Rule.PXR — proxy ramp-carrier: same two-sided test as AB2, but the per-step cap is applied on the PROXY axes for emotions that are not directly rampable Source. trajectories_v5.parquet | Family. one corpus in isolation Sampled from 192 matching rows, without replacement across the family, so no two tiers reuse a chain.
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
Interest ↓ / Shame ↑c-evasnippets-PXR · #1
This chain comes from the proxy rule: the same two-sided test as above, but because Shame is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Shame clearly present — 0.60, higher than 60 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.36.
At the same time Interest goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.72 (higher than 72 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.00, then +0.12, then +0.24 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.94 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.94 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.94), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 73 s · en · evasnippets
hear it un-normalised (raw levels, max seam 2.2 dB)
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, fairly steady
(interest, triumph, astonishment surprise · slightly relaxed, average clarity, casual, conversational)World War Two. Um, (low mumble) but yeah, they said fixed bayonets, but it made sense. 'Cause we're about to go into this thick, really thick kind of foliage that's over our heads and we had to stay online and like who knows, man, like if that guy d rushes out at you, you could your visibility was only about four six four to six feet.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as interest, triumph, astonishment surprise; style: casual, conversational; good recording, quiet background; genuineness 4.8/6; vocal-burst blend 7.4/10; 16.8s.
cond_podcastt_00_03_0005_577235_00160040 · in -25.9 dBFS · gain +5.9 dB · evasnippets-00316
(interest, triumph, astonishment surprise · slightly relaxed, average clarity, casual, conversational)World War Two. Um, (low mumble) but yeah, they said fixed bayonets, but it made sense. 'Cause we're about to go into this thick, really thick kind of foliage that's over our heads and we had to stay online and like who knows, man, like if that guy d rushes out at you, you could your visibility was only about four six four to six feet.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as interest, triumph, astonishment surprise; style: casual, conversational; good recording, quiet background; genuineness 4.8/6; vocal-burst blend 7.4/10; 16.8s.
cond_podcastt_00_03_0005_577235_00160040 · in -25.9 dBFS · gain +5.9 dB · evasnippets-00316
(relief, intoxication altered states of consciousness, interest · slightly relaxed, average clarity, casual, monologue)You know, and so that but we were told go like whoever gets in your way, fight them, but keep moving. And so it was just we had to stay like in this big, like if you know, if you could zoom out on Iraq, I'm sure you could see all the formations kind of moving north. But that's just what it was. We were moving fast. So there's times where we had to go to people's homes and farms and kill chickens and turkeys and and like steal their food.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as relief, intoxication altered states of consciousness, interest; style: casual, monologue; good recording, quiet background; genuineness 4.1/6; vocal-burst blend 9.5/10; 22.5s.
cond_podcastt_00_03_0005_577235_00175888 · in -28.1 dBFS · gain +8.1 dB · evasnippets-00275
(shame, embarrassment, thankfulness gratitude·neutral tension, somewhat unclear, casual, conversational)Forget about it. But like so like I I you know, I talked to a bunch of people and and I talked to my family. I talked to my wife. I was like, if I'm gonna go over there and like, you know, put my neck on the line, you know, then I'd rather do it with like a military unit because these guys have no support. Blackwater had zero support back then.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, neutral openness; reads as shame, embarrassment, thankfulness gratitude; style: casual, conversational; average recording, quiet background; genuineness 5.1/6; vocal-burst blend 10.0/10; 16.8s.
cond_podcastt_00_03_0005_577235_00287592 · in -28.1 dBFS · gain +8.1 dB · evasnippets-00316
This chain comes from the proxy rule: the same two-sided test as above, but because Contemplation is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contemplation clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.27.
At the same time Embarrassment goes the other way, from 0.94 (higher than 94 % of clips in this corpus) to 0.63 (higher than 63 % of clips in this corpus), a change of -0.31. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.11, then +0.00, then +0.00, then +0.16 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.93 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 101 s · en · evasnippets
hear it un-normalised (raw levels, max seam 3.9 dB)
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, slightly relaxed, moderate pitch range
(embarrassment, doubt, teasing · normal-paced, normally alert, fairly steady, casual)And then we can try to talk about well well, how do we faithfully respond to an imperative that doesn't necessarily apply to us? Like, um, (ahem) Paul is not telling you to bring his clo to bring his cloak and parchments and he told that to Timothy.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as embarrassment, doubt, teasing; style: casual, conversational; good recording, no background noise; genuineness 4.5/6; vocal-burst blend 1.1/10; 12.6s.
cond_podcastt_00_01_0000_976373_00168992 · in -32.0 dBFS · gain +12.0 dB · evasnippets-00321
(contentment, interest, relief· normal-paced, normally alert, moderately variable, casual)We're not e yeah, we're not quite to verse two yet. Um (low mumble) if you've ever been in a Bible study with me, this is how it always goes. So uh (ahem) hopefully you're not bogged down yet. (low mumble) Um so so to those who are in Ephesus, and we're gonna come back to Ephesus quite a bit, because I think there are some things in the letter. I'm convinced that there are some things in the letter that we have to understand through the lens of those who are in Ephesus.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as contentment, interest, relief; style: casual, conversational; good recording, quiet background; genuineness 4.5/6; vocal-burst blend 4.8/10; 20.6s.
cond_podcastt_00_01_0000_976373_00174280 · in -31.2 dBFS · gain +11.2 dB · evasnippets-00317
(contentment, interest, relief · normal-paced, normally alert, moderately variable, casual)We're not e yeah, we're not quite to verse two yet. Um (low mumble) if you've ever been in a Bible study with me, this is how it always goes. So uh (ahem) hopefully you're not bogged down yet. (low mumble) Um so so to those who are in Ephesus, and we're gonna come back to Ephesus quite a bit, because I think there are some things in the letter. I'm convinced that there are some things in the letter that we have to understand through the lens of those who are in Ephesus.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as contentment, interest, relief; style: casual, conversational; good recording, quiet background; genuineness 4.5/6; vocal-burst blend 4.8/10; 20.6s.
cond_podcastt_00_01_0000_976373_00174280 · in -31.2 dBFS · gain +11.2 dB · evasnippets-00317
(contentment, interest, relief · normal-paced, normally alert, moderately variable, casual)We're not e yeah, we're not quite to verse two yet. Um (low mumble) if you've ever been in a Bible study with me, this is how it always goes. So uh (ahem) hopefully you're not bogged down yet. (low mumble) Um so so to those who are in Ephesus, and we're gonna come back to Ephesus quite a bit, because I think there are some things in the letter. I'm convinced that there are some things in the letter that we have to understand through the lens of those who are in Ephesus.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as contentment, interest, relief; style: casual, conversational; good recording, quiet background; genuineness 4.5/6; vocal-burst blend 4.8/10; 20.6s.
cond_podcastt_00_01_0000_976373_00174280 · in -31.2 dBFS · gain +11.2 dB · evasnippets-00317
(contemplation, concentration, contentment ·slow, very low-energy, steady, monologue)Ephesians. And so if you're familiar with Ephesus at that time at all, the the uh (soft hum) highest ranking or most celebrated or most prominent god in Ephesus is Artemis. And and Artemis of the Ephesians is a little bit different than what you would see Artemis everywhere else. She had she had a particular (soft hum) uh role (low mumble) um in Ephesus, but instead of a blessing from Artemis, which would have been quite common.
full caption & clip details
A young adult masculine voice; delivery is very low-energy, slow, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, normal breath; affect is mildly negative, neutral stance, slightly guarded; reads as contemplation, concentration, contentment; style: monologue, casual; good recording, quiet background; genuineness 2.1/6; vocal-burst blend 1.0/10; 26.5s.
cond_podcastt_00_01_0000_976373_00197600 · in -35.1 dBFS · gain +15.1 dB · evasnippets-00031
Affection ↓ / Longing ↑c-evasnippets-PXR · #3
This chain comes from the proxy rule: the same two-sided test as above, but because Longing is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Longing clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.29.
