Manifest tier. emotion_twosided, rule AB2, T=0.2, step cap 0.25. Population 1,224,717 chains (12,183 h) over 6 corpora. The SHAREABLE variant of this tier (podcast and evasnippets excluded) holds 942,844.
Rule.AB2 — two-sided: emotion A falls by >=T while emotion B rises by >=T, each consecutive step <=C Source. trajectories_v5.parquet | Family. the tier owner's manifest tiers -- the exact subsets used for training Manifest tier.emotion_twosided__AB2__T0.20__C0.25__INTERNAL — population 1,224,717 chains (12,183 h). SHAREABLE variant: 942,844. Filter.rule=='AB2' and T==0.25 and C==0.25 and dataset in ['mls', 'eurospeech', 'emolia', 'podcast', 'snippets', 'evasnippets'] and abs(d_b)>=0.2 and step_b<=0.25 Sampled from 324,658 matching rows, without replacement across the family, so no two tiers reuse a chain.
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
Concentration ↓ / Fear ↑emotion_twosided__AB2__T0.20__C0.25__INTERNAL · #1
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Fear up — by at least 0.20 each.
The chain starts with Fear around average — 0.47, lower than 53 % of clips in this corpus — and ends with it clearly present at 0.73, higher than 73 % of clips in this corpus. That is a total rise of 0.26.
At the same time Concentration goes the other way, from 0.82 (higher than 82 % of clips in this corpus) to 0.56 (higher than 56 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.04, then +0.22 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.93 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 28 s · en · emolia
hear it un-normalised (raw levels, max seam 1.1 dB)
k 3d_a -0.258d_b 0.261step_a 0.189step_b 0.217min_cos_consec 0.9332min_cos_anchor 0.9332dataset emolialang enspeaker EN_B00064_S09013track EN_B00064_S09013total 28.4slevel spread 1.1 dBmax seam 1.1 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normally alert, slightly relaxed
(normal-paced, steady, no disfluency, newsreading)This included secular works, such as the Bovo book, and religious writing specifically for women, such as the ZNH Rhein Seino-Urino and the Thangwt Tkienz
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: newsreading, formal; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 11.5s, EN.
EN_B00064_S09013_W000018 · in -16.4 dBFS · gain -3.6 dB · emolia-01469
(emotional numbness·measured, steady, almost no disfluency, formal)Around 5 million of those killed — 85% of the Jews who died in the Holocaust — were speakers of Yiddish
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: formal, newsreading; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 8.3s, EN.
EN_B00064_S09013_W000019 · in -16.5 dBFS · gain -3.5 dB · emolia-01469
(normal-paced, fairly steady, no disfluency, formal)There are well over 30,000 Yiddish speakers in the United Kingdom, and several thousand children now have Yiddish as a first language
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, newsreading; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.3/10; 8.3s, EN.
EN_B00064_S09013_W000020 · in -17.5 dBFS · gain -2.5 dB · emolia-01469
Bitterness ↓ / Fear ↑emotion_twosided__AB2__T0.20__C0.25__INTERNAL · #2
This chain comes from the two-sided rule: it only counts if both emotions move — Bitterness down and Fear up — by at least 0.20 each.
The chain starts with Fear around average — 0.56, higher than 56 % of clips in this corpus — and ends with it at the very top of the corpus at 0.95, higher than 95 % of clips in this corpus. That is a total rise of 0.39.
At the same time Bitterness goes the other way, from 0.88 (higher than 88 % of clips in this corpus) to 0.54 (higher than 54 % of clips in this corpus), a change of -0.34. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.20, then +0.19 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.04 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.08 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.04, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 38 s · de · emolia
hear it un-normalised (raw levels, max seam 1.1 dB)
k 3d_a -0.337d_b 0.388step_a 0.198step_b 0.203min_cos_consec 0.0820min_cos_anchor 0.0361dataset emolialang despeaker DE_vFkmgr4cWTQtrack DE_vFkmgr4cWTQtotal 38.1slevel spread 1.5 dBmax seam 1.1 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 1 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normally alert, slightly relaxed, fairly steady, moderate pitch range
(measured, frequent disfluency, somewhat unclear, monologue)Aber die SA ist viel, viel mehr als das. In ihrer Breite ist sie eine durchaus sehr bürgerliche Organisation, die
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, didactic; average recording, quiet background; genuineness 2.5/6; vocal-burst blend 0.0/10; 9.2s, DE.
DE_vFkmgr4cWTQ_W000163 · in -19.0 dBFS · gain -1.0 dB · emolia-00091
(jealousy and envy, concentration, confusion·normal-paced, frequent disfluency, average clarity, monologue)eben, sehr formalisiert auch ist. Also, es ist so unheimlich spannend zu sehen, wie viele Befehle und Erlässe die, (low mumble) ähm, SA-Führung, (low mumble) ähm, veröffentlicht, um eben die, die SA-Angehörigen zu disziplinieren und das widerspricht vollkommen dem, äh, (ahem) Bild des SA-Rabauken.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as jealousy and envy, concentration, confusion; style: monologue, formal; average recording, no background noise; genuineness 3.7/6; vocal-burst blend 0.0/10; 19.3s, DE.
DE_vFkmgr4cWTQ_W000164 · in -19.4 dBFS · gain -0.6 dB · emolia-00091
(fear· normal-paced, almost no disfluency, clear, didactic)Die SA wird dann ja 1932 von der Regierung Brüning verboten. Aber dieses Verbot wird wenig später, nach dem Regierungswechsel, wieder aufgehoben.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fear; style: didactic, authoritative; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 0.0/10; 9.3s, DE.
DE_vFkmgr4cWTQ_W000165 · in -20.5 dBFS · gain +0.5 dB · emolia-00091
Sexual Lust ↓ / Hope Enthusiasm Optimism ↑emotion_twosided__AB2__T0.20__C0.25__INTERNAL · #3
This chain comes from the two-sided rule: it only counts if both emotions move — Sexual Lust down and Hope Enthusiasm Optimism up — by at least 0.20 each.
The chain starts with Hope Enthusiasm Optimism clearly present — 0.66, higher than 66 % of clips in this corpus — and ends with it at the very top of the corpus at 0.92, higher than 92 % of clips in this corpus. That is a total rise of 0.26.
At the same time Sexual Lust goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.65 (higher than 65 % of clips in this corpus), a change of -0.35. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.20, then +0.04, then +0.02 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.61 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.63 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.61, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 41 s · en · emolia
hear it un-normalised (raw levels, max seam 1.2 dB)
k 4d_a -0.347d_b 0.264step_a 0.220step_b 0.204min_cos_consec 0.6281min_cos_anchor 0.6114dataset emolialang enspeaker EN_pxznqyV9TGYtrack EN_pxznqyV9TGYtotal 40.8slevel spread 1.2 dBmax seam 1.2 dBcos from recomputed from spkemb_traj
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice · slightly rough, balanced body, energised, neutral tension, moderately variable, some disfluency, average clarity, wide pitch range
(sexual lust, contempt, teasing · brisk, light breath, casual, playful)You mean the Pirates of Penzance?
full caption & clip details
An adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, fairly guarded; reads as sexual lust, contempt, teasing; style: casual, playful; below-average recording, some background noise; genuineness 4.2/6; vocal-burst blend 3.5/10; 6.1s, EN.
