Rule.AB2 — two-sided: emotion A falls by >=T while emotion B rises by >=T, each consecutive step <=C Source. trajectories_v5.parquet | Family. one corpus in isolation Sampled from 197 matching rows, without replacement across the family, so no two tiers reuse a chain.
How to read a Script. Each chunk is one line:
a short tag of what the models heard in that clip, then the words spoken.
(underlined, plain ·
delivery, style) — the tag before the words. Emotions first, then how
it is delivered. Underlined descriptors are the ones that change across this chain
— anything identical on every clip is pulled out and stated once above, because a
value that never moves says nothing about a trajectory.
(ahem) — brackets inside the words
are a different thing: a real non-speech sound, printed where it happens. Most clips have
none; about a quarter do.
The full generated caption for any clip is still there, under
“full caption & clip details”. Its perceived-gender and background-noise
clauses were re-rendered from the numeric buckets, because the versions stored in the
corpus index had those two ladders running backwards.
The emotion clause has been re-derived, and it used to be wrong. The 40 emotion heads are not on a common scale — Interest has a median of 2.08 and is never zero, while Infatuation is zero on 87.7 % of clips — and the caption named an emotion whenever its raw score cleared an absolute 1.0. Interest therefore appeared in 94.8 % of captions and Sadness in almost none: the clause was reporting the scale of the head, not the emotion of the clip. An emotion is now named only when it lands in the top 10 % for that emotion, against a pooled tie-aware mid-rank ECDF over 132,833,726 utterances spanning every dataset and language. Interest now appears in 6.2 %, all 40 emotions occur, and a clip that is ordinary on all 40 says “no dominant emotion” rather than being forced to pick one (21.8 % of clips). This is the same scale the trajectory miner selects on, so the caption and the mining now refer to the same quantity: the mined target emotion is named in the final clip's caption on 73 % of chains, up from 46 %.
This chain comes from the two-sided rule: it only counts if both emotions move — Longing down and Emotional Numbness up — by at least 0.25 each.
The chain starts with Emotional Numbness clearly present — 0.68, higher than 68 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.30.
At the same time Longing goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.74 (higher than 74 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.15, then +0.15 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.52 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.52 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.52, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 51 s · en · evasnippets
hear it un-normalised (raw levels, max seam 2.9 dB)
Unchanged across all 3 clips: a middle-aged masculine voice · slightly rough, slightly relaxed, fairly narrow pitch
(longing, infatuation, malevolence malice · measured, subdued, fairly steady, narration)We shall not stay here long, but while we do,'tis folly wine and sweethearts to eskew. Why ask if earth etern or transient be? Since you must go, it matters not to you.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, little disfluency, fairly narrow pitch, light breath; affect is mildly negative, neutral stance, fairly guarded; reads as longing, infatuation, malevolence malice; style: narration, formal; good recording, no background noise; genuineness 0.5/6; vocal-burst blend 0.4/10; 14.0s.
cond_podcastt_09_00_0001_158007_00071400 · in -24.6 dBFS · gain +4.6 dB · evasnippets-00297
(pride, contemplation, sadness· measured, normally alert, steady, narration)In beings rondure do we stray belated, Our pride of manhood humbled and debated Would we were gone Long since have we been wearied with this world's griefs, And with its pleasures sated
full caption & clip details
A middle-aged masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, almost no disfluency, fairly narrow pitch, light breath; affect is neutral, neutral stance, slightly guarded; reads as pride, contemplation, sadness; style: narration, formal; good recording, no background noise; genuineness 0.0/6; vocal-burst blend 0.0/10; 13.9s.
cond_podcastt_09_00_0001_158007_00083680 · in -24.1 dBFS · gain +4.1 dB · evasnippets-00297
(emotional numbness, thankfulness gratitude, contentment·slow, very low-energy, steady, whispered)three hundred and thirty one. Zingune kiman call jahol mibinam, olam hamerovy gon baron mi binam, so pon allo bachidar minegaram, Now call mehish and daron nibinam So far as this world's dealings I have traced, I find its favours shamefully misplaced,
full caption & clip details
An elderly somewhat feminine voice; delivery is very low-energy, slow, slightly relaxed, steady; timbre is slightly cool, dark, slightly rough, slightly thin; slurred, frequent disfluency, fairly narrow pitch, normal breath; affect is mildly negative, neutral stance, slightly guarded; reads as emotional numbness, thankfulness gratitude, contentment; style: whispered, monologue; below-average recording, quiet background; genuineness 2.3/6; vocal-burst blend 0.9/10; 22.8s.
cond_podcastt_09_00_0001_158007_00091244 · in -27.0 dBFS · gain +7.0 dB · evasnippets-00028
Doubt ↓ / Interest ↑c-evasnippets-AB2 · #2
This chain comes from the two-sided rule: it only counts if both emotions move — Doubt down and Interest up — by at least 0.25 each.
The chain starts with Interest clearly present — 0.69, higher than 69 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.29.
At the same time Doubt goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.64 (higher than 64 % of clips in this corpus), a change of -0.36. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.08, then +0.00, then +0.01, then +0.19 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.08 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.09 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.08, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 114 s · en · evasnippets
hear it un-normalised (raw levels, max seam 3.7 dB)
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, neutral-bright, balanced body, slightly relaxed, light breath
(doubt, bitterness, disappointment · measured, subdued, fairly steady, newsreading)continued for hours. In official transcripts, there are over one hundred witnesses who saw more than two shooters, and more than forty witnesses who identified the same two men in their thirties, one balding and the other with a short military style haircut. Several witnesses described the same adult male throwing a pipe bomb on the roof of the library, all of them certain that it wasn't Dylan or Eric.
full caption & clip details
An adult masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as doubt, bitterness, disappointment; style: newsreading, monologue; good recording, no background noise; genuineness 0.4/6; vocal-burst blend 1.9/10; 26.6s.
cond_podcastt_00_03_0004_160297_00565320 · in -20.7 dBFS · gain +0.7 dB · evasnippets-00012
(disappointment, sadness, distress· measured, normally alert, steady, newsreading)And all of this information pertaining to additional shooters has been redacted. The FBI agent in charge of the Columbine investigation had a son who recently attended the school, who shot a student film inside Columbine High two years before the shooting about a character wearing a trench coat shooting up.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, sadness, distress; style: newsreading, formal; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.5/10; 21.7s.
cond_podcastt_00_03_0004_160297_00567976 · in -21.4 dBFS · gain +1.4 dB · evasnippets-00297
(disappointment, sadness, distress · measured, normally alert, steady, newsreading)And all of this information pertaining to additional shooters has been redacted. The FBI agent in charge of the Columbine investigation had a son who recently attended the school, who shot a student film inside Columbine High two years before the shooting about a character wearing a trench coat shooting up.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, almost no disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as disappointment, sadness, distress; style: newsreading, formal; good recording, no background noise; genuineness 0.2/6; vocal-burst blend 0.5/10; 21.7s.
cond_podcastt_00_03_0004_160297_00567976 · in -21.4 dBFS · gain +1.4 dB · evasnippets-00297
(concentration, helplessness· measured, normally alert, fairly steady, newsreading)Such as families involved in the military-industrial complex, prescribed SSRIs and other psychotropic drugs, psychological care provided by the state, and associations with law enforcement prior to the shootings. Just like we saw with the retired federal agent in regular communication with the buffer.
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is neutral, neutral stance, slightly guarded; reads as concentration, helplessness; style: newsreading, narration; good recording, no background noise; genuineness 0.9/6; vocal-burst blend 0.3/10; 21.5s.
cond_podcastt_00_03_0004_160297_00572544 · in -21.9 dBFS · gain +1.9 dB · evasnippets-00289
(interest, awe, disgust·normal-paced, normally alert, fairly steady, casual)It's not far from the site of the mysterious incident that took place in 1947, the day when a rancher discovered the debris scattered around his sheep pasture, uh, (low mumble) prompting speculation that an unidentified flying object or UFO had crashed there. In June or possibly early July 1947.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, some disfluency, fairly narrow pitch, light breath; affect is neutral, slightly dominant, slightly guarded; reads as interest, awe, disgust; style: casual; average recording, quiet background; genuineness 3.7/6; vocal-burst blend 5.1/10; 21.7s.
cond_podcastt_00_03_0004_160297_00951544 · in -25.6 dBFS · gain +5.6 dB · evasnippets-00322
Doubt ↓ / Contemplation ↑c-evasnippets-AB2 · #3
This chain comes from the two-sided rule: it only counts if both emotions move — Doubt down and Contemplation up — by at least 0.25 each.
The chain starts with Contemplation clearly present — 0.63, higher than 63 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.35.
