Manifest tier. proxy_spearman, rule PXR, T=0.4, step cap 0.25. Population 12,053 chains (135 h) over 6 corpora. The SHAREABLE variant of this tier (podcast and evasnippets excluded) holds 10,156.
Rule.PXR — proxy ramp-carrier: same two-sided test as AB2, but the per-step cap is applied on the PROXY axes for emotions that are not directly rampable Source. trajectories_v5.parquet | Family. the tier owner's manifest tiers -- the exact subsets used for training Manifest tier.proxy_spearman__PXR__T0.40__C0.25__INTERNAL — population 12,053 chains (135 h). SHAREABLE variant: 10,156. Filter.rule=='PXR' and T==0.2 and C==0.25 and dataset in ['mls', 'eurospeech', 'emolia', 'podcast', 'snippets', 'evasnippets'] and qmax>=0.4 and cmax<=0.25 This tier was resampled. The manifest's earlier published filter applied the one-sided test to every tier regardless of its actual rule. Tier populations were always counted under the correct rule, so the sizes quoted here were never wrong — but the earlier selection drew from a contaminated pool, of which 86.6 % were not members of this tier. These samples are drawn with the corrected filter, which tests qmax >= T and cmax <= C — per-row quantities computed under this tier's own rule. For a proxy tier no d_a/d_b predicate could be correct, because a proxy-rescued chain may legitimately exceed the cap on the named axis while its smoothness is certified on the proxy axis. Sampled from 12,053 matching rows, without replacement across the family, so no two tiers reuse a chain.
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
This chain comes from the proxy rule: the same two-sided test as above, but because Infatuation is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Infatuation below average — 0.30, lower than 70 % of clips in this corpus — and ends with it strongly present at 0.80, higher than 80 % of clips in this corpus. That is a total rise of 0.50.
At the same time Doubt goes the other way, from 0.90 (higher than 90 % of clips in this corpus) to 0.37 (lower than 63 % of clips in this corpus), a change of -0.54. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.03, then +0.21, then +0.16, then +0.10 — a plateau around step 1, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.83 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.87 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.83. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 51 s · zh · emolia
hear it un-normalised (raw levels, max seam 2.1 dB)
k 5d_a -0.535d_b 0.496step_a 0.233step_b 0.206min_cos_consec 0.8684min_cos_anchor 0.8270dataset emolialang zhspeaker ZH_B00058_S05719track ZH_B00058_S05719total 50.6slevel spread 2.1 dBmax seam 2.1 dBqmax 0.496cmax 0.233cos from recomputed from spkemb_traj
Script — 5 chunks, 0 with a non-speech sound
Unchanged across all 5 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, no background noise, normally alert, slightly relaxed, fairly steady, no disfluency
This chain comes from the proxy rule: the same two-sided test as above, but because Confusion is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Confusion around average — 0.49, lower than 51 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.49.
At the same time Astonishment Surprise goes the other way, from 0.72 (higher than 72 % of clips in this corpus) to 0.23 (lower than 78 % of clips in this corpus), a change of -0.50. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.23, then +0.16, then +0.09 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.90 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.90 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.90. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 34 s · zh · emolia
hear it un-normalised (raw levels, max seam 0.6 dB)
k 4d_a -0.498d_b 0.488step_a 0.199step_b 0.234min_cos_consec 0.8965min_cos_anchor 0.8964dataset emolialang zhspeaker ZH_B00017_S02767track ZH_B00017_S02767total 33.6slevel spread 0.7 dBmax seam 0.6 dBqmax 0.488cmax 0.234cos from recomputed from spkemb_traj
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: a young adult feminine voice · neutral-toned, fairly smooth, average recording, no background noise, measured, normally alert, slightly relaxed
(fairly steady, no disfluency, clear, didactic)外部环境的突发事件等。因此，企业需要建立一个有效的监控机制。
full caption & clip details
A young adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: didactic, formal; average recording, no background noise; genuineness 0.6/6; vocal-burst blend 1.1/10; 6.0s, ZH.
ZH_B00017_S02767_W000058 · in -17.7 dBFS · gain -2.3 dB · emolia-03449
(steady, no disfluency, clear, monologue)已实时了解战略执行的情况，这个监控机制应该包括。
full caption & clip details
A young adult feminine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, didactic; average recording, no background noise; genuineness 0.9/6; vocal-burst blend 0.4/10; 6.3s, ZH.
ZH_B00017_S02767_W000059 · in -17.1 dBFS · gain -2.9 dB · emolia-03449
(thankfulness gratitude·fairly steady, some disfluency, somewhat unclear, didactic)定期的战略执行情况报告以及实时的数据反馈和分析系统。
full caption & clip details
A young adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, thin; somewhat unclear, some disfluency, narrow pitch range, audible breath; affect is neutral, neutral stance, slightly guarded; reads as thankfulness gratitude; style: didactic, monologue; average recording, no background noise; genuineness 1.3/6; vocal-burst blend 1.2/10; 8.4s, ZH.
ZH_B00017_S02767_W000060 · in -17.0 dBFS · gain -3.0 dB · emolia-03449
(confusion, doubt, fatigue exhaustion· fairly steady, some disfluency, clear, didactic)从而及时采取措施进行改正或调整。同时，根据实际执行情况，可能需要对战略进行实施的调整。这是因为。
full caption & clip details
A young adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; clear, some disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as confusion, doubt, fatigue exhaustion; style: didactic, monologue; average recording, no background noise; genuineness 1.2/6; vocal-burst blend 0.4/10; 12.5s, ZH.
ZH_B00017_S02767_W000061 · in -17.1 dBFS · gain -2.9 dB · emolia-03449
This chain comes from the proxy rule: the same two-sided test as above, but because Malevolence Malice is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Malevolence Malice around average — 0.47, lower than 53 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.52.
At the same time Emotional Numbness goes the other way, from 0.87 (higher than 87 % of clips in this corpus) to 0.23 (lower than 77 % of clips in this corpus), a change of -0.65. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.05, then +0.23, then +0.24 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.81 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.81 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.81. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 45 s · zh · emolia
hear it un-normalised (raw levels, max seam 2.6 dB)
k 4d_a -0.646d_b 0.521step_a 0.245step_b 0.239min_cos_consec 0.8091min_cos_anchor 0.8091dataset emolialang zhspeaker ZH_B00016_S01299track ZH_B00016_S01299total 45.1slevel spread 4.6 dBmax seam 2.6 dBqmax 0.521cmax 0.245cos from recomputed from spkemb_traj
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normally alert, slightly relaxed, fairly steady, some disfluency
(normal-paced, average clarity, formal, conversational)我们领导人提出正能量这三个字真的非常非常有厉害。
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, conversational; good recording, no background noise; genuineness 2.6/6; vocal-burst blend 3.6/10; 3.8s, ZH.