EN_pxznqyV9TGY_W000001 · in -15.8 dBFS · gain -4.2 dB · emolia-02609
(jealousy and envy, teasing, malevolence malice·normal-paced, light breath, casual, conversational)Thespian! And what if this Master Thespian thing doesn't work out?
full caption & clip details
An adult masculine voice; delivery is energised, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as jealousy and envy, teasing, malevolence malice; style: casual, conversational; below-average recording, some background noise; mildly explicit content; genuineness 3.9/6; vocal-burst blend 4.1/10; 9.3s, EN.
EN_pxznqyV9TGY_W000002 · in -15.8 dBFS · gain -4.2 dB · emolia-02609
(astonishment surprise, elation, amusement·brisk, normal breath, casual, storytelling)Set construction, electrical engineering, and I can get class credits just for being involved. Sounds like you're Broadway bound. Not Broadway bound, Redwood Road bound.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, wide pitch range, normal breath; affect is positive, slightly dominant, fairly guarded; reads as astonishment surprise, elation, amusement; style: casual, storytelling; average recording, some background noise; mildly explicit content; genuineness 3.9/6; vocal-burst blend 4.5/10; 10.6s, EN.
EN_pxznqyV9TGY_W000003 · in -14.8 dBFS · gain -5.2 dB · emolia-02609
(hope enthusiasm optimism, elation · brisk, light breath, casual, playful)The Gilbert and Sullivan Festival is on the Redwood Road campus of Salt Lake Community College. What if I want to get involved? Easy, just call Salt Lake Community College at 957-4073. 957-4073? 957-4073.
full caption & clip details
A child masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, slightly rough, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, elation; style: casual, playful; average recording, quiet background; mildly explicit content; genuineness 2.0/6; vocal-burst blend 3.8/10; 14.4s, EN.
EN_pxznqyV9TGY_W000004 · in -16.0 dBFS · gain -4.0 dB · emolia-02609
This chain comes from the two-sided rule: it only counts if both emotions move — Affection down and Contemplation up — by at least 0.20 each.
The chain starts with Contemplation clearly present — 0.63, higher than 63 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.36.
At the same time Affection goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.60 (higher than 60 % of clips in this corpus), a change of -0.35. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.22, then -0.07, then +0.02, then +0.20 — not a clean run: step 2 moves back the other way by 0.07 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.37 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.40 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.37, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 133 s · sv · podcast
hear it un-normalised (raw levels, max seam 1.0 dB)
Unchanged across all 5 clips: a young adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, fairly steady, moderate pitch range, light breath
(affection, jealousy and envy, relief · normal-paced, normally alert, slightly relaxed, casual)Falsk positiv. (ahem) Som gör att han bli ariserat. Och så där kunde vi att gå upp igenare. Men poängen var med att snacka om digital dehumanisering är ju net på att autonom vapensystemer som kan rätta sig emot människor vill ju befinna sig helt extremt i än av detta digital dehumaniseringsspektra. (ahem)
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as affection, jealousy and envy, relief; style: casual, monologue; good recording, quiet background; genuineness 1.7/6; vocal-burst blend 4.6/10; 26.4s, SV.
679300_00074680 · in -41.0 dBFS · gain +21.0 dB · podcast-05163
(jealousy and envy, interest, contentment· normal-paced, normally alert, slightly relaxed, monologue)Träck med dig. Och det är en målprofil som ger match på dig, och det är ett autonomt opensystem. Så har du kun möjlighet att gå upp igen det äta på. För det har du missigt livet i sant. Så detta är det måta att peka på den reduktion av mänska i en målprofil. Och bygga den linjen för oss om att det här har vi var kunna vara eniga om att vi icka önskar i ett
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as jealousy and envy, interest, contentment; style: monologue, casual; good recording, quiet background; genuineness 2.1/6; vocal-burst blend 6.3/10; 29.5s, SV.
679300_00077312 · in -40.0 dBFS · gain +20.0 dB · podcast-05161
(contentment, relief, sexual lust· normal-paced, subdued, slightly relaxed, monologue)Det med reduktion till datapunkter är egentligen förutsättning för att netta på maskiner och processor och kanske kunstintelligens ska kunna ta avvelser. För det se och i världen som vi är. Så den förenklingen av verkligheten närhet nödvändig för att vi ska få hjälp av maskiner till att processera massa av data. Och det är ju netta i den här processen med förenklingar. (ahem) Och många lagar av förenklingar att det kan göra det för.
full caption & clip details
A young adult masculine voice; delivery is subdued, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as contentment, relief, sexual lust; style: monologue, casual; average recording, quiet background; genuineness 2.9/6; vocal-burst blend 9.5/10; 25.1s, SV.
679300_00080424 · in -39.4 dBFS · gain +19.4 dB · podcast-05144
(relief, interest, concentration·measured, subdued, slightly relaxed, monologue)Jag tycker att det var lagteknologi där hälgen neutral handling. Så det finns fodomar i samfunderna det. Vi har sett att maskinlärning kan vara problematisk av den lär av (ahem) det för man aldrig existerade i samfundet, och av den input den får. Det brukar de till att få något på andra sidan som reflekterar det som alla rede är sälet i samfundet av elever.
full caption & clip details
A young adult masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as relief, interest, concentration; style: monologue, casual; average recording, quiet background; genuineness 2.5/6; vocal-burst blend 9.0/10; 24.4s, SV.
679300_00082936 · in -39.2 dBFS · gain +19.2 dB · podcast-05144
(contemplation, relief, contentment· measured, normally alert, relaxed, casual)Men vår vill en regulering mot tackla utföringarna runt. Ett ein norma vapen med tanke på både med målprofiler och digital dem sering varje kampanjen säkert att man ska (low mumble) göra med detta med mänskliga målprofiler och malprofiler generellt.
full caption & clip details
An adolescent masculine voice; delivery is normally alert, measured, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; slurred, frequent disfluency, moderate pitch range, light breath; affect is mildly negative, slightly submissive, neutral openness; reads as contemplation, relief, contentment; style: casual, storytelling; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 5.8/10; 27.2s, SV.
679300_00085376 · in -39.3 dBFS · gain +19.3 dB · podcast-06183
This chain comes from the two-sided rule: it only counts if both emotions move — Interest down and Contempt up — by at least 0.20 each.
The chain starts with Contempt clearly present — 0.74, higher than 74 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.25.