At the same time Doubt goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.70 (higher than 70 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.21, then +0.14 — an even, steady climb — each clip carries about the same share.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.89 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.85 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.89. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 73 s · en · evasnippets
hear it un-normalised (raw levels, max seam 0.7 dB)
Unchanged across all 3 clips: an adult masculine voice · neutral-bright, slightly rough, some background noise, neutral tension, wide pitch range, normal breath
(doubt, contempt, interest · brisk, highly aroused, moderately variable, dramatic)Women can teach women, but Paul was very clear. There is enormous cultural pressure in our culture for church leaders to cave on this issue. And it's not because of the faithful preaching of Whitfield, Luther, or Calvin, Jonathan Edwards, or or any of those guys. Did they teach us that?
full caption & clip details
An adult masculine voice; delivery is highly aroused, brisk, neutral tension, moderately variable; timbre is slightly cool, neutral-bright, slightly rough, balanced body; very clear, almost no disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, fairly guarded; reads as doubt, contempt, interest; style: dramatic, authoritative; average recording, some background noise; genuineness 0.4/6; vocal-burst blend 0.4/10; 21.9s.
cond_podcastt_01_01_0005_874237_00269872 · in -17.6 dBFS · gain -2.4 dB · evasnippets-00012
(contempt, anger, impatience and irritability· brisk, energised, moderately variable, dramatic)That's not very loving in today's culture. You're not very compassionate, Paul. In fact, I had a guy get up and walk out of SWAT one time because I called out Joel Osteen for preaching a prosperity false gospel. And he said, I've really been ministered to by him. I said, How? He makes me feel good. I said, That's your problem.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, wide pitch range, normal breath; affect is mildly negative, slightly dominant, fairly guarded; reads as contempt, anger, impatience and irritability; style: dramatic, monologue; average recording, some background noise; genuineness 3.0/6; vocal-burst blend 6.5/10; 21.1s.
cond_podcastt_01_01_0005_874237_00278884 · in -17.6 dBFS · gain -2.4 dB · evasnippets-00280
(contemplation, bitterness, contempt ·measured, energised, variable, dramatic)That word means wickedness. And 1 John chapter 3 says, if you make a practice of sinning and you continue in sin, you don't love the Lord. Those that love the Lord will not continue on in that practice. So when God surfaces something to you, I don't care if your best friend comes up to you and says, you know what, I don't think you're really in sin.
full caption & clip details
A middle-aged masculine voice; delivery is energised, measured, neutral tension, variable; timbre is slightly cool, neutral-bright, slightly rough, full; very clear, some disfluency, wide pitch range, normal breath; affect is negative, dominant, fairly guarded; reads as contemplation, bitterness, contempt; style: dramatic, storytelling; below-average recording, some background noise; genuineness 1.6/6; vocal-burst blend 3.4/10; 29.4s.
cond_podcastt_01_01_0005_874237_00295824 · in -18.4 dBFS · gain -1.6 dB · evasnippets-00154
This chain comes from the two-sided rule: it only counts if both emotions move — Sourness down and Hope Enthusiasm Optimism up — by at least 0.25 each.
The chain starts with Hope Enthusiasm Optimism around average — 0.57, higher than 57 % of clips in this corpus — and ends with it at the very top of the corpus at 0.95, higher than 95 % of clips in this corpus. That is a total rise of 0.38.
At the same time Sourness goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.72 (higher than 72 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.09, then +0.09, then +0.23, then -0.03 — not a clean run: step 4 moves back the other way by 0.03 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.06 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.04 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.06, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
5 clips · 89 s · en · evasnippets
hear it un-normalised (raw levels, max seam 2.2 dB)
Unchanged across all 5 clips: an adult masculine voice · fairly smooth, balanced body, average recording, quiet background, brisk, energised, neutral tension, moderately variable
(sourness, jealousy and envy, thankfulness gratitude · average clarity, light breath, casual, conversational)And and that that's why they got into it. And they're in the business because of the cash flow. But the idea of working fifteen hours a day to do something that they don't really enjoy all that much, they just want the cash flow from, sounds like a really terrible life.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as sourness, jealousy and envy, thankfulness gratitude; style: casual, conversational; average recording, quiet background; genuineness 3.7/6; vocal-burst blend 5.8/10; 13.3s.
cond_podcastt_02_03_0004_824602_00058520 · in -20.4 dBFS · gain +0.4 dB · evasnippets-00321
(contempt, sourness, interest·clear, normal breath, casual, dramatic)Or thinking long term, you're willing to sacrifice things. You know what cripples everybody is you didn't have anything, you found an idea, you found somebody that gave you a concept, you got something that worked, and now you got something. Something that you were sold by the American media machine that you want, like a fucking watch or a car. Like, you know, you got something.
full caption & clip details
An adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, balanced body; clear, some disfluency, wide pitch range, normal breath; affect is negative, slightly dominant, guarded; reads as contempt, sourness, interest; style: casual, dramatic; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 3.5/10; 22.4s.
cond_podcastt_02_03_0004_824602_00070036 · in -22.6 dBFS · gain +2.6 dB · evasnippets-00138
(amusement, teasing, impatience and irritability·average clarity, light breath, casual, playful)while I'm on the show, are you gonna feed me the are you gonna feed me info about the Indians? And they said no and this was actually a contention point and one of the guys says everything is negotiable. So we actually have this on the table. You'll feed me Indians info if I'm gonna if we're gonna be on the show.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as amusement, teasing, impatience and irritability; style: casual, playful; average recording, quiet background; genuineness 4.2/6; vocal-burst blend 7.6/10; 14.0s.
cond_podcastt_02_03_0004_824602_00128772 · in -22.1 dBFS · gain +2.1 dB · evasnippets-00325
(hope enthusiasm optimism, elation, jealousy and envy·clear, light breath, casual, dramatic)Guys, there's no growth hackers showing up on CNN. You know, like like like it's just what you want to play. Like I wanna build leverage with everybody in this room. I'm not trying to extract something from you in a one month, one week, first time you landed on my website, one speaking engagement situation. I have the potential to know you hopefully for the rest of my life.
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; clear, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as hope enthusiasm optimism, elation, jealousy and envy; style: casual, dramatic; average recording, quiet background; mildly explicit content; genuineness 3.3/6; vocal-burst blend 6.5/10; 21.0s.
cond_podcastt_02_03_0004_824602_00140944 · in -20.0 dBFS · gain +0.0 dB · evasnippets-00280
(hope enthusiasm optimism, pride, interest·average clarity, light breath, casual, ranting)I think you gotta tell a bigger story about the person. So like one of the things that I could probably sell, believe it or not, in subscription, is just 12 items a month or a year around my interests. Maybe something for tailgating, because I'm a big Jets fan. I think we go too narrow with these personal brands.
full caption & clip details
An adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, pride, interest; style: casual, ranting; average recording, quiet background; genuineness 3.2/6; vocal-burst blend 2.9/10; 18.1s.
cond_podcastt_02_03_0004_824602_00241028 · in -20.8 dBFS · gain +0.8 dB · evasnippets-00280
Pride ↓ / Shame ↑c-evasnippets-AB2 · #5
This chain comes from the two-sided rule: it only counts if both emotions move — Pride down and Shame up — by at least 0.25 each.
The chain starts with Shame around average — 0.58, higher than 58 % of clips in this corpus — and ends with it at the very top of the corpus at 0.92, higher than 92 % of clips in this corpus. That is a total rise of 0.35.
At the same time Pride goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.74 (higher than 74 % of clips in this corpus), a change of -0.25. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.24, then +0.11 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.92 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.92 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.92), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
3 clips · 79 s · en · evasnippets
hear it un-normalised (raw levels, max seam 0.5 dB)
Unchanged across all 3 clips: a middle-aged masculine voice · neutral-toned, neutral-bright, slightly rough, balanced body, average recording, quiet background, measured, subdued
(pride, awe, concentration · little disfluency, clear, moderate pitch range, narration)The ancient language of Latin contributed to its preservation and distribution around the world. (low mumble) Latin was the official language of the Roman Empire. They were the most powerful empire at the time. The Bible was translated into Latin around the year four hundred AD, and it's often called the Latin Vulgate. The Vulgate would become the standard for the next thousand years. (ahem) When the Bible was being written and translated in these languages,
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; clear, little disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as pride, awe, concentration; style: narration, monologue; average recording, quiet background; genuineness 0.9/6; vocal-burst blend 2.4/10; 29.9s.
cond_podcastt_01_01_0000_62148_00271967 · in -15.1 dBFS · gain -4.9 dB · evasnippets-00289
(contempt, triumph, malevolence malice·some disfluency, average clarity, moderate pitch range, monologue)Now, if translating the Bible in in a language other than Latin was a blasphemous act in their view, even more revolting to Catholic authority was the thought of the Bible being translated into a crude and unsophisticated language like English. By the late thirteen hundreds, something happened that would stir the anger of the Catholic Church officials to new heights.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as contempt, triumph, malevolence malice; style: monologue, narration; average recording, quiet background; genuineness 1.0/6; vocal-burst blend 1.1/10; 25.3s.
cond_podcastt_01_01_0000_62148_00291296 · in -15.1 dBFS · gain -4.9 dB · evasnippets-00289
(shame· some disfluency, average clarity, fairly narrow pitch, monologue)An Oxford scholar named John Wycliffe began to defy papal authority, and in the year thirteen eighty Wycliffe, along with some of his students, began work on translating the Bible from Latin into English. This was actually illegal in England, and was met with severe punishment. Being caught with an English translation could even result in execution.
full caption & clip details
A middle-aged masculine voice; delivery is subdued, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, some disfluency, fairly narrow pitch, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as shame; style: monologue, narration; average recording, quiet background; genuineness 0.8/6; vocal-burst blend 1.1/10; 23.7s.
cond_podcastt_01_01_0000_62148_00293824 · in -15.5 dBFS · gain -4.5 dB · evasnippets-00289
Interest ↓ / Affection ↑c-evasnippets-AB2 · #6
This chain comes from the two-sided rule: it only counts if both emotions move — Interest down and Affection up — by at least 0.25 each.
The chain starts with Affection clearly present — 0.60, higher than 60 % of clips in this corpus — and ends with it at the very top of the corpus at 0.97, higher than 97 % of clips in this corpus. That is a total rise of 0.37.
