Manifest tier. emotion, rule B1, T=0.2, step cap 0.25. Population 21,543,847 chains (214,925 h) over 6 corpora. The SHAREABLE variant of this tier (podcast and evasnippets excluded) holds 16,505,714.
Rule.B1 — one-sided: emotion B rises by >=T; the other axis is unconstrained Source. trajectories_v5.parquet | Family. the tier owner's manifest tiers -- the exact subsets used for training Manifest tier.emotion__B1__T0.20__C0.25__INTERNAL — population 21,543,847 chains (214,925 h). SHAREABLE variant: 16,505,714. Filter.rule=='B1' and T==0.2 and C==0.25 and dataset in ['mls', 'eurospeech', 'emolia', 'podcast', 'snippets', 'evasnippets'] and abs(d_b)>=0.2 and step_b<=0.25 Sampled from 2,666,590 matching rows, without replacement across the family, so no two tiers reuse a chain.
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
This chain comes from the one-sided rule: only Longing had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Longing clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.28.
Nothing was asked of the other axis, and in fact Thankfulness Gratitude drifts down from 0.93 to 0.33 (-0.60), which the rule did not require.
It takes 4 clips to get there. Clip to clip the moves are +0.13, then -0.06, then +0.21 — not a clean run: step 2 moves back the other way by 0.06 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.68 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.68 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 33 s · ko · emolia
hear it un-normalised (raw levels, max seam 4.5 dB)
k 4d_a -0.601d_b 0.279step_a 0.738step_b 0.205min_cos_consec —min_cos_anchor —dataset emolialang kospeaker KO_9nRbG8Lpa5Etrack KO_9nRbG8Lpa5Etotal 33.1slevel spread 4.5 dBmax seam 4.5 dB
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, normally alert, slightly relaxed, fairly steady, moderate pitch range, light breath
(thankfulness gratitude, infatuation · normal-paced, no disfluency, clear, formal)너희 투자 가치가 없는 상황이 되었고 한 10년은 기다려야 안 되겠나 싶습니다.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as thankfulness gratitude, infatuation; style: formal, narration; good recording, no background noise; genuineness 2.0/6; vocal-burst blend 3.1/10; 4.3s, KO.
KO_9nRbG8Lpa5E_W000017 · in -17.4 dBFS · gain -2.5 dB · emolia-03197
(shame, fatigue exhaustion· normal-paced, some disfluency, somewhat unclear, conversational)아, 마찬가지, 남산동에 위치한 주택인데요. 확인을 해보게 되면. 그래도 뭐, 한 4m 정도는 접하고 있는 주택 같아요. 자세히 확인을 해보면.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as shame, fatigue exhaustion; style: conversational, monologue; average recording, quiet background; genuineness 3.0/6; vocal-burst blend 5.8/10; 8.5s, KO.
KO_9nRbG8Lpa5E_W000018 · in -21.9 dBFS · gain +1.9 dB · emolia-03197
(normal-paced, some disfluency, somewhat unclear, monologue)실제 상세 현황 자체는 거의 나오지 않고 있고, 매매 극액 4억 8천, 대출금 1억이 있는 것으로 확인이 됩니다.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: monologue, authoritative; average recording, no background noise; genuineness 3.0/6; vocal-burst blend 5.4/10; 6.3s, KO.
KO_9nRbG8Lpa5E_W000019 · in -17.9 dBFS · gain -2.1 dB · emolia-03197
(longing, contemplation, confusion·measured, some disfluency, somewhat unclear, monologue)평당 금액을 확인해보면 평당 1,600만 원 정도 치입니다. 물론 8메다 기준으로 예전에 1,500, 1,600, 수승구, 남구 할 것 없이 그렇게 거래되었는데 1,600 정도의 가치가 있는지 확인을 한번 해보겠습니다.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, slightly dark, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as longing, contemplation, confusion; style: monologue, conversational; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 7.9/10; 13.7s, KO.
KO_9nRbG8Lpa5E_W000020 · in -18.9 dBFS · gain -1.1 dB · emolia-03197
This chain comes from the one-sided rule: only Contentment had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Contentment clearly present — 0.66, higher than 66 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.33.
Nothing was asked of the other axis, and in fact Concentration drifts down from 0.77 to 0.35 (-0.42), which the rule did not require.
It takes 3 clips to get there. Clip to clip the moves are +0.10, then +0.23 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.81 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.81 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 29 s · en · emolia
hear it un-normalised (raw levels, max seam 3.6 dB)
k 3d_a -0.418d_b 0.329step_a 0.382step_b 0.233min_cos_consec —min_cos_anchor —dataset emolialang enspeaker EN_LivCQRvY9AYtrack EN_LivCQRvY9AYtotal 29.1slevel spread 3.6 dBmax seam 3.6 dB
Script — 3 chunks, 2 with a non-speech sound
Unchanged across all 3 clips: a young adult feminine voice · neutral-toned, fairly smooth, normally alert, fairly steady, moderate pitch range, light breath
(normal-paced, slightly relaxed, some disfluency, conversational)So I just answered some questions there about how the payment feature works and it does run through the teacher.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; no dominant emotion; style: conversational, casual; good recording, no background noise; genuineness 3.0/6; vocal-burst blend 1.3/10; 6.1s, EN.
EN_LivCQRvY9AY_W000379 · in -19.7 dBFS · gain -0.3 dB · emolia-01179
(shame, pain, contemplation·measured, relaxed, frequent disfluency, casual)(low mumble) Uhm, only, and again, (ahem) at the beginning of the year I, I added it into an admin fee, (ahem) uhm,
full caption & clip details
A young adult feminine voice; delivery is normally alert, measured, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, slightly thin; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as shame, pain, contemplation; style: casual, monologue; average recording, quiet background; genuineness 3.5/6; vocal-burst blend 2.1/10; 8.1s, EN.