At the same time Affection goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.60 (higher than 60 % of clips in this corpus), a change of -0.39. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.24, then +0.00, then +0.05 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.96 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.97 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.96), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 95 s · en · evasnippets
hear it un-normalised (raw levels, max seam 0.8 dB)
Unchanged across all 4 clips: a middle-aged masculine voice · neutral-toned, neutral-bright, slightly rough, balanced body, good recording, quiet background, measured, slightly relaxed
(affection, jealousy and envy, relief · normally alert, little disfluency, light breath, narration)'Glad it amuses somebody,' said the man. We left him, helping the landlord to pick up the broken things, and went our way. A dozen yards outside the door, the faithful animal was waiting for his friend. He looked tired but contented. He was evidently a dog of strange and sudden fancies, and we feared for the moment lest he might take a liking to us, but he let us pass with indifference.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as affection, jealousy and envy, relief; style: narration, storytelling; good recording, quiet background; genuineness 0.2/6; vocal-burst blend 1.0/10; 24.9s.
cond_podcastt_03_02_0001_417781_00082408 · in -24.2 dBFS · gain +4.2 dB · evasnippets-00029
(infatuation, awe, contemplation·subdued, little disfluency, minimal breath, narration)Of old, Altbreisach, a rocky fortress with the river now on one side of it and now on the other, for in its inexperienced youth, the Rhine never seems to have been quite sure of its way, must, as a place of residence, have appealed exclusively to the lover of change and excitement. Whoever the war was between and whatever it was about, Altbreissach was bound to be in it.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, little disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as infatuation, awe, contemplation; style: narration, monologue; good recording, quiet background; genuineness 0.0/6; vocal-burst blend 0.0/10; 24.7s.
cond_podcastt_03_02_0001_417781_00087200 · in -24.4 dBFS · gain +4.4 dB · evasnippets-00154
(infatuation, awe, contemplation · subdued, little disfluency, minimal breath, narration)Of old, Altbreisach, a rocky fortress with the river now on one side of it and now on the other, for in its inexperienced youth, the Rhine never seems to have been quite sure of its way, must, as a place of residence, have appealed exclusively to the lover of change and excitement. Whoever the war was between and whatever it was about, Altbreissach was bound to be in it.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, little disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as infatuation, awe, contemplation; style: narration, monologue; good recording, quiet background; genuineness 0.0/6; vocal-burst blend 0.0/10; 24.7s.
cond_podcastt_03_02_0001_417781_00087200 · in -24.4 dBFS · gain +4.4 dB · evasnippets-00154
(longing, bitterness, helplessness·normally alert, almost no disfluency, minimal breath, narration)Everybody besieged it. Most people captured it. The majority of them lost it again. Nobody seemed able to keep it. Whom he belonged to and what he was, the dweller in Altpreissach could never have been quite sure. One day he would be a Frenchman, and then, before he could learn enough French to pay his taxes, he would be an Austrian.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, almost no disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as longing, bitterness, helplessness; style: narration, storytelling; good recording, quiet background; genuineness 0.0/6; vocal-burst blend 0.7/10; 20.5s.
cond_podcastt_03_02_0001_417781_00089670 · in -23.6 dBFS · gain +3.6 dB · evasnippets-00154
Interest ↓ / Relief ↑c-evasnippets-PXR · #4
This chain comes from the proxy rule: the same two-sided test as above, but because Relief is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Relief clearly present — 0.68, higher than 68 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 93 % of clips in this corpus. That is a total rise of 0.25.
At the same time Interest goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.73 (higher than 73 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.00, then +0.00, then +0.02, then +0.23 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.95 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.95 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.95), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 92 s · en · evasnippets
hear it un-normalised (raw levels, max seam 0.3 dB)
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, quiet background, normal-paced, normally alert
(interest, fear, hope enthusiasm optimism · neutral tension, moderately variable, wide pitch range, casual)bringing in AI. Do they feel threatened by it where they see these numbers in Service Titan that says, this AI has 75% booking rate. I have 50. I'm going to get the axe to this technology, right?
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, fear, hope enthusiasm optimism; style: casual, conversational; good recording, quiet background; genuineness 4.1/6; vocal-burst blend 4.7/10; 14.4s.
cond_podcastt_00_02_0001_928663_00148692 · in -19.6 dBFS · gain -0.4 dB · evasnippets-00322
(interest, fear, hope enthusiasm optimism · neutral tension, moderately variable, wide pitch range, casual)bringing in AI. Do they feel threatened by it where they see these numbers in Service Titan that says, this AI has 75% booking rate. I have 50. I'm going to get the axe to this technology, right?
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, fear, hope enthusiasm optimism; style: casual, conversational; good recording, quiet background; genuineness 4.1/6; vocal-burst blend 4.7/10; 14.4s.
cond_podcastt_00_02_0001_928663_00148692 · in -19.6 dBFS · gain -0.4 dB · evasnippets-00322
(interest, fear, hope enthusiasm optimism · neutral tension, moderately variable, wide pitch range, casual)bringing in AI. Do they feel threatened by it where they see these numbers in Service Titan that says, this AI has 75% booking rate. I have 50. I'm going to get the axe to this technology, right?
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, fear, hope enthusiasm optimism; style: casual, conversational; good recording, quiet background; genuineness 4.1/6; vocal-burst blend 4.7/10; 14.4s.
cond_podcastt_00_02_0001_928663_00148692 · in -19.6 dBFS · gain -0.4 dB · evasnippets-00322
(hope enthusiasm optimism, disappointment, elation· neutral tension, fairly steady, moderate pitch range, casual)Are all my CSRs going to see some writing on the wall, get really negative and quit? And then what if the AI doesn't work the way I hoped it to? Now I don't have CSRs and I have this technology that that isn't working. So I would think that that would be, you know, something that you guys as the tech company have to be able to approach with empathy and understanding. You know, if you're just talking about people's jobs.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as hope enthusiasm optimism, disappointment, elation; style: casual, conversational; good recording, quiet background; genuineness 4.8/6; vocal-burst blend 10.0/10; 22.9s.
cond_podcastt_00_02_0001_928663_00162240 · in -19.3 dBFS · gain -0.7 dB · evasnippets-00034
(relief, hope enthusiasm optimism ·slightly relaxed, fairly steady, moderate pitch range, casual)And so a lot of the things that take away from the A players doing a great job is picking up the slack for the people that don't do well or just dealing with them on the emotional side, right? So I I could see that the A players would be like, I like this. So now when we scale, I don't have to be the person that onboards all these people who might not even stay or do a good job. So they can focus on getting better at their
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as relief, hope enthusiasm optimism; style: casual, conversational; good recording, quiet background; genuineness 3.9/6; vocal-burst blend 10.0/10; 25.7s.
cond_podcastt_00_02_0001_928663_00170504 · in -19.5 dBFS · gain -0.5 dB · evasnippets-00138
This chain comes from the proxy rule: the same two-sided test as above, but because Contentment is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contentment clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.30.
