanged across all 2 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, quiet background, normal-paced, normally alert, some disfluency, moderate pitch range
(embarrassment, fatigue exhaustion, infatuation · neutral tension, moderately variable, somewhat unclear, casual)Ich drück mich immer falsch auf, aus, in dieser, also, filterraum, ich muss auch mal die richtige Sprache lernen.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, slightly thin; somewhat unclear, some disfluency, moderate pitch range, normal breath; affect is positive, slightly submissive, slightly vulnerable; reads as embarrassment, fatigue exhaustion, infatuation; style: casual, conversational; below-average recording, quiet background; genuineness 5.3/6; vocal-burst blend 4.9/10; 6.3s, DE.
DE_1Pd71w8hAhI_W000000 · in -21.4 dBFS · gain +1.4 dB · emolia-00077
(astonishment surprise, awe, longing·slightly relaxed, fairly steady, average clarity, casual)Und dann noch diese Erhöhungen, die da immer kommen, mein Gott, ja.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as astonishment surprise, awe, longing; style: casual, conversational; average recording, quiet background; genuineness 4.8/6; vocal-burst blend 3.2/10; 3.5s, DE.
DE_1Pd71w8hAhI_W000187 · in -19.4 dBFS · gain -0.6 dB · emolia-00077
Awe rising ↑sad-Awe-S3-k2 · #4
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.32. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.32.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 20 s · emolia
hear it un-normalised (raw levels, max seam 0.1 dB)
Unchanged across all 2 clips: a young adult masculine voice · neutral-bright, fairly smooth, balanced body, average recording, quiet background, normal-paced, energised, moderately variable
(disgust, interest, teasing · neutral tension, frequent disfluency, very clear, storytelling)3G Symmension 3. Ihr wisst Bescheid. Ganz genau. Und heute befinden wir uns, wenn ich das hier alles richtig sehe, und mich gut informiert hab, in Pyra Media. Ja, (ahem) ganz genau.
full caption & clip details
A young adult masculine voice; delivery is energised, normal-paced, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; very clear, frequent disfluency, very wide pitch range, normal breath; affect is positive, slightly dominant, neutral openness; reads as disgust, interest, teasing; style: storytelling, playful; average recording, quiet background; genuineness 3.7/6; vocal-burst blend 1.9/10; 14.1s, DE.
DE_1aPh9BCqtRu_W000000 · in -15.4 dBFS · gain -4.6 dB · emolia-00022
(astonishment surprise, awe, confusion·slightly relaxed, some disfluency, average clarity, cartoonish)Oh mein Gott! Ja, (ahem) macht ja auch Sinn, so dieses Pyramidenzeugs.
full caption & clip details
A child masculine voice; delivery is energised, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, very wide pitch range, normal breath; affect is positive, slightly dominant, neutral openness; reads as astonishment surprise, awe, confusion; style: cartoonish, dramatic; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 0.4/10; 5.3s, DE.
DE_1aPh9BCqtRu_W000001 · in -15.5 dBFS · gain -4.5 dB · emolia-00022
Awe rising ↑sad-Awe-S3-k2 · #5
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.16. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.16.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 10 s · emolia
hear it un-normalised (raw levels, max seam 0.4 dB)
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(affection · wide pitch range, authoritative, storytelling)Tage der Ermutigung. Ich freue mich, dass du wieder eingeschaltet hast, dass du wieder dabei bist.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as affection; style: authoritative, storytelling; good recording, no background noise; genuineness 1.4/6; vocal-burst blend 0.0/10; 4.9s, DE.
DE_1eb_VRL8MFI_W000000 · in -19.3 dBFS · gain -0.7 dB · emolia-00216
(awe, elation, pleasure ecstasy·moderate pitch range, formal, storytelling)Das war der Anfang einer wunderbaren Reise mit Jesus Christus.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as awe, elation, pleasure ecstasy; style: formal, storytelling; good recording, no background noise; genuineness 0.7/6; vocal-burst blend 0.0/10; 4.9s, DE.