At the same time Interest goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.68 (higher than 68 % of clips in this corpus), a change of -0.30. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.00, then +0.16, then +0.00, then +0.21 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.13 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.13 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.13, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult masculine voice · fairly smooth, brisk, energised, neutral tension, moderately variable, wide pitch range, light breath
(interest, hope enthusiasm optimism, elation · some disfluency, average clarity, casual, ranting)gonna be competing for is with Tomanaga. So kinda follow them along, see kinda see if if Tomanaga starts to to take a step up, that'll kinda freeze Kobe out of the rotation maybe. But if not, then I mean Kobe's shown that he can do it before at a higher level so far in only two games than than Tomanaga has. There's our opening montage.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, hope enthusiasm optimism, elation; style: casual, ranting; below-average recording, some background noise; genuineness 4.7/6; vocal-burst blend 10.0/10; 17.6s.
cond_podcastt_00_01_0003_163185_00147496 · in -25.6 dBFS · gain +5.6 dB · evasnippets-00324
(interest, hope enthusiasm optimism, elation · some disfluency, average clarity, casual, ranting)gonna be competing for is with Tomanaga. So kinda follow them along, see kinda see if if Tomanaga starts to to take a step up, that'll kinda freeze Kobe out of the rotation maybe. But if not, then I mean Kobe's shown that he can do it before at a higher level so far in only two games than than Tomanaga has. There's our opening montage.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is slightly cool, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, hope enthusiasm optimism, elation; style: casual, ranting; below-average recording, some background noise; genuineness 4.7/6; vocal-burst blend 10.0/10; 17.6s.
cond_podcastt_00_01_0003_163185_00147496 · in -25.6 dBFS · gain +5.6 dB · evasnippets-00324
(elation, hope enthusiasm optimism · some disfluency, average clarity, casual, playful)Uh monologue (low mumble) uh at Chick-fil-A, by the way. Uh (low mumble) it's Tailgate Tuesday. You can stop by this location or go to the forty eighth and oh location. This is a South Point location. Use the Chick-fil-A app to order a scan, get rewards points, and you'll be registered to win a free Tailgate meal for fifteen people with the nuggets, the fresh fruit, iced tea, or lemonade.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as elation, hope enthusiasm optimism; style: casual, playful; average recording, quiet background; genuineness 2.6/6; vocal-burst blend 6.6/10; 19.0s.
cond_podcastt_00_01_0003_163185_00149256 · in -23.8 dBFS · gain +3.8 dB · evasnippets-00324
(elation, hope enthusiasm optimism · some disfluency, average clarity, casual, playful)Uh monologue (low mumble) uh at Chick-fil-A, by the way. Uh (low mumble) it's Tailgate Tuesday. You can stop by this location or go to the forty eighth and oh location. This is a South Point location. Use the Chick-fil-A app to order a scan, get rewards points, and you'll be registered to win a free Tailgate meal for fifteen people with the nuggets, the fresh fruit, iced tea, or lemonade.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as elation, hope enthusiasm optimism; style: casual, playful; average recording, quiet background; genuineness 2.6/6; vocal-burst blend 6.6/10; 19.0s.
cond_podcastt_00_01_0003_163185_00149256 · in -23.8 dBFS · gain +3.8 dB · evasnippets-00324
(affection, hope enthusiasm optimism, elation ·almost no disfluency, clear, storytelling, monologue)And the winner will be drawn and contacted tomorrow. Brian Mudson of HuskerOnline.com. We'll talk a little Husker football and football recruiting with Brian coming up next on Tom and Bach.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, full; clear, almost no disfluency, wide pitch range, light breath; affect is positive, slightly dominant, fairly guarded; reads as affection, hope enthusiasm optimism, elation; style: storytelling, monologue; good recording, quiet background; genuineness 1.4/6; vocal-burst blend 1.9/10; 11.7s.
cond_podcastt_00_01_0003_163185_00151160 · in -24.0 dBFS · gain +4.0 dB · evasnippets-00323
Teasing ↓ / Fear ↑c-evasnippets-AB2 · #7
This chain comes from the two-sided rule: it only counts if both emotions move — Teasing down and Fear up — by at least 0.25 each.
The chain starts with Fear clearly present — 0.67, higher than 67 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.31.
At the same time Teasing goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.73 (higher than 73 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.10, then +0.21 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.61 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.61 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.61, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, fairly smooth, moderately variable, some disfluency, wide pitch range
(teasing, amusement, embarrassment · normal-paced, normally alert, neutral tension, conversational)Yeah, they hop dimensions somehow. My other theory is that now this one's a little more far fetched. Well, depending on whatever. Depending on if you like superhero stuff (breathy giggle) or whatever.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, neutral openness; reads as teasing, amusement, embarrassment; style: conversational, casual; good recording, quiet background; genuineness 4.0/6; vocal-burst blend 4.0/10; 9.7s.
cond_podcastt_02_02_0004_307559_00148336 · in -17.9 dBFS · gain -2.1 dB · evasnippets-00321
(normal-paced, energised, slightly tense, casual)Yeah, you can call or text whenever you would like. The phone number for our haunted hotline is 803-816-2667 or 803-816-BOOS B-O-O-S, like the plural word of what ghosts say.
full caption & clip details
An adult masculine voice; delivery is energised, normal-paced, slightly tense, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, full; crisply articulate, some disfluency, wide pitch range, normal breath; affect is positive, slightly dominant, slightly guarded; no dominant emotion; style: casual, playful; good recording, no background noise; mildly explicit content; genuineness 0.9/6; vocal-burst blend 1.5/10; 18.0s.
cond_podcastt_02_02_0004_307559_00182767 · in -17.3 dBFS · gain -2.7 dB · evasnippets-00327
(fear, contentment, relief·brisk, energised, slightly relaxed, casual)If you have something strange happening around your house, if something happened to you or a friend or a family member in the past, if you feel like you can predict the future, if you found something at a yard sale and maybe you like didn't buy it, but you stole it, you brought it home, and you feel like now your house is haunted, call and let us know. We want to hear about it. Honestly, we'd like nothing more. Again, the phone number is 803-816-2667 or 803-816-2726.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as fear, contentment, relief; style: casual, conversational; average recording, no background noise; mildly explicit content; genuineness 2.2/6; vocal-burst blend 8.2/10; 27.1s.
cond_podcastt_02_02_0004_307559_00185312 · in -17.1 dBFS · gain -2.9 dB · evasnippets-00138
This chain comes from the two-sided rule: it only counts if both emotions move — Embarrassment down and Contempt up — by at least 0.25 each.
The chain starts with Contempt clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.29.
At the same time Embarrassment goes the other way, from 0.99 (higher than 99 % of clips in this corpus) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.27. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.09, then +0.20, then +0.00 — a plateau around step 3, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.38 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.38 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.38, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: a young adult somewhat masculine voice · neutral-toned, slightly bright, fairly smooth, balanced body, average recording, quiet background, moderately variable, average clarity
(embarrassment, shame, contentment · normal-paced, normally alert, neutral tension, casual)mics. I don't ever buy my myself things. I buy things in order to make things to make more money someday eventually. So I've never actually had the pleasure of buy (ahem) of indulging in items. Oh, I get to buy a lot of snacks and movies, yay, 'cause I got money. No, I never
full caption & clip details
A young adult somewhat masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as embarrassment, shame, contentment; style: casual, playful; average recording, quiet background; mildly explicit content; genuineness 4.7/6; vocal-burst blend 5.9/10; 15.7s.
cond_podcastt_01_03_0002_954210_00081480 · in -26.7 dBFS · gain +6.7 dB · evasnippets-00072
(teasing, interest, fear· normal-paced, normally alert, neutral tension, casual)And I'm like, whoa, you're like right on point. And that's what's terrifying is you meet a bunch of people in your field that are like really enthusiastic and you're like, you sound smart like me. I identify with you. We're similar. And then you see the work and you're like, that's so bad. Do I make stuff like that? (low mumble) Ugh, scary. You l I we've talked about this before too. You gotta be able to look at your work objectively.
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly negative, slightly dominant, neutral openness; reads as teasing, interest, fear; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 4.9/6; vocal-burst blend 10.0/10; 21.8s.
cond_podcastt_01_03_0002_954210_00174668 · in -30.0 dBFS · gain +10.0 dB · evasnippets-00008
(contempt, disgust, malevolence malice·brisk, energised, slightly tense, casual)And it doesn't matter if you think Citizen Kane's a good movie and you like the work of, you know, Francis Ford Coppola or whatever, if you make shit videos and shit short films you should be able to say, Yeah, it's a piece of shit. You shouldn't show people and be like, Look at how great this is.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as contempt, disgust, malevolence malice; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 4.1/6; vocal-burst blend 8.3/10; 14.2s.
cond_podcastt_01_03_0002_954210_00176840 · in -29.4 dBFS · gain +9.4 dB · evasnippets-00298
(contempt, disgust, malevolence malice · brisk, energised, slightly tense, casual)And it doesn't matter if you think Citizen Kane's a good movie and you like the work of, you know, Francis Ford Coppola or whatever, if you make shit videos and shit short films you should be able to say, Yeah, it's a piece of shit. You shouldn't show people and be like, Look at how great this is.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as contempt, disgust, malevolence malice; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 4.1/6; vocal-burst blend 8.3/10; 14.2s.
cond_podcastt_01_03_0002_954210_00176840 · in -29.4 dBFS · gain +9.4 dB · evasnippets-00298
Interest ↓ / Impatience and Irritability ↑c-evasnippets-AB2 · #9
This chain comes from the two-sided rule: it only counts if both emotions move — Interest down and Impatience and Irritability up — by at least 0.25 each.
The chain starts with Impatience and Irritability around average — 0.52, higher than 52 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.48.
