Manifest tier. proxy_taillift, rule PXR, T=0.2, step cap 0.25. Population 1,233,330 chains (12,315 h) over 6 corpora. The SHAREABLE variant of this tier (podcast and evasnippets excluded) holds 966,487.
Rule.PXR — proxy ramp-carrier: same two-sided test as AB2, but the per-step cap is applied on the PROXY axes for emotions that are not directly rampable Source. trajectories_v5lift.parquet | Family. the tier owner's manifest tiers -- the exact subsets used for training Manifest tier.proxy_taillift__PXR__T0.20__C0.25__INTERNAL — population 1,233,330 chains (12,315 h). SHAREABLE variant: 966,487. Filter.rule=='PXR' and T==0.2 and C==0.25 and dataset in ['mls', 'eurospeech', 'emolia', 'podcast', 'snippets', 'evasnippets'] and qmax>=0.2 and cmax<=0.25 This tier was resampled. The manifest's earlier published filter applied the one-sided test to every tier regardless of its actual rule. Tier populations were always counted under the correct rule, so the sizes quoted here were never wrong — but the earlier selection drew from a contaminated pool, of which -4.0 % were not members of this tier. These samples are drawn with the corrected filter, which tests qmax >= T and cmax <= C — per-row quantities computed under this tier's own rule. For a proxy tier no d_a/d_b predicate could be correct, because a proxy-rescued chain may legitimately exceed the cap on the named axis while its smoothness is certified on the proxy axis. Sampled from 1,233,330 matching rows, without replacement across the family, so no two tiers reuse a chain.
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
Contemplation ↓ / Fear ↑proxy_taillift__PXR__T0.20__C0.25__INTERNAL · #1
This chain comes from the proxy rule: the same two-sided test as above, but because Fear is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Fear strongly present — 0.78, higher than 78 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.22.
At the same time Contemplation goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.74 (higher than 74 % of clips in this corpus), a change of -0.24. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.14, then +0.07 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.81 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.81 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 30 s · en · emolia
hear it un-normalised (raw levels, max seam 0.9 dB)
Unchanged across all 3 clips: a young adult feminine voice · fairly smooth, average recording, quiet background
(contemplation, doubt · normal-paced, normally alert, slightly relaxed, monologue)As much as we think often about energy being kind of this, you know, airy-fairy, psychobabbily kind of thing,
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as contemplation, doubt; style: monologue, casual; average recording, quiet background; genuineness 2.8/6; vocal-burst blend 0.9/10; 6.4s, EN.
EN_aTvBpcHJBlA_W000583 · in -15.9 dBFS · gain -4.1 dB · emolia-02628
(sexual lust, thankfulness gratitude, fear·brisk, energised, slightly relaxed, dramatic)If you've ever walked into a room where two people are at odds with one another, you will know that energy is real because you feel it in the air. So to be a teacher on the front lines, I mean to be in schools period right now.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, balanced body; clear, some disfluency, wide pitch range, normal breath; affect is positive, slightly dominant, neutral openness; reads as sexual lust, thankfulness gratitude, fear; style: dramatic, casual; average recording, quiet background; genuineness 1.8/6; vocal-burst blend 3.1/10; 13.5s, EN.
EN_aTvBpcHJBlA_W000584 · in -15.7 dBFS · gain -4.3 dB · emolia-02628
(fear, affection, awe·normal-paced, very low-energy, relaxed, casual)All of this is hanging heavy in the air and you breathe in energetically that air day in and day out. (ahem) Uhm, that's, that's a big thing for us to be talking about.
full caption & clip details
A young adult feminine voice; delivery is very low-energy, normal-paced, relaxed, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, slightly thin; somewhat unclear, frequent disfluency, moderate pitch range, audible breath; affect is mildly positive, submissive, slightly vulnerable; reads as fear, affection, awe; style: casual, monologue; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 4.1/10; 10.2s, EN.
EN_aTvBpcHJBlA_W000585 · in -16.6 dBFS · gain -3.4 dB · emolia-02628
This chain comes from the proxy rule: the same two-sided test as above, but because Pain is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Pain clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.94, higher than 94 % of clips in this corpus. That is a total rise of 0.23.
At the same time Hope Enthusiasm Optimism goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.72 (higher than 72 % of clips in this corpus), a change of -0.24. Both halves had to happen for this chain to qualify.
It takes 2 clips to get there. Clip to clip the moves are +0.23 — a single step, so there is no internal shape to speak of.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.73 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.73 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 17 s · en · emolia
hear it un-normalised (raw levels, max seam 0.9 dB)
Unchanged across all 2 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normally alert, slightly relaxed, fairly steady, some disfluency
(hope enthusiasm optimism, interest · normal-paced, light breath, monologue, casual)We'll explore some questions about civic tech and find the action with the help of some fantastic speakers and with all of you having the chance to share your thoughts as well.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as hope enthusiasm optimism, interest; style: monologue, casual; good recording, quiet background; genuineness 3.2/6; vocal-burst blend 2.0/10; 7.8s, EN.