At the same time Interest goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.21, then +0.04 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.97 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.96 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.97), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 45 s · sr · eurospeech
hear it un-normalised (raw levels, max seam 1.1 dB)
Unchanged across all 3 clips: a child feminine voice · slightly cool, slightly bright, fairly smooth, thin, average recording, quiet background, brisk, neutral tension
(interest, shame, concentration · energised, some disfluency, clear, cartoonish)generalnom odredbom tačke 18) istog stava i člana Predloga zakona.Obzirom da je predlagač zakona predvideo saradnju samo za jedno krivično delo koje je predloženo u Predlogu zakona o izmenama i dopunama Krivičnog zakona i to za delo propisano odredbom (ahem) člana 138a
full caption & clip details
A child feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; clear, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, fairly guarded; reads as interest, shame, concentration; style: cartoonish, ranting; average recording, quiet background; genuineness 2.5/6; vocal-burst blend 4.8/10; 17.2s, SR.
serbia_serbia_2016_1263_18112016_5209216_5226368 · in -27.6 dBFS · gain +7.6 dB · eurospeech-02719
(shame, distress, bitterness· energised, almost no disfluency, clear, ranting)Predloga zakona o izmenama i dopunama Krivičnog zakona, nejasno je zašto je predlagač Zakona o sprečavanju nasilja u porodici nije posebno predvideo saradnji i za krivična dela iz čl. 121a
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; clear, almost no disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, fairly guarded; reads as shame, distress, bitterness; style: ranting, dramatic; average recording, quiet background; genuineness 1.4/6; vocal-burst blend 3.5/10; 12.7s, SR.
serbia_serbia_2016_1263_18112016_5226368_5239056 · in -28.0 dBFS · gain +8.0 dB · eurospeech-02719
(contempt, shame, bitterness ·normally alert, some disfluency, average clarity, cartoonish)(low mumble) (ahem) 187a.Obzirom da predmetna krivična dela imaju kao objekt zaštite upravo ona dobra koja mogu biti ugrožena radnjama porodičnog nasilja koja predlagač upravo predlaže da neutrališe odredbom predloženog (ahem) Predloga zakona.Takođe
full caption & clip details
A child feminine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; average clarity, some disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, slightly guarded; reads as contempt, shame, bitterness; style: cartoonish, ranting; average recording, quiet background; genuineness 3.5/6; vocal-burst blend 6.6/10; 15.3s, SR.
serbia_serbia_2016_1263_18112016_5239056_5254400 · in -26.9 dBFS · gain +6.9 dB · eurospeech-02719
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Infatuation up — by at least 0.20 each.
The chain starts with Infatuation around average — 0.51, right about the corpus median — and ends with it strongly present at 0.77, higher than 77 % of clips in this corpus. That is a total rise of 0.26.
At the same time Concentration goes the other way, from 0.94 (higher than 94 % of clips in this corpus) to 0.66 (higher than 66 % of clips in this corpus), a change of -0.28. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.21, then +0.05 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.91 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.94 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.91), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 26 s · en · emolia
k 3d_a -0.281d_b 0.262step_a 0.221step_b 0.209min_cos_consec 0.9411min_cos_anchor 0.9117dataset emolialang enspeaker EN_9oFM0mE5laYtrack EN_9oFM0mE5laYtotal 26.0slevel spread 0.5 dBmax seam 0.5 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, good recording, no background noise, normally alert, slightly relaxed, steady
(concentration, hope enthusiasm optimism · normal-paced, fairly narrow pitch, formal, authoritative)Paleontology, ethology, anthropology, and biogeography as well as historical approaches to developmental biology
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, hope enthusiasm optimism; style: formal, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 9.6s, EN.
EN_9oFM0mE5laY_W000004 · in -15.6 dBFS · gain -4.4 dB · emolia-02454
(measured, moderate pitch range, newsreading, formal)Genomics, physiology, ecology and many other areas of the biological sciences.The comparative approach also has numerous applications in human
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: newsreading, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 11.8s, EN.
EN_9oFM0mE5laY_W000005 · in -15.1 dBFS · gain -4.9 dB · emolia-02454
(normal-paced, fairly narrow pitch, formal, authoritative)Genetics, Biomedicine, and Conservation Biology
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.8/6; vocal-burst blend 0.5/10; 4.3s, EN.
EN_9oFM0mE5laY_W000006 · in -15.2 dBFS · gain -4.8 dB · emolia-02454
Intoxication Altered States of Consciousness ↓ / Doubt ↑emotion_twosided__AB2__T0.20__C0.25__INTERNAL · #7
This chain comes from the two-sided rule: it only counts if both emotions move — Intoxication Altered States of Consciousness down and Doubt up — by at least 0.20 each.
The chain starts with Doubt clearly present — 0.68, higher than 68 % of clips in this corpus — and ends with it at the very top of the corpus at 0.94, higher than 94 % of clips in this corpus. That is a total rise of 0.26.
At the same time Intoxication Altered States of Consciousness goes the other way, from 0.96 (higher than 96 % of clips in this corpus) to 0.69 (higher than 69 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.24, then +0.08, then -0.01, then -0.05 — not a clean run: step 3 moves back the other way by 0.01 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.70 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.78 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.70, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 47 s · en · emolia
k 5d_a -0.270d_b 0.261step_a 0.172step_b 0.241min_cos_consec 0.7822min_cos_anchor 0.6996dataset emolialang enspeaker EN_SgZtx0KfKF4track EN_SgZtx0KfKF4total 47.1slevel spread 5.7 dBmax seam 4.1 dBcos from recomputed from spkemb_traj
Script — 5 chunks, 3 with a non-speech sound
Unchanged across all 5 clips: a young adult masculine voice
(intoxication altered states of consciousness, fatigue exhaustion, teasing · normal-paced, energised, neutral tension, casual)Out of Explorer! The Fox! Happy Fox Day! I think National Fox Day was yesterday.
full caption & clip details
A young adult masculine voice; delivery is energised, normal-paced, neutral tension, moderately variable; timbre is slightly cool, slightly dark, slightly rough, slightly thin; slurred, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly negative, slightly dominant, slightly guarded; reads as intoxication altered states of consciousness, fatigue exhaustion, teasing; style: casual; below-average recording, some background noise; genuineness 3.8/6; vocal-burst blend 0.9/10; 9.3s, EN.
EN_SgZtx0KfKF4_W000103 · in -18.4 dBFS · gain -1.6 dB · emolia-01896
(sexual lust, pain, confusion· normal-paced, normally alert, slightly relaxed, casual)So when I hit the Z button, and it takes me like back and forth between exits, I know I have fully explored. I don't remember. Do you have to eat in this game?
full caption & clip details
A young adult somewhat masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as sexual lust, pain, confusion; style: casual, monologue; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 2.9/10; 9.0s, EN.
EN_SgZtx0KfKF4_W000104 · in -15.3 dBFS · gain -4.7 dB · emolia-01896
(doubt, confusion, pain ·measured, very low-energy, relaxed, casual)And I'm not sure I super understand. (exhausted groan) Uh, let's see. Why? So, I can change my staff? My staff's nature? I would like to call on...
full caption & clip details
A child somewhat masculine voice; delivery is very low-energy, measured, relaxed, moderately variable; timbre is slightly cool, dark, slightly rough, slightly thin; slurred, frequent disfluency, narrow pitch range, normal breath; affect is mildly positive, slightly submissive, neutral openness; reads as doubt, confusion, pain; style: casual, conversational; below-average recording, quiet background; genuineness 3.6/6; vocal-burst blend 2.6/10; 12.5s, EN.