ZH_B00016_S01299_W000030 · in -21.4 dBFS · gain +1.4 dB · emolia-03441
This chain comes from the proxy rule: the same two-sided test as above, but because Triumph is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Triumph below average — 0.38, lower than 62 % of clips in this corpus — and ends with it strongly present at 0.84, higher than 84 % of clips in this corpus. That is a total rise of 0.46.
At the same time Contemplation goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.43 (lower than 57 % of clips in this corpus), a change of -0.56. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.13, then +0.19, then +0.22, then -0.09 — not a clean run: step 4 moves back the other way by 0.09 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.91 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.92 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.91), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 51 s · zh · emolia
hear it un-normalised (raw levels, max seam 1.9 dB)
k 5d_a -0.556d_b 0.457step_a 0.236step_b 0.225min_cos_consec 0.9235min_cos_anchor 0.9095dataset emolialang zhspeaker ZH_B00061_S08049track ZH_B00061_S08049total 51.2slevel spread 3.4 dBmax seam 1.9 dBqmax 0.457cmax 0.236cos from recomputed from spkemb_traj
Script — 5 chunks, 5 with a non-speech sound
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, fairly smooth, average recording, quiet background
This chain comes from the proxy rule: the same two-sided test as above, but because Fatigue Exhaustion is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Fatigue Exhaustion around average — 0.45, lower than 55 % of clips in this corpus — and ends with it strongly present at 0.90, higher than 90 % of clips in this corpus. That is a total rise of 0.45.
At the same time Confusion goes the other way, from 0.94 (higher than 94 % of clips in this corpus) to 0.49 (lower than 51 % of clips in this corpus), a change of -0.45. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.20, then +0.19, then -0.13, then +0.19 — not a clean run: step 3 moves back the other way by 0.13 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.72 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.70 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.72, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 33 s · zh · emolia
hear it un-normalised (raw levels, max seam 0.9 dB)
k 5d_a -0.451d_b 0.452step_a 0.208step_b 0.198min_cos_consec 0.7031min_cos_anchor 0.7173dataset emolialang zhspeaker ZH_B00053_S04172track ZH_B00053_S04172total 33.4slevel spread 1.4 dBmax seam 0.9 dBqmax 0.451cmax 0.208cos from recomputed from spkemb_traj
Script — 5 chunks, 1 with a non-speech sound
Unchanged across all 5 clips: an elderly masculine voice · balanced body, measured, fairly steady
(confusion, doubt · very low-energy, relaxed, frequent disfluency, monologue)(ahem) 明白了，齐王是因国力匮乏，故不得不仰仗和容忍这种穷凶极恶之徒啊，唉，好为他办事啊，压缝到仰仗他们的人是田丹。
full caption & clip details
An elderly masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is slightly warm, slightly dark, slightly rough, balanced body; slurred, frequent disfluency, fairly narrow pitch, audible breath; affect is mildly negative, neutral stance, neutral openness; reads as confusion, doubt; style: monologue, narration; average recording, quiet background; genuineness 2.6/6; vocal-burst blend 5.5/10; 15.1s, ZH.
ZH_B00053_S04172_W000024 · in -13.6 dBFS · gain -6.4 dB · emolia-03804
(confusion ·normally alert, slightly relaxed, no disfluency, formal)我们一直怀疑，田丹和敖卫谋是同族的异姓兄弟。
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as confusion; style: formal, didactic; good recording, no background noise; genuineness 0.6/6; vocal-burst blend 2.1/10; 4.4s, ZH.
ZH_B00053_S04172_W000025 · in -13.8 dBFS · gain -6.2 dB · emolia-03804
This chain comes from the proxy rule: the same two-sided test as above, but because Hope Enthusiasm Optimism is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Hope Enthusiasm Optimism around average — 0.51, right about the corpus median — and ends with it at the very top of the corpus at 0.94, higher than 94 % of clips in this corpus. That is a total rise of 0.43.
At the same time Fatigue Exhaustion goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.52 (higher than 52 % of clips in this corpus), a change of -0.47. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.20, then +0.23 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.81 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.86 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.81. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, slightly rough
(fatigue exhaustion, disappointment, helplessness · measured, very low-energy, relaxed, casual)what you pay sixty Australian dollars for that speed (exhausted groan) uh yeah unfortunately we have to s and you know uh (contented sigh) not sure what to say but yep. If you
full caption & clip details
An adult masculine voice; delivery is very low-energy, measured, relaxed, moderately variable; timbre is neutral-toned, dark, slightly rough, slightly thin; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly negative, slightly submissive, neutral openness; reads as fatigue exhaustion, disappointment, helplessness; style: casual, ASMR; below-average recording, quiet background; genuineness 4.5/6; vocal-burst blend 3.3/10; 13.3s, EN.
779920_00138928 · in -29.2 dBFS · gain +9.2 dB · podcast-00834
(intoxication altered states of consciousness, embarrassment, sexual lust·normal-paced, normally alert, neutral tension, casual)come here for the internet. Just come here for the sun the surf the beach and the chicks but if you want to do any browsing on internet, (low mumble) uh don't bother. Stay in America or stay in Canada.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as intoxication altered states of consciousness, embarrassment, sexual lust; style: casual, monologue; average recording, some background noise; genuineness 4.6/6; vocal-burst blend 6.8/10; 10.2s, EN.
779920_00140424 · in -25.4 dBFS · gain +5.4 dB · podcast-03500
(hope enthusiasm optimism, jealousy and envy· normal-paced, normally alert, neutral tension, casual)Come (ahem) visit me when I'm living there. Yeah. When Lee goes to Canada, everyone listening is all invited to Lee's place to enjoy fast speed internet.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, jealousy and envy; style: casual, conversational; below-average recording, quiet background; genuineness 4.5/6; vocal-burst blend 5.5/10; 6.9s, EN.
779920_00141536 · in -23.1 dBFS · gain +3.1 dB · podcast-03342
Pride ↓ / Distress ↑proxy_spearman__PXR__T0.40__C0.25__INTERNAL · #7
This chain comes from the proxy rule: the same two-sided test as above, but because Distress is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Distress around average — 0.44, lower than 56 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.55.
At the same time Pride goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.53 (higher than 53 % of clips in this corpus), a change of -0.46. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.00, then +0.55 — a slow start, with most of the change arriving in the final step.
The largest step is 0.55, which is above the 0.25 cap the strict rule would impose — worth knowing when judging how gradual it sounds.