EN_K-ROB1hCESu_W000008 · in -19.5 dBFS · gain -0.5 dB · emolia-02292
(pain, concentration, pride·measured, normal breath, monologue, whispered)And then we'll think about what might help solve some of the challenges that we've surfaced with a view to commissioning a solution. Some quick housekeeping first.
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, normal breath; affect is mildly positive, neutral stance, neutral openness; reads as pain, concentration, pride; style: monologue, whispered; average recording, no background noise; genuineness 2.3/6; vocal-burst blend 2.0/10; 9.2s, EN.
EN_K-ROB1hCESu_W000009 · in -20.4 dBFS · gain +0.4 dB · emolia-02292
Fear ↓ / Concentration ↑proxy_taillift__PXR__T0.20__C0.25__INTERNAL · #3
This chain comes from the proxy rule: the same two-sided test as above, but because Concentration is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Concentration clearly present — 0.64, higher than 64 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.33.
At the same time Fear goes the other way, from 0.86 (higher than 86 % of clips in this corpus) to 0.63 (higher than 63 % of clips in this corpus), a change of -0.23. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.14, then +0.19 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.78 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.78 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.78, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 37 s · sv · podcast
hear it un-normalised (raw levels, max seam 1.8 dB)
Unchanged across all 3 clips: a young adult feminine voice · slightly dark, fairly smooth, average recording, quiet background, slightly relaxed, fairly steady, frequent disfluency, fairly narrow pitch
(normal-paced, normally alert, average clarity, whispered)ingen risk ökning eller snarare minskad risk i randomiserade studier. Om man lägger till gulkapshormon.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is slightly cool, slightly dark, fairly smooth, thin; average clarity, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, neutral openness; no dominant emotion; style: whispered, monologue; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 0.9/10; 9.2s, SV.
465629_00132912 · in -26.8 dBFS · gain +6.8 dB · podcast-05655
(distress, helplessness·measured, very low-energy, average clarity, whispered)Kombinationsbehandling så har man sett möjligen lite ökad (low mumble) risk för bröskkan.
full caption & clip details
A middle-aged feminine voice; delivery is very low-energy, measured, slightly relaxed, fairly steady; timbre is slightly cool, slightly dark, fairly smooth, thin; average clarity, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, neutral openness; reads as distress, helplessness; style: whispered, ASMR; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 0.2/10; 8.3s, SV.
465629_00133968 · in -25.9 dBFS · gain +5.9 dB · podcast-05651
(concentration, intoxication altered states of consciousness·normal-paced, normally alert, somewhat unclear, whispered)(ahem) Sen har också medosen med hur länge man använder. Det finns andra riskfaktorer, till exempel de som har biemin över 30 så risken ökar. Det finns andra faktorer också som har med det och med riskökningen att göra.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, slightly thin; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is mildly positive, neutral stance, neutral openness; reads as concentration, intoxication altered states of consciousness; style: whispered, casual; average recording, quiet background; genuineness 3.5/6; vocal-burst blend 2.4/10; 18.9s, SV.
465629_00135468 · in -27.6 dBFS · gain +7.7 dB · podcast-05654
This chain comes from the proxy rule: the same two-sided test as above, but because Interest is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Interest clearly present — 0.62, higher than 62 % of clips in this corpus — and ends with it at the very top of the corpus at 0.92, higher than 92 % of clips in this corpus. That is a total rise of 0.30.
At the same time Emotional Numbness goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.73 (higher than 73 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.14, then +0.09, then +0.07 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.96 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.94 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.96), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 46 s · en · emolia
hear it un-normalised (raw levels, max seam 1.1 dB)
k 4d_a -0.252d_b 0.304step_a 0.160step_b 0.144min_cos_consec 0.9446min_cos_anchor 0.9574dataset emolialang enspeaker EN_36ddh9kCW3otrack EN_36ddh9kCW3ototal 45.9slevel spread 1.5 dBmax seam 1.1 dBqmax 0.252cmax 0.160cos from recomputed from spkemb_traj
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, good recording, normally alert, slightly relaxed, fairly steady, almost no disfluency, clear
(emotional numbness · normal-paced, moderate pitch range, light breath, narration)Exactly the same happens on Earth, only without the happy boxes. Earthlings called artists have learned to imitate the stimuli of beauty in paintings, sculptures, and so on.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: narration, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.7/10; 9.6s, EN.
EN_36ddh9kCW3o_W000061 · in -15.9 dBFS · gain -4.1 dB · emolia-01942
(sourness· normal-paced, moderate pitch range, minimal breath, formal)These objects are called artworks. Art is related to natural beauty like diet drinks are related to actual sugar, or porn to actual sex. They imitate the stimuli of pleasure, but out of context and deprived of their utility.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as sourness; style: formal, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.9/10; 12.4s, EN.