At the same time Interest goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.69 (higher than 69 % of clips in this corpus), a change of -0.30. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.15, then +0.10, then +0.23, then +0.00 — a plateau around step 4, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.21 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.23 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.21, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult masculine voice · neutral-toned, fairly smooth, balanced body, brisk, energised, moderately variable, some disfluency, average clarity
(interest, amusement, embarrassment · neutral tension, casual, conversational)No, I think the Arizona Diamondbacks, I'm figuring this out right now. (chuckle) Um I think the Arizona Diamondbacks might have the most underrated player in all of baseball on their team in Christian Water.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as interest, amusement, embarrassment; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 5.0/6; vocal-burst blend 5.3/10; 11.3s.
cond_podcastt_00_02_0001_599673_00163128 · in -26.1 dBFS · gain +6.1 dB · evasnippets-00321
(elation, hope enthusiasm optimism, interest ·slightly tense, casual, playful)He had thirty-three home runs. The year previously in twenty twenty two didn't bring this up. Thirty-six home runs. So back to back seasons with over thirty bombs and gold gloves. And this year has played in every single game, ninety seven games, leads MLB, has twenty two bombs, so well on pace to surpass thirty bombs again.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as elation, hope enthusiasm optimism, interest; style: casual, playful; average recording, some background noise; genuineness 2.0/6; vocal-burst blend 5.0/10; 18.5s.
cond_podcastt_00_02_0001_599673_00166736 · in -25.3 dBFS · gain +5.3 dB · evasnippets-00035
(disappointment, elation, bitterness·slightly relaxed, casual, conversational)Dude, this guy's thirty three years old. He looks like he's a late bloomer. I mean, he had that one twenty nineteen year of eight twenty four and then yeah, he fell off in twenty twenty one and then everyone forgot about him and then and he was on the diamondbacks when they were bad. So it's like, Oh well, no one's really giving this guy any light of day. And yeah, you're right.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly relaxed, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as disappointment, elation, bitterness; style: casual, conversational; good recording, quiet background; genuineness 4.0/6; vocal-burst blend 9.4/10; 17.9s.
cond_podcastt_00_02_0001_599673_00169680 · in -17.3 dBFS · gain -2.7 dB · evasnippets-00275
(impatience and irritability, teasing, disgust·slightly tense, casual, conversational)the Arizona Diamondbacks, why are you not voting for this guy five times a day? He d at some point in his C in his career, he's gotta go to the All Star game.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, fairly guarded; reads as impatience and irritability, teasing, disgust; style: casual, conversational; average recording, some background noise; mildly explicit content; genuineness 4.9/6; vocal-burst blend 1.7/10; 9.6s.
cond_podcastt_00_02_0001_599673_00172904 · in -24.1 dBFS · gain +4.1 dB · evasnippets-00321
(impatience and irritability, teasing, disgust · slightly tense, casual, conversational)the Arizona Diamondbacks, why are you not voting for this guy five times a day? He d at some point in his C in his career, he's gotta go to the All Star game.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly tense, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, fairly guarded; reads as impatience and irritability, teasing, disgust; style: casual, conversational; average recording, some background noise; mildly explicit content; genuineness 4.9/6; vocal-burst blend 1.7/10; 9.6s.
cond_podcastt_00_02_0001_599673_00172904 · in -24.1 dBFS · gain +4.1 dB · evasnippets-00321
Jealousy and Envy ↓ / Contentment ↑c-evasnippets-AB2 · #10
This chain comes from the two-sided rule: it only counts if both emotions move — Jealousy and Envy down and Contentment up — by at least 0.25 each.
The chain starts with Contentment clearly present — 0.63, higher than 63 % of clips in this corpus — and ends with it at the very top of the corpus at 0.96, higher than 96 % of clips in this corpus. That is a total rise of 0.33.
At the same time Jealousy and Envy goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.69 (higher than 69 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.24, then +0.08, then +0.01 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.84 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.81 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.84. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, balanced body, average recording, quiet background, fairly steady, moderate pitch range, light breath
(jealousy and envy, intoxication altered states of consciousness, amusement · measured, very low-energy, neutral tension, casual)Except that's (low mumble) uh I mean (ahem) like seeing those places, seeing (low mumble) uh obviously that we have a very good zoo in the place we currently reside in Toledo, (ahem) Ohio. (low mumble) Uh except there's something about going to May I mean Brazil, South America, even leaving America. I mean, dude, I want to go and explore like Antarctica. Like that's the mindset.
full caption & clip details
An adult masculine voice; delivery is very low-energy, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as jealousy and envy, intoxication altered states of consciousness, amusement; style: casual, monologue; average recording, quiet background; genuineness 4.0/6; vocal-burst blend 5.5/10; 26.4s.
cond_podcastt_02_01_0004_979587_00075704 · in -21.9 dBFS · gain +1.9 dB · evasnippets-00008
(contemplation· measured, subdued, relaxed, casual)Yeah, uh exactly. Except (low mumble) uh I I mean, you know, it's all about (low mumble) uh you know, not I mean not I mean with this y you know, you wanna have an attitude in life (ahem) to live in the moment, be where you are, be where your feet are. I think the Tigers just won.
full caption & clip details
An adult masculine voice; delivery is subdued, measured, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly negative, slightly submissive, neutral openness; reads as contemplation; style: casual, conversational; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 6.1/10; 14.8s.
cond_podcastt_02_01_0004_979587_00144440 · in -21.3 dBFS · gain +1.3 dB · evasnippets-00072
(contemplation, contentment, sexual lust· measured, subdued, neutral tension, casual)Uh, (low mumble) except as you get older, (low mumble) uh, you have to (low mumble) uh I mean, especially when you go through hard things, you have to really think about going (low mumble) uh I mean, it it almost say I mean, that's the thing though, you have to go through those hard things. And that is I mean, 'cause I I mean I can't say I always had like, you know, the most positive outlook because the human instinct is in us is I feel like to
full caption & clip details
An adult masculine voice; delivery is subdued, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, light breath; affect is mildly negative, slightly submissive, slightly guarded; reads as contemplation, contentment, sexual lust; style: casual, conversational; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 9.5/10; 25.6s.
cond_podcastt_02_01_0004_979587_00316752 · in -22.6 dBFS · gain +2.6 dB · evasnippets-00087
(contentment, sexual lust, intoxication altered states of consciousness·normal-paced, subdued, relaxed, casual)No, no, (ahem) a yeah, I mean i I except I feel like once you make it in agreement with yourself, uh (low mumble) in whenever that stage comes, I feel like it just that's who you are. Like for a sense. And like some things will knock you down and get you upset, you know, rattle your cage and stuff like that. And like you know we all wanna let that inner air you know, werewolf come out sometimes.
full caption & clip details
An adult masculine voice; delivery is subdued, normal-paced, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, neutral openness; reads as contentment, sexual lust, intoxication altered states of consciousness; style: casual, conversational; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 10.0/10; 20.3s.
cond_podcastt_02_01_0004_979587_00325736 · in -21.3 dBFS · gain +1.3 dB · evasnippets-00072
Astonishment Surprise ↓ / Jealousy and Envy ↑c-evasnippets-AB2 · #11
This chain comes from the two-sided rule: it only counts if both emotions move — Astonishment Surprise down and Jealousy and Envy up — by at least 0.25 each.
The chain starts with Jealousy and Envy clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.28.
At the same time Astonishment Surprise goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.66 (higher than 66 % of clips in this corpus), a change of -0.31. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.10, then +0.00, then -0.03, then +0.21 — not a clean run: step 3 moves back the other way by 0.03 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.08 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.04 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.08, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · fairly smooth, balanced body, light breath
(astonishment surprise, shame, pleasure ecstasy · normal-paced, normally alert, neutral tension, casual)I forgot about that. I remember he I remember reading that now. Yeah, but W William Goldman, incredible. Um (low mumble) and Princess by Ed, you definitely need to watch that movie. That's that is one movie I'll recommend to anybody, anytime, anywhere. And I've never from kids to adults, I've never heard anybody say, I just can't stand that movie.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as astonishment surprise, shame, pleasure ecstasy; style: casual, conversational; good recording, no background noise; genuineness 4.6/6; vocal-burst blend 7.3/10; 17.7s.
cond_podcastt_00_02_0004_490855_00212184 · in -24.4 dBFS · gain +4.4 dB · evasnippets-00275
(pleasure ecstasy, elation, embarrassment· normal-paced, normally alert, neutral tension, casual)I I see I know I know Bob. I know. I said before we recorded this, I was like, he's gonna throw in one. I bet he's gonna th is this quotes from us or is this from our stuff? So yeah, he's I I appreciate that. Um (low mumble) okay. I should we should we go over the answers now? Yeah, I think we actually got
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as pleasure ecstasy, elation, embarrassment; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 5.4/6; vocal-burst blend 4.0/10; 18.1s.
cond_podcastt_00_02_0004_490855_00246200 · in -22.4 dBFS · gain +2.4 dB · evasnippets-00322
(pleasure ecstasy, elation, embarrassment · normal-paced, normally alert, neutral tension, casual)I I see I know I know Bob. I know. I said before we recorded this, I was like, he's gonna throw in one. I bet he's gonna th is this quotes from us or is this from our stuff? So yeah, he's I I appreciate that. Um (low mumble) okay. I should we should we go over the answers now? Yeah, I think we actually got
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as pleasure ecstasy, elation, embarrassment; style: casual, conversational; average recording, quiet background; mildly explicit content; genuineness 5.4/6; vocal-burst blend 4.0/10; 18.1s.