Same speaker? No similarity score is available here — the eurospeech clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a child feminine voice · slightly bright, fairly smooth, average recording, quiet background, fast, normally alert, some disfluency, wide pitch range
(pride · slightly relaxed, moderately variable, somewhat unclear, monologue)(ahem) Certo, ci sono altri fattori di rischio; uno fra tutti, (ahem) vale la pena sottolinearlo, è stato il tema del rincaro delle materie prime, dei semilavorati
full caption & clip details
A child feminine voice; delivery is normally alert, fast, slightly relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, slightly thin; somewhat unclear, some disfluency, wide pitch range, light breath; affect is positive, neutral stance, slightly guarded; reads as pride; style: monologue, casual; average recording, quiet background; genuineness 2.3/6; vocal-burst blend 3.8/10; 11.8s, IT.
italy_18_365_13210320_13222128 · in -37.3 dBFS · gain +17.3 dB · eurospeech-01774
(relief, concentration·neutral tension, moderately variable, somewhat unclear, casual)e dei prodotti, ma anche e soprattutto del settore energetico, con particolare riferimento al gas. Nelle previsioni della NADEF l'inflazione ha un rialzo nei primi tre mesi all'1,2 e, su base annua, all'1,5
full caption & clip details
A child feminine voice; delivery is normally alert, fast, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; somewhat unclear, some disfluency, wide pitch range, heavy breath; affect is positive, slightly dominant, slightly guarded; reads as relief, concentration; style: casual, dramatic; average recording, quiet background; genuineness 3.3/6; vocal-burst blend 7.5/10; 18.0s, IT.
italy_18_365_13222128_13240128 · in -38.1 dBFS · gain +18.1 dB · eurospeech-01774
(distress, disappointment, thankfulness gratitude·slightly relaxed, fairly steady, average clarity, dramatic)fa la dichiarazione del presidente Draghi rispetto a un centro di stoccaggio europeo del gas; mi sembra che tali soluzioni vadano nella direzione giusta per (ahem) tutelare
full caption & clip details
A young adult feminine voice; delivery is normally alert, fast, slightly relaxed, fairly steady; timbre is slightly cool, slightly bright, fairly smooth, thin; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as distress, disappointment, thankfulness gratitude; style: dramatic, monologue; average recording, quiet background; genuineness 1.7/6; vocal-burst blend 4.3/10; 10.5s, IT.
italy_18_365_13252208_13262752 · in -37.0 dBFS · gain +17.0 dB · eurospeech-01774
This chain comes from the proxy rule: the same two-sided test as above, but because Emotional Numbness is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Emotional Numbness around average — 0.44, lower than 56 % of clips in this corpus — and ends with it strongly present at 0.84, higher than 84 % of clips in this corpus. That is a total rise of 0.40.
At the same time Contemplation goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.58 (higher than 58 % of clips in this corpus), a change of -0.41. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.18, then +0.16, then +0.06 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.85 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.85 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.85. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 47 s · en · emolia
k 4d_a -0.413d_b 0.401step_a 0.243step_b 0.181min_cos_consec 0.8469min_cos_anchor 0.8546dataset emolialang enspeaker EN_0W0Q19H-OP8track EN_0W0Q19H-OP8total 47.2slevel spread 1.7 dBmax seam 1.7 dBqmax 0.401cmax 0.243cos from recomputed from spkemb_traj
Script — 4 chunks, 1 with a non-speech sound
Unchanged across all 4 clips: a middle-aged masculine voice · neutral-toned, balanced body, measured, slightly relaxed
(contemplation, concentration, triumph · very low-energy, steady, frequent disfluency, monologue)To have idea meritocratic decision making. To try to come up with the best collective decisions. To, to bring the country together in an idea meritocratic way. (low mumble) Uhm, I, I think the period that we're in reminds me very much of 1937.
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly negative, neutral stance, slightly guarded; reads as contemplation, concentration, triumph; style: monologue, didactic; average recording, quiet background; genuineness 2.9/6; vocal-burst blend 2.0/10; 20.9s, EN.
EN_0W0Q19H-OP8_W000003 · in -21.6 dBFS · gain +1.6 dB · emolia-01506
(fear·subdued, fairly steady, some disfluency, monologue)If I was to pick an analogous period of time, because at that time, it was after the financial crisis. We had 29 to 32, which is the equivalent of 2008 to 2009. They printed a lot of money, asset prices went up, interest rates went to zero.
full caption & clip details
An adult masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fear; style: monologue, formal; average recording, no background noise; genuineness 2.5/6; vocal-burst blend 0.9/10; 16.0s, EN.
EN_0W0Q19H-OP8_W000004 · in -20.3 dBFS · gain +0.3 dB · emolia-01506
(normally alert, fairly steady, little disfluency, monologue)And we had a large wealth gap which created populism. Analogous.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, casual; good recording, no background noise; genuineness 1.4/6; vocal-burst blend 1.2/10; 4.8s, EN.
EN_0W0Q19H-OP8_W000005 · in -20.0 dBFS · gain -0.0 dB · emolia-01506
(very low-energy, steady, little disfluency, monologue)The central bank begins to tighten monetary policy. And then we had
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, measured, slightly relaxed, steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, little disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, formal; good recording, no background noise; genuineness 1.2/6; vocal-burst blend 2.4/10; 5.1s, EN.
EN_0W0Q19H-OP8_W000006 · in -21.6 dBFS · gain +1.6 dB · emolia-01506
This chain comes from the proxy rule: the same two-sided test as above, but because Hope Enthusiasm Optimism is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Hope Enthusiasm Optimism around average — 0.44, lower than 56 % of clips in this corpus — and ends with it strongly present at 0.88, higher than 88 % of clips in this corpus. That is a total rise of 0.44.
At the same time Concentration goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.58 (higher than 58 % of clips in this corpus), a change of -0.41. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.25, then -0.01, then +0.20 — not a clean run: step 2 moves back the other way by 0.01 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.26 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.24 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.26, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 41 s · en · emolia
k 4d_a -0.407d_b 0.442step_a 0.245step_b 0.247min_cos_consec 0.2384min_cos_anchor 0.2583dataset emolialang enspeaker EN_VKdqBiqFdWytrack EN_VKdqBiqFdWytotal 41.1slevel spread 2.7 dBmax seam 2.7 dBqmax 0.407cmax 0.247cos from recomputed from spkemb_traj
Script — 4 chunks, 2 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normally alert, slightly relaxed, light breath
(concentration · normal-paced, fairly steady, some disfluency, monologue)That number is then tied to that number on the right hand side. And so by scrubbing across the screen as they call it, you can get a better understanding of what's happening with the rest of the equation.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration; style: monologue, formal; good recording, no background noise; genuineness 1.4/6; vocal-burst blend 0.6/10; 11.1s, EN.
EN_VKdqBiqFdWy_W000052 · in -19.4 dBFS · gain -0.7 dB · emolia-02424
(astonishment surprise· normal-paced, fairly steady, some disfluency, casual)Another, (low mumble) uh, something that he mentions with this that I didn't realize is an application called Solver by a company called Aqualia and it's in the Mac App Store right now and you can play with this same idea where, (low mumble) uhm,
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as astonishment surprise; style: casual, didactic; good recording, quiet background; genuineness 4.1/6; vocal-burst blend 3.7/10; 13.0s, EN.