EN_36ddh9kCW3o_W000062 · in -16.3 dBFS · gain -3.7 dB · emolia-01942
(awe·measured, moderate pitch range, light breath, formal)Not surprisingly, earthling art often focuses on beautiful people, and on the abundance of nature, landscapes, flowers, fruits, and all kinds of living creatures. Except for, the microbes.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as awe; style: formal, newsreading; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 0.7/10; 11.6s, EN.
EN_36ddh9kCW3o_W000063 · in -17.3 dBFS · gain -2.7 dB · emolia-01942
(interest·normal-paced, wide pitch range, light breath, authoritative)If you are interested in art, visit an art museum. However, you should avoid modern art, as it often challenges or distorts the concept of beauty. Better start with classical art, it's much easier to understand.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, full; clear, almost no disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest; style: authoritative, dramatic; good recording, quiet background; genuineness 0.3/6; vocal-burst blend 4.4/10; 11.9s, EN.
EN_36ddh9kCW3o_W000066 · in -17.2 dBFS · gain -2.8 dB · emolia-01942
This chain comes from the proxy rule: the same two-sided test as above, but because Emotional Numbness is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Emotional Numbness clearly present — 0.73, higher than 74 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.23.
At the same time Contemplation goes the other way, from 0.96 (higher than 96 % of clips in this corpus) to 0.65 (higher than 65 % of clips in this corpus), a change of -0.30. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.13, then +0.10 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.87 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.87 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 46 s · de · emolia
hear it un-normalised (raw levels, max seam 2.9 dB)
Unchanged across all 3 clips: a middle-aged masculine voice · neutral-toned, balanced body, average recording, quiet background, measured, slightly relaxed, somewhat unclear
(contemplation, concentration, disappointment · subdued, steady, frequent disfluency, whispered)Und der Funktion zu Hashimoto, et cetera. Die Schulmedizin meint nun, das könnte man mit der Gabe von Schilddrüsenhormonen ausgleichen. Doch hier sagt Anthony William White, gefehlt, die Hormone wirken wie Steroidhormone, welche das Immunsystem rapide.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, audible breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation, concentration, disappointment; style: whispered, monologue; average recording, quiet background; genuineness 2.6/6; vocal-burst blend 1.6/10; 19.0s, DE.
DE_XH7jFb1N1Zk_W000047 · in -17.5 dBFS · gain -2.5 dB · emolia-00215
(concentration, interest, fear· subdued, fairly steady, some disfluency, monologue)verlangsamen. Wenn normalerweise genügend Schilddrüsenhormone produziert werden, geht ein Signal an bestimmte Zellen, sodass diese Glukose aufnehmen sollten, um eben Energie für die Reparatur und Vermehrung zu gewinnen. Werden jedoch zu wenig Hormone produziert, gilt das
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, interest, fear; style: monologue, didactic; average recording, quiet background; genuineness 1.5/6; vocal-burst blend 0.0/10; 19.4s, DE.
DE_XH7jFb1N1Zk_W000048 · in -18.8 dBFS · gain -1.2 dB · emolia-00215
(emotional numbness, concentration ·normally alert, fairly steady, frequent disfluency, didactic)an die Zellen, so geht's dann das Signal an die Zellen, (low mumble) die Energieversorgung quasi genügt.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, audible breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, concentration; style: didactic, monologue; average recording, quiet background; genuineness 2.5/6; vocal-burst blend 0.0/10; 7.6s, DE.
DE_XH7jFb1N1Zk_W000049 · in -15.9 dBFS · gain -4.1 dB · emolia-00215
This chain comes from the proxy rule: the same two-sided test as above, but because Shame is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Shame clearly present — 0.73, higher than 73 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.25.
At the same time Contempt goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.78 (higher than 78 % of clips in this corpus), a change of -0.22. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.11, then +0.15 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the eurospeech clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult masculine voice · slightly cool, neutral-bright, thin
(contempt, disgust, bitterness · fast, highly aroused, tense, dramatic)falando com um único concorrente, colocando o Estado nas mãos desse concorrente, vendendo limpo de passivo e por um preço ao desbarato os ativos dos Estaleiros. Não disseram uma palavra sobre isso!
full caption & clip details
A young adult masculine voice; delivery is highly aroused, fast, tense, volatile; timbre is slightly cool, neutral-bright, rough, thin; clear, almost no disfluency, very wide pitch range, audible breath; affect is elated, very dominant, guarded; reads as contempt, disgust, bitterness; style: dramatic, ranting; poor recording, noisy background; genuineness 2.3/6; vocal-burst blend 5.3/10; 14.4s, PT.