At the same time Contemplation goes the other way, from 0.93 (higher than 93 % of clips in this corpus) to 0.66 (higher than 66 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.10, then +0.00, then +0.20 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.84 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.77 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.84. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
4 clips · 69 s · en · evasnippets
hear it un-normalised (raw levels, max seam 9.3 dB)
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, fairly smooth, balanced body, quiet background, moderately variable, some disfluency, average clarity, wide pitch range
(contemplation, doubt · brisk, energised, slightly tense, casual)Would it not be better to like lead me up to a question that will allow me to bro provide substance? But rather by saying, Are you Filipino? it gives me it's basically saying, Here, Jonathan, here's a question and you have all the responsibility right now.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as contemplation, doubt; style: casual, conversational; average recording, quiet background; genuineness 2.7/6; vocal-burst blend 6.0/10; 16.3s.
cond_podcastt_02_03_0002_105207_00061840 · in -15.3 dBFS · gain -4.7 dB · evasnippets-00072
(interest, hope enthusiasm optimism, jealousy and envy· brisk, energised, slightly tense, casual)And I'm always trying to figure out what can I do to make it better because as a true artist in my head is someone that can take this complicated, crazy freaking ideas that you have in your in your soul and package it up in a way where it's like, here it is.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, normal breath; affect is positive, slightly dominant, neutral openness; reads as interest, hope enthusiasm optimism, jealousy and envy; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 3.8/6; vocal-burst blend 6.9/10; 16.6s.
cond_podcastt_02_03_0002_105207_00207392 · in -14.9 dBFS · gain -5.1 dB · evasnippets-00280
(interest, hope enthusiasm optimism, jealousy and envy · brisk, energised, slightly tense, casual)And I'm always trying to figure out what can I do to make it better because as a true artist in my head is someone that can take this complicated, crazy freaking ideas that you have in your in your soul and package it up in a way where it's like, here it is.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, normal breath; affect is positive, slightly dominant, neutral openness; reads as interest, hope enthusiasm optimism, jealousy and envy; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 3.8/6; vocal-burst blend 6.9/10; 16.6s.
cond_podcastt_02_03_0002_105207_00207392 · in -14.9 dBFS · gain -5.1 dB · evasnippets-00280
(contentment, sexual lust, infatuation·normal-paced, normally alert, neutral tension, casual)By the way, it might be easier to communicate with my with me with my phone number and then she gives me the phone number. Maybe we can video chat or something. You can tell me more about Nugs, Nugs, Nugs. So yeah, we FaceTime. And it's dope. We have a cool two hour conversation because she's really fun. And then now it's April twenty twenty one.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as contentment, sexual lust, infatuation; style: casual, conversational; good recording, quiet background; genuineness 4.8/6; vocal-burst blend 7.9/10; 19.4s.
cond_podcastt_02_03_0002_105207_00342408 · in -24.2 dBFS · gain +4.2 dB · evasnippets-00008
This chain comes from the proxy rule: the same two-sided test as above, but because Sourness is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Sourness around average — 0.57, higher than 57 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.41.
At the same time Hope Enthusiasm Optimism goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.66 (higher than 66 % of clips in this corpus), a change of -0.33. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.19, then +0.22 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.87 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.87 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.87. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, fairly smooth, balanced body, average recording, quiet background, normal-paced, normally alert, relaxed
(hope enthusiasm optimism, contentment, elation · frequent disfluency, wide pitch range, casual, playful)(low mumble) Um but yeah, actually like a sponsor and I think it's really cool to like sponsor friends and sponsor creative adventures and productive adventures and you know, I'm gonna shout her out this time. Can't wait to see what you're gonna buy me, Keija. (childlike giggle)
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as hope enthusiasm optimism, contentment, elation; style: casual, playful; average recording, quiet background; mildly explicit content; genuineness 5.0/6; vocal-burst blend 6.3/10; 15.9s.
cond_podcastt_03_02_0004_47667_00017744 · in -23.0 dBFS · gain +3.0 dB · evasnippets-00315
(interest, awe, contemplation·some disfluency, moderate pitch range, casual, conversational)And I was thinking about like, you know, the world wars because we were talking about them in the previous episode, and like I understand early on there's the unknowns, we don't know what's around the world, people show up in other continents and there's war, like you know, think
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as interest, awe, contemplation; style: casual, conversational; average recording, quiet background; genuineness 4.9/6; vocal-burst blend 10.0/10; 13.9s.
cond_podcastt_03_02_0004_47667_00573128 · in -23.2 dBFS · gain +3.2 dB · evasnippets-00072
(sourness, infatuation, affection· some disfluency, moderate pitch range, casual, conversational)Someone who just loves people, like who not like all romantically in every way, (surprised gasp) but like you know, like who just like loves people and like isn't a hateful person in that sense and just can just like if you think of me, you're like, Oh yeah, I've never felt like Michael hated me for who I was. Like (chuckle) you know.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is positive, slightly submissive, neutral openness; reads as sourness, infatuation, affection; style: casual, conversational; average recording, quiet background; genuineness 5.1/6; vocal-burst blend 10.0/10; 14.1s.
cond_podcastt_03_02_0004_47667_00652096 · in -23.5 dBFS · gain +3.5 dB · evasnippets-00072
Doubt ↓ / Contentment ↑c-evasnippets-PXR · #7
This chain comes from the proxy rule: the same two-sided test as above, but because Contentment is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contentment clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 93 % of clips in this corpus. That is a total rise of 0.26.
At the same time Doubt goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.74 (higher than 74 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.23, then +0.03 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.93 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult feminine voice · fairly smooth, balanced body, average recording, quiet background, brisk, energised, moderately variable, some disfluency
(doubt, concentration, contemplation · slightly relaxed, moderate pitch range, monologue, dramatic)He did not from the beginning just make a vessel of honor and a vessel of dishonor and it's all predestined and predetermined and there's no free will and there's there's there's no choice. No, that the the the very passage here about the potter and the clay reveals that there is a choice involved, there's a free will involved. A nation can be heading in a good direction, but if they then turn to become evil ways, then God's attitude towards that is also going to change.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, fairly guarded; reads as doubt, concentration, contemplation; style: monologue, dramatic; average recording, quiet background; genuineness 1.6/6; vocal-burst blend 2.6/10; 26.6s.
cond_podcastt_01_01_0004_135594_00266776 · in -33.3 dBFS · gain +13.3 dB · evasnippets-00289
(contemplation, bitterness, awe·neutral tension, wide pitch range, monologue, dramatic)Because my people Israel that received all these blessings from God, they have turned away from him. And then in the end of the chapter, he says, But you know, the Gentiles that had nothing, no revelation of God, have now received this revelation of God, and they did it by faith. So the whole chapter is really about what is our response of faith. But then between these two these two passages about Israel, he brings other passages and other stories into it.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as contemplation, bitterness, awe; style: monologue, dramatic; average recording, quiet background; genuineness 1.6/6; vocal-burst blend 3.0/10; 26.9s.
cond_podcastt_01_01_0004_135594_00273272 · in -33.4 dBFS · gain +13.4 dB · evasnippets-00012
(contentment, relief· neutral tension, wide pitch range, dramatic, casual)showing that even though mankind chooses a different way, that God's purpose overrules. His his plan was all will always succeed. And so we have the story of of Isaac that, you know, (ahem) um had (ahem) uh two children, or rather Abram that had two children, Isaac and Ishmael. Ishmael it seemed to be a wrong choice and it was a wrong choice, but in the end God's plan succeeded.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as contentment, relief; style: dramatic, casual; average recording, quiet background; genuineness 1.8/6; vocal-burst blend 2.8/10; 21.2s.
cond_podcastt_01_01_0004_135594_00275956 · in -32.7 dBFS · gain +12.7 dB · evasnippets-00012
This chain comes from the proxy rule: the same two-sided test as above, but because Contemplation is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contemplation clearly present — 0.70, higher than 70 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.27.
At the same time Hope Enthusiasm Optimism goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.64 (higher than 64 % of clips in this corpus), a change of -0.34. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.21, then +0.00, then +0.06, then +0.00 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.90 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.91 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.90), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult masculine voice · neutral-toned, fairly smooth, balanced body, neutral tension, moderately variable, some disfluency, average clarity, light breath
(hope enthusiasm optimism, pleasure ecstasy, embarrassment · brisk, energised, wide pitch range, casual)Yeah, I feel like people assume that there's like a lot more stuff that I like do that's like really fun or like, Oh, like, you're a group admin, like there must be it must be like kinda cool to get to do all this stuff and I'm like, it really isn't'cause it's basically like a full time job. Like
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as hope enthusiasm optimism, pleasure ecstasy, embarrassment; style: casual, conversational; average recording, no background noise; mildly explicit content; genuineness 4.3/6; vocal-burst blend 10.0/10; 15.7s.