EN_SgZtx0KfKF4_W000107 · in -16.8 dBFS · gain -3.2 dB · emolia-01896
(confusion, doubt, embarrassment· measured, normally alert, relaxed, casual)Fire. So I think it's a fire staff now? I think that's how that works? Okay. (wistful sigh) Uh, ooh, total.
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, relaxed, moderately variable; timbre is neutral-toned, dark, fairly smooth, slightly thin; slurred, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly negative, neutral stance, neutral openness; reads as confusion, doubt, embarrassment; style: casual, conversational; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 1.5/10; 9.5s, EN.
EN_SgZtx0KfKF4_W000108 · in -20.9 dBFS · gain +0.9 dB · emolia-01896
(doubt · measured, normally alert, slightly relaxed, conversational)(low mumble) Move that to actually wield that. So, I now have a new totem power here.
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; reads as doubt; style: conversational, casual; good recording, quiet background; genuineness 3.2/6; vocal-burst blend 1.8/10; 6.2s, EN.
EN_SgZtx0KfKF4_W000109 · in -17.7 dBFS · gain -2.3 dB · emolia-01896
This chain comes from the two-sided rule: it only counts if both emotions move — Contentment down and Anger up — by at least 0.20 each.
The chain starts with Anger clearly present — 0.70, higher than 70 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.29.
At the same time Contentment goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.58 (higher than 58 % of clips in this corpus), a change of -0.40. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.24, then +0.05 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.93 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an elderly masculine voice · slightly cool, balanced body, average recording, quiet background, normally alert, neutral tension, moderately variable
(contentment, elation, pride · measured, frequent disfluency, slurred, storytelling)che l'arbitro può decidere anche senza rispettare le norme inderogabili del diritto del lavoro. Il richiamo presente nel testo ai principi generali del diritto è comunque utile ma
full caption & clip details
An elderly masculine voice; delivery is normally alert, measured, neutral tension, moderately variable; timbre is slightly cool, slightly dark, slightly rough, balanced body; slurred, frequent disfluency, moderate pitch range, audible breath; affect is neutral, neutral stance, slightly guarded; reads as contentment, elation, pride; style: storytelling, playful; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 5.7/10; 16.1s, IT.
italy_16_345_9076256_9092384 · in -39.9 dBFS · gain +19.9 dB · eurospeech-01683
(sourness, bitterness, anger·fast, some disfluency, average clarity, cartoonish)senza la protezione storica del diritto di lavoro, bene, si affrontino - come si è già fatto, del resto - le singole norme e si dica, ad esempio: «Questa norma è troppo rigida, la rendiamo più morbida, la deregoliamo». È successo
full caption & clip details
A child masculine voice; delivery is normally alert, fast, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as sourness, bitterness, anger; style: cartoonish, dramatic; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 6.1/10; 12.5s, IT.
italy_16_345_9121759_9134224 · in -40.1 dBFS · gain +20.1 dB · eurospeech-01683
(anger, triumph, shame·brisk, some disfluency, average clarity, casual)delle norme del diritto del lavoro. Questo è assolutamente inaccettabile. L'altro argomento che si avanza è: il lavoratore, in fondo, non è così un poveretto. Beh, no, non è un poveretto, però tutto il diritto del lavoro, almeno nei suoi aspetti fondamentali, è nato sul presupposto
full caption & clip details
A child masculine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as anger, triumph, shame; style: casual, cartoonish; average recording, quiet background; genuineness 4.7/6; vocal-burst blend 8.8/10; 17.6s, IT.
italy_16_345_9153360_9170928 · in -40.6 dBFS · gain +20.6 dB · eurospeech-01683
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Emotional Numbness up — by at least 0.20 each.
The chain starts with Emotional Numbness clearly present — 0.70, higher than 70 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.27.
At the same time Concentration goes the other way, from 0.83 (higher than 83 % of clips in this corpus) to 0.31 (lower than 69 % of clips in this corpus), a change of -0.52. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.14, then -0.11, then +0.23 — not a clean run: step 2 moves back the other way by 0.11 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.92 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 24 s · en · emolia
k 4d_a -0.517d_b 0.269step_a 0.241step_b 0.235min_cos_consec 0.9220min_cos_anchor 0.9152dataset emolialang enspeaker EN_B00066_S00727track EN_B00066_S00727total 24.1slevel spread 1.2 dBmax seam 1.2 dBcos from recomputed from spkemb_traj
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(fairly steady, formal, newsreading)To redress the matter, Congress passed the Reconstruction Acts of 1867, dissolving rebel state governments and dividing the South into military districts
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, newsreading; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 9.0s, EN.
EN_B00066_S00727_W000043 · in -15.8 dBFS · gain -4.2 dB · emolia-01515
(steady, formal, authoritative)On October 8, 1873, Baxter filed a plea of non-jurisdiction, but he believed that the court might decide against him
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 7.2s, EN.
EN_B00066_S00727_W000044 · in -15.8 dBFS · gain -4.2 dB · emolia-01515
(fairly steady, formal, authoritative)Brooks, on the other hand, had the support of the district court
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.9/10; 3.3s, EN.
EN_B00066_S00727_W000045 · in -14.6 dBFS · gain -5.4 dB · emolia-01515
(emotional numbness· fairly steady, formal, monologue)However, the minstrels would soon turn on Baxter for not following the party line
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.6/10; 4.1s, EN.
EN_B00066_S00727_W000046 · in -14.8 dBFS · gain -5.2 dB · emolia-01515
Pride ↓ / Contemplation ↑emotion_twosided__AB2__T0.20__C0.25__INTERNAL · #10
This chain comes from the two-sided rule: it only counts if both emotions move — Pride down and Contemplation up — by at least 0.20 each.
The chain starts with Contemplation clearly present — 0.70, higher than 70 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.26.
At the same time Pride goes the other way, from 0.91 (higher than 91 % of clips in this corpus) to 0.53 (higher than 53 % of clips in this corpus), a change of -0.38. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.15, then +0.10 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.94 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 32 s · de · emolia
k 3d_a -0.381d_b 0.255step_a 0.193step_b 0.152min_cos_consec 0.9378min_cos_anchor 0.9332dataset emolialang despeaker DE_WiD5Do8Mq-4track DE_WiD5Do8Mq-4total 31.7slevel spread 1.0 dBmax seam 0.8 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 1 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, quiet background, normal-paced, normally alert
(pride · some disfluency, average clarity, didactic, casual)Man sollte sich realistische Ziele setzen, dann kann man auch erfolgreich sein. Wenn man sich jetzt das Ziel setzt und sagt,
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride; style: didactic, casual; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 0.0/10; 6.8s, DE.