cond_podcastt_00_02_0004_490855_00246200 · in -22.4 dBFS · gain +2.4 dB · evasnippets-00322
(pride, embarrassment ·brisk, energised, neutral tension, casual)And then Bob says more QE operating here. I wrote this question on August tenth, only to have Michelle Miller post the video clip of this scene on the social media platform that shall not be named, SMT T S N M B, on August eleventh. Since there was no
full caption & clip details
A young adult feminine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, neutral openness; reads as pride, embarrassment; style: casual, conversational; good recording, quiet background; genuineness 3.4/6; vocal-burst blend 4.7/10; 16.7s.
cond_podcastt_00_02_0004_490855_00263160 · in -19.4 dBFS · gain -0.6 dB · evasnippets-00316
(jealousy and envy, affection, contentment·measured, subdued, relaxed, monologue)I had to read several of them in high school. (ahem) Um I had to read Hamlet, had to read Romeo and Juliet, had to read Macbeth. (low mumble) Um there was one other. Not the taming of the shrew. But I mean so much stuff is based on those plays, which you know, who knows how much Shakespeare actually wrote or how much was written by people that wrote for him that he took all the credit for.
full caption & clip details
An adult masculine voice; delivery is subdued, measured, relaxed, steady; timbre is slightly warm, slightly dark, fairly smooth, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is mildly negative, neutral stance, neutral openness; reads as jealousy and envy, affection, contentment; style: monologue, whispered; average recording, quiet background; genuineness 2.4/6; vocal-burst blend 4.4/10; 26.4s.
cond_podcastt_00_02_0004_490855_00270496 · in -30.5 dBFS · gain +10.5 dB · evasnippets-00029
This chain comes from the two-sided rule: it only counts if both emotions move — Concentration down and Contentment up — by at least 0.25 each.
The chain starts with Contentment clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.27.
At the same time Concentration goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.69 (higher than 69 % of clips in this corpus), a change of -0.28. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.09, then +0.18 — a fairly even climb, though some clips carry more of the change than others.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.81 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.85 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.81. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: a young adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, slightly relaxed, fairly steady, some disfluency
(concentration, thankfulness gratitude, jealousy and envy · normal-paced, subdued, average clarity, casual)Yeah. In terms of it being kept, I just think it's I running an agency now is not running an agency like in twenty eighteen or la or like it was in twenty twenty, for example. It's very different because it's become ultimately what is an agency? An agency is a service provider or service based business that is selling a service to a group of individuals or a company. So it's just an agency is just a nicer way of saying I've kind of created this service, I'm putting a company behind it, I'm gonna sell to someone, right?
full caption & clip details
A young adult masculine voice; delivery is subdued, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as concentration, thankfulness gratitude, jealousy and envy; style: casual, monologue; average recording, quiet background; genuineness 2.9/6; vocal-burst blend 6.3/10; 28.9s.
cond_podcastt_03_02_0003_350716_00125304 · in -33.4 dBFS · gain +13.4 dB · evasnippets-00289
(hope enthusiasm optimism, interest, concentration ·brisk, normally alert, average clarity, casual)Two ways. Warm introductions. I know someone that's, you know, wants to fund your podcast. I can introduce you directly. And then second of which, how can I get you in touch with people that I don't know personally, but that still have a mandate to deploy capital or a history of investing in podcasts? That's the second thing. And that's where marketing comes in. And then lastly is just assisting with the conversion. So how do you convert to people that have already shown interest? Those are the three steps.
full caption & clip details
A young adult masculine voice; delivery is normally alert, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, interest, concentration; style: casual, monologue; good recording, quiet background; genuineness 2.2/6; vocal-burst blend 7.1/10; 22.7s.
cond_podcastt_03_02_0003_350716_00240848 · in -33.5 dBFS · gain +13.5 dB · evasnippets-00325
(contentment, hope enthusiasm optimism, contemplation·normal-paced, normally alert, somewhat unclear, casual)you don't know how you're gonna get there, you just know that you're gonna get there. And then it's just believing in yourself, believing in the team that you have around you, which is extremely important and being surrounded by the right people that allow you to get there and just leverage that kind of workforce to to get you as as as close to your goal and and the outcome that you've set out as possible.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as contentment, hope enthusiasm optimism, contemplation; style: casual, monologue; average recording, quiet background; genuineness 3.3/6; vocal-burst blend 9.4/10; 17.9s.
cond_podcastt_03_02_0003_350716_00287592 · in -36.1 dBFS · gain +16.1 dB · evasnippets-00325
This chain comes from the two-sided rule: it only counts if both emotions move — Hope Enthusiasm Optimism down and Teasing up — by at least 0.25 each.
The chain starts with Teasing clearly present — 0.73, higher than 73 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.25.
At the same time Hope Enthusiasm Optimism goes the other way, from 0.97 (higher than 97 % of clips in this corpus) to 0.60 (higher than 60 % of clips in this corpus), a change of -0.37. Both halves had to happen for this chain to qualify.
It takes 3 clips to get there. Clip to clip the moves are +0.23, then +0.02 — most of the change happening immediately, then levelling off.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.58 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.58 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.58, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 3 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, slightly relaxed, light breath
(hope enthusiasm optimism, interest, elation · brisk, energised, fairly steady, cartoonish)And today we're talking with Ross Smith about productivity gamification. Ross is director of test in Skype at Microsoft, where he's worked for over 20 years and has acquired seven patents. He and his team have helped Microsoft reinvent a number of business processes using gamification, including the Windows Language Quality game. Ross Smith, welcome to Game Changer.
full caption & clip details
An adult masculine voice; delivery is energised, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; clear, some disfluency, wide pitch range, light breath; affect is neutral, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, interest, elation; style: cartoonish, newsreading; good recording, quiet background; genuineness 0.3/6; vocal-burst blend 1.2/10; 22.0s.
cond_podcastt_00_03_0004_478026_00007472 · in -19.6 dBFS · gain -0.5 dB · evasnippets-00322
(amusement, teasing, contentment·normal-paced, normally alert, moderately variable, conversational)You've been one of the earliest folks playing around in this emerging area called gamification. What is your personal history and and how did you get to be involved in this area? Well, I've grown up playing games. I you know, loved board games when I was young and then (ahem) uh spent ton of time in high school playing pinball and video games. Kinda the early
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, wide pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as amusement, teasing, contentment; style: conversational, casual; good recording, quiet background; genuineness 3.8/6; vocal-burst blend 5.1/10; 21.0s.
cond_podcastt_00_03_0004_478026_00010000 · in -18.5 dBFS · gain -1.5 dB · evasnippets-00327
(teasing · normal-paced, very low-energy, moderately variable, casual)Now you're coming from Microsoft where you have tons of programmers available to you and th th because this all sounds highly customized, are you aware of resources or what would somebody at a a different type of company do if they would like to add gamification to some productivity tasks?
full caption & clip details
An adult masculine voice; delivery is very low-energy, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as teasing; style: casual, conversational; average recording, quiet background; genuineness 3.8/6; vocal-burst blend 8.2/10; 22.1s.
cond_podcastt_00_03_0004_478026_00151152 · in -21.8 dBFS · gain +1.8 dB · evasnippets-00322
Contentment ↓ / Doubt ↑c-evasnippets-AB2 · #14
This chain comes from the two-sided rule: it only counts if both emotions move — Contentment down and Doubt up — by at least 0.25 each.
The chain starts with Doubt clearly present — 0.73, higher than 73 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.27.
At the same time Contentment goes the other way, from 1.00 (virtually no clip in this corpus scores higher) to 0.71 (higher than 71 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.00, then +0.00, then +0.08, then +0.19 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.29 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.30 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.29, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: a young adult feminine voice · neutral-toned, fairly smooth, normally alert, fairly steady, some disfluency, average clarity, moderate pitch range, light breath
(contentment, shame, relief · brisk, neutral tension, casual, conversational)I'm guilty, I should say I should. It's one of those things I'm meaning to do. And it's it's just like, you know how when somebody sends you an email and you want to reply thoughtfully and you're like, I'll reply tonight before I go to bed. And then three days later it's like, act, I haven't done it. So, you know, I admit that I do that too. But that is one of my goals now. I had just hired a virtual assistant to help me with my social media. So now I can get back doing all those things that I want to do. And that's one of them is I would like to give recommendations for people that I've worked with because it's nice courtesy.
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, slightly thin; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as contentment, shame, relief; style: casual, conversational; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 10.0/10; 27.3s.
cond_podcastt_00_01_0004_657947_00229112 · in -17.8 dBFS · gain -2.2 dB · evasnippets-00325
(contentment, shame, relief · brisk, neutral tension, casual, conversational)I'm guilty, I should say I should. It's one of those things I'm meaning to do. And it's it's just like, you know how when somebody sends you an email and you want to reply thoughtfully and you're like, I'll reply tonight before I go to bed. And then three days later it's like, act, I haven't done it. So, you know, I admit that I do that too. But that is one of my goals now. I had just hired a virtual assistant to help me with my social media. So now I can get back doing all those things that I want to do. And that's one of them is I would like to give recommendations for people that I've worked with because it's nice courtesy.