portugal_12_2_51_6164640_6178992 · in -14.9 dBFS · gain -5.1 dB · eurospeech-02492
(anger, contempt, malevolence malice· fast, highly aroused, tense, authoritative)sobre isso! Estão interessados nessa via destrutiva, por isso posso concluir este debate dizendo que se o PS começou o enterro, o PSD e o CDS querem ser definitivamente os coveiros dos Estaleiros Navais de Viana do Castelo.
full caption & clip details
An adult masculine voice; delivery is highly aroused, fast, tense, volatile; timbre is slightly cool, neutral-bright, rough, thin; very clear, almost no disfluency, very wide pitch range, audible breath; affect is elated, very dominant, guarded; reads as anger, contempt, malevolence malice; style: authoritative, dramatic; poor recording, noisy background; genuineness 1.6/6; vocal-burst blend 4.4/10; 18.0s, PT.
portugal_12_2_51_6178992_6196951 · in -16.0 dBFS · gain -4.0 dB · eurospeech-02492
This chain comes from the proxy rule: the same two-sided test as above, but because Contentment is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contentment clearly present — 0.74, higher than 74 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.21.
At the same time Triumph goes the other way, from 0.92 (higher than 92 % of clips in this corpus) to 0.70 (higher than 70 % of clips in this corpus), a change of -0.22. Both halves had to happen for this chain to qualify.
It takes 2 clips to get there. Clip to clip the moves are +0.21 — a single step, so there is no internal shape to speak of.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.89 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.89 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.89. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, quiet background, normal-paced, normally alert
(triumph, jealousy and envy · monologue, casual)ein Hörerin schrieb auch, Auf ihrer ersten Party wurde ihr ungefragt in den Schritt gefasst. (low mumble) Oder es wurde sich auch an ihrer Hüfte dann gerieben, irgendwie in Clubs und so. Ja, es geht wirklich schon in der Schule los. Also (low mumble) in der Grundschule liefen der Hörerin die Jungs hinterher, um ihr an die Brüste zu greifen und haben Titten gucken gerufen.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as triumph, jealousy and envy; style: monologue, casual; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 0.0/10; 20.9s, DE.
869765_00274536 · in -20.1 dBFS · gain +0.1 dB · podcast-01768
(contentment, awe, infatuation· monologue, casual)Ja, eine andere schreibt, dass es einfach in der Schule kneipen war, Clubs in der Stadt auf dem Dorf tagsüber oder nachts, dass es einfach überall und viel zu oft passiert. Und dass eine andere schreibt, dass es seit 13.14 ist ganz normal quasi ist, dass es von unangenehm bis gefährlich sich anfühlt.
full caption & clip details
A young adult somewhat feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as contentment, awe, infatuation; style: monologue, casual; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 0.0/10; 19.0s, DE.
869765_00276624 · in -21.2 dBFS · gain +1.2 dB · podcast-01760
This chain comes from the proxy rule: the same two-sided test as above, but because Emotional Numbness is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Emotional Numbness clearly present — 0.61, higher than 61 % of clips in this corpus — and ends with it strongly present at 0.85, higher than 85 % of clips in this corpus. That is a total rise of 0.24.
At the same time Concentration goes the other way, from 0.92 (higher than 92 % of clips in this corpus) to 0.69 (higher than 69 % of clips in this corpus), a change of -0.22. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.23, then +0.01 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
This chain comes from the proxy rule: the same two-sided test as above, but because Longing is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Longing clearly present — 0.58, higher than 58 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 93 % of clips in this corpus. That is a total rise of 0.34.
At the same time Astonishment Surprise goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.52 (higher than 52 % of clips in this corpus), a change of -0.45. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.14, then +0.07, then +0.14 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.83 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.82 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.83. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 27 s · zh · emolia
k 4d_a -0.449d_b 0.344step_a 0.197step_b 0.140min_cos_consec 0.8152min_cos_anchor 0.8296dataset emolialang zhspeaker ZH_B00079_S01115track ZH_B00079_S01115total 26.9slevel spread 0.4 dBmax seam 0.3 dBqmax 0.344cmax 0.197cos from recomputed from spkemb_traj
Script — 4 chunks, 1 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, average recording, measured, normally alert, slightly relaxed, fairly steady
(astonishment surprise · some disfluency, average clarity, moderate pitch range, conversational)先开始是迫于这个李浩的拳脚威胁，你知道吧？不敢不听从他的安排啊。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as astonishment surprise; style: conversational, storytelling; average recording, quiet background; genuineness 2.8/6; vocal-burst blend 4.7/10; 6.5s, ZH.
ZH_B00079_S01115_W000072 · in -15.9 dBFS · gain -4.1 dB · emolia-04067
(some disfluency, average clarity, moderate pitch range, formal)到后来居然发展到什么呀？心甘情愿的接受这个李浩的，为什么呀？
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, monologue; average recording, quiet background; genuineness 1.9/6; vocal-burst blend 4.2/10; 5.0s, ZH.