EN_LivCQRvY9AY_W000380 · in -17.9 dBFS · gain -2.1 dB · emolia-01179
(contentment, hope enthusiasm optimism, affection·normal-paced, slightly relaxed, some disfluency, casual)(ahem) I would suggest that parents might be open to the fact that you're going to now have an online teaching extra fee that you would implement so that you can invest in the tools you need to give their children the best opportunity that you can give them.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as contentment, hope enthusiasm optimism, affection; style: casual, conversational; good recording, quiet background; genuineness 1.7/6; vocal-burst blend 1.2/10; 14.6s, EN.
EN_LivCQRvY9AY_W000381 · in -21.6 dBFS · gain +1.6 dB · emolia-01179
Fear ↑ (unconstrained axis: Concentration)emotion__B1__T0.20__C0.25__INTERNAL · #3
This chain comes from the one-sided rule: only Fear had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Fear below average — 0.27, lower than 73 % of clips in this corpus — and ends with it strongly present at 0.81, higher than 81 % of clips in this corpus. That is a total rise of 0.54.
Nothing was asked of the other axis, and in fact Concentration drifts down from 1.00 to 0.74 (-0.26), which the rule did not require.
It takes 4 clips to get there. Clip to clip the moves are +0.24, then +0.15, then +0.14 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.82 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.82 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 29 s · en · emolia
hear it un-normalised (raw levels, max seam 1.0 dB)
k 4d_a -0.262d_b 0.538step_a 0.664step_b 0.244min_cos_consec —min_cos_anchor —dataset emolialang enspeaker EN_Wjk8SUA0tUItrack EN_Wjk8SUA0tUItotal 29.3slevel spread 1.3 dBmax seam 1.0 dB
Script — 4 chunks, 2 with a non-speech sound
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, average recording, quiet background, normal-paced, normally alert
(concentration, triumph · somewhat unclear, casual, monologue)We are even improving the temperature forecast by more than three to four Kelvin or three to four degrees (ahem) Celsius every day. So we feel that we are getting the highest improvement on the second day of the forecast because we refresh the meteorology.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, triumph; style: casual, monologue; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 4.3/10; 15.5s, EN.
EN_Wjk8SUA0tUI_W000050 · in -19.4 dBFS · gain -0.6 dB · emolia-00456
(somewhat unclear, casual, conversational)Every day when we launch a new forecast. And so the older.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: casual, conversational; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 2.8/10; 5.2s, EN.
EN_Wjk8SUA0tUI_W000051 · in -18.4 dBFS · gain -1.6 dB · emolia-00456
(average clarity, casual, playful)The advantage that we have accumulated over the
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, neutral openness; no dominant emotion; style: casual, playful; average recording, quiet background; genuineness 4.7/6; vocal-burst blend 4.1/10; 3.3s, EN.
EN_Wjk8SUA0tUI_W000052 · in -19.3 dBFS · gain -0.7 dB · emolia-00456
(average clarity, casual, monologue)Downward reaching (ahem) solar radiation at the surface and planetary boundary layer height.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: casual, monologue; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 3.3/10; 4.9s, EN.
EN_Wjk8SUA0tUI_W000053 · in -19.7 dBFS · gain -0.3 dB · emolia-00456
This chain comes from the one-sided rule: only Astonishment Surprise had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Astonishment Surprise strongly present — 0.78, higher than 78 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.21.
Nothing was asked of the other axis, and in fact Thankfulness Gratitude drifts down from 0.99 to 0.62 (-0.37), which the rule did not require.
It takes 2 clips to get there. Clip to clip the moves are +0.21 — a single step, so there is no internal shape to speak of.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the emolia clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 12 s · zh · emolia
hear it un-normalised (raw levels, max seam 1.6 dB)
k 2d_a -0.371d_b 0.210step_a 0.371step_b 0.210min_cos_consec —min_cos_anchor —dataset emolialang zhspeaker ZH_B00066_S09603track ZH_B00066_S09603total 11.9slevel spread 1.6 dBmax seam 1.6 dB
Script — 2 chunks, 0 with a non-speech sound
Unchanged across all 2 clips: an adult feminine voice · neutral-bright, good recording, no background noise, measured, normally alert, slightly relaxed, clear, wide pitch range
(thankfulness gratitude, jealousy and envy, teasing · moderately variable, little disfluency, playful, storytelling)I hope he won't do that without your permission, said mrs. Penny man.
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, little disfluency, wide pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as thankfulness gratitude, jealousy and envy, teasing; style: playful, storytelling; good recording, no background noise; genuineness 1.1/6; vocal-burst blend 1.3/10; 6.1s, ZH.
ZH_B00066_S09603_W000192 · in -21.6 dBFS · gain +1.6 dB · emolia-03935
(astonishment surprise, affection, longing·fairly steady, almost no disfluency, storytelling, whispered)My dear, he seems to have yours her brother answered.
full caption & clip details
A middle-aged feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is slightly cool, neutral-bright, slightly rough, thin; clear, almost no disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as astonishment surprise, affection, longing; style: storytelling, whispered; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 0.9/10; 5.6s, ZH.
ZH_B00066_S09603_W000193 · in -20.1 dBFS · gain +0.1 dB · emolia-03935
This chain comes from the one-sided rule: only Affection had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Affection strongly present — 0.77, higher than 77 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.22.
Nothing was asked of the other axis, and in fact Pride drifts down from 1.00 to 0.94 (-0.06), which the rule did not require.
It takes 3 clips to get there. Clip to clip the moves are +0.00, then +0.22 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.40 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.41 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.40, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 48 s · pt · podcast
hear it un-normalised (raw levels, max seam 4.8 dB)
Unchanged across all 3 clips: a young adult masculine voice · relaxed, frequent disfluency, audible breath
(pride, contentment, doubt · measured, very low-energy, fairly steady, monologue)E mesmo assim me prende, me dá vontade de ficar olhando. Não sei se é pelo costume do YouTube ou algo do tipo. Mas se eu estiver no Spotify, eu sei que eu não preciso ficar olhando. Mas no YouTube não. Aí eu sinto que existe uma mínima necessidade de ter algo, entende? Pra visualizar.
full caption & clip details
A young adult masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is neutral-toned, dark, slightly rough, balanced body; slurred, frequent disfluency, fairly narrow pitch, audible breath; affect is neutral, neutral stance, slightly guarded; reads as pride, contentment, doubt; style: monologue, whispered; average recording, quiet background; genuineness 2.5/6; vocal-burst blend 4.2/10; 19.6s, PT.