cond_podcastt_00_01_0001_23556_00033792 · in -22.1 dBFS · gain +2.1 dB · evasnippets-00316
(helplessness, relief, contemplation· brisk, normally alert, moderate pitch range, casual)Yeah, but wait hold on, really quickly, but I think people expect too much out of the staff team because like I get that the staff team is held to a high standard, but you can't expect to always have at least like one moderator on the game because that's an unrealistic expectation. Because we can't have that many staff members like at the same time. Because it just wouldn't work and it would be it would be in very difficult to manage. So but anyway you can go ahead.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as helplessness, relief, contemplation; style: casual, conversational; good recording, quiet background; genuineness 3.9/6; vocal-burst blend 10.0/10; 24.5s.
cond_podcastt_00_01_0001_23556_00044320 · in -22.8 dBFS · gain +2.8 dB · evasnippets-00151
(helplessness, relief, contemplation · brisk, normally alert, moderate pitch range, casual)Yeah, but wait hold on, really quickly, but I think people expect too much out of the staff team because like I get that the staff team is held to a high standard, but you can't expect to always have at least like one moderator on the game because that's an unrealistic expectation. Because we can't have that many staff members like at the same time. Because it just wouldn't work and it would be it would be in very difficult to manage. So but anyway you can go ahead.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as helplessness, relief, contemplation; style: casual, conversational; good recording, quiet background; genuineness 3.9/6; vocal-burst blend 10.0/10; 24.5s.
cond_podcastt_00_01_0001_23556_00044320 · in -22.8 dBFS · gain +2.8 dB · evasnippets-00151
(contemplation, contentment, jealousy and envy·normal-paced, normally alert, moderate pitch range, casual)(ahem) Um I wanna say that it just is generally like has a bad rap for no r not to say for no reason because ever we're human, you know, everyone makes mistakes. However, a lot of the things that you don't Yeah. And uh but a lot of the things you don't see are good things. And the things that you see that are bad are like the one in the the needle in the haystack of things that the DAA does. So
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as contemplation, contentment, jealousy and envy; style: casual, conversational; average recording, quiet background; genuineness 4.2/6; vocal-burst blend 8.9/10; 24.4s.
cond_podcastt_00_01_0001_23556_00076008 · in -21.1 dBFS · gain +1.1 dB · evasnippets-00151
(contemplation, contentment, jealousy and envy · normal-paced, normally alert, moderate pitch range, casual)(ahem) Um I wanna say that it just is generally like has a bad rap for no r not to say for no reason because ever we're human, you know, everyone makes mistakes. However, a lot of the things that you don't Yeah. And uh but a lot of the things you don't see are good things. And the things that you see that are bad are like the one in the the needle in the haystack of things that the DAA does. So
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as contemplation, contentment, jealousy and envy; style: casual, conversational; average recording, quiet background; genuineness 4.2/6; vocal-burst blend 8.9/10; 24.4s.
cond_podcastt_00_01_0001_23556_00076008 · in -21.1 dBFS · gain +1.1 dB · evasnippets-00151
Doubt ↓ / Affection ↑c-evasnippets-PXR · #9
This chain comes from the proxy rule: the same two-sided test as above, but because Affection is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Affection clearly present — 0.60, higher than 60 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.40.
At the same time Doubt goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.60 (higher than 60 % of clips in this corpus), a change of -0.40. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.23, then +0.00, then +0.17 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.59 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.55 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.59, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult feminine voice · neutral-toned, fairly smooth, balanced body, quiet background, normal-paced, normally alert, neutral tension, moderately variable
(doubt, contemplation, interest · average clarity, wide pitch range, casual, conversational)And I guess how do we create the goals too? Like how do do we create goals together? Do you have your own ambitions and I'm just supporting it? Yeah, I mean, I I think it's it's pretty cliche to say, but it's something that I've always heard and always stick by, right? It's it's never fifty fifty in a in a relationship. That's true.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as doubt, contemplation, interest; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 4.1/6; vocal-burst blend 5.6/10; 17.7s.
cond_podcastt_03_03_0003_508798_00010368 · in -17.6 dBFS · gain -2.4 dB · evasnippets-00072
(intoxication altered states of consciousness, contentment, astonishment surprise·somewhat unclear, moderate pitch range, casual, conversational)Five PM on Sundays, we're gonna review all this stuff. I think honestly, maybe it comes over like a glass of wine at dinner or something where we both feel comfortable enough to be like, Hey, uh (low mumble) I have this meeting, it's coming up. Well, when is it? It's Wednesday night. Does that work for you? I'll have something with the city happen.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, neutral openness; reads as intoxication altered states of consciousness, contentment, astonishment surprise; style: casual, conversational; good recording, quiet background; genuineness 5.3/6; vocal-burst blend 10.0/10; 17.9s.
cond_podcastt_03_03_0003_508798_00092088 · in -13.9 dBFS · gain -6.1 dB · evasnippets-00299
(intoxication altered states of consciousness, contentment, astonishment surprise · somewhat unclear, moderate pitch range, casual, conversational)Five PM on Sundays, we're gonna review all this stuff. I think honestly, maybe it comes over like a glass of wine at dinner or something where we both feel comfortable enough to be like, Hey, uh (low mumble) I have this meeting, it's coming up. Well, when is it? It's Wednesday night. Does that work for you? I'll have something with the city happen.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, neutral openness; reads as intoxication altered states of consciousness, contentment, astonishment surprise; style: casual, conversational; good recording, quiet background; genuineness 5.3/6; vocal-burst blend 10.0/10; 17.9s.
cond_podcastt_03_03_0003_508798_00092088 · in -13.9 dBFS · gain -6.1 dB · evasnippets-00299
(affection, pleasure ecstasy, contentment ·average clarity, wide pitch range, casual, conversational)do and you know our son has he loves it he loves me he gets his hair cut by Mr. Caesar and it's just something that we can do together. So you truly are our son's best friend. Like he is our firstborn but and they and you always hear like oh boys are so close to their mom and like yeah he loves me but he adores you you are his bestie
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as affection, pleasure ecstasy, contentment; style: casual, conversational; average recording, quiet background; genuineness 4.7/6; vocal-burst blend 8.0/10; 21.2s.
cond_podcastt_03_03_0003_508798_00106708 · in -18.1 dBFS · gain -1.9 dB · evasnippets-00002
Jealousy and Envy ↓ / Contemplation ↑c-evasnippets-PXR · #10
This chain comes from the proxy rule: the same two-sided test as above, but because Contemplation is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contemplation clearly present — 0.75, higher than 75 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.25.
At the same time Jealousy and Envy goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.59 (higher than 59 % of clips in this corpus), a change of -0.36. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.23, then -0.19, then +0.21 — not a clean run: step 2 moves back the other way by 0.19 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.36 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.64 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.36, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a middle-aged masculine voice · neutral-toned, neutral-bright, quiet background, fairly steady, light breath
(jealousy and envy, concentration · measured, very low-energy, slightly relaxed, whispered)some of those developed developed countries such as Germany, the UK, the US, France, uh, (low mumble) to go into the Middle East and go into in Russia for that matter, move more to the Middle East. And that's where we have some of the alliances to do, which again, cross ethnic, uh, (low mumble) religious and political ideologies all the way across. I think it makes some sense to talk about I mean I think most people might know, but where were the major or oil sources found across the world?