ZH_B00079_S01115_W000073 · in -16.2 dBFS · gain -3.8 dB · emolia-04067
This chain comes from the proxy rule: the same two-sided test as above, but because Emotional Numbness is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Emotional Numbness strongly present — 0.76, higher than 76 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.20.
At the same time Triumph goes the other way, from 0.81 (higher than 81 % of clips in this corpus) to 0.60 (higher than 60 % of clips in this corpus), a change of -0.21. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are -0.04, then +0.24 — not a clean run: step 1 moves back the other way by 0.04 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.93 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.93 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(fairly steady, formal, authoritative)Hubeler Ross completed her training in psychiatry in 1963, and moved to Chicago in 1965
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.6/10; 6.9s, EN.
EN_Vej5VSS8RRc_W000019 · in -15.3 dBFS · gain -4.7 dB · emolia-02243
(fairly steady, formal, authoritative)She became an instructor at the University of Chicago's Pritzker School of Medicine
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; mildly explicit content; genuineness 0.4/6; vocal-burst blend 1.1/10; 4.5s, EN.
EN_Vej5VSS8RRc_W000020 · in -14.4 dBFS · gain -5.6 dB · emolia-02243
(emotional numbness, fear, infatuation·steady, authoritative, formal)She developed there a series of seminars using interviews with terminal patients, which drew
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, fear, infatuation; style: authoritative, formal; good recording, no background noise; mildly explicit content; genuineness 0.4/6; vocal-burst blend 0.0/10; 6.3s, EN.
EN_Vej5VSS8RRc_W000021 · in -14.7 dBFS · gain -5.3 dB · emolia-02243
This chain comes from the proxy rule: the same two-sided test as above, but because Malevolence Malice is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Malevolence Malice clearly present — 0.66, higher than 66 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.30.
At the same time Fatigue Exhaustion goes the other way, from 0.83 (higher than 83 % of clips in this corpus) to 0.52 (higher than 52 % of clips in this corpus), a change of -0.31. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.12, then +0.18 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.87 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.83 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.87. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 23 s · zh · emolia
k 3d_a -0.307d_b 0.300step_a 0.229step_b 0.184min_cos_consec 0.8307min_cos_anchor 0.8725dataset emolialang zhspeaker ZH_B00070_S07348track ZH_B00070_S07348total 23.0slevel spread 2.4 dBmax seam 2.4 dBqmax 0.300cmax 0.229cos from recomputed from spkemb_traj
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, normally alert, slightly relaxed, clear
(fast, moderately variable, almost no disfluency, didactic)就是抢行人的财物，那也是国法不容啊，可都是掉脑袋的罪，更何况这次拦的又是镖局保的国宝啊。
full caption & clip details
A young adult masculine voice; delivery is normally alert, fast, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; no dominant emotion; style: didactic, authoritative; average recording, no background noise; genuineness 2.3/6; vocal-burst blend 4.5/10; 11.9s, ZH.
ZH_B00070_S07348_W000005 · in -17.6 dBFS · gain -2.4 dB · emolia-03980
(impatience and irritability, pain, contempt·normal-paced, moderately variable, no disfluency, storytelling)我们镖局的人呢可是最讲义气。
full caption & clip details
A child masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as impatience and irritability, pain, contempt; style: storytelling, dramatic; good recording, no background noise; genuineness 2.6/6; vocal-burst blend 3.1/10; 3.1s, ZH.
ZH_B00070_S07348_W000006 · in -15.7 dBFS · gain -4.3 dB · emolia-03980
(malevolence malice, disgust, impatience and irritability ·measured, fairly steady, some disfluency, authoritative)按理说这件事儿就应该报官，可是我们却没有，因为我们打算私了。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as malevolence malice, disgust, impatience and irritability; style: authoritative, didactic; average recording, no background noise; genuineness 2.7/6; vocal-burst blend 3.7/10; 7.7s, ZH.
ZH_B00070_S07348_W000007 · in -18.1 dBFS · gain -1.9 dB · emolia-03980
This chain comes from the proxy rule: the same two-sided test as above, but because Pain is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Pain clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.24.
At the same time Malevolence Malice goes the other way, from 0.91 (higher than 91 % of clips in this corpus) to 0.66 (higher than 66 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.00, then +0.24 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the eurospeech clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a middle-aged masculine voice · slightly dark, balanced body, quiet background, measured, fairly narrow pitch
(malevolence malice · subdued, slightly relaxed, fairly steady, monologue)Bet jeigu įstatymas pagerėjo, nes buvo geresnis modelis, mums patarė, kaip pagerinti, tai prieš ką mes šiaušiamės, ant kokių sienų mes lipame ir su kokia demagogija?