469559_00051755 · in -32.0 dBFS · gain +12.1 dB · podcast-05519
(embarrassment, infatuation, astonishment surprise·normal-paced, normally alert, moderately variable, casual)Não, mas se liga. Estou fazendo feijão na panela de pressão. Ah, eu vi os stories, velho. Boy, eu nunca imaginei que eu fosse conseguir fazer isso. É claro que tipo, todo mundo aqui me ajuda, tá ligado? É quando
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, relaxed, moderately variable; timbre is neutral-toned, very dark, slightly rough, slightly thin; somewhat unclear, frequent disfluency, wide pitch range, audible breath; affect is positive, slightly submissive, neutral openness; reads as embarrassment, infatuation, astonishment surprise; style: casual, conversational; below-average recording, some background noise; mildly explicit content; genuineness 6.0/6; vocal-burst blend 9.0/10; 13.4s, PT.
469559_00076936 · in -27.2 dBFS · gain +7.2 dB · podcast-04937
This chain comes from the one-sided rule: only Thankfulness Gratitude had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Thankfulness Gratitude strongly present — 0.77, higher than 77 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.23.
Nothing was asked of the other axis, and in fact Pride barely moves at all, sitting near 0.99 throughout.
It takes 4 clips to get there. Clip to clip the moves are +0.08, then +0.11, then +0.04 — an uneven climb, but always in the same direction.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the eurospeech clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 63 s · hr · eurospeech
k 4d_a -0.019d_b 0.226step_a 0.124step_b 0.112min_cos_consec —min_cos_anchor —dataset eurospeechlang hrspeaker croatia_20081120161001-273track croatia_20081120161001-273total 63.0slevel spread 1.9 dBmax seam 1.9 dB
Script — 4 chunks, 2 with a non-speech sound
Unchanged across all 4 clips: a young adult feminine voice · slightly cool, fairly smooth, thin, average recording, neutral tension, moderately variable, some disfluency, light breath
(pride, triumph, interest · brisk, normally alert, average clarity, cartoonish)je svakako tehnička pomoć koja pomaže upravljanju ovim operativnim programom što isto nije nebitno dakle osim što je bitno da imamo dobre projekte bitno je u svakom slučaju i da ih dobro (ahem) provodimo. Evo za kraj mislim da je ovo jedan projekt, jedan dio programa IPA
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, thin; average clarity, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as pride, triumph, interest; style: cartoonish, ranting; average recording, quiet background; genuineness 3.7/6; vocal-burst blend 6.7/10; 17.5s, HR.
croatia_20081120161001-2735_1257168_1274656 · in -26.1 dBFS · gain +6.1 dB · eurospeech-01261
(shame, triumph, hope enthusiasm optimism· brisk, normally alert, average clarity, ranting)koji radi u isto vrijeme i na koheziji i na konkurentnosti. Dakle priprema Hrvatsku i po onim raznim uvjetima za članstvo. Ja bih ovdje osobito istaknula onaj, onaj drugi uvjet a to je (ahem) ekonomski dakle koji govori o mogućnosti dakle tržišnom gospodarstvu koje eto jesmo već,
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, thin; average clarity, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as shame, triumph, hope enthusiasm optimism; style: ranting, cartoonish; average recording, some background noise; genuineness 3.1/6; vocal-burst blend 4.2/10; 19.3s, HR.
croatia_20081120161001-2735_1274656_1293936 · in -25.5 dBFS · gain +5.5 dB · eurospeech-01261
(thankfulness gratitude, infatuation· brisk, energised, clear, cartoonish)ali u onom drugom dijelu o kome možda se dovoljno često ne govori o razvoju konkurentnosti. Dakle Hrvatska mora biti spremna nositi se sa izazovima koje će donijeti otvaranje tržišta
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, thin; clear, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, guarded; reads as thankfulness gratitude, infatuation; style: cartoonish, ranting; average recording, quiet background; genuineness 2.0/6; vocal-burst blend 6.2/10; 11.0s, HR.
croatia_20081120161001-2735_1293936_1304928 · in -25.3 dBFS · gain +5.3 dB · eurospeech-01261
(thankfulness gratitude, triumph, pride·normal-paced, normally alert, average clarity, casual)i mislim da ovaj projekt koliko god nije možda najveći od svih ipak komponenti čini i jedan bitan dio jer će se odnositi na područja koja sigurno trebaju najveću pomoć u Republici Hrvatskoj . Hvala lijepa.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, fairly smooth, thin; average clarity, some disfluency, moderate pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as thankfulness gratitude, triumph, pride; style: casual, monologue; average recording, quiet background; genuineness 2.7/6; vocal-burst blend 2.9/10; 14.8s, HR.
croatia_20081120161001-2735_1304928_1319696 · in -27.2 dBFS · gain +7.2 dB · eurospeech-01261
This chain comes from the one-sided rule: only Pleasure Ecstasy had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Pleasure Ecstasy clearly present — 0.74, higher than 74 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.24.
Nothing was asked of the other axis, and in fact Embarrassment barely moves at all, sitting near 0.99 throughout.
It takes 3 clips to get there. Clip to clip the moves are +0.22, then +0.02 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.71 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.71 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.71, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult feminine voice · neutral-toned, slightly bright, fairly smooth, balanced body, normal-paced, normally alert, moderately variable, some disfluency
(embarrassment, astonishment surprise, sexual lust · slightly relaxed, conversational, casual)but it came off like a little bit too much. (wistful sigh) Yeah. Um cocky.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly negative, slightly submissive, neutral openness; reads as embarrassment, astonishment surprise, sexual lust; style: conversational, casual; average recording, quiet background; mildly explicit content; genuineness 4.2/6; vocal-burst blend 2.4/10; 3.8s, EN.