DE_WiD5Do8Mq-4_W000065 · in -23.1 dBFS · gain +3.1 dB · emolia-00215
(doubt, interest· some disfluency, average clarity, monologue, casual)100.000 Exemplare im ersten Jahr verkaufen, dann kann man sich schon einmal sicher sein, das wird nicht, man wird für sich selbst nicht erfolgreich sein, das wird man nicht zustande bringen. Wenn man aber sagt, man setzt sich eben Ziele, ich möchte jetzt einmal Feedback von diesem Preis bekommen und natürlich hat mir das geholfen, (low mumble)
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as doubt, interest; style: monologue, casual; average recording, quiet background; genuineness 4.6/6; vocal-burst blend 2.0/10; 16.8s, DE.
DE_WiD5Do8Mq-4_W000066 · in -22.3 dBFS · gain +2.3 dB · emolia-00215
(contemplation, affection·frequent disfluency, somewhat unclear, didactic, monologue)Wenn man sich solche Ziele setzt, dann ist es auch schon am Anfang möglich, als Selfpublisher erfolgreich zu sein und
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation, affection; style: didactic, monologue; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 0.0/10; 7.8s, DE.
DE_WiD5Do8Mq-4_W000067 · in -22.1 dBFS · gain +2.1 dB · emolia-00215
This chain comes from the two-sided rule: it only counts if both emotions move — Pleasure Ecstasy down and Fatigue Exhaustion up — by at least 0.20 each.
The chain starts with Fatigue Exhaustion clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.33.
At the same time Pleasure Ecstasy goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.67 (higher than 67 % of clips in this corpus), a change of -0.33. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.08, then +0.25 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.64 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.64 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.64, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 19 s · en · emolia
k 3d_a -0.329d_b 0.328step_a 0.183step_b 0.246min_cos_consec 0.6425min_cos_anchor 0.6367dataset emolialang enspeaker EN_nOOGJD7Fpcytrack EN_nOOGJD7Fpcytotal 18.7slevel spread 3.5 dBmax seam 3.5 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: a young adult masculine voice · fairly steady
(pleasure ecstasy, intoxication altered states of consciousness, elation · measured, very low-energy, relaxed, casual)I like this one too though. I like, I like both of them though. I like both. I like both versions of him. Even the version when he-
full caption & clip details
A young adult masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is slightly cool, dark, slightly rough, slightly thin; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly negative, submissive, neutral openness; reads as pleasure ecstasy, intoxication altered states of consciousness, elation; style: casual, conversational; below-average recording, some background noise; mildly explicit content; genuineness 6.0/6; vocal-burst blend 3.2/10; 9.2s, EN.
EN_nOOGJD7Fpcy_W000095 · in -18.2 dBFS · gain -1.8 dB · emolia-02524
(confusion, intoxication altered states of consciousness, embarrassment·normal-paced, normally alert, slightly relaxed, casual)Okay, I got lucky this time. I got lucky as well.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, dark, fairly smooth, thin; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as confusion, intoxication altered states of consciousness, embarrassment; style: casual, conversational; average recording, quiet background; genuineness 5.8/6; vocal-burst blend 4.6/10; 3.5s, EN.
EN_nOOGJD7Fpcy_W000096 · in -21.7 dBFS · gain +1.7 dB · emolia-02524
(fatigue exhaustion, intoxication altered states of consciousness, pain·measured, normally alert, slightly relaxed, casual)I'll probably make post more videos, I'll probably make videos about how to make, how to make
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is slightly cool, slightly dark, slightly rough, thin; slurred, frequent disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as fatigue exhaustion, intoxication altered states of consciousness, pain; style: casual, monologue; below-average recording, quiet background; genuineness 4.1/6; vocal-burst blend 2.4/10; 5.7s, EN.
EN_nOOGJD7Fpcy_W000100 · in -19.4 dBFS · gain -0.6 dB · emolia-02524
Contempt ↓ / Jealousy and Envy ↑emotion_twosided__AB2__T0.20__C0.25__INTERNAL · #12
This chain comes from the two-sided rule: it only counts if both emotions move — Contempt down and Jealousy and Envy up — by at least 0.20 each.
The chain starts with Jealousy and Envy around average — 0.57, higher than 57 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.39.
At the same time Contempt goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.61 (higher than 61 % of clips in this corpus), a change of -0.38. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.15, then +0.11, then +0.13 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.31 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.37 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.31, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a middle-aged masculine voice · neutral-toned, balanced body, quiet background, measured, slightly relaxed, wide pitch range
(contempt, malevolence malice, concentration · energised, moderately variable, frequent disfluency, cartoonish)Hvordan vil hun koordinere regjeringens innsats i kampen mot vold og overgrep mot barn og sørge for at tiltak ikke utsettes eller skyfles mellom departementene,
full caption & clip details
A middle-aged masculine voice; delivery is energised, measured, slightly relaxed, moderately variable; timbre is neutral-toned, slightly dark, rough, balanced body; average clarity, frequent disfluency, wide pitch range, audible breath; affect is neutral, slightly dominant, fairly guarded; reads as contempt, malevolence malice, concentration; style: cartoonish, storytelling; average recording, quiet background; genuineness 2.1/6; vocal-burst blend 0.7/10; 13.8s, NO.
norway_10092-1_18394559_18408368 · in -24.1 dBFS · gain +4.1 dB · eurospeech-02172
(anger, disgust·normally alert, fairly steady, almost no disfluency, authoritative)men i stedet gis høyeste prioritet og gjennomføres effektivt framover for barnas skyld?
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, almost no disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, fairly guarded; reads as anger, disgust; style: authoritative, monologue; good recording, quiet background; genuineness 0.5/6; vocal-burst blend 0.0/10; 17.2s, NO.
norway_10092-1_18408368_18425607 · in -26.6 dBFS · gain +6.6 dB · eurospeech-02172
(emotional numbness, triumph, fatigue exhaustion·subdued, fairly steady, frequent disfluency, didactic)Over de siste årene har vi sett en økning av vold og overgrep mot barn i Norge, og politiet melder om store mørketall.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, frequent disfluency, wide pitch range, normal breath; affect is neutral, neutral stance, fairly guarded; reads as emotional numbness, triumph, fatigue exhaustion; style: didactic, monologue; average recording, quiet background; genuineness 1.5/6; vocal-burst blend 0.3/10; 18.2s, NO.
norway_10092-1_18425607_18443792 · in -26.9 dBFS · gain +6.9 dB · eurospeech-02172
(jealousy and envy, pride, anger·normally alert, moderately variable, frequent disfluency, cartoonish)Også i barnehage og skole har vi i økende grad sett avdekking av overgrep gjort mot barn. Bladet Utdanning kartla i sitt januarnummer (low mumble) i år saker i barnehage og skole i foregående år.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, slightly guarded; reads as jealousy and envy, pride, anger; style: cartoonish, didactic; average recording, quiet background; genuineness 3.1/6; vocal-burst blend 0.1/10; 17.6s, NO.
norway_10092-1_18443792_18461440 · in -24.6 dBFS · gain +4.6 dB · eurospeech-02172
This chain comes from the two-sided rule: it only counts if both emotions move — Shame down and Triumph up — by at least 0.20 each.