EN_VKdqBiqFdWy_W000053 · in -18.2 dBFS · gain -1.8 dB · emolia-02424
(contentment·brisk, fairly steady, some disfluency, casual)Where you've got numbers, but it's different than a spreadsheet, so to speak. Let me try playing this introduction video. It's only 38 seconds long. You get a better idea of what this is. (low mumble) Uhm, it's wild stuff.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as contentment; style: casual, authoritative; good recording, quiet background; genuineness 2.7/6; vocal-burst blend 2.8/10; 10.0s, EN.
EN_VKdqBiqFdWy_W000054 · in -20.9 dBFS · gain +0.9 dB · emolia-02424
(normal-paced, steady, no disfluency, formal)Solver helps you do quick calculations and figure stuff out. Just type your problem and Solver shows you the answer.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: formal, whispered; average recording, no background noise; genuineness 0.9/6; vocal-burst blend 1.2/10; 6.7s, EN.
EN_VKdqBiqFdWy_W000055 · in -19.7 dBFS · gain -0.3 dB · emolia-02424
This chain comes from the proxy rule: the same two-sided test as above, but because Fatigue Exhaustion is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Fatigue Exhaustion essentially absent — 0.07, lower than 93 % of clips in this corpus — and ends with it strongly present at 0.85, higher than 85 % of clips in this corpus. That is a total rise of 0.78.
At the same time Interest goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.47 (lower than 53 % of clips in this corpus), a change of -0.51. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.17, then +0.18, then +0.22, then +0.20 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.82 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.84 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.82. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 61 s · fr · emolia
k 5d_a -0.507d_b 0.781step_a 0.199step_b 0.223min_cos_consec 0.8441min_cos_anchor 0.8170dataset emolialang frspeaker FR_6jHVwjh7usktrack FR_6jHVwjh7usktotal 61.2slevel spread 2.0 dBmax seam 1.9 dBqmax 0.507cmax 0.223cos from recomputed from spkemb_traj
Script — 5 chunks, 2 with a non-speech sound
Unchanged across all 5 clips: an elderly masculine voice · neutral-toned, fairly smooth, balanced body, average recording, quiet background, moderate pitch range
(interest, sourness, pain · normal-paced, normally alert, slightly relaxed, monologue)En Angleterre, Givens, Stanley Givens, qui était un économiste, a réalisé une machine qui utilisait l'algèbre de boules pour faire des raisonnements logiques avec cette idée de reproduire la pensée. Mais on a quand même une (low mumble) (low mumble) personnalité assez singulière qui a joué un rôle très important en informatique et qui a été un peu considéré comme le précurseur de la discipline. C'est Alan Turing avec les articles qu'il a écrits en euh, (low mumble) (low mumble) voilà. Est-ce que, qu'est-ce que ça voudrait dire que (low mumble) les
full caption & clip details
An elderly masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as interest, sourness, pain; style: monologue, storytelling; average recording, quiet background; genuineness 2.8/6; vocal-burst blend 4.1/10; 30.0s, FR.
FR_6jHVwjh7usk_W000064 · in -17.1 dBFS · gain -2.9 dB · emolia-02679
(confusion, contemplation· normal-paced, normally alert, neutral tension, conversational)Et je crois que c'est important, c'est de bien comprendre, et ça rejoindra peut-être ce que dit (low mumble) Jean-François ici, qu'Alain Turing (ahem) avait cette idée,
full caption & clip details
An elderly masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, audible breath; affect is neutral, neutral stance, slightly guarded; reads as confusion, contemplation; style: conversational, casual; average recording, quiet background; genuineness 4.4/6; vocal-burst blend 4.6/10; 10.5s, FR.
FR_6jHVwjh7usk_W000065 · in -18.4 dBFS · gain -1.6 dB · emolia-02679
(anger·measured, normally alert, slightly relaxed, storytelling)que, effectivement, on devait pouvoir fabriquer des machines qui reproduisent la pensée.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, audible breath; affect is neutral, slightly dominant, neutral openness; reads as anger; style: storytelling, conversational; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 3.8/10; 6.2s, FR.
FR_6jHVwjh7usk_W000066 · in -16.5 dBFS · gain -3.5 dB · emolia-02679
(confusion, disappointment· measured, normally alert, slightly relaxed, didactic)Et il s'est demandé comment faire. Et là, il a envisagé tout un tas de possibilités. Et très tôt, il s'est dit pour que l'on simule la pensée.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; very clear, frequent disfluency, moderate pitch range, audible breath; affect is neutral, slightly dominant, slightly guarded; reads as confusion, disappointment; style: didactic, dramatic; average recording, quiet background; genuineness 2.9/6; vocal-burst blend 3.0/10; 8.6s, FR.
FR_6jHVwjh7usk_W000067 · in -17.5 dBFS · gain -2.5 dB · emolia-02679
(brisk, energised, slightly relaxed, storytelling)On va essayer de prendre des tâches qui sont faciles à simuler. C'est-à-dire qu'il a essayé de réduire l'ambition.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; very clear, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, neutral openness; no dominant emotion; style: storytelling, dramatic; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 2.3/10; 5.3s, FR.
FR_6jHVwjh7usk_W000068 · in -16.4 dBFS · gain -3.6 dB · emolia-02679
This chain comes from the proxy rule: the same two-sided test as above, but because Hope Enthusiasm Optimism is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Hope Enthusiasm Optimism around average — 0.57, higher than 57 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.42.
At the same time Longing goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.54 (higher than 54 % of clips in this corpus), a change of -0.41. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.21, then +0.11, then +0.09, then +0.01 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.72 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.74 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.72, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 56 s · en · emolia
k 5d_a -0.406d_b 0.419step_a 0.213step_b 0.213min_cos_consec 0.7414min_cos_anchor 0.7178dataset emolialang enspeaker EN_B00039_S03752track EN_B00039_S03752total 55.9slevel spread 2.7 dBmax seam 1.9 dBqmax 0.406cmax 0.213cos from recomputed from spkemb_traj
Script — 5 chunks, 0 with a non-speech sound
Unchanged across all 5 clips: a young adult masculine voice · neutral-toned, balanced body
(longing, affection · measured, normally alert, slightly relaxed, casual)Boy. From his family, all his friends. And then putting him with another family, he's like, nope. And then...
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, frequent disfluency, moderate pitch range, normal breath; affect is neutral, slightly dominant, neutral openness; reads as longing, affection; style: casual, monologue; good recording, quiet background; genuineness 3.1/6; vocal-burst blend 1.2/10; 6.3s, EN.
EN_B00039_S03752_W000020 · in -21.0 dBFS · gain +1.0 dB · emolia-00995
(infatuation, astonishment surprise, pleasure ecstasy·brisk, normally alert, neutral tension, casual)Here he is, so I think it's weird for him. This is the first time he's ever been like inside of a house before he was an outside dog.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as infatuation, astonishment surprise, pleasure ecstasy; style: casual, conversational; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 6.5/10; 6.1s, EN.