DE_1eb_VRL8MFI_W000268 · in -18.9 dBFS · gain -1.1 dB · emolia-00216
Awe rising ↑sad-Awe-S3-k2 · #6
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.42. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.42.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, quiet background, normally alert, moderately variable
(intoxication altered states of consciousness, elation, hope enthusiasm optimism · normal-paced, neutral tension, average clarity, casual)Hallo und willkommen hier zu F1 2019. 哈喽,欢迎来到F1 2019。嗯, (low mumble) ja, ich werde keine Karriere heute starten, sondern eine Formel 2 Meisterschaft, weil ich habe gemerkt, die Fahrzeuge sind mega mega nice und, 嗯, (low mumble)
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is positive, slightly submissive, slightly guarded; reads as intoxication altered states of consciousness, elation, hope enthusiasm optimism; style: casual, playful; average recording, quiet background; genuineness 4.2/6; vocal-burst blend 1.8/10; 15.7s, DE.
DE_2UhFJjC9wtM_W000000 · in -14.5 dBFS · gain -5.5 dB · emolia-00216
(awe, astonishment surprise, intoxication altered states of consciousness ·measured, slightly relaxed, somewhat unclear, casual)Wow, Aitken hat da extrem früh gebremst und Alvin führt das Rennen an.
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, neutral openness; reads as awe, astonishment surprise, intoxication altered states of consciousness; style: casual, conversational; average recording, quiet background; genuineness 4.5/6; vocal-burst blend 0.0/10; 4.7s, DE.
DE_2UhFJjC9wtM_W000036 · in -14.8 dBFS · gain -5.2 dB · emolia-00216
Awe rising ↑sad-Awe-S3-k2 · #7
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.19. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.19.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a child feminine voice · neutral-toned, neutral-bright, balanced body, average recording, some background noise, light breath
(pride, affection, elation · normal-paced, normally alert, slightly relaxed, casual)(ahem) Karl gehört, (ahem) ähm, meinem Mann und mir. Der wohnt, (low mumble) ähm, mit uns auf einem kleinen Bauernhof in, (low mumble) ähm, Bitburg-Hau. Das ist unser Pit.
full caption & clip details
A child feminine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is positive, slightly submissive, neutral openness; reads as pride, affection, elation; style: casual, conversational; average recording, some background noise; genuineness 4.1/6; vocal-burst blend 1.2/10; 9.4s, DE.
DE_2_pDO2tImiM_W000000 · in -16.4 dBFS · gain -3.5 dB · emolia-00196
(awe, pride, sadness·measured, subdued, neutral tension, monologue)Wo er alle Dinge, die Gott geschaffen hat, also die Sonne, den Mond, die Sterne, das Wasser, die Berge, die Blumen, die Tiere, die Menschen, alle seine Brüder und Schwestern nennt. Alle sind Geschöpfe Gottes. Gott ist unser Allervater. Von daher haben wir eine ganz besondere Affinität auch zur Tiersegel.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as awe, pride, sadness; style: monologue; average recording, some background noise; genuineness 3.5/6; vocal-burst blend 2.2/10; 18.5s, DE.
DE_2_pDO2tImiM_W000029 · in -21.4 dBFS · gain +1.4 dB · emolia-00196
Awe rising ↑sad-Awe-S3-k2 · #8
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.12. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.12.
On the corpus-wide percentile scale those become 0.47, 0.99 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult feminine voice · neutral-toned, neutral-bright, balanced body, moderately variable, wide pitch range
(fear, distress, sadness · normal-paced, normally alert, slightly relaxed, formal)Viele Menschen haben Angst und wir dürfen immer wieder zu Jesus kommen und er befreit uns davon und er hilft uns.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, wide pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as fear, distress, sadness; style: formal, monologue; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 1.2/10; 7.1s, DE.