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as jealousy and envy, concentration; style: whispered, casual; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 5.9/10; 28.6s.
cond_podcastt_01_01_0001_194887_00350715 · in -24.5 dBFS · gain +4.5 dB · evasnippets-00326
(doubt, contemplation, concentration ·normal-paced, subdued, slightly relaxed, casual)If that price increases, say doubles or triples, some of those nations aren't going to be able to use oil to develop their nation. I think that's it seems in my mind seems fairly simple, but I don't know if it's talked about very simply out there. No. I I don't I don't yeah, I think exactly right. I think we can go from a microcosm to a macrocosm. And that the micro is that you're right. I mean, on a macrocosm, there's certain individuals, certain families who can probably absorb that additional cost. And keep in mind, I mean
full caption & clip details
An adult masculine voice; delivery is subdued, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as doubt, contemplation, concentration; style: casual, monologue; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 3.5/10; 29.4s.
cond_podcastt_01_01_0001_194887_00504064 · in -24.2 dBFS · gain +4.2 dB · evasnippets-00327
(concentration, hope enthusiasm optimism, sourness· normal-paced, normally alert, slightly relaxed, casual)We don't it's not like you can build up and say, Well, we'll in real windy areas we'll store up a bunch of electrical energy and we'll send it somewhere else so they can use it. We just don't have that. I mean battery technology is the best it's ever been right now and still that lacks in being able to really use it in a in a mega scale that we're talking about.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as concentration, hope enthusiasm optimism, sourness; style: casual, monologue; good recording, quiet background; genuineness 3.0/6; vocal-burst blend 5.1/10; 15.8s.
cond_podcastt_01_01_0001_194887_00558144 · in -22.1 dBFS · gain +2.0 dB · evasnippets-00325
(contemplation, sadness, shame·measured, very low-energy, relaxed, casual)It sounds like a great idea, but the reality of it, and I'll I guess I'll reflect upon this myself individually, what it would take. Um (low mumble) means I don't drive a car. It means I pay a lot more for energy in general. It means really my lifestyle I guess I I might classify regresses in time back to, I don't know, sixty, fift seventy years ago.
full caption & clip details
An adult masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, slightly thin; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is mildly negative, neutral stance, neutral openness; reads as contemplation, sadness, shame; style: casual, conversational; average recording, quiet background; genuineness 4.9/6; vocal-burst blend 10.0/10; 25.2s.
cond_podcastt_01_01_0001_194887_00615064 · in -23.0 dBFS · gain +3.0 dB · evasnippets-00087
Elation ↓ / Doubt ↑c-evasnippets-PXR · #11
This chain comes from the proxy rule: the same two-sided test as above, but because Doubt is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Doubt clearly present — 0.64, higher than 64 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.36.
At the same time Elation goes the other way, from 0.99 (virtually no clip in this corpus scores higher) to 0.73 (higher than 73 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.13, then +0.23 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.82 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.80 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.82. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, balanced body, quiet background, moderately variable, light breath
(elation, hope enthusiasm optimism, intoxication altered states of consciousness · brisk, very low-energy, relaxed, casual)(ahem) That's that's some good advice, man. And you know, we've kinda started doing something similar where uh in at least our part of Alabama, it really doesn't start getting good until late November, maybe around Thanksgiving is when our first areas start cranking up. And then we kinda chase it throughout the year until February when season goes out.
full caption & clip details
A young adult masculine voice; delivery is very low-energy, brisk, relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as elation, hope enthusiasm optimism, intoxication altered states of consciousness; style: casual, conversational; average recording, quiet background; genuineness 4.9/6; vocal-burst blend 8.5/10; 19.6s.
cond_podcastt_01_02_0001_50786_00077312 · in -22.1 dBFS · gain +2.1 dB · evasnippets-00298
(teasing, contentment, fatigue exhaustion·normal-paced, subdued, neutral tension, conversational)And you're trying to figure out just where you want to go. Uh, (low mumble) how are you determining an area that's that's worth your time where you're like, you know what, I think I need to spend seven, ten days here in early November? Well, like I said, I've I've sort of learned the rut. Going to a new place or going to a place, I know my style of hunting and what I'm good at. I like hunting river bottoms. If you watch any of my videos, you see a hunt have a boat a lot.
full caption & clip details
An adult masculine voice; delivery is subdued, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly negative, slightly submissive, slightly guarded; reads as teasing, contentment, fatigue exhaustion; style: conversational, casual; average recording, quiet background; mildly explicit content; genuineness 4.4/6; vocal-burst blend 8.2/10; 25.6s.
cond_podcastt_01_02_0001_50786_00111770 · in -21.6 dBFS · gain +1.6 dB · evasnippets-00327
(doubt, contemplation, fear·brisk, normally alert, neutral tension, casual)Maybe maybe don't go on like a three state tour in the fall and maybe hammer down and and figure out your area. (ahem) Uh do you agree with that? Like what are your what are your thoughts around that about maybe someone who's still trying to learn and and going out, does going out like that help or hurt you, you know, there in the beginning?
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as doubt, contemplation, fear; style: casual, conversational; good recording, quiet background; mildly explicit content; genuineness 4.6/6; vocal-burst blend 9.8/10; 15.7s.
cond_podcastt_01_02_0001_50786_00124904 · in -21.6 dBFS · gain +1.6 dB · evasnippets-00072
Interest ↓ / Shame ↑c-evasnippets-PXR · #12
This chain comes from the proxy rule: the same two-sided test as above, but because Shame is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Shame clearly present — 0.60, higher than 60 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.36.
At the same time Interest goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.72 (higher than 72 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.12, then +0.24, then +0.00 — a plateau around step 3, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.94 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.94 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.94), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, normal-paced, normally alert, fairly steady
(interest, triumph, astonishment surprise · slightly relaxed, average clarity, casual, conversational)World War Two. Um, (low mumble) but yeah, they said fixed bayonets, but it made sense. 'Cause we're about to go into this thick, really thick kind of foliage that's over our heads and we had to stay online and like who knows, man, like if that guy d rushes out at you, you could your visibility was only about four six four to six feet.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as interest, triumph, astonishment surprise; style: casual, conversational; good recording, quiet background; genuineness 4.8/6; vocal-burst blend 7.4/10; 16.8s.
cond_podcastt_00_03_0005_577235_00160040 · in -25.9 dBFS · gain +5.9 dB · evasnippets-00316
(relief, intoxication altered states of consciousness, interest · slightly relaxed, average clarity, casual, monologue)You know, and so that but we were told go like whoever gets in your way, fight them, but keep moving. And so it was just we had to stay like in this big, like if you know, if you could zoom out on Iraq, I'm sure you could see all the formations kind of moving north. But that's just what it was. We were moving fast. So there's times where we had to go to people's homes and farms and kill chickens and turkeys and and like steal their food.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as relief, intoxication altered states of consciousness, interest; style: casual, monologue; good recording, quiet background; genuineness 4.1/6; vocal-burst blend 9.5/10; 22.5s.
cond_podcastt_00_03_0005_577235_00175888 · in -28.1 dBFS · gain +8.1 dB · evasnippets-00275
(shame, embarrassment, thankfulness gratitude·neutral tension, somewhat unclear, casual, conversational)Forget about it. But like so like I I you know, I talked to a bunch of people and and I talked to my family. I talked to my wife. I was like, if I'm gonna go over there and like, you know, put my neck on the line, you know, then I'd rather do it with like a military unit because these guys have no support. Blackwater had zero support back then.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, neutral openness; reads as shame, embarrassment, thankfulness gratitude; style: casual, conversational; average recording, quiet background; genuineness 5.1/6; vocal-burst blend 10.0/10; 16.8s.
cond_podcastt_00_03_0005_577235_00287592 · in -28.1 dBFS · gain +8.1 dB · evasnippets-00316
(shame, embarrassment, thankfulness gratitude · neutral tension, somewhat unclear, casual, conversational)Forget about it. But like so like I I you know, I talked to a bunch of people and and I talked to my family. I talked to my wife. I was like, if I'm gonna go over there and like, you know, put my neck on the line, you know, then I'd rather do it with like a military unit because these guys have no support. Blackwater had zero support back then.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, neutral openness; reads as shame, embarrassment, thankfulness gratitude; style: casual, conversational; average recording, quiet background; genuineness 5.1/6; vocal-burst blend 10.0/10; 16.8s.
cond_podcastt_00_03_0005_577235_00287592 · in -28.1 dBFS · gain +8.1 dB · evasnippets-00316
Contentment ↓ / Doubt ↑c-evasnippets-PXR · #13
This chain comes from the proxy rule: the same two-sided test as above, but because Doubt is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Doubt clearly present — 0.73, higher than 73 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.27.