EN_B00039_S03752_W000021 · in -19.1 dBFS · gain -0.9 dB · emolia-00995
(contentment, jealousy and envy, pleasure ecstasy ·normal-paced, energised, neutral tension, casual)He's only about like 10 weeks old, so. There's also new to him, like, his brothers and sisters that he had, and his mom and dad that he grew up with, like, in the outside. He doesn't have them anymore. Now it's just Lee and I. So, I think he's gonna do alright. He's pretty happy right now. Check him out. Look, look at this. He's just playing with his toys.
full caption & clip details
A young adult masculine voice; delivery is energised, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as contentment, jealousy and envy, pleasure ecstasy; style: casual, conversational; average recording, quiet background; genuineness 5.0/6; vocal-burst blend 10.0/10; 16.9s, EN.
EN_B00039_S03752_W000022 · in -19.3 dBFS · gain -0.7 dB · emolia-00995
(elation, hope enthusiasm optimism, pleasure ecstasy · normal-paced, very low-energy, neutral tension, casual)Oh, we, we pooped him out. Yeah, good. But we're gonna set up that cage. He has a little bed here. We're gonna make the bed more puppy friendly. Or the room more puppy friendly. Yes. Maybe there's food and stuff. I have all these boxes I gotta unbox. I got my computer over there. We gotta organize his room. Plus, Leah.
full caption & clip details
A young adult masculine voice; delivery is very low-energy, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as elation, hope enthusiasm optimism, pleasure ecstasy; style: casual, conversational; below-average recording, some background noise; mildly explicit content; genuineness 4.7/6; vocal-burst blend 6.8/10; 16.5s, EN.
EN_B00039_S03752_W000023 · in -18.6 dBFS · gain -1.4 dB · emolia-00995
(hope enthusiasm optimism, elation, pleasure ecstasy · normal-paced, normally alert, relaxed, casual)We're getting a new room. We're having a new room. So more information to come with that. But let's go ahead and close out this vlog with some comments you guys submitted on yesterday's vlog. I'm excited to showcase some of the
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, relaxed, fairly steady; timbre is neutral-toned, slightly bright, slightly rough, balanced body; somewhat unclear, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as hope enthusiasm optimism, elation, pleasure ecstasy; style: casual, conversational; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 8.2/10; 9.5s, EN.
EN_B00039_S03752_W000024 · in -18.3 dBFS · gain -1.7 dB · emolia-00995
This chain comes from the proxy rule: the same two-sided test as above, but because Concentration is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Concentration below average — 0.41, lower than 59 % of clips in this corpus — and ends with it strongly present at 0.89, higher than 89 % of clips in this corpus. That is a total rise of 0.48.
At the same time Pain goes the other way, from 0.86 (higher than 86 % of clips in this corpus) to 0.35 (lower than 65 % of clips in this corpus), a change of -0.51. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.14, then +0.22, then +0.13 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.28 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.20 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.28, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 38 s · en · emolia
k 4d_a -0.514d_b 0.480step_a 0.196step_b 0.217min_cos_consec 0.1952min_cos_anchor 0.2777dataset emolialang enspeaker EN_dxskzgGNzYMtrack EN_dxskzgGNzYMtotal 38.2slevel spread 2.3 dBmax seam 2.3 dBqmax 0.480cmax 0.217cos from recomputed from spkemb_traj
Script — 4 chunks, 3 with a non-speech sound
Unchanged across all 4 clips: a young adult feminine voice · fairly smooth, quiet background, fairly steady
(normal-paced, normally alert, slightly relaxed, monologue)Money coaching partnerships that the library has with the two different organizations. And if you just go to our events calendar, they're listed five days a week.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is slightly cool, neutral-bright, fairly smooth, thin; somewhat unclear, some disfluency, moderate pitch range, normal breath; affect is mildly positive, neutral stance, neutral openness; no dominant emotion; style: monologue; below-average recording, quiet background; genuineness 2.7/6; vocal-burst blend 1.5/10; 10.4s, EN.
EN_dxskzgGNzYM_W000175 · in -17.9 dBFS · gain -2.1 dB · emolia-01103
(slow, very low-energy, relaxed, casual)And you click on, on the link, the registration link, and it takes you to their websites for (ahem) setting up meetings. So, (low mumble) let me give you those links too.
full caption & clip details
A middle-aged somewhat feminine voice; delivery is very low-energy, slow, relaxed, fairly steady; timbre is slightly cool, slightly dark, fairly smooth, slightly thin; somewhat unclear, frequent disfluency, fairly narrow pitch, audible breath; affect is mildly positive, slightly submissive, neutral openness; no dominant emotion; style: casual, whispered; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 0.0/10; 12.4s, EN.
EN_dxskzgGNzYM_W000176 · in -17.3 dBFS · gain -2.7 dB · emolia-01103
(confusion, thankfulness gratitude, doubt·normal-paced, normally alert, slightly relaxed, conversational)(ahem) So someone just asked a question about how much of your savings rate should go towards investments. So it really, it's one of those, it depends. (low mumble)
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as confusion, thankfulness gratitude, doubt; style: conversational, casual; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 2.6/10; 7.1s, EN.
EN_dxskzgGNzYM_W000177 · in -16.7 dBFS · gain -3.3 dB · emolia-01103
(normal-paced, normally alert, slightly relaxed, conversational)So you want to look at your whole take home pay 20% going towards, (low mumble) um, savings. It depends on the situation. So.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; no dominant emotion; style: conversational, casual; good recording, quiet background; genuineness 2.0/6; vocal-burst blend 0.9/10; 7.8s, EN.
EN_dxskzgGNzYM_W000178 · in -19.0 dBFS · gain -1.0 dB · emolia-01103
This chain comes from the proxy rule: the same two-sided test as above, but because Malevolence Malice is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Malevolence Malice below average — 0.30, lower than 70 % of clips in this corpus — and ends with it strongly present at 0.86, higher than 86 % of clips in this corpus. That is a total rise of 0.56.
At the same time Fatigue Exhaustion goes the other way, from 0.85 (higher than 85 % of clips in this corpus) to 0.40 (lower than 60 % of clips in this corpus), a change of -0.45. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.21, then +0.22, then +0.13 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.83 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.86 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.83. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 31 s · zh · emolia
k 4d_a -0.449d_b 0.560step_a 0.221step_b 0.220min_cos_consec 0.8558min_cos_anchor 0.8317dataset emolialang zhspeaker ZH_B00000_S07812track ZH_B00000_S07812total 30.8slevel spread 1.2 dBmax seam 1.1 dBqmax 0.449cmax 0.221cos from recomputed from spkemb_traj
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, average recording, no background noise, measured, normally alert, slightly relaxed
(no disfluency, somewhat unclear, narration, monologue)头脑极度开放的人知道呢，找到问题的所有答案很重要。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: narration, monologue; average recording, no background noise; genuineness 1.7/6; vocal-burst blend 3.4/10; 5.1s, ZH.