DE_2qbSrNDq5eI_W000001 · in -11.7 dBFS · gain -8.3 dB · emolia-00161
(relief, affection, thankfulness gratitude·slow, very low-energy, relaxed, monologue)Danke Herr, dass du jetzt gerade in diesem Moment diesem Mann so nahe bist. Und Herr, ich danke dir dafür. Herr, den ganzen Unterleib, Herr, was da alles durcheinander ist, was entzündet ist. Herr,
full caption & clip details
An elderly masculine voice; delivery is very low-energy, slow, relaxed, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, wide pitch range, audible breath; affect is mildly positive, slightly submissive, neutral openness; reads as relief, affection, thankfulness gratitude; style: monologue, casual; average recording, quiet background; genuineness 2.9/6; vocal-burst blend 1.6/10; 12.5s, DE.
DE_2qbSrNDq5eI_W000021 · in -17.7 dBFS · gain -2.3 dB · emolia-00161
Awe rising ↑sad-Awe-S3-k2 · #9
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.02. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.02.
On the corpus-wide percentile scale those become 0.47, 0.99 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, quiet background, moderately variable, moderate pitch range
(embarrassment, shame · measured, very low-energy, neutral tension, casual)Die Sprache der Tiere, tja, neulich ständig nehme ich ja am Fenster und hab mit einer guten Freundin telefoniert, und da kann man so auf das Thema Krafttiere zu sprechen, ne?
full caption & clip details
An adult masculine voice; delivery is very low-energy, measured, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, slightly thin; somewhat unclear, frequent disfluency, moderate pitch range, normal breath; affect is mildly negative, neutral stance, neutral openness; reads as embarrassment, shame; style: casual, monologue; average recording, quiet background; mildly explicit content; genuineness 4.7/6; vocal-burst blend 1.4/10; 13.7s, DE.
DE_3QIMrq-rDcg_W000000 · in -22.7 dBFS · gain +2.7 dB · emolia-00079
(awe, longing, infatuation·normal-paced, normally alert, slightly relaxed, conversational)Ja, und die Sekundärwicklung, ne, die hat mich nämlich auch etwas fasziniert.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, neutral openness; reads as awe, longing, infatuation; style: conversational, storytelling; good recording, quiet background; genuineness 2.4/6; vocal-burst blend 0.0/10; 4.6s, DE.
DE_3QIMrq-rDcg_W000053 · in -19.5 dBFS · gain -0.5 dB · emolia-00079
Awe rising ↑sad-Awe-S3-k2 · #10
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.02. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.02.
On the corpus-wide percentile scale those become 0.47, 0.99 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a middle-aged masculine voice · neutral-bright, balanced body, good recording, no background noise, measured, fairly steady, clear, light breath
(contemplation, sadness, affection · subdued, relaxed, little disfluency, monologue)Es ist schwer zu erklären, was ich in Rumänien alles erleben dürfte. Natur, Herausforderungen, Leben, Gastfreundschaft, Liebe und so vieles vieles mehr. Meine Reisen bereichern meine Seele.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, relaxed, fairly steady; timbre is slightly warm, neutral-bright, slightly rough, balanced body; clear, little disfluency, fairly narrow pitch, light breath; affect is mildly positive, neutral stance, fairly guarded; reads as contemplation, sadness, affection; style: monologue, narration; good recording, no background noise; genuineness 1.0/6; vocal-burst blend 0.9/10; 13.7s, DE.
DE_4N4Wcn9CHFo_W000000 · in -21.1 dBFS · gain +1.1 dB · emolia-00123
(longing, contemplation, sadness ·normally alert, slightly relaxed, some disfluency, storytelling)Es wird immer einsamer, und es ist wie ein Traum, durch Wasserdurchquerungen mitten in der Natur zu fahren.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as longing, contemplation, sadness; style: storytelling, monologue; good recording, no background noise; genuineness 1.5/6; vocal-burst blend 0.7/10; 6.6s, DE.