At the same time Contentment goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.08, then +0.19 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.29 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.30 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.29, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult feminine voice · neutral-toned, fairly smooth, normally alert, fairly steady, some disfluency, average clarity, moderate pitch range, light breath
(contentment, shame, relief · brisk, neutral tension, casual, conversational)I'm guilty, I should say I should. It's one of those things I'm meaning to do. And it's it's just like, you know how when somebody sends you an email and you want to reply thoughtfully and you're like, I'll reply tonight before I go to bed. And then three days later it's like, act, I haven't done it. So, you know, I admit that I do that too. But that is one of my goals now. I had just hired a virtual assistant to help me with my social media. So now I can get back doing all those things that I want to do. And that's one of them is I would like to give recommendations for people that I've worked with because it's nice courtesy.
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, slightly thin; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as contentment, shame, relief; style: casual, conversational; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 10.0/10; 27.3s.
cond_podcastt_00_01_0004_657947_00229112 · in -17.8 dBFS · gain -2.2 dB · evasnippets-00325
(contemplation, contentment, thankfulness gratitude·normal-paced, slightly relaxed, conversational, casual)So before we close up, sometimes the ethical stuff comes up in the conversation and sometimes we kind of tag it on at the end. And we've addressed it a little bit in terms of authenticity, but I think especially with something like LinkedIn, there's a lot of people who are sort of new to the idea of marketing. This isn't something that they've been trained in. And what I see sometimes with people who are new to marketing is there's certain temptations.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as contemplation, contentment, thankfulness gratitude; style: conversational, casual; good recording, no background noise; genuineness 1.5/6; vocal-burst blend 3.5/10; 25.7s.
cond_podcastt_00_01_0004_657947_00231848 · in -17.1 dBFS · gain -2.9 dB · evasnippets-00139
(doubt, concentration, contemplation · normal-paced, slightly relaxed, conversational, casual)What do you mean by dangerous temptation? So I don't know LinkedIn well enough, but I know, for example, doing paid social media on Facebook, for example, you know, you can target certain demographics and certain groups, and that's all fine, but there are always points where you see a line in terms of your ethics, that line between manipulation and persuasion. You know, marketing is persuasion to a certain degree, but there's a line between that and manipulation. For example,
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as doubt, concentration, contemplation; style: conversational, casual; good recording, no background noise; genuineness 1.0/6; vocal-burst blend 5.0/10; 29.1s.
cond_podcastt_00_01_0004_657947_00236223 · in -17.3 dBFS · gain -2.7 dB · evasnippets-00139
This chain comes from the proxy rule: the same two-sided test as above, but because Hope Enthusiasm Optimism is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Hope Enthusiasm Optimism clearly present — 0.65, higher than 65 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.35.
At the same time Doubt goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.21, then +0.14, then +0.00 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.33 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.33 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.33, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, some disfluency, average clarity, wide pitch range
(doubt, contemplation · normal-paced, normally alert, neutral tension, conversational)And I told him I get it. I'm I'm a year into this thing and I still have these like regular crises of confidence. But the question I guess I would have for you is, does that go away? For how long were you tempted back toward the stability of a regular job before you
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as doubt, contemplation; style: conversational, casual; good recording, no background noise; genuineness 3.7/6; vocal-burst blend 6.6/10; 14.8s.
cond_podcastt_00_01_0005_874187_00186584 · in -19.9 dBFS · gain -0.1 dB · evasnippets-00316
(astonishment surprise, relief, interest·brisk, normally alert, neutral tension, casual)Oh, that's so cool. Yeah, you'd never even know there's a problem with the speech anymore. The reason why that is is because it was early intervention speech therapy. And there's so many families that have to choose between, well, do I put food on the table or do I get speech therapy for my kid? Now they're gonna choose food every time and they should, but they shouldn't have to. So we try
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as astonishment surprise, relief, interest; style: casual, conversational; good recording, quiet background; genuineness 3.4/6; vocal-burst blend 7.6/10; 21.6s.
cond_podcastt_00_01_0005_874187_00205167 · in -17.2 dBFS · gain -2.8 dB · evasnippets-00317
(hope enthusiasm optimism, interest, contentment· brisk, energised, slightly relaxed, casual)And so another great outlet for people that are feeling a little bit of uncertainty right now to to use their time and their talents and their money to uh (low mumble) make the world a better place, too. So uh (low mumble) that's exciting to hear. You're also you're living my dream right now a little bit. You're writing again, (low mumble) um, but you've also you've done a little pivot into the world of fiction. And the story behind the why of this is actually really fun. Uh (ahem) tell me about the will to die.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, interest, contentment; style: casual, conversational; good recording, quiet background; genuineness 2.1/6; vocal-burst blend 7.4/10; 25.9s.
cond_podcastt_00_01_0005_874187_00211823 · in -17.6 dBFS · gain -2.4 dB · evasnippets-00311
(hope enthusiasm optimism, interest, contentment · brisk, energised, slightly relaxed, casual)And so another great outlet for people that are feeling a little bit of uncertainty right now to to use their time and their talents and their money to uh (low mumble) make the world a better place, too. So uh (low mumble) that's exciting to hear. You're also you're living my dream right now a little bit. You're writing again, (low mumble) um, but you've also you've done a little pivot into the world of fiction. And the story behind the why of this is actually really fun. Uh (ahem) tell me about the will to die.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, interest, contentment; style: casual, conversational; good recording, quiet background; genuineness 2.1/6; vocal-burst blend 7.4/10; 25.9s.
cond_podcastt_00_01_0005_874187_00211823 · in -17.6 dBFS · gain -2.4 dB · evasnippets-00311
This chain comes from the proxy rule: the same two-sided test as above, but because Concentration is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Concentration clearly present — 0.73, higher than 73 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.25.
At the same time Embarrassment goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.04, then +0.21, then +0.00 — a plateau around step 3, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.76 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.83 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.76, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, slightly relaxed, average clarity, moderate pitch range
(embarrassment, amusement, doubt · normal-paced, normally alert, moderately variable, casual)Homodoxy comes out of my desire to share some things I'm thinking about that won't necessarily be published work, and to reach (low mumble) a maybe wider audience than the five people who will read my academic work.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly submissive, neutral openness; reads as embarrassment, amusement, doubt; style: casual, conversational; good recording, no background noise; genuineness 4.2/6; vocal-burst blend 3.8/10; 13.3s.
cond_podcastt_01_01_0003_848521_00022292 · in -25.1 dBFS · gain +5.2 dB · evasnippets-00321
(shame, thankfulness gratitude, doubt ·measured, subdued, fairly steady, casual)I haven't figured out if I can manage a regular rhythm for releasing my podcast recordings, but uh (ahem) we will see what I can do. The tagline for the website and podcast is Theology Against the Church, and against means many things. The first few writings will explore what that means to me.
full caption & clip details
An adult masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as shame, thankfulness gratitude, doubt; style: casual, whispered; good recording, no background noise; genuineness 3.4/6; vocal-burst blend 4.4/10; 22.2s.
cond_podcastt_01_01_0003_848521_00028783 · in -26.5 dBFS · gain +6.5 dB · evasnippets-00029
(concentration, sourness, bitterness·normal-paced, normally alert, fairly steady, whispered)The conversation has typically been about whether or not sex, marriage, and ordination are allowable for us. As Lynn Tonsett argues in Queer Theology Beyond Apologetics, queer theology is limited when its sole task is the inclusion of gays into the church. The arguments for inclusion often have unintended and unreflected upon consequences.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as concentration, sourness, bitterness; style: whispered, monologue; good recording, quiet background; genuineness 1.5/6; vocal-burst blend 2.0/10; 22.7s.
cond_podcastt_01_01_0003_848521_00035728 · in -25.4 dBFS · gain +5.4 dB · evasnippets-00289
(concentration, sourness, bitterness · normal-paced, normally alert, fairly steady, whispered)The conversation has typically been about whether or not sex, marriage, and ordination are allowable for us. As Lynn Tonsett argues in Queer Theology Beyond Apologetics, queer theology is limited when its sole task is the inclusion of gays into the church. The arguments for inclusion often have unintended and unreflected upon consequences.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as concentration, sourness, bitterness; style: whispered, monologue; good recording, quiet background; genuineness 1.5/6; vocal-burst blend 2.0/10; 22.7s.
cond_podcastt_01_01_0003_848521_00035728 · in -25.4 dBFS · gain +5.4 dB · evasnippets-00289
Affection ↓ / Longing ↑c-evasnippets-PXR · #16
This chain comes from the proxy rule: the same two-sided test as above, but because Longing is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Longing clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.29.