ZH_B00000_S07812_W000020 · in -19.3 dBFS · gain -0.7 dB · emolia-03267
(no disfluency, clear, narration, monologue)但是呢提出正确的问题，并且向相关领域的专业人士请教也很重要。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: narration, monologue; average recording, no background noise; genuineness 1.2/6; vocal-burst blend 3.1/10; 6.7s, ZH.
ZH_B00000_S07812_W000021 · in -18.6 dBFS · gain -1.4 dB · emolia-03267
(no disfluency, clear, monologue, didactic)我们愿意请教，就说明我们知道自己还是有一些东西是不知道的，而且呢我们不会因为自己不知道某些事情而感到好像不好意思。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, didactic; average recording, no background noise; genuineness 1.9/6; vocal-burst blend 4.4/10; 10.9s, ZH.
ZH_B00000_S07812_W000022 · in -19.2 dBFS · gain -0.8 dB · emolia-03267
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, authoritative; average recording, no background noise; genuineness 3.0/6; vocal-burst blend 4.7/10; 7.7s, ZH.
ZH_B00000_S07812_W000023 · in -18.1 dBFS · gain -1.9 dB · emolia-03267
Intoxication Altered States of Consciousness ↓ / Malevolence Malice ↑proxy_spearman__PXR__T0.40__C0.25__INTERNAL · #14
This chain comes from the proxy rule: the same two-sided test as above, but because Malevolence Malice is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Malevolence Malice below average — 0.40, lower than 60 % of clips in this corpus — and ends with it strongly present at 0.82, higher than 82 % of clips in this corpus. That is a total rise of 0.42.
At the same time Intoxication Altered States of Consciousness goes the other way, from 0.60 (higher than 60 % of clips in this corpus) to 0.19 (lower than 81 % of clips in this corpus), a change of -0.41. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.21, then +0.21 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.89 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.91 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.89. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 14 s · zh · emolia
k 3d_a -0.414d_b 0.422step_a 0.212step_b 0.213min_cos_consec 0.9117min_cos_anchor 0.8921dataset emolialang zhspeaker ZH_B00029_S09866track ZH_B00029_S09866total 13.9slevel spread 1.2 dBmax seam 1.2 dBqmax 0.414cmax 0.213cos from recomputed from spkemb_traj
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, no background noise, measured, normally alert, slightly relaxed, no disfluency
This chain comes from the proxy rule: the same two-sided test as above, but because Contentment is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contentment around average — 0.52, higher than 52 % of clips in this corpus — and ends with it at the very top of the corpus at 0.92, higher than 92 % of clips in this corpus. That is a total rise of 0.41.
At the same time Distress goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.44 (lower than 56 % of clips in this corpus), a change of -0.54. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.25, then +0.05, then +0.08, then +0.03 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the eurospeech clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult feminine voice · slightly cool, slightly bright, fairly smooth, thin, quiet background, brisk, moderately variable, wide pitch range
(distress, disappointment, anger · energised, neutral tension, some disfluency, dramatic)che analizza la situazione italiana in materia di contrasto alla violenza sulle donne, ha evidenziato che nel nostro Paese la normativa esistente in concreto non viene applicata e che ancora, malgrado le risorse economiche stanziate e le azioni messe in campo per affrontare il fenomeno,
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; clear, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, fairly guarded; reads as distress, disappointment, anger; style: dramatic, ranting; average recording, quiet background; genuineness 2.9/6; vocal-burst blend 5.4/10; 18.3s, IT.
italy_18_65_7023424_7041712 · in -11.4 dBFS · gain -8.6 dB · eurospeech-01786
(shame, disappointment, helplessness· energised, neutral tension, some disfluency, dramatic)la distribuzione e l'applicazione disomogenea delle stesse risorse sul territorio nazionale fa sì che la tutela dei diritti delle vittime di violenza non sia effettiva.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as shame, disappointment, helplessness; style: dramatic, casual; average recording, quiet background; genuineness 3.5/6; vocal-burst blend 5.6/10; 11.8s, IT.
italy_18_65_7041712_7053472 · in -12.1 dBFS · gain -7.9 dB · eurospeech-01786
(relief, affection, shame ·normally alert, slightly relaxed, some disfluency, dramatic)Con questa mozione oggi vogliamo rendere possibile che quanto stanziato annualmente per i centri antiviolenza e le strutture di accoglienza per mamme e minori
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, slightly relaxed, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as relief, affection, shame; style: dramatic, cartoonish; average recording, quiet background; genuineness 3.1/6; vocal-burst blend 4.4/10; 10.4s, IT.
italy_18_65_7053472_7063920 · in -11.7 dBFS · gain -8.3 dB · eurospeech-01786
(shame, concentration, pride·energised, neutral tension, some disfluency, dramatic)sia erogato regolarmente, senza ritardi e vincolato all'assunzione di impegni precisi, all'individuazione delle priorità e alla valutazione dei risultati ottenuti.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; clear, some disfluency, wide pitch range, normal breath; affect is positive, slightly dominant, guarded; reads as shame, concentration, pride; style: dramatic, casual; below-average recording, quiet background; genuineness 3.2/6; vocal-burst blend 7.4/10; 11.5s, IT.
italy_18_65_7063920_7075456 · in -10.9 dBFS · gain -9.1 dB · eurospeech-01786
(contentment, infatuation, thankfulness gratitude· energised, neutral tension, almost no disfluency, dramatic)È necessario colmare le lacune di applicazione delle leggi in materia, introducendo modalità di attuazione volte a snellire i procedimenti con chiara individuazione della norma ed imposizione della stessa.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; clear, almost no disfluency, wide pitch range, normal breath; affect is positive, slightly dominant, guarded; reads as contentment, infatuation, thankfulness gratitude; style: dramatic, cartoonish; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 6.4/10; 13.4s, IT.
italy_18_65_7075456_7088816 · in -10.6 dBFS · gain -9.4 dB · eurospeech-01786
This chain comes from the proxy rule: the same two-sided test as above, but because Pain is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Pain barely there — 0.20, lower than 80 % of clips in this corpus — and ends with it clearly present at 0.72, higher than 72 % of clips in this corpus. That is a total rise of 0.52.