DE_4N4Wcn9CHFo_W000014 · in -19.2 dBFS · gain -0.8 dB · emolia-00123
Awe rising ↑sad-Awe-S3-k2 · #11
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.07. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.07.
On the corpus-wide percentile scale those become 0.47, 0.99 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · balanced body, no background noise
(fear, bitterness, sourness · normal-paced, normally alert, slightly relaxed, monologue)Obwohl die allgemeine Angst wuchs, dass man es mit einem Krankheitserreger zu tun hatte, der wie die Tollwut aggressiv machte und im schlimmsten Fall auch auf Menschen übertragbar war, wollte der Kollege in Wilhelmsburg nichts davon wissen.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fear, bitterness, sourness; style: monologue, narration; good recording, no background noise; genuineness 2.3/6; vocal-burst blend 0.7/10; 14.0s, DE.
DE_4bFqkygOSLk_W000000 · in -18.7 dBFS · gain -1.3 dB · emolia-00062
(awe, bitterness, contemplation·slow, very low-energy, relaxed, narration)Im Zwielicht schien sich das Zimmer, um ihn herum zu bewegen. Aber als er das Licht anknipste, brachte die Beleuchtung der Nachtiglampe die vertraute Ordnung zurück. Schrank, Stuhl, Bücherregal, Nachtig. Alles an seinem Platz. Im Bett begann er so sehr zu schwitzen,
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, slightly dark, rough, balanced body; slurred, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly negative, neutral stance, fairly guarded; reads as awe, bitterness, contemplation; style: narration, whispered; average recording, no background noise; genuineness 1.4/6; vocal-burst blend 1.7/10; 22.1s, DE.
DE_4bFqkygOSLk_W000044 · in -23.1 dBFS · gain +3.1 dB · emolia-00062
Awe rising ↑sad-Awe-S3-k2 · #12
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.16. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.16.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, good recording, normally alert, slightly relaxed, clear
(thankfulness gratitude · measured, steady, almost no disfluency, formal)biblical foundations, chapter 6, discipleship and leadership, and we are in the supplemental notes.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as thankfulness gratitude; style: formal, monologue; good recording, no background noise; genuineness 0.5/6; vocal-burst blend 0.2/10; 6.7s, DE.
DE_4eZf3luWe6c_W000000 · in -19.0 dBFS · gain -1.0 dB · emolia-00259
(awe, contentment, affection·slow, fairly steady, little disfluency, storytelling)Baptise them in the name of the Father, the Son and the Holy Spirit. Teaching them to observe all things that I have commanded you. And lo, I am with you even to the end of the age.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, slow, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, full; clear, little disfluency, wide pitch range, normal breath; affect is mildly positive, slightly dominant, slightly guarded; reads as awe, contentment, affection; style: storytelling, monologue; good recording, quiet background; genuineness 0.2/6; vocal-burst blend 0.0/10; 13.0s, DE.
DE_4eZf3luWe6c_W000004 · in -22.6 dBFS · gain +2.5 dB · emolia-00259
Awe rising ↑sad-Awe-S3-k2 · #13
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.01. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.01.
On the corpus-wide percentile scale those become 0.47, 0.99 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, slightly relaxed
(triumph · measured, normally alert, steady, authoritative)Staatliche Hochbaumaßnahmen, und es beginnt der Kollege Norbert Schmitt von der SPD-Fraktion.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, almost no disfluency, fairly narrow pitch, normal breath; affect is neutral, slightly dominant, slightly guarded; reads as triumph; style: authoritative, formal; average recording, quiet background; genuineness 1.9/6; vocal-burst blend 0.3/10; 6.2s, DE.