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is warm, slightly dark, rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is neutral, slightly dominant, fairly guarded; reads as malevolence malice; style: monologue, storytelling; average recording, quiet background; genuineness 2.4/6; vocal-burst blend 1.3/10; 15.2s, LT.
lithuania_lithuania_14_30032000_11997279_12012496 · in -12.8 dBFS · gain -7.2 dB · eurospeech-01872
(contempt, bitterness·normally alert, neutral tension, fairly steady, monologue)kaip Lietuvos kaimas išgyvens. Aišku, tą kaimą gali gąsdinti ir jis visas dreba, kad jis neišgyvens, bet (ahem) pagalvokime, jeigu mes rimtai galvojame apie kaimo ateitį, apie Lietuvos ateitį, apie kokį kaimą kalbam.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, neutral tension, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, some disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as contempt, bitterness; style: monologue, casual; below-average recording, quiet background; genuineness 4.1/6; vocal-burst blend 3.5/10; 15.6s, LT.
lithuania_lithuania_14_30032000_12024512_12040080 · in -14.2 dBFS · gain -5.8 dB · eurospeech-01872
(pain, concentration· normally alert, slightly relaxed, steady, didactic)Ar tas kaimas neturi keistis? Ar jis turi būti toks, koks dabar, šiandien? Ar nereikia jam padėti keistis?
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; slurred, frequent disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, slightly guarded; reads as pain, concentration; style: didactic, monologue; average recording, quiet background; genuineness 1.7/6; vocal-burst blend 0.0/10; 11.8s, LT.
lithuania_lithuania_14_30032000_12040080_12051857 · in -14.7 dBFS · gain -5.3 dB · eurospeech-01872
Impatience and Irritability ↓ / Interest ↑proxy_taillift__PXR__T0.20__C0.25__INTERNAL · #13
This chain comes from the proxy rule: the same two-sided test as above, but because Interest is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Interest clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 93 % of clips in this corpus. That is a total rise of 0.22.
At the same time Impatience and Irritability goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.53 (higher than 53 % of clips in this corpus), a change of -0.45. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.16, then +0.01, then +0.04 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.32 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.32 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.32, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, some disfluency, average clarity, light breath
(impatience and irritability, sourness, jealousy and envy · normal-paced, energised, neutral tension, casual)Yeah, it's it's not like you're you're gonna be able to just say, (ahem) ah, you know what, I want this made. And especially if they're now you have all these other companies that are trying to get their chips made to sell their drones, and DJI says, oh, well, let's use these compliance, they would have to almost buy these companies, which I mean they have the resources to do it. They bought hostile blood for crying out loud, you know, which (ahem) is I mean, they were on the freaking room. Like (childlike giggle)
full caption & clip details
A young adult masculine voice; delivery is energised, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as impatience and irritability, sourness, jealousy and envy; style: casual, conversational; good recording, quiet background; genuineness 4.3/6; vocal-burst blend 5.3/10; 25.1s, EN.
480670_00113080 · in -19.2 dBFS · gain -0.8 dB · podcast-06225
(disappointment, concentration, distress·measured, subdued, slightly relaxed, whispered)and really start to re-evaluate where your next system is going to come from. Because the people that unfortunately are making the rules do not know the ramifications of of what they have for pub what they have done to public.
full caption & clip details
An adult masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as disappointment, concentration, distress; style: whispered, casual; good recording, no background noise; genuineness 3.0/6; vocal-burst blend 3.6/10; 14.4s, EN.
480670_00117232 · in -18.6 dBFS · gain -1.4 dB · podcast-01832
(normal-paced, normally alert, slightly relaxed, conversational)And also, you know, type your equipment to your use cases as well. So a lot of times you see like big firepower coming out for a smaller operation, like, oh, well, (ahem) we're gonna take this M300 out and we're gonna, you know, do something small or minute with it. You really don't need that. You don't need the thermal, you don't need this, you don't need that in certain applications, but in that certain applications you need that.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: conversational, casual; good recording, quiet background; genuineness 3.6/6; vocal-burst blend 7.8/10; 20.7s, EN.
480670_00118720 · in -18.8 dBFS · gain -1.2 dB · podcast-06247
(interest, concentration·brisk, normally alert, slightly relaxed, conversational)So weigh your options. What are 90% of your use cases and match your equipment to meet your use case to try to tailor in that budget a little bit because you're not gonna find something on the market that's gonna meet every one of your use cases. And if you're paying, you know, 20, 30%
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, concentration; style: conversational, casual; good recording, no background noise; genuineness 2.3/6; vocal-burst blend 5.9/10; 15.1s, EN.
480670_00120783 · in -18.8 dBFS · gain -1.2 dB · podcast-01835
This chain comes from the proxy rule: the same two-sided test as above, but because Disappointment is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Disappointment below average — 0.39, lower than 61 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.59.
At the same time Astonishment Surprise goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.75 (higher than 75 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 2 clips to get there. Clip to clip the moves are +0.59 — a single step, so there is no internal shape to speak of.
The largest step is 0.59, which is above the 0.25 cap the strict rule would impose — worth knowing when judging how gradual it sounds.