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, slightly thin; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as contentment, shame, relief; style: casual, conversational; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 10.0/10; 27.3s.
cond_podcastt_00_01_0004_657947_00229112 · in -17.8 dBFS · gain -2.2 dB · evasnippets-00325
(contentment, shame, relief · brisk, neutral tension, casual, conversational)I'm guilty, I should say I should. It's one of those things I'm meaning to do. And it's it's just like, you know how when somebody sends you an email and you want to reply thoughtfully and you're like, I'll reply tonight before I go to bed. And then three days later it's like, act, I haven't done it. So, you know, I admit that I do that too. But that is one of my goals now. I had just hired a virtual assistant to help me with my social media. So now I can get back doing all those things that I want to do. And that's one of them is I would like to give recommendations for people that I've worked with because it's nice courtesy.
full caption & clip details
A young adult feminine voice; delivery is normally alert, brisk, neutral tension, fairly steady; timbre is neutral-toned, slightly bright, fairly smooth, slightly thin; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as contentment, shame, relief; style: casual, conversational; average recording, quiet background; genuineness 3.9/6; vocal-burst blend 10.0/10; 27.3s.
cond_podcastt_00_01_0004_657947_00229112 · in -17.8 dBFS · gain -2.2 dB · evasnippets-00325
(contemplation, contentment, thankfulness gratitude·normal-paced, slightly relaxed, conversational, casual)So before we close up, sometimes the ethical stuff comes up in the conversation and sometimes we kind of tag it on at the end. And we've addressed it a little bit in terms of authenticity, but I think especially with something like LinkedIn, there's a lot of people who are sort of new to the idea of marketing. This isn't something that they've been trained in. And what I see sometimes with people who are new to marketing is there's certain temptations.
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as contemplation, contentment, thankfulness gratitude; style: conversational, casual; good recording, no background noise; genuineness 1.5/6; vocal-burst blend 3.5/10; 25.7s.
cond_podcastt_00_01_0004_657947_00231848 · in -17.1 dBFS · gain -2.9 dB · evasnippets-00139
(doubt, concentration, contemplation · normal-paced, slightly relaxed, conversational, casual)What do you mean by dangerous temptation? So I don't know LinkedIn well enough, but I know, for example, doing paid social media on Facebook, for example, you know, you can target certain demographics and certain groups, and that's all fine, but there are always points where you see a line in terms of your ethics, that line between manipulation and persuasion. You know, marketing is persuasion to a certain degree, but there's a line between that and manipulation. For example,
full caption & clip details
An adult feminine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as doubt, concentration, contemplation; style: conversational, casual; good recording, no background noise; genuineness 1.0/6; vocal-burst blend 5.0/10; 29.1s.
cond_podcastt_00_01_0004_657947_00236223 · in -17.3 dBFS · gain -2.7 dB · evasnippets-00139
This chain comes from the two-sided rule: it only counts if both emotions move — Embarrassment down and Contemplation up — by at least 0.25 each.
The chain starts with Contemplation clearly present — 0.72, higher than 72 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.27.
At the same time Embarrassment goes the other way, from 0.94 (higher than 94 % of clips in this corpus) to 0.63 (higher than 63 % of clips in this corpus), a change of -0.31. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.11, then +0.00, then +0.00, then +0.16 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.93 against the first clip, where 1.00 would mean an identical voice. That is a strong match — almost certainly one person throughout. Neighbouring clips score at worst 0.93 against each other.
Voice consistency: these clips are separate recordings joined together. The measured match is tight (0.93), so any shift should be subtle — but you may still notice the voice change slightly from segment to segment. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, good recording, slightly relaxed, moderate pitch range
(embarrassment, doubt, teasing · normal-paced, normally alert, fairly steady, casual)And then we can try to talk about well well, how do we faithfully respond to an imperative that doesn't necessarily apply to us? Like, um, (ahem) Paul is not telling you to bring his clo to bring his cloak and parchments and he told that to Timothy.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as embarrassment, doubt, teasing; style: casual, conversational; good recording, no background noise; genuineness 4.5/6; vocal-burst blend 1.1/10; 12.6s.
cond_podcastt_00_01_0000_976373_00168992 · in -32.0 dBFS · gain +12.0 dB · evasnippets-00321
(contentment, interest, relief· normal-paced, normally alert, moderately variable, casual)We're not e yeah, we're not quite to verse two yet. Um (low mumble) if you've ever been in a Bible study with me, this is how it always goes. So uh (ahem) hopefully you're not bogged down yet. (low mumble) Um so so to those who are in Ephesus, and we're gonna come back to Ephesus quite a bit, because I think there are some things in the letter. I'm convinced that there are some things in the letter that we have to understand through the lens of those who are in Ephesus.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as contentment, interest, relief; style: casual, conversational; good recording, quiet background; genuineness 4.5/6; vocal-burst blend 4.8/10; 20.6s.
cond_podcastt_00_01_0000_976373_00174280 · in -31.2 dBFS · gain +11.2 dB · evasnippets-00317
(contentment, interest, relief · normal-paced, normally alert, moderately variable, casual)We're not e yeah, we're not quite to verse two yet. Um (low mumble) if you've ever been in a Bible study with me, this is how it always goes. So uh (ahem) hopefully you're not bogged down yet. (low mumble) Um so so to those who are in Ephesus, and we're gonna come back to Ephesus quite a bit, because I think there are some things in the letter. I'm convinced that there are some things in the letter that we have to understand through the lens of those who are in Ephesus.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as contentment, interest, relief; style: casual, conversational; good recording, quiet background; genuineness 4.5/6; vocal-burst blend 4.8/10; 20.6s.
cond_podcastt_00_01_0000_976373_00174280 · in -31.2 dBFS · gain +11.2 dB · evasnippets-00317
(contentment, interest, relief · normal-paced, normally alert, moderately variable, casual)We're not e yeah, we're not quite to verse two yet. Um (low mumble) if you've ever been in a Bible study with me, this is how it always goes. So uh (ahem) hopefully you're not bogged down yet. (low mumble) Um so so to those who are in Ephesus, and we're gonna come back to Ephesus quite a bit, because I think there are some things in the letter. I'm convinced that there are some things in the letter that we have to understand through the lens of those who are in Ephesus.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, slightly submissive, slightly guarded; reads as contentment, interest, relief; style: casual, conversational; good recording, quiet background; genuineness 4.5/6; vocal-burst blend 4.8/10; 20.6s.
cond_podcastt_00_01_0000_976373_00174280 · in -31.2 dBFS · gain +11.2 dB · evasnippets-00317
(contemplation, concentration, contentment ·slow, very low-energy, steady, monologue)Ephesians. And so if you're familiar with Ephesus at that time at all, the the uh (soft hum) highest ranking or most celebrated or most prominent god in Ephesus is Artemis. And and Artemis of the Ephesians is a little bit different than what you would see Artemis everywhere else. She had she had a particular (soft hum) uh role (low mumble) um in Ephesus, but instead of a blessing from Artemis, which would have been quite common.
full caption & clip details
A young adult masculine voice; delivery is very low-energy, slow, slightly relaxed, steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; somewhat unclear, frequent disfluency, moderate pitch range, normal breath; affect is mildly negative, neutral stance, slightly guarded; reads as contemplation, concentration, contentment; style: monologue, casual; good recording, quiet background; genuineness 2.1/6; vocal-burst blend 1.0/10; 26.5s.
cond_podcastt_00_01_0000_976373_00197600 · in -35.1 dBFS · gain +15.1 dB · evasnippets-00031
Pride ↓ / Relief ↑c-evasnippets-AB2 · #16
This chain comes from the two-sided rule: it only counts if both emotions move — Pride down and Relief up — by at least 0.25 each.
The chain starts with Relief around average — 0.58, higher than 58 % of clips in this corpus — and ends with it at the very top of the corpus at 0.91, higher than 91 % of clips in this corpus. That is a total rise of 0.34.
At the same time Pride goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.66 (higher than 66 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.00, then +0.09, then +0.24 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.14 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.14 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.14, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, fairly smooth, balanced body, brisk, energised, neutral tension, some disfluency, average clarity
(pride, contempt, interest · fairly steady, moderate pitch range, casual, authoritative)Nebraska, we know, will have certain limitations offensively compared to certain teams that they're going to play in the Big Ten. And that is just a fact. That's their identity. They can defend at a high level, and that's what they're going to make their hay on. But
full caption & clip details
An adult masculine voice; delivery is energised, brisk, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as pride, contempt, interest; style: casual, authoritative; good recording, no background noise; genuineness 2.9/6; vocal-burst blend 5.0/10; 11.3s.
cond_podcastt_01_00_0001_526532_00064236 · in -23.3 dBFS · gain +3.3 dB · evasnippets-00325
(pride, contempt, interest · fairly steady, moderate pitch range, casual, authoritative)Nebraska, we know, will have certain limitations offensively compared to certain teams that they're going to play in the Big Ten. And that is just a fact. That's their identity. They can defend at a high level, and that's what they're going to make their hay on. But
full caption & clip details
An adult masculine voice; delivery is energised, brisk, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as pride, contempt, interest; style: casual, authoritative; good recording, no background noise; genuineness 2.9/6; vocal-burst blend 5.0/10; 11.3s.
cond_podcastt_01_00_0001_526532_00064236 · in -23.3 dBFS · gain +3.3 dB · evasnippets-00325
(interest, astonishment surprise, bitterness·moderately variable, wide pitch range, casual, conversational)Which was amazing at the end because you had Michigan made their two, Bryce made his two, and then it was a front end miss for Michigan. And then you had the the Connor Siegeon shot that didn't go, and then two more free throws for Michigan. That was it. As opposed to sometimes where you're like, this was 16 free throws in the last minute and
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as interest, astonishment surprise, bitterness; style: casual, conversational; average recording, no background noise; mildly explicit content; genuineness 3.6/6; vocal-burst blend 5.6/10; 17.4s.
cond_podcastt_01_00_0001_526532_00068648 · in -22.5 dBFS · gain +2.5 dB · evasnippets-00316
(relief· moderately variable, wide pitch range, casual, conversational)Alexis Markowski goes out a couple minutes in, and it is a really tight game up to that point. Kind of tweaks something in her back and is slow to get off the floor, goes immediately out the tunnel. She does come back a couple minutes later, but the run had started for the Huskies.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as relief; style: casual, conversational; good recording, quiet background; genuineness 2.8/6; vocal-burst blend 8.0/10; 16.3s.
cond_podcastt_01_00_0001_526532_00081424 · in -22.2 dBFS · gain +2.2 dB · evasnippets-00316
This chain comes from the two-sided rule: it only counts if both emotions move — Contemplation down and Amusement up — by at least 0.25 each.