The chain starts with Triumph clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.29.
At the same time Shame goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.70 (higher than 70 % of clips in this corpus), a change of -0.28. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.14, then +0.01, then +0.14 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.10 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.08 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.10, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · balanced body, quiet background, fairly steady
(shame, pride · normal-paced, normally alert, slightly relaxed, monologue)pri čemu nije bio kriv samo onaj koji mi je trebao izdati tu lokacijsku dozvolu, nego uvjeti da bi ja mogao podnijeti zahtjev, nesređeno stanje katastra iz 1927.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as shame, pride; style: monologue, dramatic; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 5.0/10; 11.8s, HR.
croatia_20101103093129-9663_6766784_6778544 · in -18.1 dBFS · gain -1.9 dB · eurospeech-01319
(disappointment, bitterness, sourness· normal-paced, normally alert, slightly relaxed, monologue)1927. godine na mjestu gdje je naša kuća još uvijek je ucrtana cesta. Za to zakon nije kriv, nego je kriv netko tko to nije naravno sproveo. I sad se tek ta cesta ucrtala koja postoji već eto 80 godina.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, bitterness, sourness; style: monologue, authoritative; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 1.0/10; 15.0s, HR.
croatia_20101103093129-9663_6778544_6793568 · in -21.5 dBFS · gain +1.5 dB · eurospeech-01319
(fatigue exhaustion·measured, very low-energy, relaxed, monologue)Hvala. Na redu je gospodin zastupnik Anđelko Mihalić. Izvolite. **Mihalić, Anđelko (HDZ)** Hvala lijepo gospodine predsjedniče, gospodine državni tajniče, kolegice i kolege zastupnici.
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is slightly cool, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is neutral, neutral stance, slightly guarded; reads as fatigue exhaustion; style: monologue; below-average recording, quiet background; genuineness 3.6/6; vocal-burst blend 0.2/10; 14.3s, HR.
croatia_20101103093129-9663_6793568_6807824 · in -21.0 dBFS · gain +1.0 dB · eurospeech-01319
(triumph, thankfulness gratitude· measured, normally alert, slightly relaxed, monologue)Evo Zakon o postupanju i uvjetima gradnje radi poticanja i ulaganja stupio je na snagu 25. lipnja 2009. godine, i danas smo čuli iz (ahem) diskusija mojih kolega
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, some disfluency, fairly narrow pitch, normal breath; affect is neutral, slightly dominant, slightly guarded; reads as triumph, thankfulness gratitude; style: monologue, authoritative; below-average recording, quiet background; genuineness 2.9/6; vocal-burst blend 2.1/10; 13.1s, HR.
croatia_20101103093129-9663_6807824_6820880 · in -15.9 dBFS · gain -4.1 dB · eurospeech-01319
Sexual Lust ↓ / Doubt ↑emotion_twosided__AB2__T0.20__C0.25__INTERNAL · #14
This chain comes from the two-sided rule: it only counts if both emotions move — Sexual Lust down and Doubt up — by at least 0.20 each.
The chain starts with Doubt clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.25.
At the same time Sexual Lust goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.65 (higher than 65 % of clips in this corpus), a change of -0.32. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.10, then +0.12, then +0.04 — an uneven climb, but always in the same direction.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.57 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.69 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.57, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a child masculine voice · slow, very low-energy, frequent disfluency
(sexual lust, affection, relief · slightly relaxed, volatile, crisply articulate, casual)meet what you need.
full caption & clip details
A child masculine voice; delivery is very low-energy, slow, slightly relaxed, volatile; timbre is slightly cool, dark, fairly smooth, thin; crisply articulate, frequent disfluency, narrow pitch range, audible breath; affect is mildly positive, slightly dominant, slightly guarded; reads as sexual lust, affection, relief; style: casual, conversational; poor recording, no background noise; genuineness 3.2/6; vocal-burst blend 5.3/10; 3.2s, EN.
682194_00137520 · in -21.0 dBFS · gain +1.0 dB · podcast-01525
(contemplation, infatuation, pain·relaxed, moderately variable, somewhat unclear, ASMR)And and in talking about it, you Then can share. You know, I I want to also share with you, I'm a little worried (ahem) um that that you've lost some weight. And I don't maybe it's worry, or maybe it's on purpose. Can you tell me about it? Be
full caption & clip details
A middle-aged somewhat feminine voice; delivery is very low-energy, slow, relaxed, moderately variable; timbre is neutral-toned, slightly dark, slightly rough, slightly thin; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly positive, submissive, slightly vulnerable; reads as contemplation, infatuation, pain; style: ASMR, whispered; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 1.4/10; 21.0s, EN.
682194_00137836 · in -21.2 dBFS · gain +1.2 dB · podcast-03179
(doubt, relief, affection· relaxed, steady, average clarity, whispered)curious. See if she can just say, Well, I've been trying, or or whatever she might tell. Yeah. Okay. Yeah. That makes sense.
full caption & clip details
A middle-aged feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, slightly dark, slightly rough, balanced body; average clarity, frequent disfluency, fairly narrow pitch, audible breath; affect is mildly positive, slightly submissive, slightly vulnerable; reads as doubt, relief, affection; style: whispered, ASMR; good recording, no background noise; genuineness 1.9/6; vocal-burst blend 0.1/10; 9.1s, EN.
682194_00139936 · in -23.1 dBFS · gain +3.1 dB · podcast-01521
(doubt, fear, pain· relaxed, moderately variable, average clarity, conversational)Are you what are you afraid of with that?
full caption & clip details
A young adult feminine voice; delivery is very low-energy, slow, relaxed, moderately variable; timbre is neutral-toned, dark, slightly rough, thin; average clarity, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly vulnerable; reads as doubt, fear, pain; style: conversational, casual; good recording, no background noise; genuineness 3.0/6; vocal-burst blend 4.3/10; 3.6s, EN.
682194_00140872 · in -21.0 dBFS · gain +1.0 dB · podcast-01526
This chain comes from the two-sided rule: it only counts if both emotions move — Fatigue Exhaustion down and Concentration up — by at least 0.20 each.
The chain starts with Concentration around average — 0.47, lower than 53 % of clips in this corpus — and ends with it strongly present at 0.83, higher than 83 % of clips in this corpus. That is a total rise of 0.37.
At the same time Fatigue Exhaustion goes the other way, from 0.89 (higher than 89 % of clips in this corpus) to 0.59 (higher than 59 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.23, then +0.13 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.84 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.86 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.84. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 30 s · zh · emolia
k 3d_a -0.292d_b 0.366step_a 0.219step_b 0.234min_cos_consec 0.8572min_cos_anchor 0.8416dataset emolialang zhspeaker ZH_B00060_S05038track ZH_B00060_S05038total 29.7slevel spread 0.5 dBmax seam 0.3 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, normal-paced, normally alert, slightly relaxed
This chain comes from the two-sided rule: it only counts if both emotions move — Interest down and Concentration up — by at least 0.20 each.