DE_5CRtHm5ySYg_W000000 · in -20.8 dBFS · gain +0.8 dB · emolia-00125
(awe, contempt, sourness·normal-paced, energised, fairly steady, authoritative)Ich meine, diese Kritik ist schon bemerkenswert, und sie zeigt eine ziemlich erstaunliche Unkenntnis.
full caption & clip details
A middle-aged masculine voice; delivery is energised, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; very clear, little disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, fairly guarded; reads as awe, contempt, sourness; style: authoritative, formal; good recording, quiet background; genuineness 1.1/6; vocal-burst blend 0.0/10; 6.0s, DE.
DE_5CRtHm5ySYg_W000013 · in -18.0 dBFS · gain -2.0 dB · emolia-00125
Awe rising ↑sad-Awe-S3-k2 · #14
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.49. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.49.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, normal-paced, normally alert, slightly relaxed
(emotional numbness, fear · formal, monologue)riskante Jenseitskontakte medialer Menschen durch Rituale und Intrans.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, fear; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 4.9s, DE.
DE_5H96E8-mlsy_W000003 · in -12.6 dBFS · gain -7.4 dB · emolia-00229
(awe, infatuation, contemplation· formal, monologue)Deshalb himmlische Wesen zusammen mit dem Gottesgeist die Besitzer und Verwalter von allem sind, was in der himmlischen Schöpfung jemals geschaffen wurde. Was beim Segnen von Geistlichen im Unsichtbaren tatsächlich geschieht.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as awe, infatuation, contemplation; style: formal, monologue; very good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 12.9s, DE.
DE_5H96E8-mlsy_W000006 · in -13.6 dBFS · gain -6.4 dB · emolia-00229
Awe rising ↑sad-Awe-S3-k2 · #15
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.28. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.28.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, measured, fairly steady, moderate pitch range
(emotional numbness · normally alert, slightly relaxed, some disfluency, monologue)der nun mittlerweile Serie, (ahem) ähm, Drehstrommotor als Generator benutzen. Es hat sich da nämlich was getan. Und zwar ordentlich.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: monologue, didactic; good recording, no background noise; genuineness 1.2/6; vocal-burst blend 0.5/10; 9.0s, DE.
DE_5NIpRbXP8yk_W000000 · in -18.2 dBFS · gain -1.8 dB · emolia-00125
(awe, astonishment surprise, anger·subdued, neutral tension, frequent disfluency, casual)was ich, was ich, wo ich sage, hey, das ist ja echt hammermäßig klasse, ich kann aus einem 160 Watt Drehstrommotor um die 120 Watt rausholen. Das ist, also, poff.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, normal breath; affect is neutral, neutral stance, slightly guarded; reads as awe, astonishment surprise, anger; style: casual, monologue; average recording, quiet background; genuineness 4.0/6; vocal-burst blend 0.3/10; 13.2s, DE.
DE_5NIpRbXP8yk_W000047 · in -16.5 dBFS · gain -3.5 dB · emolia-00125
Awe rising ↑sad-Awe-S3-k2 · #16
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.32. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.32.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an elderly somewhat feminine voice · slightly warm, dark, smooth, balanced body, very good recording, no background noise, slow, very low-energy
(affection, contentment, contemplation · no disfluency, fairly narrow pitch, whispered, monologue)Es wird dir ganz leicht und du spürst.
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, dark, smooth, balanced body; somewhat unclear, no disfluency, fairly narrow pitch, audible breath; affect is mildly positive, submissive, neutral openness; reads as affection, contentment, contemplation; style: whispered, monologue; very good recording, no background noise; genuineness 1.4/6; vocal-burst blend 6.1/10; 4.1s, DE.
DE_5uq5Oz7mtBU_W000007 · in -16.0 dBFS · gain -4.0 dB · emolia-00062
(contentment, contemplation, awe·little disfluency, narrow pitch range, whispered, monologue)Das dich deine Seele zu einem großen Baum trägt. Es ist der Lebensbaum deiner Vorfahren.