846343_00112896 · in -26.6 dBFS · gain +6.6 dB · podcast-01073
(infatuation, amusement, contentment·relaxed, storytelling, conversational)One of my favorites though was Easy. I think he's hilarious.
full caption & clip details
A child feminine voice; delivery is normally alert, normal-paced, relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly submissive, neutral openness; reads as infatuation, amusement, contentment; style: storytelling, conversational; good recording, no background noise; genuineness 2.8/6; vocal-burst blend 4.0/10; 3.8s, EN.
846343_00113424 · in -21.5 dBFS · gain +1.5 dB · podcast-00161
(pleasure ecstasy, sexual lust, amusement ·neutral tension, casual, conversational)kind of that just like super funny, like almost class clown type that we
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly submissive, neutral openness; reads as pleasure ecstasy, sexual lust, amusement; style: casual, conversational; good recording, no background noise; mildly explicit content; genuineness 3.8/6; vocal-burst blend 8.5/10; 4.3s, EN.
846343_00113952 · in -21.5 dBFS · gain +1.5 dB · podcast-01074
This chain comes from the one-sided rule: only Concentration had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Concentration clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.27.
Nothing was asked of the other axis, and in fact Emotional Numbness barely moves at all, sitting near 0.75 throughout.
It takes 3 clips to get there. Clip to clip the moves are +0.17, then +0.10 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.91 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.91 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 30 s · en · emolia
k 3d_a -0.015d_b 0.274step_a 0.159step_b 0.172min_cos_consec —min_cos_anchor —dataset emolialang enspeaker EN_gibgPKdzOaotrack EN_gibgPKdzOaototal 30.4slevel spread 2.0 dBmax seam 2.0 dB
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(fairly steady, no disfluency, formal, monologue)Another major area of neuroscience is directed at investigations of the development of the nervous system
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, monologue; good recording, no background noise; genuineness 0.7/6; vocal-burst blend 0.5/10; 5.4s, EN.
EN_gibgPKdzOao_W000063 · in -14.6 dBFS · gain -5.4 dB · emolia-01580
(fairly steady, no disfluency, newsreading, formal)Computational neurogenetic modeling is concerned with the development of dynamic neuronal models for modeling brain functions with respect to genes and dynamic interactions between genes
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: newsreading, formal; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 0.7/10; 9.4s, EN.
EN_gibgPKdzOao_W000065 · in -12.6 dBFS · gain -7.4 dB · emolia-01580
(concentration·steady, almost no disfluency, newsreading, authoritative)At the systems level, the questions addressed in systems neuroscience include how neural circuits are formed and used anatomically and physiologically to produce functions such as reflexes, multisensory integration, motor coordination, circadian rhythms, emotional responses, learning, and memory.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration; style: newsreading, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 15.3s, EN.
EN_gibgPKdzOao_W000067 · in -13.1 dBFS · gain -6.9 dB · emolia-01580
This chain comes from the one-sided rule: only Longing had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Longing around average — 0.54, higher than 54 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.45.
Nothing was asked of the other axis, and in fact Contentment drifts down from 0.94 to 0.72 (-0.23), which the rule did not require.
It takes 3 clips to get there. Clip to clip the moves are +0.22, then +0.24 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? No similarity score is available here — the mls clips in this chain are not covered by either speaker-embedding store. The chain therefore rests on the corpus's own speaker/track labelling, which is not the same as a measured check.
Voice consistency: these clips are separate recordings joined together, and no voice-similarity check could be run for this sample, so there is no measurement of how closely the voices match. You may hear the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 44 s · dutch · mls
k 3d_a -0.225d_b 0.451step_a 0.448step_b 0.235min_cos_consec —min_cos_anchor —dataset mlslang dutchspeaker 1666track 1666|elinevere_24-2_coupertotal 43.5slevel spread 3.7 dBmax seam 3.7 dB
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: a child feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, slightly relaxed
(contentment, disgust · almost no disfluency, clear, wide pitch range, narration)had haar mond niet tegen hem opengedaan de détails van den twist wist men niet goed alleen was men er zeker van dat eline s nachts in dien storm met een nachtwacht en een jong mensch in een rijtuig gezeten had en men vond dat minstens genomen vreemd
full caption & clip details
A child feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, wide pitch range, light breath; affect is neutral, neutral stance, neutral openness; reads as contentment, disgust; style: narration, storytelling; good recording, quiet background; genuineness 0.6/6; vocal-burst blend 0.1/10; 14.8s, DUTCH.
1666_1841_002325 · in -26.6 dBFS · gain +6.6 dB · mls-00099
(concentration, interest·some disfluency, average clarity, moderate pitch range, casual)enfin eline was altijd nogal excentriek geweest des winters ging ze alleen ochtendwandelingen maken in het bosch welk fatsoenlijk jong meisje deed dat nu die geschiedenis met erlevoort was ook toch nogal duister en nu die roman met een jongmensch en een nachtwacht
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, interest; style: casual, narration; good recording, quiet background; genuineness 2.6/6; vocal-burst blend 2.3/10; 14.3s, DUTCH.
1666_1841_003174 · in -23.9 dBFS · gain +3.9 dB · mls-00099
(longing, jealousy and envy, contemplation· some disfluency, average clarity, moderate pitch range, whispered)het was zoo jammer want ze was toch au fond zoo lief zoo mooi en zoo elegant maar was het niet altijd een vreemde familie geweest bij die vere's betsy verbeet zich van nijdigheid over deze praatjes waarvan zij het geruisch als in de lucht ried
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as longing, jealousy and envy, contemplation; style: whispered, casual; average recording, quiet background; genuineness 2.4/6; vocal-burst blend 0.8/10; 14.1s, DUTCH.
1666_1841_002015 · in -27.6 dBFS · gain +7.7 dB · mls-00099
Longing ↑ (unconstrained axis: Jealousy and Envy)emotion__B1__T0.20__C0.25__INTERNAL · #10
This chain comes from the one-sided rule: only Longing had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Longing strongly present — 0.76, higher than 76 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.23.
Nothing was asked of the other axis, and in fact Jealousy and Envy drifts down from 1.00 to 0.66 (-0.34), which the rule did not require.