At the same time Affection goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.60 (higher than 60 % of clips in this corpus), a change of -0.39. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.24, then +0.00, then +0.05, then +0.00 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.96 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.97 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.96), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a middle-aged masculine voice · neutral-toned, neutral-bright, slightly rough, balanced body, good recording, quiet background, measured, slightly relaxed
(affection, jealousy and envy, relief · normally alert, little disfluency, light breath, narration)'Glad it amuses somebody,' said the man. We left him, helping the landlord to pick up the broken things, and went our way. A dozen yards outside the door, the faithful animal was waiting for his friend. He looked tired but contented. He was evidently a dog of strange and sudden fancies, and we feared for the moment lest he might take a liking to us, but he let us pass with indifference.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as affection, jealousy and envy, relief; style: narration, storytelling; good recording, quiet background; genuineness 0.2/6; vocal-burst blend 1.0/10; 24.9s.
cond_podcastt_03_02_0001_417781_00082408 · in -24.2 dBFS · gain +4.2 dB · evasnippets-00029
(infatuation, awe, contemplation·subdued, little disfluency, minimal breath, narration)Of old, Altbreisach, a rocky fortress with the river now on one side of it and now on the other, for in its inexperienced youth, the Rhine never seems to have been quite sure of its way, must, as a place of residence, have appealed exclusively to the lover of change and excitement. Whoever the war was between and whatever it was about, Altbreissach was bound to be in it.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, little disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as infatuation, awe, contemplation; style: narration, monologue; good recording, quiet background; genuineness 0.0/6; vocal-burst blend 0.0/10; 24.7s.
cond_podcastt_03_02_0001_417781_00087200 · in -24.4 dBFS · gain +4.4 dB · evasnippets-00154
(infatuation, awe, contemplation · subdued, little disfluency, minimal breath, narration)Of old, Altbreisach, a rocky fortress with the river now on one side of it and now on the other, for in its inexperienced youth, the Rhine never seems to have been quite sure of its way, must, as a place of residence, have appealed exclusively to the lover of change and excitement. Whoever the war was between and whatever it was about, Altbreissach was bound to be in it.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, little disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as infatuation, awe, contemplation; style: narration, monologue; good recording, quiet background; genuineness 0.0/6; vocal-burst blend 0.0/10; 24.7s.
cond_podcastt_03_02_0001_417781_00087200 · in -24.4 dBFS · gain +4.4 dB · evasnippets-00154
(longing, bitterness, helplessness·normally alert, almost no disfluency, minimal breath, narration)Everybody besieged it. Most people captured it. The majority of them lost it again. Nobody seemed able to keep it. Whom he belonged to and what he was, the dweller in Altpreissach could never have been quite sure. One day he would be a Frenchman, and then, before he could learn enough French to pay his taxes, he would be an Austrian.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, almost no disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as longing, bitterness, helplessness; style: narration, storytelling; good recording, quiet background; genuineness 0.0/6; vocal-burst blend 0.7/10; 20.5s.
cond_podcastt_03_02_0001_417781_00089670 · in -23.6 dBFS · gain +3.6 dB · evasnippets-00154
(longing, bitterness, helplessness · normally alert, almost no disfluency, minimal breath, narration)Everybody besieged it. Most people captured it. The majority of them lost it again. Nobody seemed able to keep it. Whom he belonged to and what he was, the dweller in Altpreissach could never have been quite sure. One day he would be a Frenchman, and then, before he could learn enough French to pay his taxes, he would be an Austrian.
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, almost no disfluency, moderate pitch range, minimal breath; affect is neutral, neutral stance, slightly guarded; reads as longing, bitterness, helplessness; style: narration, storytelling; good recording, quiet background; genuineness 0.0/6; vocal-burst blend 0.7/10; 20.5s.
cond_podcastt_03_02_0001_417781_00089670 · in -23.6 dBFS · gain +3.6 dB · evasnippets-00154
Doubt ↓ / Contentment ↑c-evasnippets-PXR · #17
This chain comes from the proxy rule: the same two-sided test as above, but because Contentment is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Contentment clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.93, higher than 93 % of clips in this corpus. That is a total rise of 0.26.
At the same time Doubt goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.74 (higher than 74 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.00, then +0.23, then +0.03 — a plateau around step 1, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.93 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult feminine voice · fairly smooth, balanced body, average recording, quiet background, brisk, energised, moderately variable, some disfluency
(doubt, concentration, contemplation · slightly relaxed, moderate pitch range, monologue, dramatic)He did not from the beginning just make a vessel of honor and a vessel of dishonor and it's all predestined and predetermined and there's no free will and there's there's there's no choice. No, that the the the very passage here about the potter and the clay reveals that there is a choice involved, there's a free will involved. A nation can be heading in a good direction, but if they then turn to become evil ways, then God's attitude towards that is also going to change.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, fairly guarded; reads as doubt, concentration, contemplation; style: monologue, dramatic; average recording, quiet background; genuineness 1.6/6; vocal-burst blend 2.6/10; 26.6s.
cond_podcastt_01_01_0004_135594_00266776 · in -33.3 dBFS · gain +13.3 dB · evasnippets-00289
(doubt, concentration, contemplation · slightly relaxed, moderate pitch range, monologue, dramatic)He did not from the beginning just make a vessel of honor and a vessel of dishonor and it's all predestined and predetermined and there's no free will and there's there's there's no choice. No, that the the the very passage here about the potter and the clay reveals that there is a choice involved, there's a free will involved. A nation can be heading in a good direction, but if they then turn to become evil ways, then God's attitude towards that is also going to change.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, fairly guarded; reads as doubt, concentration, contemplation; style: monologue, dramatic; average recording, quiet background; genuineness 1.6/6; vocal-burst blend 2.6/10; 26.6s.
cond_podcastt_01_01_0004_135594_00266776 · in -33.3 dBFS · gain +13.3 dB · evasnippets-00289
(contemplation, bitterness, awe·neutral tension, wide pitch range, monologue, dramatic)Because my people Israel that received all these blessings from God, they have turned away from him. And then in the end of the chapter, he says, But you know, the Gentiles that had nothing, no revelation of God, have now received this revelation of God, and they did it by faith. So the whole chapter is really about what is our response of faith. But then between these two these two passages about Israel, he brings other passages and other stories into it.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as contemplation, bitterness, awe; style: monologue, dramatic; average recording, quiet background; genuineness 1.6/6; vocal-burst blend 3.0/10; 26.9s.
cond_podcastt_01_01_0004_135594_00273272 · in -33.4 dBFS · gain +13.4 dB · evasnippets-00012
(contentment, relief· neutral tension, wide pitch range, dramatic, casual)showing that even though mankind chooses a different way, that God's purpose overrules. His his plan was all will always succeed. And so we have the story of of Isaac that, you know, (ahem) um had (ahem) uh two children, or rather Abram that had two children, Isaac and Ishmael. Ishmael it seemed to be a wrong choice and it was a wrong choice, but in the end God's plan succeeded.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as contentment, relief; style: dramatic, casual; average recording, quiet background; genuineness 1.8/6; vocal-burst blend 2.8/10; 21.2s.
cond_podcastt_01_01_0004_135594_00275956 · in -32.7 dBFS · gain +12.7 dB · evasnippets-00012
Sexual Lust ↓ / Pride ↑c-evasnippets-PXR · #18
This chain comes from the proxy rule: the same two-sided test as above, but because Pride is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Pride around average — 0.53, higher than 53 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.44.