Same speaker? The least similar clip scores 0.81 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.81 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.81. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, balanced body, average recording, quiet background, moderately variable, some disfluency, average clarity
(astonishment surprise, amusement, hope enthusiasm optimism · brisk, energised, slightly tense, casual)But I got a funny story to tell you about G, real quick. G was crazy, right? We all know this how crazy G was.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, fairly guarded; reads as astonishment surprise, amusement, hope enthusiasm optimism; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 4.6/6; vocal-burst blend 6.5/10; 5.6s, EN.
635312_00079568 · in -25.3 dBFS · gain +5.3 dB · podcast-05603
(disappointment, triumph, jealousy and envy·normal-paced, normally alert, neutral tension, casual)No, he did not play. He did not play around. So my senior year, I was skipping the first two classes of every single day. Because my parents would go to work. My parents would leave for work at like set at like 6 30 in the morning, right? They'd be out. I lived two blocks away from cross. So I was supposed to walk to school every day. It was my senior year. I was like, fuck that.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as disappointment, triumph, jealousy and envy; style: casual, conversational; average recording, quiet background; genuineness 5.6/6; vocal-burst blend 10.0/10; 20.8s, EN.
635312_00080224 · in -26.0 dBFS · gain +6.0 dB · podcast-05231
Fear ↓ / Contemplation ↑proxy_taillift__PXR__T0.20__C0.25__INTERNAL · #15
This chain comes from the proxy rule: the same two-sided test as above, but because Contemplation is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contemplation clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 93 % of clips in this corpus. That is a total rise of 0.23.
At the same time Fear goes the other way, from 0.93 (higher than 93 % of clips in this corpus) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.21. Both halves had to happen for this chain to qualify.
It takes 2 clips to get there. Clip to clip the moves are +0.23 — a single step, so there is no internal shape to speak of.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.85 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.85 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a middle-aged masculine voice · neutral-toned, slightly dark, fairly smooth, balanced body, average recording, quiet background, slightly relaxed, fairly steady
(fear, concentration · measured, subdued, fairly narrow pitch, monologue)(low mumble) A significant part of the Bitcoin ecosystem have not been paying attention to this DeFi (ahem) movement. I mean (low mumble) Ethereum has been (low mumble) live for several years now. (low mumble)
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, audible breath; affect is neutral, neutral stance, slightly guarded; reads as fear, concentration; style: monologue, casual; average recording, quiet background; genuineness 4.7/6; vocal-burst blend 1.9/10; 13.7s, EN.
EN_vKrwQ_58ZgI_W000308 · in -19.0 dBFS · gain -1.0 dB · emolia-02167
(contemplation·normal-paced, normally alert, moderate pitch range, monologue)I would say (low mumble) that the DeFi movement is like the most interesting things we've seen so far.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, normal breath; affect is neutral, neutral stance, neutral openness; reads as contemplation; style: monologue, casual; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 1.4/10; 7.0s, EN.
EN_vKrwQ_58ZgI_W000309 · in -17.7 dBFS · gain -2.3 dB · emolia-02167
This chain comes from the proxy rule: the same two-sided test as above, but because Infatuation is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Infatuation clearly present — 0.60, higher than 60 % of clips in this corpus — and ends with it strongly present at 0.82, higher than 82 % of clips in this corpus. That is a total rise of 0.23.
At the same time Confusion goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.75 (higher than 75 % of clips in this corpus), a change of -0.23. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.10, then -0.05, then +0.09, then +0.09 — not a clean run: step 2 moves back the other way by 0.05 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the eurospeech clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, balanced body, average recording, quiet background, normally alert
(confusion, contemplation · measured, slightly relaxed, fairly steady, casual)Så det passer jo ikke. (low mumble) Og igen: (low mumble) Jeg synes, det ville være utrolig interessant (ahem) at høre, hvad det er, De Konservative forestiller sig skulle være alternativet.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as confusion, contemplation; style: casual, conversational; average recording, quiet background; genuineness 4.9/6; vocal-burst blend 2.6/10; 11.0s, DA.
denmark_20201M042_2020-12-22_0900_29528832_29539840 · in -21.5 dBFS · gain +1.5 dB · eurospeech-00413
(thankfulness gratitude, concentration·normal-paced, slightly relaxed, fairly steady, monologue)den konservative ordfører stiller sig herop og siger, at det er en fuldkommen forkert vej, den her regering har i sin krisepolitik, og man må forstå, at det er helt galt i (low mumble) finansloven. Og så stiller man sig (ahem) efterfølgende op her som (ahem) spørger fra Det Konservative Folkeparti og klandrer regeringen for slet ikke at gøre noget.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as thankfulness gratitude, concentration; style: monologue; average recording, quiet background; genuineness 3.1/6; vocal-burst blend 1.5/10; 15.8s, DA.