The chain starts with Concentration clearly present — 0.58, higher than 58 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 93 % of clips in this corpus. That is a total rise of 0.35.
At the same time Interest goes the other way, from 0.96 (higher than 96 % of clips in this corpus) to 0.63 (higher than 63 % of clips in this corpus), a change of -0.33. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.16, then +0.19 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.40 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.40 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.40, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 36 s · en · emolia
k 3d_a -0.331d_b 0.350step_a 0.190step_b 0.192min_cos_consec 0.4042min_cos_anchor 0.4042dataset emolialang enspeaker EN_Yvr__f7bY6Ytrack EN_Yvr__f7bY6Ytotal 36.1slevel spread 3.3 dBmax seam 1.9 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 3 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, balanced body, quiet background, fairly steady
(interest · normal-paced, normally alert, slightly relaxed, casual)What can you tell us about the water quality that you're using here? Because the water here in the Philippines is not perfect for coffee brewing (low mumble) as it is.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as interest; style: casual, conversational; good recording, quiet background; genuineness 2.7/6; vocal-burst blend 1.6/10; 8.6s, EN.
EN_Yvr__f7bY6Y_W000079 · in -16.6 dBFS · gain -3.4 dB · emolia-02096
(intoxication altered states of consciousness·measured, subdued, relaxed, casual)So (low mumble) uhm, the water here in the Philippines, it differs from cities. (low mumble) In Cebu alone, where our raw water is probably ranging around 400 (low mumble) to 500 ppm. (low mumble) Uhm, that's...
full caption & clip details
A young adult masculine voice; delivery is subdued, measured, relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly positive, neutral stance, slightly guarded; reads as intoxication altered states of consciousness; style: casual, monologue; below-average recording, quiet background; genuineness 3.1/6; vocal-burst blend 1.0/10; 15.0s, EN.
EN_Yvr__f7bY6Y_W000080 · in -18.0 dBFS · gain -2.0 dB · emolia-02096
(concentration· measured, subdued, relaxed, casual)The range, so that's why we needed to have a lot of, (low mumble) um, process and we also kinda, (low mumble) uh, if you're aiming to serve specialty coffee, you know, you need to
full caption & clip details
A young adult masculine voice; delivery is subdued, measured, relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly positive, neutral stance, slightly guarded; reads as concentration; style: casual, monologue; below-average recording, quiet background; genuineness 3.2/6; vocal-burst blend 1.7/10; 12.1s, EN.
EN_Yvr__f7bY6Y_W000081 · in -19.9 dBFS · gain -0.1 dB · emolia-02096
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Emotional Numbness up — by at least 0.20 each.
The chain starts with Emotional Numbness clearly present — 0.64, higher than 64 % of clips in this corpus — and ends with it strongly present at 0.90, higher than 90 % of clips in this corpus. That is a total rise of 0.26.
At the same time Concentration goes the other way, from 0.86 (higher than 86 % of clips in this corpus) to 0.53 (higher than 53 % of clips in this corpus), a change of -0.33. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.17, then -0.14, then +0.23 — not a clean run: step 2 moves back the other way by 0.14 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.94 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.90 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.94), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 32 s · en · emolia
k 4d_a -0.329d_b 0.260step_a 0.179step_b 0.230min_cos_consec 0.8956min_cos_anchor 0.9387dataset emolialang enspeaker EN_1gkX-KziJNMtrack EN_1gkX-KziJNMtotal 32.5slevel spread 1.0 dBmax seam 1.0 dBcos from recomputed from spkemb_traj
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(almost no disfluency, newsreading, formal)Northern Line – The signalling system on the Northern Line has also been replaced to increase capacity on the line by 20%, as the line now runs 24 trains per hour at peak times, compared to 20 previously
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: newsreading, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 12.7s, EN.
EN_1gkX-KziJNM_W000245 · in -17.1 dBFS · gain -3.0 dB · emolia-01161
(fear·no disfluency, formal, newsreading)Capacity can be increased further if the operation of the charring cross and bank branches are separated
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as fear; style: formal, newsreading; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 0.8/10; 5.5s, EN.
EN_1gkX-KziJNM_W000246 · in -17.6 dBFS · gain -2.4 dB · emolia-01161
(no disfluency, formal, authoritative)To enable this up to 50 additional trains will be built in addition to the current 106
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 1.2/10; 6.7s, EN.
EN_1gkX-KziJNM_W000247 · in -16.6 dBFS · gain -3.4 dB · emolia-01161
(no disfluency, formal, newsreading)The five trains will be required for the proposed northern line extension and 45 to increase frequencies on the rest of the line
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, newsreading; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.1/10; 7.1s, EN.
EN_1gkX-KziJNM_W000248 · in -17.2 dBFS · gain -2.8 dB · emolia-01161
Pride ↓ / Emotional Numbness ↑emotion_twosided__AB2__T0.20__C0.25__INTERNAL · #18
This chain comes from the two-sided rule: it only counts if both emotions move — Pride down and Emotional Numbness up — by at least 0.20 each.
The chain starts with Emotional Numbness clearly present — 0.69, higher than 69 % of clips in this corpus — and ends with it at the very top of the corpus at 0.94, higher than 94 % of clips in this corpus. That is a total rise of 0.26.
At the same time Pride goes the other way, from 0.85 (higher than 85 % of clips in this corpus) to 0.53 (higher than 53 % of clips in this corpus), a change of -0.32. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.05, then +0.12, then +0.03, then +0.06 — an uneven climb, but always in the same direction.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.96 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.96 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.96), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 70 s · en · emolia
k 5d_a -0.321d_b 0.258step_a 0.175step_b 0.123min_cos_consec 0.9594min_cos_anchor 0.9590dataset emolialang enspeaker EN_xuKHyEYNWcMtrack EN_xuKHyEYNWcMtotal 69.5slevel spread 1.1 dBmax seam 1.1 dBcos from recomputed from spkemb_traj
Script — 5 chunks, 0 with a non-speech sound
Unchanged across all 5 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, good recording, no background noise, normal-paced, normally alert, slightly relaxed
(fairly steady, almost no disfluency, minimal breath, newsreading)President Saleh, who controlled the state, Major General Ali Mohsen al-Amar, who controlled the largest share of the Republic of Yemen armed forces, and Abdullah ibn Husayn al-Amar, figurehead of the Islamist al-Islah party and Saudi Arabia's chosen broker of transnational patronage payments to various political players, including tribal sheikhs.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: newsreading, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 19.2s, EN.
EN_xuKHyEYNWcM_W000020 · in -15.5 dBFS · gain -4.5 dB · emolia-02260
(concentration, contempt, disgust·steady, no disfluency, light breath, newsreading)The Saudi payments have been intended to facilitate the tribe's autonomy from the Yemeni government and to give the Saudi government a mechanism with which to weigh in on Yemen's political decision-making.It is a member of the United Nations, Arab League, Organization of the Islamic Cooperation
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, contempt, disgust; style: newsreading, authoritative; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.0/10; 14.6s, EN.