At the same time Sexual Lust goes the other way, from 0.85 (higher than 85 % of clips in this corpus) to 0.56 (higher than 56 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.00, then +0.24, then +0.20 — a plateau around step 1, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.91 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.91 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.91), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, slightly relaxed, fairly steady, moderate pitch range, light breath
(normal-paced, normally alert, almost no disfluency, casual)She leaks the original text of Hartman Rector's talk to Sunstone, who publishes the unedited version of it. Now, today you can go back and read the edited version that was printed online.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; no dominant emotion; style: casual, narration; good recording, no background noise; genuineness 1.4/6; vocal-burst blend 1.3/10; 14.0s.
cond_podcastt_00_02_0003_952040_00300088 · in -25.8 dBFS · gain +5.8 dB · evasnippets-00322
(concentration· normal-paced, normally alert, some disfluency, casual)So there are the the one way of thinking about the Newell's tenure, at least from 1983 to 1985, are a series of conflicts with church leaders. And these are conflicts, in some cases, directly resulting from articles that were being published in dialogue, and in others, just kind of general suspicion. So in the spring of 1983, David Berger publishes
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as concentration; style: casual, monologue; good recording, no background noise; genuineness 0.7/6; vocal-burst blend 3.3/10; 23.4s.
cond_podcastt_00_02_0003_952040_00307072 · in -24.3 dBFS · gain +4.3 dB · evasnippets-00138
(concentration, disappointment·brisk, energised, some disfluency, casual)Before it's even published, Boyd K. Packer is condemning the article in public. He says that some foolish members claiming their interest in only academic or intellectual, uh (low mumble) uh in only academic or intellectual presume to speak or write about sacred ordinances. So, uh (low mumble)
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as concentration, disappointment; style: casual, dramatic; good recording, quiet background; genuineness 2.0/6; vocal-burst blend 4.8/10; 18.6s.
cond_podcastt_00_02_0003_952040_00311480 · in -24.9 dBFS · gain +4.8 dB · evasnippets-00012
(pride, jealousy and envy· brisk, normally alert, some disfluency, casual)(low mumble) Uh uh (low mumble) then we have uh (low mumble) of course the God makers is the kind of other background, which exposes the temple rituals as well. Um, (low mumble) uh (ahem) this movie, this evangelical anti-Mormon m movie that that was going around. And um, (low mumble) so there's a lot of kind of anxiety around exposing the uh (surprised gasp) temple secrets, including those that were reserved for really the highest order, the second anointing, which almost no members even knew anything about. (low mumble) Um
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as pride, jealousy and envy; style: casual, monologue; average recording, quiet background; genuineness 2.5/6; vocal-burst blend 5.2/10; 27.2s.
cond_podcastt_00_02_0003_952040_00313332 · in -25.5 dBFS · gain +5.5 dB · evasnippets-00139
Thankfulness Gratitude ↓ / Pride ↑c-evasnippets-PXR · #19
This chain comes from the proxy rule: the same two-sided test as above, but because Pride is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Pride clearly present — 0.73, higher than 73 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.26.
At the same time Thankfulness Gratitude goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.55 (higher than 55 % of clips in this corpus), a change of -0.40. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.12, then +0.14, then +0.00 — a plateau around step 3, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.95 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.95 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.95), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, no background noise, normal-paced, normally alert
(thankfulness gratitude · fairly steady, almost no disfluency, authoritative, monologue)Таким образом, наряду с сомнением, вернее, отрицанием возможности, осуществимости для судьи, возлагаемой статьей 31 задачи, выступает сомнение нежелательности подобного стеснения частной автономии. Остановимся сначала на первой точке зрения.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as thankfulness gratitude; style: authoritative, monologue; good recording, no background noise; genuineness 0.1/6; vocal-burst blend 4.6/10; 17.1s.
cond_podcastt_06_02_0002_646861_00105264 · in -23.1 dBFS · gain +3.1 dB · evasnippets-00297
(triumph, relief, thankfulness gratitude ·steady, no disfluency, narration, monologue)Или ввиду его молчания, судья пользуется и теперь достаточно широкой свободой усмотрения. Так что для особенных опасений по поводу еще нового случая проявления доверия к суду оснований нет.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as triumph, relief, thankfulness gratitude; style: narration, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 2.7/10; 13.3s.
cond_podcastt_06_02_0002_646861_00111615 · in -23.0 dBFS · gain +3.0 dB · evasnippets-00297
(pride, triumph ·fairly steady, almost no disfluency, monologue, formal)Нам кажется, уже один тот факт, что земский начальник не есть судья в подлинном смысле, а представляет орган административный с судебными функциями, не позволяет на основании практики этих должностных лиц делать какие-либо общие выводы о деятельности гражданского суда.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride, triumph; style: monologue, formal; good recording, no background noise; genuineness 0.3/6; vocal-burst blend 0.5/10; 17.8s.
cond_podcastt_06_02_0002_646861_00114856 · in -24.1 dBFS · gain +4.1 dB · evasnippets-00297
(pride, triumph, fear· fairly steady, almost no disfluency, authoritative, monologue)Припомним яркие примеры, приводимые Покровским: Покупка библиографической редкости у букиниста за ничтожную плату. Возможно, конечно, и обратное положение. Ввиду редкости вещи продавец назначает несоразмерно высокую цену. Может ли какой-нибудь судья усмотреть здесь пользование чужой нуждо или несчастьем?
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride, triumph, fear; style: authoritative, monologue; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 5.1/10; 19.9s.
cond_podcastt_06_02_0002_646861_00116688 · in -22.8 dBFS · gain +2.8 dB · evasnippets-00297
This chain comes from the proxy rule: the same two-sided test as above, but because Interest is not one of the emotions that ramps cleanly on its own, the per-step cap was applied to a stand-in (“proxy”) axis that tracks it.
The chain starts with Interest clearly present — 0.59, higher than 59 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.41.
At the same time Embarrassment goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.72 (higher than 72 % of clips in this corpus), a change of -0.28. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.16, then +0.25 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.34 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.55 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.34, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult feminine voice · neutral-toned, fairly smooth, balanced body, average clarity, light breath
(embarrassment, infatuation, sexual lust · normal-paced, normally alert, neutral tension, casual)I I remember (low mumble) um when when we were first like becoming friends just thinking, Oh my god, I'm gonna be too much for him and I'm (ahem) uh like he's gonna be like, No thanks. (breathy giggle) He's gonna quickly ignore me.
full caption & clip details
A young adult feminine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly submissive, neutral openness; reads as embarrassment, infatuation, sexual lust; style: casual, playful; good recording, no background noise; genuineness 4.4/6; vocal-burst blend 4.1/10; 12.9s.
cond_podcastt_03_03_0003_105297_00097638 · in -23.9 dBFS · gain +3.9 dB · evasnippets-00072
(pleasure ecstasy, elation, amusement·brisk, normally alert, neutral tension, casual)Yeah, y'all like flew in the first flight and then (ahem) uh (low mumble) like you got to the apartment and we were like shoved your stuff in and we're like, okay, let's go. I mean the apartment was small, didn't really like, you know, but you don't come to New York City to stay in someone's apartment. You come to see the city. But yeah, we hit the ground one in. It was crazy. It was insane. We did all of the things, we saw everything. I was enamored.
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, neutral openness; reads as pleasure ecstasy, elation, amusement; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 4.5/6; vocal-burst blend 10.0/10; 23.2s.
cond_podcastt_03_03_0003_105297_00142568 · in -22.2 dBFS · gain +2.2 dB · evasnippets-00008
(interest, hope enthusiasm optimism, elation ·measured, very low-energy, relaxed, casual)Yeah, let's bring some joy, let's bring some laughs, let's talk about real stuff. Like I think that's the other thing is we both work in very serious serious roles, like serious jobs. Like we and and I think part of part of what makes us fun and special is like we try to bring a (ahem) a a level of levity to yes to our world. So hopefully
full caption & clip details
A young adult masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as interest, hope enthusiasm optimism, elation; style: casual, monologue; average recording, quiet background; genuineness 3.1/6; vocal-burst blend 6.4/10; 25.0s.
cond_podcastt_03_03_0003_105297_00204784 · in -25.1 dBFS · gain +5.1 dB · evasnippets-00162