denmark_20201M042_2020-12-22_0900_29539840_29555648 · in -20.3 dBFS · gain +0.3 dB · eurospeech-00413
(doubt, confusion, anger·measured, neutral tension, fairly steady, monologue)hvad vil I? Kan vi ikke snart få en retning (ahem) fra (ahem) Det Konservative Folkeparti og finde ud af, (low mumble) hvad jeres svar er? Regeringen har igen investeret (ahem) – som sidste år – i en bedre fremtid (ahem) for børn,
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, neutral tension, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, slightly guarded; reads as doubt, confusion, anger; style: monologue, casual; average recording, quiet background; genuineness 4.7/6; vocal-burst blend 1.3/10; 16.3s, DA.
denmark_20201M042_2020-12-22_0900_29555648_29571904 · in -21.5 dBFS · gain +1.5 dB · eurospeech-00413
(confusion, intoxication altered states of consciousness·normal-paced, slightly relaxed, moderately variable, casual)bedre pasningsmuligheder for børn, bedre uddannelsesmuligheder for børn og unge. Så det passer ikke, at der ikke sker noget. Kl. 17:12 Anden
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, wide pitch range, normal breath; affect is neutral, neutral stance, slightly guarded; reads as confusion, intoxication altered states of consciousness; style: casual, conversational; average recording, quiet background; genuineness 4.9/6; vocal-burst blend 2.2/10; 12.3s, DA.
denmark_20201M042_2020-12-22_0900_29571904_29584176 · in -23.0 dBFS · gain +3.0 dB · eurospeech-00413
(measured, slightly relaxed, moderately variable, didactic)Nu spurgte jeg ind til de udsatte børn og unge i forhold til (low mumble) statsministerens nytårstale. Men nu er ministeren selv inde på det her omkring minimumsnormeringer.
full caption & clip details
A middle-aged feminine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: didactic, monologue; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 0.3/10; 10.9s, DA.
denmark_20201M042_2020-12-22_0900_29584176_29595120 · in -20.7 dBFS · gain +0.7 dB · eurospeech-00413
This chain comes from the proxy rule: the same two-sided test as above, but because Shame is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Shame around average — 0.58, higher than 58 % of clips in this corpus — and ends with it strongly present at 0.85, higher than 85 % of clips in this corpus. That is a total rise of 0.27.
At the same time Doubt goes the other way, from 0.85 (higher than 85 % of clips in this corpus) to 0.64 (higher than 64 % of clips in this corpus), a change of -0.22. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.21, then +0.06 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.91 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.91 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
This chain comes from the proxy rule: the same two-sided test as above, but because Emotional Numbness is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Emotional Numbness around average — 0.56, higher than 56 % of clips in this corpus — and ends with it strongly present at 0.80, higher than 80 % of clips in this corpus. That is a total rise of 0.25.
At the same time Infatuation goes the other way, from 0.77 (higher than 77 % of clips in this corpus) to 0.57 (higher than 57 % of clips in this corpus), a change of -0.20. Both halves had to happen for this chain to qualify.
It takes 2 clips to get there. Clip to clip the moves are +0.25 — a single step, so there is no internal shape to speak of.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.97 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.97 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(formal, authoritative)Winston Churchill and Zionism Chapelle Manuscript Foundation The Real Churchill' Critical' and a Rebuttal
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.0/10; 6.9s, EN.
EN_PUKyhtbq7co_W000948 · in -15.8 dBFS · gain -4.2 dB · emolia-01705
(formal, authoritative)A rebuttal to "'The Real Churchill' at the Wayback Machine' Archived 2007-09-12
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.6/10; 5.5s, EN.
EN_PUKyhtbq7co_W000949 · in -15.1 dBFS · gain -5.0 dB · emolia-01705
This chain comes from the proxy rule: the same two-sided test as above, but because Sourness is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Sourness around average — 0.44, lower than 56 % of clips in this corpus — and ends with it clearly present at 0.66, higher than 66 % of clips in this corpus. That is a total rise of 0.22.
At the same time Infatuation goes the other way, from 0.86 (higher than 86 % of clips in this corpus) to 0.62 (higher than 62 % of clips in this corpus), a change of -0.23. Both halves had to happen for this chain to qualify.
It takes 2 clips to get there. Clip to clip the moves are +0.22 — a single step, so there is no internal shape to speak of.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, measured, normally alert
This chain comes from the proxy rule: the same two-sided test as above, but because Contempt is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contempt clearly present — 0.61, higher than 61 % of clips in this corpus — and ends with it strongly present at 0.85, higher than 85 % of clips in this corpus. That is a total rise of 0.24.
At the same time Confusion goes the other way, from 0.89 (higher than 89 % of clips in this corpus) to 0.64 (higher than 64 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 2 clips to get there. Clip to clip the moves are +0.24 — a single step, so there is no internal shape to speak of.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.59 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.59 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 2 clips: an adult masculine voice · neutral-toned, neutral-bright, balanced body, average recording, no background noise, normally alert, slightly relaxed, fairly steady