It takes 4 clips to get there. Clip to clip the moves are +0.22, then +0.00, then +0.01 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.54 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.54 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 27 s · en · emolia
k 4d_a -0.336d_b 0.231step_a 0.617step_b 0.215min_cos_consec —min_cos_anchor —dataset emolialang enspeaker EN_8NXC1PatUAQtrack EN_8NXC1PatUAQtotal 27.0slevel spread 4.0 dBmax seam 4.0 dB
Script — 4 chunks, 1 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice
(jealousy and envy, impatience and irritability, amusement · brisk, energised, neutral tension, cartoonish)I don't think women ought to sit down at table with men. (ahem) Oh, don't you? Why not? It ruins conversation.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, very rough, thin; average clarity, some disfluency, wide pitch range, normal breath; affect is negative, slightly dominant, guarded; reads as jealousy and envy, impatience and irritability, amusement; style: cartoonish, storytelling; below-average recording, quiet background; genuineness 2.2/6; vocal-burst blend 1.5/10; 5.6s, EN.
EN_8NXC1PatUAQ_W000331 · in -16.6 dBFS · gain -3.5 dB · emolia-02606
(intoxication altered states of consciousness, longing, fatigue exhaustion·measured, highly aroused, tense, storytelling)Don't stand by my chair in order to make eyes at him. Better get Philip some more ale.
full caption & clip details
A middle-aged strongly masculine voice; delivery is highly aroused, measured, tense, moderately variable; timbre is slightly cool, dark, rough, thin; somewhat unclear, some disfluency, wide pitch range, normal breath; affect is negative, dominant, guarded; reads as intoxication altered states of consciousness, longing, fatigue exhaustion; style: storytelling, cartoonish; poor recording, some background noise; genuineness 2.4/6; vocal-burst blend 0.7/10; 5.8s, EN.
EN_8NXC1PatUAQ_W000340 · in -17.7 dBFS · gain -2.3 dB · emolia-02606
(jealousy and envy, bitterness, contempt·brisk, highly aroused, tense, storytelling)Hang it all you other wife who can cook your dinner and look after your children. Don't you think so, Sally?
full caption & clip details
A middle-aged strongly masculine voice; delivery is highly aroused, brisk, tense, moderately variable; timbre is cool, neutral-bright, rough, thin; very clear, almost no disfluency, very wide pitch range, light breath; affect is negative, dominant, fairly guarded; reads as jealousy and envy, bitterness, contempt; style: storytelling, cartoonish; poor recording, quiet background; genuineness 0.7/6; vocal-burst blend 0.8/10; 5.9s, EN.
EN_8NXC1PatUAQ_W000347 · in -16.5 dBFS · gain -3.5 dB · emolia-02606
(longing, shame, distress·measured, very low-energy, neutral tension, casual)You don't know what this means to me. You see, I've practically never had any family. This is almost the only place I've ever known that's had the quality of... of home.
full caption & clip details
An elderly masculine voice; delivery is very low-energy, measured, neutral tension, variable; timbre is slightly cool, dark, slightly rough, slightly thin; somewhat unclear, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly negative, submissive, slightly vulnerable; reads as longing, shame, distress; style: casual, conversational; below-average recording, quiet background; genuineness 3.6/6; vocal-burst blend 3.9/10; 9.2s, EN.
EN_8NXC1PatUAQ_W000351 · in -20.5 dBFS · gain +0.5 dB · emolia-02606
This chain comes from the one-sided rule: only Bitterness had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Bitterness around average — 0.56, higher than 56 % of clips in this corpus — and ends with it at the very top of the corpus at 0.92, higher than 92 % of clips in this corpus. That is a total rise of 0.36.
Nothing was asked of the other axis, and in fact Fear drifts down from 0.98 to 0.35 (-0.63), which the rule did not require.
It takes 3 clips to get there. Clip to clip the moves are +0.13, then +0.23 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.88 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.88 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 23 s · en · emolia
k 3d_a -0.628d_b 0.360step_a 0.643step_b 0.226min_cos_consec —min_cos_anchor —dataset emolialang enspeaker EN_v9ZYAceqajMtrack EN_v9ZYAceqajMtotal 22.5slevel spread 1.6 dBmax seam 1.6 dB
Script — 3 chunks, 0 with a non-speech sound
Unchanged across all 3 clips: a young adult feminine voice · good recording, no background noise, steady, no disfluency, clear, fairly narrow pitch
(fear, distress, affection · slow, very low-energy, slightly relaxed, whispered)But, if you leave your job, and you prefer to hang out, you will be even more stressed after you hang out.
full caption & clip details
A young adult feminine voice; delivery is very low-energy, slow, slightly relaxed, steady; timbre is slightly warm, dark, slightly rough, thin; clear, no disfluency, fairly narrow pitch, light breath; affect is mildly positive, slightly submissive, fairly guarded; reads as fear, distress, affection; style: whispered, formal; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 1.0/10; 7.4s, EN.
EN_v9ZYAceqajM_W000022 · in -14.6 dBFS · gain -5.4 dB · emolia-02335
(fear, distress, sadness· slow, very low-energy, relaxed, whispered)But you should know that there are many of your friends who are still working hard to be able to take your position or will even surpass you.
full caption & clip details
A middle-aged feminine voice; delivery is very low-energy, slow, relaxed, steady; timbre is slightly warm, dark, smooth, very full; clear, no disfluency, fairly narrow pitch, minimal breath; affect is mildly positive, submissive, neutral openness; reads as fear, distress, sadness; style: whispered, ASMR; good recording, no background noise; genuineness 0.5/6; vocal-burst blend 0.0/10; 9.5s, EN.
EN_v9ZYAceqajM_W000024 · in -15.0 dBFS · gain -5.0 dB · emolia-02335
(bitterness·measured, subdued, slightly relaxed, whispered)Discipline is the difference between people who talk big and people who work big.
full caption & clip details
A young adult feminine voice; delivery is subdued, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is mildly positive, neutral stance, neutral openness; reads as bitterness; style: whispered, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.7/10; 5.3s, EN.