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, dark, smooth, balanced body; somewhat unclear, little disfluency, narrow pitch range, audible breath; affect is mildly positive, submissive, vulnerable; reads as contentment, contemplation, awe; style: whispered, monologue; very good recording, no background noise; genuineness 1.2/6; vocal-burst blend 3.3/10; 11.3s, DE.
DE_5uq5Oz7mtBU_W000008 · in -16.1 dBFS · gain -3.9 dB · emolia-00062
Awe rising ↑sad-Awe-S3-k2 · #17
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.32. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.32.
On the corpus-wide percentile scale those become 0.47, 1.00 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, normal-paced, normally alert, slightly relaxed
(relief, contentment, distress · almost no disfluency, storytelling, formal)durch das Freiheitszeichen Wassermann lief und die Welt veränderte. Das war eine Zeit des Umsturzes und der Befreiung. Nun steht Pluto wieder an der Schwelle zum Wassermann und auch diesmal wird die Freiheit ein großes Thema sein. Für die Gesellschaft und für den Einzelnen.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as relief, contentment, distress; style: storytelling, formal; good recording, no background noise; genuineness 0.8/6; vocal-burst blend 0.0/10; 15.3s, DE.
DE_624drQWANi0_W000000 · in -19.7 dBFS · gain -0.3 dB · emolia-00062
(awe, disgust, interest·little disfluency, formal, monologue)Plutus Kräfte der Selbstermächtigung und Erneuerung strömen nun durch euer Wesen. Das ist einerseits aufregend und fantastisch, andererseits ist die Energie aber auch so groß, dass sie verzehrend wirken kann, wenn ihr nicht aufpasst.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as awe, disgust, interest; style: formal, monologue; very good recording, no background noise; genuineness 0.8/6; vocal-burst blend 0.0/10; 13.5s, DE.
DE_624drQWANi0_W000033 · in -17.2 dBFS · gain -2.8 dB · emolia-00062
Awe rising ↑sad-Awe-S3-k2 · #18
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.00. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.00.
On the corpus-wide percentile scale those become 0.47, 0.99 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult masculine voice · slightly cool, balanced body, below-average recording, fast, highly aroused, tense, some disfluency, very wide pitch range
(triumph, elation, hope enthusiasm optimism · moderately variable, average clarity, storytelling, dramatic)Und damit hier, Leute, was geht? Und herzlich willkommen zu einer neuen Folge von Newer. Super Mario Bros. Beat. Und wir starten heute rein mit 7-7. Und zwar dem Star Heaven. Und schaut euch dieses Bild an. Ist es nicht wunderschön? Definitiv nein. Und guys, noch eine ganz wichtige Neuigkeit.
full caption & clip details
A young adult masculine voice; delivery is highly aroused, fast, tense, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, very wide pitch range, normal breath; affect is elated, very dominant, guarded; reads as triumph, elation, hope enthusiasm optimism; style: storytelling, dramatic; below-average recording, noisy background; genuineness 3.4/6; vocal-burst blend 4.4/10; 15.0s, DE.
DE_6S01_KQagwM_W000000 · in -14.1 dBFS · gain -5.9 dB · emolia-00216
(elation, pleasure ecstasy, hope enthusiasm optimism ·volatile, very clear, cartoonish, casual)Wie viele Bob-Bombs kommen da? Oh, stellt euch vor, hier wäre einfach schon das Ziel. Das wäre so schön. Eh, das Level war so schwer. Sieht mir verdächtig nach Ziel aus. Let's go.
full caption & clip details
A young adult masculine voice; delivery is highly aroused, fast, tense, volatile; timbre is slightly cool, neutral-bright, very rough, balanced body; very clear, some disfluency, very wide pitch range, normal breath; affect is elated, very dominant, neutral openness; reads as elation, pleasure ecstasy, hope enthusiasm optimism; style: cartoonish, casual; below-average recording, quiet background; genuineness 3.1/6; vocal-burst blend 0.0/10; 11.8s, DE.