The chain starts with Amusement clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.27.
At the same time Contemplation goes the other way, from 0.98 (higher than 98 % of clips in this corpus) to 0.72 (higher than 72 % of clips in this corpus), a change of -0.26. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.04, then +0.00, then +0.00, then +0.24 — a slow start, with most of the change arriving in the final step.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.88 against the first clip, where 1.00 would mean an identical voice. That is above the 0.80 threshold the mining used — very likely one person. Neighbouring clips score at worst 0.88 against each other.
Voice consistency: these clips are separate recordings joined together, matching at 0.88. You may notice the voice shift a little between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, neutral-bright, balanced body
(contemplation, affection, interest · normal-paced, normally alert, slightly relaxed, casual)If you learn that as a kid, if you learn that as a child, you will be able to do that now and you will see healthier outcomes in your relationships because of it. And that's what we're talking about. We're basically talking about training your children to be better adults and better humans so that in their future relationships, people are able to understand them because they are being open and not shutting down.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly negative, slightly dominant, fairly guarded; reads as contemplation, affection, interest; style: casual, conversational; good recording, no background noise; genuineness 1.8/6; vocal-burst blend 5.2/10; 20.6s.
cond_podcastt_00_01_0000_809986_00197804 · in -24.4 dBFS · gain +4.3 dB · evasnippets-00317
(relief, jealousy and envy·measured, normally alert, neutral tension, casual)All right. Since since we're on this this communication kick, I got one from the great Desmond Tutu. Um, (low mumble) this one is my father used to say, Don't raise your voice, improve your argument. Again, my father used to say, Don't raise your voice, improve your argument. From the great Bishop Desmond Tutu. What do you think, Dr. John?
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, slightly guarded; reads as relief, jealousy and envy; style: casual, didactic; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 4.0/10; 23.7s.
cond_podcastt_00_01_0000_809986_00200752 · in -23.1 dBFS · gain +3.1 dB · evasnippets-00323
(relief, jealousy and envy · measured, normally alert, neutral tension, casual)All right. Since since we're on this this communication kick, I got one from the great Desmond Tutu. Um, (low mumble) this one is my father used to say, Don't raise your voice, improve your argument. Again, my father used to say, Don't raise your voice, improve your argument. From the great Bishop Desmond Tutu. What do you think, Dr. John?
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, slightly guarded; reads as relief, jealousy and envy; style: casual, didactic; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 4.0/10; 23.7s.
cond_podcastt_00_01_0000_809986_00200752 · in -23.1 dBFS · gain +3.1 dB · evasnippets-00323
(relief, jealousy and envy · measured, normally alert, neutral tension, casual)All right. Since since we're on this this communication kick, I got one from the great Desmond Tutu. Um, (low mumble) this one is my father used to say, Don't raise your voice, improve your argument. Again, my father used to say, Don't raise your voice, improve your argument. From the great Bishop Desmond Tutu. What do you think, Dr. John?
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, neutral tension, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, wide pitch range, normal breath; affect is neutral, slightly dominant, slightly guarded; reads as relief, jealousy and envy; style: casual, didactic; average recording, quiet background; genuineness 3.4/6; vocal-burst blend 4.0/10; 23.7s.
cond_podcastt_00_01_0000_809986_00200752 · in -23.1 dBFS · gain +3.1 dB · evasnippets-00323
(amusement, interest, astonishment surprise·normal-paced, energised, neutral tension, conversational)XM station rock the bells. And the way that Jimmy kind of responded was kind of defensive. You can see kind of kind of shooking. And he kind (ahem) of even (ahem) uh talked about that. And LL was just passionate. You know, he's passionate, he's happy, he's energetic. But for Jimmy, he kind of took it as, oh, that's it's a little bit too much energy. Because people often read that sense of passion as being something that it's not. They take
full caption & clip details
An adult masculine voice; delivery is energised, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly negative, slightly dominant, slightly guarded; reads as amusement, interest, astonishment surprise; style: conversational, casual; average recording, quiet background; genuineness 4.3/6; vocal-burst blend 7.0/10; 24.5s.
cond_podcastt_00_01_0000_809986_00226344 · in -24.2 dBFS · gain +4.2 dB · evasnippets-00324
Shame ↓ / Interest ↑c-evasnippets-AB2 · #18
This chain comes from the two-sided rule: it only counts if both emotions move — Shame down and Interest up — by at least 0.25 each.
The chain starts with Interest clearly present — 0.61, higher than 61 % of clips in this corpus — and ends with it at the very top of the corpus at 0.98, higher than 98 % of clips in this corpus. That is a total rise of 0.37.
At the same time Shame goes the other way, from 0.92 (higher than 92 % of clips in this corpus) to 0.62 (higher than 62 % of clips in this corpus), a change of -0.29. Both halves had to happen for this chain to qualify.
It takes 4 clips to get there. Clip to clip the moves are +0.00, then +0.22, then +0.14 — a plateau around step 1, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.76 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.83 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.76, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 4 clips: an adult masculine voice · neutral-toned, neutral-bright, fairly smooth, balanced body, quiet background, some disfluency, average clarity, wide pitch range
(shame · normal-paced, normally alert, neutral tension, conversational)But I think a lot of that goes back to say twenty years ago when we when we put when I put out the data like for stick shifts, uh (ahem) manual transmission, eighteen speed, thirteen. Oh, (ahem) uh we were we were gonna get to that and I'm glad you brought it up.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as shame; style: conversational, casual; average recording, quiet background; genuineness 5.4/6; vocal-burst blend 4.5/10; 11.2s.
cond_podcastt_01_02_0003_47554_00122414 · in -23.1 dBFS · gain +3.1 dB · evasnippets-00326
(shame · normal-paced, normally alert, neutral tension, conversational)But I think a lot of that goes back to say twenty years ago when we when we put when I put out the data like for stick shifts, uh (ahem) manual transmission, eighteen speed, thirteen. Oh, (ahem) uh we were we were gonna get to that and I'm glad you brought it up.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as shame; style: conversational, casual; average recording, quiet background; genuineness 5.4/6; vocal-burst blend 4.5/10; 11.2s.
cond_podcastt_01_02_0003_47554_00122414 · in -23.1 dBFS · gain +3.1 dB · evasnippets-00326
(doubt, disappointment, contempt·brisk, energised, slightly relaxed, casual)Grasp it and say, Hey, I think I have the manual dexterity and the mental capacity to shift gears. They would typically say, Well, I'm just not going to go into that industry. I'm not gonna, I'm not gonna take on that challenge. It's not worth it. Now you don't have that. So you've got a bunch of riffraff coming in. And that is one thing that I do like about cameras, is it gives you the ability to see what
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as doubt, disappointment, contempt; style: casual, conversational; good recording, quiet background; genuineness 3.5/6; vocal-burst blend 6.1/10; 22.5s.
cond_podcastt_01_02_0003_47554_00124152 · in -24.5 dBFS · gain +4.5 dB · evasnippets-00154
(interest, jealousy and envy, intoxication altered states of consciousness· brisk, energised, neutral tension, casual)Wow, whole new mark whole new labor market opens up and we can keep paying people shit. Pretty much. But I I think a lot of that's going all it you bowl it all down and it's it's a licensing standard issue. And uh (ahem) you're allowing every state to make its own rules, right? And that's where you have California and AB sixty and Washington and then Minnesota.
full caption & clip details
A young adult masculine voice; delivery is energised, brisk, neutral tension, moderately variable; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is positive, slightly dominant, slightly guarded; reads as interest, jealousy and envy, intoxication altered states of consciousness; style: casual, playful; average recording, quiet background; mildly explicit content; genuineness 3.9/6; vocal-burst blend 3.3/10; 21.2s.
cond_podcastt_01_02_0003_47554_00279350 · in -23.4 dBFS · gain +3.4 dB · evasnippets-00280
This chain comes from the two-sided rule: it only counts if both emotions move — Interest down and Contemplation up — by at least 0.25 each.
The chain starts with Contemplation clearly present — 0.75, higher than 75 % of clips in this corpus — and ends with it at the very top of the corpus at 1.00, virtually no clip in this corpus scores higher. That is a total rise of 0.25.