EN_v9ZYAceqajM_W000025 · in -13.3 dBFS · gain -6.7 dB · emolia-02335
This chain comes from the one-sided rule: only Emotional Numbness had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Emotional Numbness clearly present — 0.73, higher than 73 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.22.
Nothing was asked of the other axis, and in fact Concentration drifts down from 0.98 to 0.11 (-0.87), which the rule did not require.
It takes 3 clips to get there. Clip to clip the moves are +0.14, then +0.09 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.70 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.70 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 26 s · en · emolia
k 3d_a -0.871d_b 0.222step_a 0.614step_b 0.136min_cos_consec —min_cos_anchor —dataset emolialang enspeaker EN_zzOFZSRqeMctrack EN_zzOFZSRqeMctotal 26.1slevel spread 1.5 dBmax seam 1.5 dB
Script — 3 chunks, 2 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, normally alert, slightly relaxed, fairly steady, average clarity
(concentration, contemplation · normal-paced, some disfluency, light breath, monologue)Like for the, the, the number of, the minimum number of contributions before someone is no longer an occasional contributor, that filter doesn't differentiate between that person, whether they stopped contributing or whether they became a core contributor.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, contemplation; style: monologue, casual; good recording, no background noise; genuineness 3.0/6; vocal-burst blend 1.7/10; 13.4s, EN.
EN_zzOFZSRqeMc_W000123 · in -19.1 dBFS · gain -0.9 dB · emolia-01998
(disgust, contempt, bitterness· normal-paced, some disfluency, normal breath, casual)Right, so there's no, there's no value attributed to those filters (low mumble) as far as directionality goes.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, normal breath; affect is neutral, neutral stance, slightly guarded; reads as disgust, contempt, bitterness; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 3.9/6; vocal-burst blend 1.2/10; 7.0s, EN.
EN_zzOFZSRqeMc_W000124 · in -17.6 dBFS · gain -2.4 dB · emolia-01998
(emotional numbness, teasing, embarrassment·measured, frequent disfluency, light breath, casual)(low mumble) Uh, so maybe it's already there. It's just built into the metric we just, (ahem) uh.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as emotional numbness, teasing, embarrassment; style: casual, monologue; average recording, no background noise; genuineness 2.9/6; vocal-burst blend 1.0/10; 5.4s, EN.
EN_zzOFZSRqeMc_W000125 · in -18.3 dBFS · gain -1.7 dB · emolia-01998
Intoxication Altered States of Consciousness ↑ (unconstrained axis: Sexual Lust)emotion__B1__T0.20__C0.25__INTERNAL · #13
This chain comes from the one-sided rule: only Intoxication Altered States of Consciousness had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Intoxication Altered States of Consciousness clearly present — 0.75, higher than 75 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.25.
Nothing was asked of the other axis, and in fact Sexual Lust drifts down from 0.99 to 0.85 (-0.14), which the rule did not require.
It takes 3 clips to get there. Clip to clip the moves are +0.07, then +0.18 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.81 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.81 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.81. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, balanced body, fairly steady, light breath
(sexual lust, relief, contemplation · normal-paced, normally alert, slightly relaxed, casual)And when you shut down, by definition, that means you (ahem) cannot connect. You connect less and less and less.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, neutral openness; reads as sexual lust, relief, contemplation; style: casual, conversational; good recording, no background noise; mildly explicit content; genuineness 2.8/6; vocal-burst blend 3.1/10; 6.5s, EN.
484482_00099448 · in -25.4 dBFS · gain +5.4 dB · podcast-02663
(contemplation, fear· normal-paced, normally alert, neutral tension, casual)Now you still may be having, you know, physical intimacy of various forms, but it's not going to be anywhere near as fulfilling.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, neutral openness; reads as contemplation, fear; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 4.2/6; vocal-burst blend 4.3/10; 7.8s, EN.
484482_00100100 · in -25.3 dBFS · gain +5.3 dB · podcast-02666
(intoxication altered states of consciousness, amusement, fatigue exhaustion·measured, very low-energy, relaxed, casual)a chore, an entitlement or (low mumble) uh yeah, depending on which gender you are. And (low mumble) uh and and it also becomes just basically a physical release. That's that's it. You know, I I started feeling frisky and you know I need a release and uh (low mumble) so let's go do it. And that (ahem) oh God that is sad. You know, and then you have the baby boomers as you said that (low mumble) uh for many of them uh
full caption & clip details
An adult masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, wide pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as intoxication altered states of consciousness, amusement, fatigue exhaustion; style: casual, conversational; below-average recording, quiet background; genuineness 3.9/6; vocal-burst blend 5.0/10; 27.6s, EN.
484482_00101336 · in -25.1 dBFS · gain +5.1 dB · podcast-04428
This chain comes from the one-sided rule: only Longing had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Longing clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 93 % of clips in this corpus. That is a total rise of 0.21.
Nothing was asked of the other axis, and in fact Infatuation drifts down from 0.91 to 0.83 (-0.08), which the rule did not require.
It takes 5 clips to get there. Clip to clip the moves are +0.15, then +0.03, then -0.00, then +0.03 — not a clean run: step 3 moves back the other way by 0.00 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.78 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.78 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 40 s · ja · emolia
k 5d_a -0.077d_b 0.207step_a 0.758step_b 0.149min_cos_consec —min_cos_anchor —dataset emolialang jaspeaker JA_B00002_S08546track JA_B00002_S08546total 39.7slevel spread 3.0 dBmax seam 3.0 dB
Script — 5 chunks, 0 with a non-speech sound
Unchanged across all 5 clips: a young adult feminine voice · balanced body, no background noise, measured, slightly relaxed, no disfluency, clear, light breath
This chain comes from the one-sided rule: only Hope Enthusiasm Optimism had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Hope Enthusiasm Optimism at the very top of the corpus — 0.99, higher than 99 % of clips in this corpus — and works its way down to clearly present at 0.73, higher than 73 % of clips in this corpus. That is a total fall of 0.26.
Nothing was asked of the other axis, and in fact Interest drifts down from 1.00 to 0.70 (-0.29), which the rule did not require.