DE_6S01_KQagwM_W000024 · in -13.5 dBFS · gain -6.5 dB · emolia-00216
Awe rising ↑sad-Awe-S3-k2 · #19
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.06. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.06.
On the corpus-wide percentile scale those become 0.47, 0.99 — a total move of +0.52.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a middle-aged masculine voice · neutral-toned, slightly dark, rough, average recording, quiet background, very low-energy, frequent disfluency, fairly narrow pitch
(contemplation, emotional numbness · slow, slightly relaxed, steady, didactic)Ziel 1 ist Blade in Slovenien. Nummer 2 ist der Seebergsattel.
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A middle-aged masculine voice; delivery is very low-energy, slow, slightly relaxed, steady; timbre is neutral-toned, slightly dark, rough, balanced body; slurred, frequent disfluency, fairly narrow pitch, audible breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation, emotional numbness; style: didactic, whispered; average recording, quiet background; genuineness 1.3/6; vocal-burst blend 0.3/10; 6.8s, DE.
DE_6oWemYVK0_g_W000000 · in -17.4 dBFS · gain -2.6 dB · emolia-00216
(astonishment surprise, awe, anger·measured, relaxed, fairly steady, whispered)Unglaublich. Die Jungs von Österreich wollten sogar unsere Pässe sehen.
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is neutral-toned, slightly dark, rough, thin; somewhat unclear, frequent disfluency, fairly narrow pitch, audible breath; affect is mildly negative, neutral stance, slightly guarded; reads as astonishment surprise, awe, anger; style: whispered, monologue; average recording, quiet background; genuineness 2.4/6; vocal-burst blend 0.4/10; 5.2s, DE.
DE_6oWemYVK0_g_W000005 · in -20.5 dBFS · gain +0.5 dB · emolia-00216
Awe rising ↑sad-Awe-S3-k2 · #20
This is not a strict-rule trajectory. It comes from rescue rule S3, which exists because the strict rule returns nothing at all for Awe.
The raw scorer output across the chain is -0.00, 1.56. In the first clip the scorer found no Awe whatsoever (-0.00); by the last it is at 1.56.
On the corpus-wide percentile scale those become 0.00, 1.00 — a total move of +1.00.
That is why the strict rule cannot build this chain. Roughly 90 % of the corpus scores exactly zero on Awe, and tied values all collapse onto one point (about 0.45). The clips that genuinely carry Awe sit above 0.85. There is simply nothing in between to step onto, so the only move available is one jump far wider than the 0.25 per-step cap.
What this rule changes: Absent to present. The chain must start at or below 0.05 (the emotion is absent) and end at or above 1.0 (it is clearly present). The most literal reading of 'from not sad to sad'.
What it costs: Says nothing about the SHAPE of the path -- only that it begins absent and ends present. Any intermediate clip is unconstrained.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, thin, very good recording, no background noise, measured, normally alert
(emotional numbness, sadness, distress · narrow pitch range, formal, monologue)Was geschieht zum Beispiel mit den Körperzellen, wenn ein Mensch aus falsch verstandenem Glauben, seine geheimen Wünsche, wie etwa Zärtlichkeitsgefühle immer wieder verdrängt?
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, no disfluency, narrow pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, sadness, distress; style: formal, monologue; very good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 12.0s, DE.
DE_6qdK4WVJHby_W000001 · in -13.8 dBFS · gain -6.2 dB · emolia-00099
(awe, emotional numbness, contentment·moderate pitch range, formal, monologue)Als mischgut bezeichnet der Gottesgeist ein geistiges Wissen, das mit weltlichen Speicherungen und den vom Gottesgeist gegebenen Liebebotschaften vermischt ist.
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as awe, emotional numbness, contentment; style: formal, monologue; very good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 11.3s, DE.
DE_6qdK4WVJHby_W000018 · in -12.3 dBFS · gain -7.7 dB · emolia-00099