EN_xuKHyEYNWcM_W000021 · in -14.4 dBFS · gain -5.6 dB · emolia-02260
(steady, no disfluency, light breath, authoritative)G77, Non-Aligned Movement, Arab Satellite Communications Organization, Arab Monetary Fund and the World Federation of Trade Unions
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, thin; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: authoritative, formal; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 0.0/10; 8.3s, EN.
EN_xuKHyEYNWcM_W000022 · in -14.4 dBFS · gain -5.6 dB · emolia-02260
(distress, sadness, concentration· steady, no disfluency, light breath, newsreading)Since 2011, Yemen has been in a state of political crisis starting with street protests against poverty, unemployment, corruption, and President Saleh's plan to amend Yemen's constitution and eliminate the presidential term limit, in effect making him president for life.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as distress, sadness, concentration; style: newsreading, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 15.2s, EN.
EN_xuKHyEYNWcM_W000023 · in -15.3 dBFS · gain -4.7 dB · emolia-02260
(emotional numbness·fairly steady, no disfluency, light breath, newsreading)President Saleh stepped down and the powers of the presidency were transferred to Vice President Abdrabba Mansur Hadi, who was formally elected president on 21 February 2012 in a one-man election
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness; style: newsreading, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 11.7s, EN.
EN_xuKHyEYNWcM_W000024 · in -15.3 dBFS · gain -4.7 dB · emolia-02260
This chain comes from the two-sided rule: it only counts if both emotions move — Contempt down and Infatuation up — by at least 0.20 each.
The chain starts with Infatuation around average — 0.48, lower than 52 % of clips in this corpus — and ends with it strongly present at 0.77, higher than 77 % of clips in this corpus. That is a total rise of 0.29.
At the same time Contempt goes the other way, from 0.92 (higher than 92 % of clips in this corpus) to 0.53 (higher than 53 % of clips in this corpus), a change of -0.39. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.15, then +0.14 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.80 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.86 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.80. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 25 s · zh · emolia
k 3d_a -0.391d_b 0.292step_a 0.214step_b 0.147min_cos_consec 0.8572min_cos_anchor 0.8006dataset emolialang zhspeaker ZH_B00004_S04854track ZH_B00004_S04854total 24.8slevel spread 2.1 dBmax seam 2.1 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, normally alert, slightly relaxed, light breath
(contempt · normal-paced, fairly steady, no disfluency, authoritative)你会习惯于这种挣钱的模式。
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, slightly rough, thin; clear, no disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as contempt; style: authoritative, casual; average recording, no background noise; genuineness 2.6/6; vocal-burst blend 1.8/10; 3.1s, ZH.
ZH_B00004_S04854_W000011 · in -19.0 dBFS · gain -1.0 dB · emolia-03316
(pride, sourness·measured, fairly steady, some disfluency, monologue)如果你比较喜欢像自由职业者那样工作，你也很难跳出这种挣钱模式。如果你习惯了政府救济，这仍然是一个难以打破的形式。所以说从左象限进入右象限，最难的一关就是。
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A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, some disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride, sourness; style: monologue, didactic; average recording, quiet background; genuineness 2.0/6; vocal-burst blend 2.8/10; 18.0s, ZH.
ZH_B00004_S04854_W000012 · in -17.9 dBFS · gain -2.1 dB · emolia-03316
(measured, steady, no disfluency, formal)你必须改变目前的挣钱方式。
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, didactic; good recording, no background noise; genuineness 1.5/6; vocal-burst blend 1.5/10; 3.5s, ZH.
ZH_B00004_S04854_W000013 · in -20.1 dBFS · gain +0.1 dB · emolia-03316
This chain comes from the two-sided rule: it only counts if both emotions move — Contemplation down and Anger up — by at least 0.20 each.
The chain starts with Anger below average — 0.28, lower than 72 % of clips in this corpus — and ends with it strongly present at 0.85, higher than 85 % of clips in this corpus. That is a total rise of 0.57.
At the same time Contemplation goes the other way, from 0.93 (higher than 93 % of clips in this corpus) to 0.45 (lower than 55 % of clips in this corpus), a change of -0.48. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.20, then +0.22, then +0.16 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.91 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 48 s · zh · emolia
k 4d_a -0.479d_b 0.573step_a 0.192step_b 0.215min_cos_consec 0.9104min_cos_anchor 0.9212dataset emolialang zhspeaker ZH_B00000_S03792track ZH_B00000_S03792total 47.6slevel spread 1.4 dBmax seam 1.4 dBcos from recomputed from spkemb_traj
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: a child masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normally alert, slightly relaxed, fairly steady, moderate pitch range
(contemplation, interest, jealousy and envy · normal-paced, some disfluency, average clarity, monologue)北上资金呢被人们称作是聪明的资金，或者说外资啊，通常被人们称为是聪明的资金。在国内呢很多时候外资呢指的就是北上资金。其实呢外资它是一个统称，指的就是境外的投资者，境外的投资者看好a股市场。那么买进来的这个钱就叫外资，外资呢也包含了北上资金，因为香港地区呢属于是境外，而且香港股市是一个开放型的市场。
full caption & clip details
A child masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as contemplation, interest, jealousy and envy; style: monologue, storytelling; average recording, quiet background; genuineness 1.3/6; vocal-burst blend 7.4/10; 27.6s, ZH.
ZH_B00000_S03792_W000001 · in -20.2 dBFS · gain +0.2 dB · emolia-03267
(fast, some disfluency, clear, authoritative)除了当地的投资者之外，也有很多海外投资者在香港投资。那么自从开通了沪深港通之后。
full caption & clip details
A young adult masculine voice; delivery is normally alert, fast, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: authoritative, monologue; average recording, no background noise; genuineness 1.8/6; vocal-burst blend 4.5/10; 7.2s, ZH.
ZH_B00000_S03792_W000002 · in -20.2 dBFS · gain +0.2 dB · emolia-03267
(infatuation·normal-paced, no disfluency, clear, authoritative)海外的投资者可以在香港通过沪深港通来买卖a股。
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as infatuation; style: authoritative, formal; good recording, no background noise; genuineness 0.6/6; vocal-burst blend 2.5/10; 4.5s, ZH.
ZH_B00000_S03792_W000003 · in -19.8 dBFS · gain -0.2 dB · emolia-03267
(fast, some disfluency, clear, authoritative)所以呢当北上资金大幅流入a股市场的时候，它不一定就是香港投资者在买，也可能是海外投资者在买。
full caption & clip details
A young adult masculine voice; delivery is normally alert, fast, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: authoritative, didactic; average recording, no background noise; genuineness 1.0/6; vocal-burst blend 4.1/10; 7.9s, ZH.
ZH_B00000_S03792_W000004 · in -21.1 dBFS · gain +1.1 dB · emolia-03267