It takes 3 clips to get there. Clip to clip the moves are -0.10, then -0.16 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.73 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.71 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.73, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 26 s · en · emolia
k 3d_a -0.293d_b -0.260step_a 0.237step_b 0.162min_cos_consec 0.7115min_cos_anchor 0.7328dataset emolialang enspeaker EN_B00056_S06084track EN_B00056_S06084total 26.5slevel spread 1.1 dBmax seam 1.1 dBcos from recomputed from spkemb_traj
Script — 3 chunks, 1 with a non-speech sound
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, normally alert, slightly relaxed, fairly steady
(interest, hope enthusiasm optimism, pride · brisk, casual, conversational)Then I can say, hey, how can I get stronger without getting bigger? And boom, I look towards powerlifting concepts. How can I get more powerful? How can I get faster?
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, hope enthusiasm optimism, pride; style: casual, conversational; good recording, no background noise; genuineness 1.6/6; vocal-burst blend 3.3/10; 8.1s, EN.
EN_B00056_S06084_W000223 · in -20.5 dBFS · gain +0.5 dB · emolia-01323
(concentration, interest ·normal-paced, casual, conversational)But I don't, uh, you (low mumble) know, again, want to lose fat. Okay, great. Or if I want physique changes. So we have all these different areas we can pick and choose from, uh, (low mumble) that have expertise in specific adaptations and develop ourselves perfect protocols, (ahem) uh, based on that information.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as concentration, interest; style: casual, conversational; good recording, quiet background; genuineness 3.8/6; vocal-burst blend 6.0/10; 14.8s, EN.
EN_B00056_S06084_W000224 · in -21.1 dBFS · gain +1.1 dB · emolia-01323
(brisk, casual, conversational)Alright, the very first one we want to talk about is movement skill.
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, slightly dominant, neutral openness; no dominant emotion; style: casual, conversational; good recording, no background noise; genuineness 3.4/6; vocal-burst blend 2.2/10; 3.3s, EN.
EN_B00056_S06084_W000225 · in -19.9 dBFS · gain -0.1 dB · emolia-01323
Intoxication Altered States of Consciousness ↑ (unconstrained axis: Awe)emotion__B1__T0.20__C0.25__INTERNAL · #16
This chain comes from the one-sided rule: only Intoxication Altered States of Consciousness had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Intoxication Altered States of Consciousness below average — 0.31, lower than 69 % of clips in this corpus — and ends with it strongly present at 0.77, higher than 77 % of clips in this corpus. That is a total rise of 0.46.
Nothing was asked of the other axis, and in fact Awe drifts down from 0.98 to 0.47 (-0.51), which the rule did not require.
It takes 5 clips to get there. Clip to clip the moves are +0.05, then +0.19, then +0.00, then +0.23 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.87 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.87 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 25 s · zh · emolia
k 5d_a -0.510d_b 0.462step_a 0.513step_b 0.225min_cos_consec —min_cos_anchor —dataset emolialang zhspeaker ZH_B00036_S08918track ZH_B00036_S08918total 24.9slevel spread 0.7 dBmax seam 0.7 dB
Script — 5 chunks, 0 with a non-speech sound
Unchanged across all 5 clips: an adult feminine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normally alert, slightly relaxed
(awe · measured, fairly steady, monologue, formal)Marina is a talented painter who creates beautiful landscapes and portraits.
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as awe; style: monologue, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.1/10; 5.3s, ZH.
ZH_B00036_S08918_W000000 · in -19.2 dBFS · gain -0.8 dB · emolia-03640
(awe, affection· measured, fairly steady, monologue, formal)Marina is a talented painter who creates beautiful landscapes and portraits.
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as awe, affection; style: monologue, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.0/10; 5.2s, ZH.
ZH_B00036_S08918_W000001 · in -19.1 dBFS · gain -0.8 dB · emolia-03640
(normal-paced, steady, formal, monologue)The geologist identified the composition of different types of rocks.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.2/10; 4.5s, ZH.
ZH_B00036_S08918_W000002 · in -19.4 dBFS · gain -0.6 dB · emolia-03640
(normal-paced, fairly steady, formal, monologue)The geologist identified the composition of different types of rocks.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.3/10; 4.5s, ZH.
ZH_B00036_S08918_W000003 · in -19.5 dBFS · gain -0.5 dB · emolia-03640
(measured, steady, monologue, formal)The film directors creative vision brought the story to life on the screen.
full caption & clip details
An adult feminine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: monologue, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 3.0/10; 4.8s, ZH.
ZH_B00036_S08918_W000004 · in -18.8 dBFS · gain -1.2 dB · emolia-03640
Impatience and Irritability ↑ (unconstrained axis: Fear)emotion__B1__T0.20__C0.25__INTERNAL · #17
This chain comes from the one-sided rule: only Impatience and Irritability had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Impatience and Irritability strongly present — 0.75, higher than 75 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.24.
Nothing was asked of the other axis, and in fact Fear drifts down from 1.00 to 0.45 (-0.55), which the rule did not require.
It takes 4 clips to get there. Clip to clip the moves are +0.08, then -0.04, then +0.19 — not a clean run: step 2 moves back the other way by 0.04 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.53 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.55 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.53, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, fairly smooth, balanced body, normally alert, moderately variable, average clarity, wide pitch range
(fear, amusement, embarrassment · normal-paced, neutral tension, some disfluency, casual)Personally, that song scared me. I'll be honest. It was a bit scary to see and to watch and to hear.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, neutral openness; reads as fear, amusement, embarrassment; style: casual, conversational; average recording, quiet background; genuineness 5.0/6; vocal-burst blend 5.4/10; 5.2s, EN.
824473_00166912 · in -15.0 dBFS · gain -5.0 dB · podcast-00999
(disgust, infatuation, sexual lust· normal-paced, relaxed, some disfluency, casual)It's one of those things that you do when you're so waved, and you're like, oh, listen,
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, normal breath; affect is mildly positive, slightly submissive, neutral openness; reads as disgust, infatuation, sexual lust; style: casual, conversational; good recording, no background noise; mildly explicit content; genuineness 3.5/6; vocal-burst blend 4.1/10; 4.8s, EN.