At the same time Interest goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.64 (higher than 64 % of clips in this corpus), a change of -0.30. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.00, then +0.23, then -0.19, then +0.21 — not a clean run: step 3 moves back the other way by 0.19 before the chain recovers.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.38 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.38 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.38, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, neutral-bright, quiet background, fairly steady, light breath
(interest, jealousy and envy, bitterness · normal-paced, subdued, slightly relaxed, casual)salt they drill, so he was basically saying, Well we'll use that same technology and try to drill for oil. And this kind of hit me on on kinda hit me on talking to entrepreneurs, people who go out and, you know, make I guess of my mind make a difference in the world, make an impact. Um, (ahem) he reminds me of that kind of character where he really didn't listen to other people what they said, 'cause (ahem) uh a lot of people, even the people he was hiring to go do this drilling laughed at him, saying, You can't drill for oil. This is this is a silly idea.
full caption & clip details
An adult masculine voice; delivery is subdued, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as interest, jealousy and envy, bitterness; style: casual, conversational; average recording, quiet background; genuineness 4.7/6; vocal-burst blend 9.5/10; 23.2s.
cond_podcastt_01_01_0001_194887_00156328 · in -22.3 dBFS · gain +2.3 dB · evasnippets-00325
(jealousy and envy, concentration·measured, very low-energy, slightly relaxed, whispered)some of those developed developed countries such as Germany, the UK, the US, France, uh, (low mumble) to go into the Middle East and go into in Russia for that matter, move more to the Middle East. And that's where we have some of the alliances to do, which again, cross ethnic, uh, (low mumble) religious and political ideologies all the way across. I think it makes some sense to talk about I mean I think most people might know, but where were the major or oil sources found across the world?
full caption & clip details
A middle-aged masculine voice; delivery is very low-energy, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as jealousy and envy, concentration; style: whispered, casual; average recording, quiet background; genuineness 4.1/6; vocal-burst blend 5.9/10; 28.6s.
cond_podcastt_01_01_0001_194887_00350715 · in -24.5 dBFS · gain +4.5 dB · evasnippets-00326
(doubt, contemplation, concentration ·normal-paced, subdued, slightly relaxed, casual)If that price increases, say doubles or triples, some of those nations aren't going to be able to use oil to develop their nation. I think that's it seems in my mind seems fairly simple, but I don't know if it's talked about very simply out there. No. I I don't I don't yeah, I think exactly right. I think we can go from a microcosm to a macrocosm. And that the micro is that you're right. I mean, on a macrocosm, there's certain individuals, certain families who can probably absorb that additional cost. And keep in mind, I mean
full caption & clip details
An adult masculine voice; delivery is subdued, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, balanced body; average clarity, frequent disfluency, moderate pitch range, light breath; affect is mildly negative, neutral stance, slightly guarded; reads as doubt, contemplation, concentration; style: casual, monologue; average recording, quiet background; genuineness 3.6/6; vocal-burst blend 3.5/10; 29.4s.
cond_podcastt_01_01_0001_194887_00504064 · in -24.2 dBFS · gain +4.2 dB · evasnippets-00327
(concentration, hope enthusiasm optimism, sourness· normal-paced, normally alert, slightly relaxed, casual)We don't it's not like you can build up and say, Well, we'll in real windy areas we'll store up a bunch of electrical energy and we'll send it somewhere else so they can use it. We just don't have that. I mean battery technology is the best it's ever been right now and still that lacks in being able to really use it in a in a mega scale that we're talking about.
full caption & clip details
An adult masculine voice; delivery is normally alert, normal-paced, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, balanced body; average clarity, some disfluency, moderate pitch range, light breath; affect is mildly positive, neutral stance, slightly guarded; reads as concentration, hope enthusiasm optimism, sourness; style: casual, monologue; good recording, quiet background; genuineness 3.0/6; vocal-burst blend 5.1/10; 15.8s.
cond_podcastt_01_01_0001_194887_00558144 · in -22.1 dBFS · gain +2.0 dB · evasnippets-00325
(contemplation, sadness, shame·measured, very low-energy, relaxed, casual)It sounds like a great idea, but the reality of it, and I'll I guess I'll reflect upon this myself individually, what it would take. Um (low mumble) means I don't drive a car. It means I pay a lot more for energy in general. It means really my lifestyle I guess I I might classify regresses in time back to, I don't know, sixty, fift seventy years ago.
full caption & clip details
An adult masculine voice; delivery is very low-energy, measured, relaxed, fairly steady; timbre is neutral-toned, neutral-bright, fairly smooth, slightly thin; somewhat unclear, frequent disfluency, fairly narrow pitch, light breath; affect is mildly negative, neutral stance, neutral openness; reads as contemplation, sadness, shame; style: casual, conversational; average recording, quiet background; genuineness 4.9/6; vocal-burst blend 10.0/10; 25.2s.
cond_podcastt_01_01_0001_194887_00615064 · in -23.0 dBFS · gain +3.0 dB · evasnippets-00087
This chain comes from the two-sided rule: it only counts if both emotions move — Thankfulness Gratitude down and Embarrassment up — by at least 0.25 each.
The chain starts with Embarrassment clearly present — 0.71, higher than 71 % of clips in this corpus — and ends with it at the very top of the corpus at 0.99, higher than 99 % of clips in this corpus. That is a total rise of 0.28.
At the same time Thankfulness Gratitude goes the other way, from 0.95 (higher than 95 % of clips in this corpus) to 0.64 (higher than 64 % of clips in this corpus), a change of -0.31. Both halves had to happen for this chain to qualify.
It takes 5 clips to get there. Clip to clip the moves are +0.00, then +0.00, then +0.16, then +0.12 — a plateau around step 1, where it barely moves.
No single step is larger than the 0.25 cap, which is exactly what stops this being a jump cut: the change has to be spread across the clips instead of landing all at once.
Same speaker? The least similar clip scores 0.22 against the first clip, where 1.00 would mean an identical voice. That is below the 0.80 threshold the mining used — treat the “same speaker” claim here with caution. Neighbouring clips score at worst 0.44 against each other.
Voice consistency: these clips are separate recordings joined together and the match is loose (0.22, under the 0.80 threshold), so the voice may audibly change between segments. Voice conversion has not been applied yet in this build. A planned pass will re-render every segment onto the first segment's voice, which removes this effect entirely.
Unchanged across all 5 clips: an adult masculine voice · neutral-toned, normally alert, wide pitch range
(thankfulness gratitude, hope enthusiasm optimism, contentment · measured, slightly relaxed, fairly steady, didactic)Hello, ladies and gentlemen. Welcome to Brandy's Very Short Podcast. Today I have one thing and one thing only to tell you. It is actually only three words. That thing is
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, full; very clear, frequent disfluency, wide pitch range, normal breath; affect is mildly positive, slightly dominant, slightly guarded; reads as thankfulness gratitude, hope enthusiasm optimism, contentment; style: didactic, monologue; good recording, no background noise; genuineness 1.3/6; vocal-burst blend 0.9/10; 16.2s.
cond_podcastt_00_03_0001_310816_00273256 · in -30.9 dBFS · gain +10.9 dB · evasnippets-00327
(thankfulness gratitude, hope enthusiasm optimism, contentment · measured, slightly relaxed, fairly steady, didactic)Hello, ladies and gentlemen. Welcome to Brandy's Very Short Podcast. Today I have one thing and one thing only to tell you. It is actually only three words. That thing is
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, full; very clear, frequent disfluency, wide pitch range, normal breath; affect is mildly positive, slightly dominant, slightly guarded; reads as thankfulness gratitude, hope enthusiasm optimism, contentment; style: didactic, monologue; good recording, no background noise; genuineness 1.3/6; vocal-burst blend 0.9/10; 16.2s.
cond_podcastt_00_03_0001_310816_00273256 · in -30.9 dBFS · gain +10.9 dB · evasnippets-00327
(thankfulness gratitude, hope enthusiasm optimism, contentment · measured, slightly relaxed, fairly steady, didactic)Hello, ladies and gentlemen. Welcome to Brandy's Very Short Podcast. Today I have one thing and one thing only to tell you. It is actually only three words. That thing is
full caption & clip details
An adult masculine voice; delivery is normally alert, measured, slightly relaxed, fairly steady; timbre is neutral-toned, neutral-bright, slightly rough, full; very clear, frequent disfluency, wide pitch range, normal breath; affect is mildly positive, slightly dominant, slightly guarded; reads as thankfulness gratitude, hope enthusiasm optimism, contentment; style: didactic, monologue; good recording, no background noise; genuineness 1.3/6; vocal-burst blend 0.9/10; 16.2s.
cond_podcastt_00_03_0001_310816_00273256 · in -30.9 dBFS · gain +10.9 dB · evasnippets-00327
(hope enthusiasm optimism, elation, teasing·brisk, neutral tension, moderately variable, casual)Us anything and if we don't if you know if we don't do it on the podcast, we may just do it in person when we're hanging out and post about it and tag you in it. So you know what? Go follow us on Twitter. Absolutely. Or we'll just DM you. (low mumble) Um
full caption & clip details
An adult masculine voice; delivery is normally alert, brisk, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, slightly dominant, slightly guarded; reads as hope enthusiasm optimism, elation, teasing; style: casual, conversational; average recording, quiet background; genuineness 4.3/6; vocal-burst blend 8.9/10; 13.4s.
cond_podcastt_00_03_0001_310816_00319152 · in -28.4 dBFS · gain +8.4 dB · evasnippets-00321
(embarrassment, pleasure ecstasy, amusement·normal-paced, neutral tension, moderately variable, casual)I I guarantee you they held on to it because they're like, dude, this this thing's gonna blow up or I mean who I mean, it was early the two thousands, right before the financial crisis, so who knows? And they did blow up very quickly. In fact, I believe
full caption & clip details
A young adult masculine voice; delivery is normally alert, normal-paced, neutral tension, moderately variable; timbre is neutral-toned, slightly bright, fairly smooth, balanced body; average clarity, some disfluency, wide pitch range, light breath; affect is mildly positive, neutral stance, neutral openness; reads as embarrassment, pleasure ecstasy, amusement; style: casual, conversational; average recording, quiet background; genuineness 4.9/6; vocal-burst blend 7.5/10; 11.6s.
cond_podcastt_00_03_0001_310816_00382896 · in -28.7 dBFS · gain +8.7 dB · evasnippets-00325