At the same time Emotional Numbness goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.52 (higher than 52 % of clips in this corpus), a change of -0.43. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.15, then +0.00, then +0.20, then +0.17 — a plateau around step 2, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.96 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 28 s · en · emolia
k 5d_a -0.426d_b 0.520step_a 0.206step_b 0.196min_cos_consec 0.9622min_cos_anchor 0.9294dataset emolialang enspeaker EN_X_Mq4PvxgOotrack EN_X_Mq4PvxgOototal 27.8slevel spread 1.6 dBmax seam 1.6 dBqmax 0.426cmax 0.206cos from recomputed from spkemb_traj
Script — 5 chunks, 0 with a non-speech sound
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(emotional numbness, contempt, disgust · formal, monologue)To them the sense of subject-object perception was illusory and a sign of ignorance
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, contempt, disgust; style: formal, monologue; good recording, no background noise; genuineness 0.8/6; vocal-burst blend 1.2/10; 4.6s, EN.
EN_X_Mq4PvxgOo_W000141 · in -14.7 dBFS · gain -5.3 dB · emolia-02621
(emotional numbness, doubt· formal, authoritative)However, the individual's sense of self was not a complete illusion since it was derived from the universal beingness that is Brahman
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, doubt; style: formal, authoritative; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.0/10; 7.0s, EN.
EN_X_Mq4PvxgOo_W000142 · in -14.2 dBFS · gain -5.8 dB · emolia-02621
(infatuation· formal, monologue)Ramanuja sa Vishnu as a personification of Brahman
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as infatuation; style: formal, monologue; good recording, no background noise; genuineness 1.0/6; vocal-burst blend 1.5/10; 3.3s, EN.
EN_X_Mq4PvxgOo_W000143 · in -14.3 dBFS · gain -5.7 dB · emolia-02621
(formal, authoritative)Dvaita refers to a theistic sub-school in Vedanta tradition of Hindu philosophy
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.2/10; 4.9s, EN.
EN_X_Mq4PvxgOo_W000145 · in -13.9 dBFS · gain -6.1 dB · emolia-02621
(formal, authoritative)Also called as Tattvavada and Bimbapratibimbavada, the Dvaita sub-school was founded by the 13th-century scholar Madhvacharya
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 7.4s, EN.
EN_X_Mq4PvxgOo_W000146 · in -15.5 dBFS · gain -4.5 dB · emolia-02621
This chain comes from the proxy rule: the same two-sided test as above, but because Anger is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Anger around average — 0.48, lower than 52 % of clips in this corpus — and ends with it strongly present at 0.89, higher than 89 % of clips in this corpus. That is a total rise of 0.41.
At the same time Pain goes the other way, from 0.85 (higher than 85 % of clips in this corpus) to 0.35 (lower than 65 % of clips in this corpus), a change of -0.50. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.23, then +0.01, then +0.18 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores -0.04 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.06 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (-0.04, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, light breath
(normal-paced, normally alert, slightly relaxed, storytelling)General Gamelan's French forces mass on the Belgian frontier.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, neutral openness; no dominant emotion; style: storytelling, narration; good recording, no background noise; genuineness 0.6/6; vocal-burst blend 1.2/10; 3.5s.
batch276_part0_batch276_part0_chunk_950_1_830576 · in -25.2 dBFS · gain +5.2 dB · snippets-00917
(awe, fear·brisk, normally alert, neutral tension, storytelling)fact that this mighty huge red army suffered humiliations on the battlefield in these forests and snows.
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, full; average clarity, almost no disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as awe, fear; style: storytelling, dramatic; good recording, no background noise; genuineness 1.9/6; vocal-burst blend 1.4/10; 7.2s.
batch276_part0_batch276_part0_chunk_950_1_830654 · in -25.1 dBFS · gain +5.1 dB · snippets-00917
(elation, triumph, hope enthusiasm optimism·normal-paced, energised, slightly tense, casual)probably single figure that best embodies the philosophy of moderation in Montesquieu even though he was not as well read in Montesquieu as these other
full caption & clip details
A young adult masculine voice; delivery is energised, normal-paced, slightly tense, moderately variable; timbre is neutral-toned, slightly bright, slightly rough, thin; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as elation, triumph, hope enthusiasm optimism; style: casual, storytelling; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 4.3/10; 3.6s.
batch276_part0_batch276_part0_chunk_950_1_830719 · in -24.3 dBFS · gain +4.3 dB · snippets-00917
(normal-paced, normally alert, slightly relaxed, conversational)means lightning war that's the translation and that's exactly what this was tanks and motorized infantry
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, neutral openness; no dominant emotion; style: conversational, casual; good recording, no background noise; genuineness 2.7/6; vocal-burst blend 3.1/10; 6.3s.
batch276_part0_batch276_part0_chunk_950_1_830745 · in -26.6 dBFS · gain +6.6 dB · snippets-00917
This chain comes from the proxy rule: the same two-sided test as above, but because Contentment is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contentment around average — 0.54, higher than 54 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.44.
At the same time Contemplation goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.54 (higher than 54 % of clips in this corpus), a change of -0.44. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.25, then +0.17, then +0.02 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.26 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.37 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.26, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 44 s · en · emolia
k 4d_a -0.443d_b 0.438step_a 0.193step_b 0.247min_cos_consec 0.3660min_cos_anchor 0.2632dataset emolialang enspeaker EN_tA2xfSqaPE0track EN_tA2xfSqaPE0total 43.6slevel spread 3.5 dBmax seam 3.2 dBqmax 0.438cmax 0.247cos from recomputed from spkemb_traj
Script — 4 chunks, 2 with a non-speech sound
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, fairly steady, moderate pitch range, light breath
(contemplation, doubt · normal-paced, normally alert, slightly relaxed, casual)We'll come to know that there's not these, (ahem) we may be in different places on the planet.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as contemplation, doubt; style: casual, conversational; average recording, quiet background; genuineness 4.0/6; vocal-burst blend 2.3/10; 6.2s, EN.
EN_tA2xfSqaPE0_W000325 · in -18.0 dBFS · gain -2.0 dB · emolia-01890
(emotional numbness· normal-paced, normally alert, slightly relaxed, casual)And supposedly in different time zones, but it's really just one time zone. And that's time zone art, so.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as emotional numbness; style: casual, monologue; good recording, quiet background; genuineness 3.2/6; vocal-burst blend 3.0/10; 6.9s, EN.
EN_tA2xfSqaPE0_W000326 · in -18.3 dBFS · gain -1.7 dB · emolia-01890
(hope enthusiasm optimism, interest, contentment· normal-paced, normally alert, neutral tension, casual)Times on Art and I wanted to say yeaah, that's where we meet actually, in the Times on Art. Yeaah. And I also want to say, you know, hello to Noam and Rafika, they are, you know,
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as hope enthusiasm optimism, interest, contentment; style: casual, conversational; average recording, quiet background; genuineness 5.4/6; vocal-burst blend 8.9/10; 11.6s, EN.