824473_00167448 · in -18.3 dBFS · gain -1.7 dB · podcast-00973
(doubt, confusion, teasing· normal-paced, neutral tension, frequent disfluency, casual)but I don't know. I don't see I I see JT being the the talent in the group. Yeah, (ahem) but apparently um JT. Oh, so you think if JT's lips are definitely being written, then no
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as doubt, confusion, teasing; style: casual, conversational; average recording, quiet background; genuineness 5.5/6; vocal-burst blend 5.9/10; 9.8s, EN.
824473_00169112 · in -20.6 dBFS · gain +0.6 dB · podcast-01016
(impatience and irritability, jealousy and envy, doubt ·brisk, neutral tension, some disfluency, casual)I don't I've come to terms with the fact that people are getting their lyrics written. They probably have been for for a long time, but it's only now because social media, it's become a known thing. But yeah, you know, shout out to your Miami. She's gonna make her bread off it, she's gonna buy herself a new watch, and she's gonna keep it stepping. No,
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as impatience and irritability, jealousy and envy, doubt; style: casual, conversational; average recording, quiet background; genuineness 5.1/6; vocal-burst blend 10.0/10; 15.1s, EN.
824473_00171408 · in -18.8 dBFS · gain -1.2 dB · podcast-00975
This chain comes from the one-sided rule: only Infatuation had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Infatuation around average — 0.51, right about the corpus median — and ends with it strongly present at 0.90, higher than 90 % of clips in this corpus. That is a total rise of 0.39.
Nothing was asked of the other axis, and in fact Sourness drifts down from 0.83 to 0.32 (-0.51), which the rule did not require.
It takes 4 clips to get there. Clip to clip the moves are +0.17, then +0.11, then +0.11 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.92 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.92 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 37 s · en · emolia
k 4d_a -0.508d_b 0.391step_a 0.389step_b 0.166min_cos_consec —min_cos_anchor —dataset emolialang enspeaker EN_ucqJiFnVtaktrack EN_ucqJiFnVtaktotal 36.7slevel spread 0.9 dBmax seam 0.9 dB
Script — 4 chunks, 0 with a non-speech sound
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, measured, normally alert
(moderate pitch range, formal, newsreading)The course content of all the above courses is of international standard updating every three years
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, newsreading; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 8.2s, EN.
EN_ucqJiFnVtak_W000287 · in -14.9 dBFS · gain -5.1 dB · emolia-01276
(concentration, triumph·fairly narrow pitch, formal, newsreading)As per the scheme of the Government of India entitled New Millennium Indian Technology Leadership Initiative
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, triumph; style: formal, newsreading; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 14.2s, EN.
EN_ucqJiFnVtak_W000288 · in -14.3 dBFS · gain -5.7 dB · emolia-01276
(pride·moderate pitch range, formal, monologue)The Council for Scientific and Industrial Research
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride; style: formal, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 1.1/10; 5.4s, EN.
EN_ucqJiFnVtak_W000289 · in -15.2 dBFS · gain -4.8 dB · emolia-01276
(fairly narrow pitch, formal, authoritative)Delhi, Indian Institute of Tropical Meteorology, Pune, Indian Institute of Science, Bangalore
full caption & clip details
A young adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; no dominant emotion; style: formal, authoritative; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 8.4s, EN.
EN_ucqJiFnVtak_W000291 · in -14.8 dBFS · gain -5.2 dB · emolia-01276
Fear ↑ (unconstrained axis: Contemplation)emotion__B1__T0.20__C0.25__INTERNAL · #19
This chain comes from the one-sided rule: only Fear had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Fear around average — 0.54, higher than 54 % of clips in this corpus — and ends with it strongly present at 0.83, higher than 83 % of clips in this corpus. That is a total rise of 0.29.
Nothing was asked of the other axis, and in fact Contemplation drifts down from 0.73 to 0.29 (-0.44), which the rule did not require.
It takes 5 clips to get there. Clip to clip the moves are +0.06, then -0.02, then +0.00, then +0.25 — not a clean run: step 2 moves back the other way by 0.02 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.84 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.84 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.84. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 26 s · zh · emolia
k 5d_a -0.438d_b 0.293step_a 0.140step_b 0.250min_cos_consec 0.8375min_cos_anchor 0.8375dataset emolialang zhspeaker ZH_B00021_S09318track ZH_B00021_S09318total 25.9slevel spread 2.8 dBmax seam 2.8 dBcos from recomputed from spkemb_traj
Script — 5 chunks, 0 with a non-speech sound
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, no background noise, normally alert, slightly relaxed, fairly steady
This chain comes from the one-sided rule: only Infatuation had to get where it was going, by at least 0.20. The other emotion was left completely free.
The chain starts with Infatuation clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 92 % of clips in this corpus. That is a total rise of 0.21.
Nothing was asked of the other axis, and in fact Confusion barely moves at all, sitting near 0.92 throughout.
It takes 2 clips to get there. Clip to clip the moves are +0.21 — a single step, so there is no internal shape to speak of.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? Not directly measured. What does exist is a timbre similarity of 0.87 against the first clip, which describes how alike the voices sound rather than whether they are the same person. It sits on a different scale from the identity check (corpus-wide the timbre numbers run much higher), so it cannot be read against the 0.80 identity threshold and is given here without a pass or fail.
Voice consistency: these clips are separate recordings joined together. Speaker identity was not measured for this sample; the available timbre similarity of 0.87 says the voices sound broadly alike but is not a same-person check. You may notice the voice shift between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
2 clips · 20 s · zh · emolia
k 2d_a -0.005d_b 0.209step_a 0.005step_b 0.209min_cos_consec —min_cos_anchor —dataset emolialang zhspeaker ZH_B00036_S09151track ZH_B00036_S09151total 19.5slevel spread 1.3 dBmax seam 1.3 dB
Script — 2 chunks, 0 with a non-speech sound
Unchanged across all 2 clips: a young adult feminine voice · neutral-bright, fairly smooth, balanced body, average recording, no background noise, normally alert, slightly relaxed, fairly steady