EN_tA2xfSqaPE0_W000328 · in -21.5 dBFS · gain +1.5 dB · emolia-01890
(contentment, relief, pleasure ecstasy·measured, very low-energy, neutral tension, casual)In, in, in the east side of the world, and, uh, (ahem) it's like 3 a.m. in Israel now, and it's 6 a.m. in Taiwan now, so it was harder for them to, to reach us, but they are here also, and with us. And, (low mumble) uh, yeah, and, (low mumble) uh, also wanted
full caption & clip details
A young adult masculine voice; delivery is very low-energy, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as contentment, relief, pleasure ecstasy; style: casual, monologue; average recording, quiet background; genuineness 4.9/6; vocal-burst blend 8.6/10; 18.5s, EN.
EN_tA2xfSqaPE0_W000329 · in -20.5 dBFS · gain +0.5 dB · emolia-01890
This chain comes from the proxy rule: the same two-sided test as above, but because Shame is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Shame around average — 0.47, lower than 53 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.52.
At the same time Emotional Numbness goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.44 (lower than 56 % of clips in this corpus), a change of -0.50. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.23, then +0.09, then +0.20 — an uneven climb, but always in the same direction.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.80 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.85 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.80. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-bright
(emotional numbness · measured, normally alert, slightly relaxed, casual)Because he was entering into his ministry. He had turned 30.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; reads as emotional numbness; style: casual, monologue; average recording, quiet background; genuineness 2.3/6; vocal-burst blend 1.8/10; 3.7s, EN.
135755_00244912 · in -26.8 dBFS · gain +6.8 dB · podcast-01274
(measured, very low-energy, neutral tension, casual)And he didn't turn to 53, but he had them pull out Isaiah 61, what we call right.
full caption & clip details
An adult masculine voice; delivery is very low-energy, measured, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, frequent disfluency, wide pitch range, normal breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: casual, monologue; average recording, quiet background; genuineness 2.9/6; vocal-burst blend 1.7/10; 8.2s, EN.
135755_00245740 · in -26.2 dBFS · gain +6.2 dB · podcast-03524
(bitterness, anger, impatience and irritability· measured, highly aroused, neutral tension, dramatic)They didn't have numbers and verses and things. That's just for our reference. But he called for the scroll and he turned to this and he said, The Spirit of the Lord God is upon me, because the Lord hath anointed me to preach good tidings to the meek. He has sent me to bind up the brokenhearted. Are you brokenhearted
full caption & clip details
A middle-aged masculine voice; delivery is highly aroused, measured, neutral tension, variable; timbre is slightly cool, neutral-bright, rough, balanced body; average clarity, frequent disfluency, wide pitch range, normal breath; affect is negative, dominant, fairly guarded; reads as bitterness, anger, impatience and irritability; style: dramatic, authoritative; below-average recording, some background noise; genuineness 2.0/6; vocal-burst blend 0.6/10; 23.6s, EN.
135755_00246564 · in -21.5 dBFS · gain +1.5 dB · podcast-03535
(shame, contempt, contentment·brisk, highly aroused, slightly tense, dramatic)proclaim liberty to the captives. Do you feel captive to your own dumb decisions, your own willfulness? Do you feel like you are in a prison of your own making? Well, he's here to set you at liberty. The opening of prison to them that are bound, to proclaim the acceptable year of the Lord, the day of vengeance of our God, to comfort all that mourn.
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A middle-aged masculine voice; delivery is highly aroused, brisk, slightly tense, moderately variable; timbre is slightly cool, neutral-bright, slightly rough, full; very clear, some disfluency, wide pitch range, normal breath; affect is positive, dominant, fairly guarded; reads as shame, contempt, contentment; style: dramatic, authoritative; below-average recording, some background noise; genuineness 1.8/6; vocal-burst blend 2.8/10; 23.6s, EN.
135755_00249304 · in -19.1 dBFS · gain -0.9 dB · podcast-03534
This chain comes from the proxy rule: the same two-sided test as above, but because Embarrassment is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Embarrassment around average — 0.56, higher than 56 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.43.
At the same time Hope Enthusiasm Optimism goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.51 (right about the corpus median), a change of -0.47. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.24, then -0.02, then +0.22 — not a clean run: step 2 moves back the other way by 0.02 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.90 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.91 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.90. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, balanced body, average recording, quiet background, neutral tension, some disfluency, somewhat unclear
(hope enthusiasm optimism, malevolence malice, sexual lust · measured, energised, moderately variable, casual)And if you're willing to change your life, go and do whatever it takes to get to your daughter. But if you ever go back and sell one gram or one ball, you're just nothing but a snitch. (yawn) So
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An adult masculine voice; delivery is energised, measured, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, wide pitch range, normal breath; affect is mildly negative, slightly dominant, fairly guarded; reads as hope enthusiasm optimism, malevolence malice, sexual lust; style: casual, storytelling; average recording, quiet background; mildly explicit content; genuineness 4.0/6; vocal-burst blend 2.9/10; 13.0s, EN.
903763_00199568 · in -19.5 dBFS · gain -0.5 dB · podcast-03708
(affection, elation, longing·normal-paced, normally alert, fairly steady, casual)I get home and I get a phone call from remember my friend Sandy Perkoff, the yacht broker. Well, we had he had a friend named Dave Jackson, who was also a yacht broker. But Dave was a really big yacht broker. He sold to Jimmy Buffett. He sold to you know all the, you know, he was a he had learjets he sold. He had he represent he had his own line of boats that he represented around the world. He had five offices around the world.
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An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as affection, elation, longing; style: casual, conversational; average recording, quiet background; genuineness 4.7/6; vocal-burst blend 10.0/10; 23.6s, EN.
903763_00202052 · in -20.6 dBFS · gain +0.6 dB · podcast-03749
(jealousy and envy, sourness, bitterness· normal-paced, normally alert, moderately variable, casual)Well, his business had went south and he got in a sting with the DEA. He offered to sell him a plane for cash and hide the drug money, and that was illegal. So Dave got busted. So I get a phone call at my house. And oh, and in jail to make sure that I never busted any of my friends that I grew up with, my high school friends, the you know, that group of guys that are on your, you know, like your hands, like the gloves on your hand.
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A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, wide pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as jealousy and envy, sourness, bitterness; style: casual, monologue; average recording, quiet background; genuineness 4.3/6; vocal-burst blend 9.2/10; 24.9s, EN.
903763_00204408 · in -22.0 dBFS · gain +2.0 dB · podcast-01532
(embarrassment, shame, disappointment· normal-paced, normally alert, fairly steady, casual)I told my best friend who was a big mouth, I go, listen, I don't know, man. Anthony, I might have to do something, work for the cops. So just tell everybody down there, you know, that (ahem) you know, don't talk to me. So I was, I took a I took a poison pill. Basically, what I made it so that when I came back from now, most guys weren't gonna talk to me anyhow, right?
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An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as embarrassment, shame, disappointment; style: casual, conversational; average recording, quiet background; genuineness 5.2/6; vocal-burst blend 10.0/10; 20.4s, EN.
903763_00206896 · in -22.1 dBFS · gain +2.1 dB · podcast-03738